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	<title>Cine-Debate Archives - Hammer to Nail</title>
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	<description>What to Watch</description>
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	<title>Cine-Debate Archives - Hammer to Nail</title>
	<link>https://www.hammertonail.com/category/editorial/cine-debate-editorial/</link>
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	<item>
		<title>A Conversation with Flora Lau (LUZ)</title>
		<link>https://www.hammertonail.com/interviews/flora-lau/</link>
		
		<dc:creator><![CDATA[Jack Schenker]]></dc:creator>
		<pubDate>Mon, 10 Feb 2025 18:50:39 +0000</pubDate>
				<category><![CDATA[Cine-Debate]]></category>
		<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Film Festivals]]></category>
		<category><![CDATA[HIDDEN GEMS]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Lists]]></category>
		<category><![CDATA[Reports]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[2025 Sundance Film Festival]]></category>
		<category><![CDATA[Benjamin Echazarreta]]></category>
		<category><![CDATA[Blade Runner]]></category>
		<category><![CDATA[Enter the Void]]></category>
		<category><![CDATA[enter the void opening sequence]]></category>
		<category><![CDATA[Flora Lau]]></category>
		<category><![CDATA[Gaspar Noe]]></category>
		<category><![CDATA[Isabelle Huppert]]></category>
		<category><![CDATA[Luz movie]]></category>
		<category><![CDATA[Mimi Xu]]></category>
		<category><![CDATA[Sandrine Pinna]]></category>
		<category><![CDATA[Sundance]]></category>
		<category><![CDATA[Sundance 2025]]></category>
		<category><![CDATA[Sundance Film Festival]]></category>
		<category><![CDATA[Tom Kan]]></category>
		<category><![CDATA[World Dramatic Competition]]></category>
		<category><![CDATA[Xiao Dong Guo]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=52557</guid>

					<description><![CDATA[<div><img width="300" height="159" src="https://www.hammertonail.com/wp-content/uploads/2025/02/Lau-300x159.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2025/02/Lau-300x159.png 300w, https://www.hammertonail.com/wp-content/uploads/2025/02/Lau-1024x542.png 1024w, https://www.hammertonail.com/wp-content/uploads/2025/02/Lau-768x406.png 768w, https://www.hammertonail.com/wp-content/uploads/2025/02/Lau-1536x812.png 1536w, https://www.hammertonail.com/wp-content/uploads/2025/02/Lau.png 1868w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>Premiering in the World Dramatic Competition at Sundance 2025, Luz is an ambitious exploration of reality, connection and redemption from director Flora Lau (Bends). Set across Chongqing, Hong Kong and Paris, the film follows Wei (Xiao Dong Guo), a reformed [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/flora-lau/">A Conversation with Flora Lau (LUZ)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<item>
		<title>A Conversation with Tony Benna (ANDRÉ IS AN IDIOT)</title>
		<link>https://www.hammertonail.com/interviews/tony-benna/</link>
		
		<dc:creator><![CDATA[Jack Schenker]]></dc:creator>
		<pubDate>Thu, 06 Feb 2025 19:26:08 +0000</pubDate>
				<category><![CDATA[Cine-Debate]]></category>
		<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Film Festivals]]></category>
		<category><![CDATA[HIDDEN GEMS]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Lists]]></category>
		<category><![CDATA[Reports]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[A24]]></category>
		<category><![CDATA[André Is An Idiot]]></category>
		<category><![CDATA[André Is An Idiot documentary]]></category>
		<category><![CDATA[André Is An Idiot movie review]]></category>
		<category><![CDATA[Dan Deacon]]></category>
		<category><![CDATA[Sundance 2025]]></category>
		<category><![CDATA[Sundance Film Festival]]></category>
		<category><![CDATA[Sundance Film Festival 2025]]></category>
		<category><![CDATA[terminal cancer movie]]></category>
		<category><![CDATA[Tommy Chong]]></category>
		<category><![CDATA[Tony Benna]]></category>
		<category><![CDATA[U.S. Documentary Competition]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=52530</guid>

					<description><![CDATA[<div><img width="300" height="200" src="https://www.hammertonail.com/wp-content/uploads/2025/02/Benna-300x200.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" fetchpriority="high" srcset="https://www.hammertonail.com/wp-content/uploads/2025/02/Benna-300x200.png 300w, https://www.hammertonail.com/wp-content/uploads/2025/02/Benna-1024x682.png 1024w, https://www.hammertonail.com/wp-content/uploads/2025/02/Benna-768x511.png 768w, https://www.hammertonail.com/wp-content/uploads/2025/02/Benna-1536x1022.png 1536w, https://www.hammertonail.com/wp-content/uploads/2025/02/Benna.png 1836w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>In André Is An Idiot, which premiered in the U.S. Documentary Competition at Sundance 2025 (where it won the Audience Award: U.S. Documentary), first-time feature director Tony Benna crafts an unexpectedly profound portrait of his friend André Ricciardi, a maverick advertising [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/tony-benna/">A Conversation with Tony Benna (ANDRÉ IS AN IDIOT)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<item>
		<title>ON THE FRINGE: Loquacious introduction + On the Bowery (1956)</title>
		<link>https://www.hammertonail.com/editorial/on-the-fringe-1/</link>
		
		<dc:creator><![CDATA[]]></dc:creator>
		<pubDate>Thu, 01 Mar 2018 22:42:01 +0000</pubDate>
				<category><![CDATA[Cine-Debate]]></category>
		<category><![CDATA[EDITORIAL]]></category>
		<category><![CDATA[Lists]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Alice Doesn't Live Here Any More]]></category>
		<category><![CDATA[Allison Anders]]></category>
		<category><![CDATA[Ashton Kutcher]]></category>
		<category><![CDATA[Barbara Ehrenreich]]></category>
		<category><![CDATA[Beasts of the Southern Wild]]></category>
		<category><![CDATA[Benh Zeitlin]]></category>
		<category><![CDATA[Charles Burnett]]></category>
		<category><![CDATA[Common People]]></category>
		<category><![CDATA[Down and Out in Paris and London]]></category>
		<category><![CDATA[Eugene O'Neill]]></category>
		<category><![CDATA[Fake news]]></category>
		<category><![CDATA[Francois Truffaut]]></category>
		<category><![CDATA[Frederick Wiseman]]></category>
		<category><![CDATA[Gas Food Lodging]]></category>
		<category><![CDATA[George Orwell]]></category>
		<category><![CDATA[Gorman Hendricks]]></category>
		<category><![CDATA[Hector Babenco]]></category>
		<category><![CDATA[Italian Neorealism]]></category>
		<category><![CDATA[Jeff Nichols]]></category>
		<category><![CDATA[Jim Jarmusch]]></category>
		<category><![CDATA[John Cassavetes]]></category>
		<category><![CDATA[Jonas Mekas]]></category>
		<category><![CDATA[Jose Luis Buñuel]]></category>
		<category><![CDATA[Kelly Reichardt]]></category>
		<category><![CDATA[Kent Mackenzie]]></category>
		<category><![CDATA[Killer of Sheep]]></category>
		<category><![CDATA[Lionel Rogosin]]></category>
		<category><![CDATA[Los olvidados]]></category>
		<category><![CDATA[Lucy Ricardo]]></category>
		<category><![CDATA[Luis Bunuel]]></category>
		<category><![CDATA[Mae West]]></category>
		<category><![CDATA[Marc Summers]]></category>
		<category><![CDATA[Martin Scorsese]]></category>
		<category><![CDATA[Maya Deren]]></category>
		<category><![CDATA[Media Insight Project]]></category>
		<category><![CDATA[Mouchette]]></category>
		<category><![CDATA[Nanook of the North]]></category>
		<category><![CDATA[Nerding Out]]></category>
		<category><![CDATA[Nickel and Dimed]]></category>
		<category><![CDATA[On the Bowery]]></category>
		<category><![CDATA[On the Fringe]]></category>
		<category><![CDATA[On Your Marc]]></category>
		<category><![CDATA[Permanent Vacation]]></category>
		<category><![CDATA[Peter and the Wolf]]></category>
		<category><![CDATA[Pixote]]></category>
		<category><![CDATA[pulp]]></category>
		<category><![CDATA[Ray Salyer]]></category>
		<category><![CDATA[Robert Bresson]]></category>
		<category><![CDATA[Robert Darnton]]></category>
		<category><![CDATA[Robert Flaherty]]></category>
		<category><![CDATA[Roseanne]]></category>
		<category><![CDATA[Sean Baker]]></category>
		<category><![CDATA[Shirley Clarke]]></category>
		<category><![CDATA[Shotgun Stories]]></category>
		<category><![CDATA[Stan Brakhage]]></category>
		<category><![CDATA[Stanley Kubrick]]></category>
		<category><![CDATA[Studs Terkel]]></category>
		<category><![CDATA[Tangerine]]></category>
		<category><![CDATA[The 400 Blows]]></category>
		<category><![CDATA[The Exiles]]></category>
		<category><![CDATA[The Great Cat Massacre]]></category>
		<category><![CDATA[The Iceman Cometh]]></category>
		<category><![CDATA[The Loneliness of the Long Distance Runner]]></category>
		<category><![CDATA[The Ranch]]></category>
		<category><![CDATA[The Simpsons]]></category>
		<category><![CDATA[Three Billboards Outside Ebbing Missouri]]></category>
		<category><![CDATA[Tony Richardson]]></category>
		<category><![CDATA[Wendy & Lucy]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=29116</guid>

					<description><![CDATA[<p>(Hammer to Nail is excited to bring author and filmmaker Mathew Klickstein on-board with his new column, On the Fringe) Everybody thought I was crazy to do it. After investing my late teens/early twenties into LA’s dream factory, capped with the [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/editorial/on-the-fringe-1/">ON THE FRINGE: Loquacious introduction + On the Bowery (1956)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<title>Burnsided: Why I Can’t Watch The Vietnam War</title>
		<link>https://www.hammertonail.com/reviews/documentary/burnsided/</link>
		
		<dc:creator><![CDATA[]]></dc:creator>
		<pubDate>Fri, 20 Oct 2017 20:17:17 +0000</pubDate>
				<category><![CDATA[Cine-Debate]]></category>
		<category><![CDATA[Documentary]]></category>
		<category><![CDATA[EDITORIAL]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Banksy]]></category>
		<category><![CDATA[Errol Morris]]></category>
		<category><![CDATA[Ken Burns]]></category>
		<category><![CDATA[Lynn Novick]]></category>
		<category><![CDATA[Netflix]]></category>
		<category><![CDATA[Peter Coyote]]></category>
		<category><![CDATA[The Vietnam War]]></category>
		<category><![CDATA[Vietnam Documentary]]></category>
		<category><![CDATA[Werner Herzog]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=28601</guid>

					<description><![CDATA[<p>I’m a longtime doc aficionado, and yet I’ve never understood the appeal of Ken Burns. The limelight-loving director – most recently of the encyclopedic PBS series The Vietnam War (alongside his spotlight-sidelined yet frequent co-director Lynn Novick) – has at [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/reviews/documentary/burnsided/">Burnsided: Why I Can’t Watch The Vietnam War</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>Tony Robbins Is Definitely Not My Guru</title>
		<link>https://www.hammertonail.com/editorial/tony-robbins-is-definitely-not-my-guru/</link>
		
		<dc:creator><![CDATA[Lauren Wissot]]></dc:creator>
		<pubDate>Mon, 09 May 2016 13:45:54 +0000</pubDate>
				<category><![CDATA[Cine-Debate]]></category>
		<category><![CDATA[EDITORIAL]]></category>
		<category><![CDATA[SHORT FILM CONTEST]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Brother's Keeper]]></category>
		<category><![CDATA[Full Frame]]></category>
		<category><![CDATA[Full Frame Documentary Festival]]></category>
		<category><![CDATA[Joe Berlinger]]></category>
		<category><![CDATA[Paradise Lost Trilogy]]></category>
		<category><![CDATA[Tony Robbins]]></category>
		<category><![CDATA[Tony Robbins documentary]]></category>
		<category><![CDATA[Tony Robbins: I Am Not Your Guru]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=26279</guid>

					<description><![CDATA[<p>Seeing Tony Robbins: I Am Not Your Guru at the Full Frame Documentary Film Festival in April marked the first time I ever walked out of a Joe Berlinger film. I’ve been a fan of the Paradise Lost trilogy co-director [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/editorial/tony-robbins-is-definitely-not-my-guru/">Tony Robbins Is Definitely Not My Guru</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>On Sundance Walkouts&#8230;</title>
		<link>https://www.hammertonail.com/shorts-contest/on-sundance-walkouts/</link>
		
		<dc:creator><![CDATA[Don R. Lewis]]></dc:creator>
		<pubDate>Sat, 23 Jan 2016 21:47:02 +0000</pubDate>
				<category><![CDATA[1]]></category>
		<category><![CDATA[Cine-Debate]]></category>
		<category><![CDATA[EDITORIAL]]></category>
		<category><![CDATA[Essays]]></category>
		<category><![CDATA[Film Festivals]]></category>
		<category><![CDATA[SHORT FILM CONTEST]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[2012 Sundance Film Festival]]></category>
		<category><![CDATA[2016 Sundance Film Festival]]></category>
		<category><![CDATA[Daniel Radcliffe]]></category>
		<category><![CDATA[Eccles Theater]]></category>
		<category><![CDATA[Harry Potter]]></category>
		<category><![CDATA[Jeff Sneider]]></category>
		<category><![CDATA[Mary Elizabeth Winstead]]></category>
		<category><![CDATA[Park City]]></category>
		<category><![CDATA[Paul Dano]]></category>
		<category><![CDATA[red carpet]]></category>
		<category><![CDATA[Rick Alverson]]></category>
		<category><![CDATA[Swiss Army Man]]></category>
		<category><![CDATA[The Comedy]]></category>
		<category><![CDATA[TheWrap]]></category>
		<category><![CDATA[Tim Heidecker]]></category>
		<category><![CDATA[walkout]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=25545</guid>

					<description><![CDATA[<p>The last time I was able to attend the Sundance Film Festival was 2012 and it was a great year for smart, offbeat films. One film I was excited for was Rick Alverson’s The Comedy because I had heard tell [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/shorts-contest/on-sundance-walkouts/">On Sundance Walkouts&#8230;</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>Revisiting Milgram and Zimbardo’s Human Behavior Experiments</title>
		<link>https://www.hammertonail.com/editorial/revisiting-milgram-and-zimbardos-human-behavior-experiments-cine-debate/</link>
		
		<dc:creator><![CDATA[]]></dc:creator>
		<pubDate>Mon, 27 Jul 2015 14:04:11 +0000</pubDate>
				<category><![CDATA[Cine-Debate]]></category>
		<category><![CDATA[EDITORIAL]]></category>
		<category><![CDATA[Essays]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Michael Almereyda]]></category>
		<category><![CDATA[Philip Zimbardo]]></category>
		<category><![CDATA[Stanford Prison Experiment]]></category>
		<category><![CDATA[Stanley Milgram]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=24859</guid>

					<description><![CDATA[<p>Stanley Milgram and Philip Zimbardo’s Human Behavior Experiments are ripe fodder for both fictional narratives and documentaries. But are their experiments broken from the start? Lauren Wissot makes a good case that they are in our latest installment of "Cine-Debate."</p>
<p>The post <a href="https://www.hammertonail.com/editorial/revisiting-milgram-and-zimbardos-human-behavior-experiments-cine-debate/">Revisiting Milgram and Zimbardo’s Human Behavior Experiments</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<title>What Do We Talk About When We Talk About Film Festivals?</title>
		<link>https://www.hammertonail.com/shorts-contest/what-do-we-talk-about-when-we-talk-about-film-festivals/</link>
		
		<dc:creator><![CDATA[]]></dc:creator>
		<pubDate>Tue, 26 May 2015 19:07:04 +0000</pubDate>
				<category><![CDATA[Cine-Debate]]></category>
		<category><![CDATA[EDITORIAL]]></category>
		<category><![CDATA[Film Festivals]]></category>
		<category><![CDATA[SHORT FILM CONTEST]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=24608</guid>

					<description><![CDATA[<p>(Earlier in May the Bentonville Film Festival in Arkansas raised some shrieks of horror and loud, ironic snickers  when it was discovered the fest, which proclaimed to champion women and diversity, was being sponsored by Walmart. This caught the attention [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/shorts-contest/what-do-we-talk-about-when-we-talk-about-film-festivals/">What Do We Talk About When We Talk About Film Festivals?</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<title>Roger Ebert, Life Itself, and Conflict of Interest in the Digital Age</title>
		<link>https://www.hammertonail.com/editorial/roger-ebert-life-itself-and-conflict-of-interest-in-the-digital-age/</link>
		
		<dc:creator><![CDATA[]]></dc:creator>
		<pubDate>Tue, 10 Mar 2015 18:34:48 +0000</pubDate>
				<category><![CDATA[Cine-Debate]]></category>
		<category><![CDATA[EDITORIAL]]></category>
		<category><![CDATA[Essays]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[film criticism]]></category>
		<category><![CDATA[independent cinema]]></category>
		<category><![CDATA[independent film]]></category>
		<category><![CDATA[journalism]]></category>
		<category><![CDATA[public relations]]></category>
		<category><![CDATA[Richard Corliss]]></category>
		<category><![CDATA[Roger Ebert]]></category>
		<category><![CDATA[Werner Herzog]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=24112</guid>

					<description><![CDATA[<p>(As Hammer to Nail morphs into version 2.0, we still feel this site needs to champion new and truly independent cinema. But with so many filmmakers, critics, writers and industry professionals wearing so many hats, is conflict of interest a [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/editorial/roger-ebert-life-itself-and-conflict-of-interest-in-the-digital-age/">Roger Ebert, Life Itself, and Conflict of Interest in the Digital Age</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<title>CINE-DEBATE: Criterion Partners With Hulu Plus, No More Netflix?</title>
		<link>https://www.hammertonail.com/editorial/criterion-partners-with-hulu-plus-no-more-netflix/</link>
					<comments>https://www.hammertonail.com/editorial/criterion-partners-with-hulu-plus-no-more-netflix/#comments</comments>
		
		<dc:creator><![CDATA[Michael Tully]]></dc:creator>
		<pubDate>Tue, 15 Feb 2011 16:27:27 +0000</pubDate>
				<category><![CDATA[Cine-Debate]]></category>
		<category><![CDATA[EDITORIAL]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=8237</guid>

					<description><![CDATA[<p>This morning, some news went public that at first might seem like no big deal—unless you dig into it a touch deeper. The Criterion Collection&#8216;s Peter Becker just announced a new partnership with Hulu Plus to make the Criterion catalog [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/editorial/criterion-partners-with-hulu-plus-no-more-netflix/">CINE-DEBATE: Criterion Partners With Hulu Plus, No More Netflix?</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
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			<slash:comments>23</slash:comments>
		
		
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