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	<title>Christopher Reed, Author at Hammer to Nail</title>
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	<link>https://www.hammertonail.com/author/christopher-reed/</link>
	<description>What to Watch</description>
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	<title>Christopher Reed, Author at Hammer to Nail</title>
	<link>https://www.hammertonail.com/author/christopher-reed/</link>
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	<item>
		<title>WHEN A WITNESS RECANTS</title>
		<link>https://www.hammertonail.com/reviews/when-a-witness-recants/</link>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Fri, 17 Apr 2026 13:26:11 +0000</pubDate>
				<category><![CDATA[Documentary]]></category>
		<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Alfred Chestnut Andrew Stewart Ransom Watkins]]></category>
		<category><![CDATA[Baltimore injustice system]]></category>
		<category><![CDATA[Baltimore redlining crime history]]></category>
		<category><![CDATA[Dawn Porter director]]></category>
		<category><![CDATA[DeWitt Duckett murder 1983]]></category>
		<category><![CDATA[documentary about coerced witnesses]]></category>
		<category><![CDATA[Donald Kincaid detective misconduct]]></category>
		<category><![CDATA[exoneration after 36 years]]></category>
		<category><![CDATA[Harlem Park Junior High shooting]]></category>
		<category><![CDATA[Harlem Park Three]]></category>
		<category><![CDATA[Judge Robert Bell case]]></category>
		<category><![CDATA[juvenile life sentence injustice]]></category>
		<category><![CDATA[Marilyn Mosby wrongful convictions]]></category>
		<category><![CDATA[racist policing Baltimore]]></category>
		<category><![CDATA[Ron Bishop recanting witness]]></category>
		<category><![CDATA[Ta-Nehisi Coates documentary]]></category>
		<category><![CDATA[true crime social justice film]]></category>
		<category><![CDATA[When a Witness Recants documentary]]></category>
		<category><![CDATA[witness recantation false testimony]]></category>
		<category><![CDATA[wrongful conviction documentary]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=55542</guid>

					<description><![CDATA[<div><img width="300" height="139" src="https://www.hammertonail.com/wp-content/uploads/2026/04/cover2-300x139.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2026/04/cover2-300x139.png 300w, https://www.hammertonail.com/wp-content/uploads/2026/04/cover2-1024x475.png 1024w, https://www.hammertonail.com/wp-content/uploads/2026/04/cover2-768x356.png 768w, https://www.hammertonail.com/wp-content/uploads/2026/04/cover2-1536x713.png 1536w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>(The 2026 Maryland Film Festival ran April 8–12 at the SNF Parkway Theatre and venues across Baltimore. Check out Chris Reed&#8217;s When a Witness Recants movie review, fresh from the fest. Seen it? Join the conversation with HtN on our Letterboxd Page.) [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/reviews/when-a-witness-recants/">WHEN A WITNESS RECANTS</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>A Conversation with Fergus Campbell &#038; Elsie Fisher (SPARKS)</title>
		<link>https://www.hammertonail.com/interviews/campbell-fisher/</link>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Thu, 09 Apr 2026 18:27:44 +0000</pubDate>
				<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[1960s paris nostalgia]]></category>
		<category><![CDATA[agnès varda reference]]></category>
		<category><![CDATA[claire easton costume design]]></category>
		<category><![CDATA[cleo character]]></category>
		<category><![CDATA[coming-of-age misfits]]></category>
		<category><![CDATA[debut feature fergus campbell]]></category>
		<category><![CDATA[eighth grade star elsie fisher]]></category>
		<category><![CDATA[elsie fisher sparks]]></category>
		<category><![CDATA[falling into a void metaphor]]></category>
		<category><![CDATA[fergus campbell director]]></category>
		<category><![CDATA[french new wave movie]]></category>
		<category><![CDATA[godard fan film]]></category>
		<category><![CDATA[jane paknia score]]></category>
		<category><![CDATA[jean-luc godard influence]]></category>
		<category><![CDATA[keldon duane-mcglashan cinematography]]></category>
		<category><![CDATA[low budget indie gem]]></category>
		<category><![CDATA[magical realism cinema]]></category>
		<category><![CDATA[natasha parbhu production design]]></category>
		<category><![CDATA[richard linklater nouvelle vague comparison]]></category>
		<category><![CDATA[sparks 2026 film]]></category>
		<category><![CDATA[sparks nevada movie]]></category>
		<category><![CDATA[sxsw film & tv festival 2026]]></category>
		<category><![CDATA[synth soundtrack indie film]]></category>
		<category><![CDATA[time travel indie film]]></category>
		<category><![CDATA[women on the verge of a nervous breakdown taxi]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=55477</guid>

					<description><![CDATA[<div><img width="300" height="169" src="https://www.hammertonail.com/wp-content/uploads/2026/04/SXSW2026_2026-03-14_SPARKS-interview_01-300x169.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" fetchpriority="high" srcset="https://www.hammertonail.com/wp-content/uploads/2026/04/SXSW2026_2026-03-14_SPARKS-interview_01-300x169.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2026/04/SXSW2026_2026-03-14_SPARKS-interview_01-1024x576.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2026/04/SXSW2026_2026-03-14_SPARKS-interview_01-768x432.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2026/04/SXSW2026_2026-03-14_SPARKS-interview_01.jpg 1500w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>Director Fergus Campbell just premiered Sparks, his debut feature film, at the 2026 SXSW Film &#38; TV Festival (where I reviewed it). The movie stars Elsie Fisher (Eighth Grade) as Cleo, a young woman out of time and out of place. Obsessed [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/campbell-fisher/">A Conversation with Fergus Campbell &#038; Elsie Fisher (SPARKS)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>A Conversation with Gloria Mercer (A SAFE DISTANCE)</title>
		<link>https://www.hammertonail.com/interviews/gloria-mercer/</link>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Wed, 08 Apr 2026 14:22:55 +0000</pubDate>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[A Safe Distance]]></category>
		<category><![CDATA[Aidan West]]></category>
		<category><![CDATA[bank robbers movie]]></category>
		<category><![CDATA[Bethany Brown]]></category>
		<category><![CDATA[Bonnie and Clyde inspired]]></category>
		<category><![CDATA[British Columbia thriller]]></category>
		<category><![CDATA[Caleb Chan score]]></category>
		<category><![CDATA[Chris McNally]]></category>
		<category><![CDATA[Cody Kearsley]]></category>
		<category><![CDATA[Devan Scott DP]]></category>
		<category><![CDATA[female-led thriller]]></category>
		<category><![CDATA[Gloria Mercer]]></category>
		<category><![CDATA[indie film debut]]></category>
		<category><![CDATA[nonlinear storytelling]]></category>
		<category><![CDATA[open ending film]]></category>
		<category><![CDATA[Pacific Northwest noir]]></category>
		<category><![CDATA[relationship drama]]></category>
		<category><![CDATA[Robert Altman influence]]></category>
		<category><![CDATA[survival drama]]></category>
		<category><![CDATA[SXSW 2026]]></category>
		<category><![CDATA[SXSW Film & TV Festival]]></category>
		<category><![CDATA[Tandia Mercedes]]></category>
		<category><![CDATA[Vancouver filmmaking]]></category>
		<category><![CDATA[woods horror thriller]]></category>
		<category><![CDATA[zoom lens cinematography]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=55459</guid>

					<description><![CDATA[<div><img width="300" height="163" src="https://www.hammertonail.com/wp-content/uploads/2026/04/SXSW2026_2026-03-15_A-SAFE-DISTANCE-interview_03-300x163.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2026/04/SXSW2026_2026-03-15_A-SAFE-DISTANCE-interview_03-300x163.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2026/04/SXSW2026_2026-03-15_A-SAFE-DISTANCE-interview_03-1024x557.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2026/04/SXSW2026_2026-03-15_A-SAFE-DISTANCE-interview_03-768x418.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2026/04/SXSW2026_2026-03-15_A-SAFE-DISTANCE-interview_03.jpg 1500w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>The debut feature from screenwriter Aidan West and director Gloria Mercer, A Safe Distance just premiered at the 2026 SXSW Film &#38; TV Festival (where I reviewed it). In the movie, we follow the increasingly wild adventures of a young [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/gloria-mercer/">A Conversation with Gloria Mercer (A SAFE DISTANCE)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>PALESTINE &#8217;36</title>
		<link>https://www.hammertonail.com/reviews/palestine-36/</link>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Mon, 06 Apr 2026 14:42:09 +0000</pubDate>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[1930s Palestine]]></category>
		<category><![CDATA[Annemarie Jacir]]></category>
		<category><![CDATA[Billy Howle]]></category>
		<category><![CDATA[British antisemitism]]></category>
		<category><![CDATA[British colonialism legacy]]></category>
		<category><![CDATA[British Mandate Palestine]]></category>
		<category><![CDATA[Dhafer L’Abidine]]></category>
		<category><![CDATA[Hiam Abbas]]></category>
		<category><![CDATA[historical drama film]]></category>
		<category><![CDATA[indigenous displacement]]></category>
		<category><![CDATA[Jeremy Irons]]></category>
		<category><![CDATA[Jewish immigration to Palestine]]></category>
		<category><![CDATA[Karim Daoud Anaya]]></category>
		<category><![CDATA[Nakba origins]]></category>
		<category><![CDATA[Ottoman Empire collapse]]></category>
		<category><![CDATA[Palestine ’36]]></category>
		<category><![CDATA[Palestinian film]]></category>
		<category><![CDATA[Palestinian perspective cinema]]></category>
		<category><![CDATA[Palestinian resistance]]></category>
		<category><![CDATA[pre-1948 Palestine]]></category>
		<category><![CDATA[Robert Aramayo]]></category>
		<category><![CDATA[Saleh Bakri]]></category>
		<category><![CDATA[Wajib director]]></category>
		<category><![CDATA[Yasmine Al Massri]]></category>
		<category><![CDATA[Zionist movement history]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=55445</guid>

					<description><![CDATA[<div><img width="300" height="126" src="https://www.hammertonail.com/wp-content/uploads/2026/04/PALESTINE-36-still_06-300x126.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2026/04/PALESTINE-36-still_06-300x126.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2026/04/PALESTINE-36-still_06-1024x429.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2026/04/PALESTINE-36-still_06-768x322.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2026/04/PALESTINE-36-still_06.jpg 1500w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>(Check out Chris Reed’s Palestine ’36 movie review. The film is in theaters nationwide now. Seen it? Join the conversation with HtN on our Letterboxd Page.) All European countries that were once (or still are) colonizers bear responsibility for the state [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/reviews/palestine-36/">PALESTINE &#8217;36</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>THE TALLEST DWARF</title>
		<link>https://www.hammertonail.com/reviews/the-tallest-dwarf/</link>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Fri, 03 Apr 2026 18:41:58 +0000</pubDate>
				<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Stream Free Now]]></category>
		<category><![CDATA[achondroplasia]]></category>
		<category><![CDATA[April 6]]></category>
		<category><![CDATA[Chris Reed movie review]]></category>
		<category><![CDATA[diversity]]></category>
		<category><![CDATA[Dwarf Artist Coalition]]></category>
		<category><![CDATA[dwarfism]]></category>
		<category><![CDATA[Eugenics]]></category>
		<category><![CDATA[film discussion]]></category>
		<category><![CDATA[gene therapy]]></category>
		<category><![CDATA[Growth Hormone Deficiency]]></category>
		<category><![CDATA[Julie Forrest Wyman]]></category>
		<category><![CDATA[Letterboxd]]></category>
		<category><![CDATA[limb-lengthening]]></category>
		<category><![CDATA[little people]]></category>
		<category><![CDATA[Little People of America]]></category>
		<category><![CDATA[LPA]]></category>
		<category><![CDATA[PBS]]></category>
		<category><![CDATA[Sofiya Cheyenne]]></category>
		<category><![CDATA[The Tallest Dwarf]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=55441</guid>

					<description><![CDATA[<div><img width="300" height="169" src="https://www.hammertonail.com/wp-content/uploads/2026/04/TALLEST-DWARF-still_01-300x169.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2026/04/TALLEST-DWARF-still_01-300x169.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2026/04/TALLEST-DWARF-still_01-1024x576.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2026/04/TALLEST-DWARF-still_01-768x432.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2026/04/TALLEST-DWARF-still_01.jpg 1500w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>(Check out Chris Reed’s The Tallest Dwarf  movie review, the film premieres on PBS Monday, April 6. Seen it? Join the conversation with HtN on our Letterboxd Page.) Those who stand outside what society considers normative usually face discrimination of some sort, [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/reviews/the-tallest-dwarf/">THE TALLEST DWARF</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>A Conversation with Brea Grant &#038; Ed Dougherty (GRIND)</title>
		<link>https://www.hammertonail.com/interviews/grant-dougherty/</link>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Thu, 02 Apr 2026 17:33:13 +0000</pubDate>
				<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[2026 horror films]]></category>
		<category><![CDATA[Amazon satire]]></category>
		<category><![CDATA[anthology film]]></category>
		<category><![CDATA[Barbara Crampton]]></category>
		<category><![CDATA[Brea Grant]]></category>
		<category><![CDATA[Chelsea Stardust]]></category>
		<category><![CDATA[Content Moderation segment]]></category>
		<category><![CDATA[Delivery segment]]></category>
		<category><![CDATA[DRGN corporation]]></category>
		<category><![CDATA[Ed Dougherty]]></category>
		<category><![CDATA[gig economy horror]]></category>
		<category><![CDATA[Grind movie]]></category>
		<category><![CDATA[Hammer to Nail interview]]></category>
		<category><![CDATA[horror satire]]></category>
		<category><![CDATA[horror-comedy film]]></category>
		<category><![CDATA[Indie Horror]]></category>
		<category><![CDATA[James Urbaniak]]></category>
		<category><![CDATA[Jon Gabrus]]></category>
		<category><![CDATA[low budget VFX]]></category>
		<category><![CDATA[MLM short]]></category>
		<category><![CDATA[modern nightmares]]></category>
		<category><![CDATA[Rob Huebel]]></category>
		<category><![CDATA[satirical horror anthology]]></category>
		<category><![CDATA[social horror]]></category>
		<category><![CDATA[strike back ending]]></category>
		<category><![CDATA[SXSW 2026]]></category>
		<category><![CDATA[SXSW Film & TV Festival]]></category>
		<category><![CDATA[The Linda Lindas]]></category>
		<category><![CDATA[Union Meeting segment]]></category>
		<category><![CDATA[Vinny Thomas]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=55424</guid>

					<description><![CDATA[<div><img width="300" height="220" src="https://www.hammertonail.com/wp-content/uploads/2026/04/SXSW2026_2026-03-14_GRIND-interview_02-300x220.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2026/04/SXSW2026_2026-03-14_GRIND-interview_02-300x220.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2026/04/SXSW2026_2026-03-14_GRIND-interview_02-1024x751.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2026/04/SXSW2026_2026-03-14_GRIND-interview_02-768x563.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2026/04/SXSW2026_2026-03-14_GRIND-interview_02.jpg 1500w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>The satirical horror anthology Grind just had its world premiere at the 2026 SXSW Film &#38; TV Festival (where I reviewed it). From directors Brea Grant, Ed Dougherty, and Chelsea Stardust, the movie follows an unlucky cast of characters as [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/grant-dougherty/">A Conversation with Brea Grant &#038; Ed Dougherty (GRIND)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<item>
		<title>A Conversation with Emily Robinson (UGLY CRY)</title>
		<link>https://www.hammertonail.com/interviews/emily-robinson/</link>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Tue, 31 Mar 2026 21:08:25 +0000</pubDate>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Aaron Dominguez]]></category>
		<category><![CDATA[acting industry satire]]></category>
		<category><![CDATA[Amanda Kramer]]></category>
		<category><![CDATA[body horror]]></category>
		<category><![CDATA[cringe horror]]></category>
		<category><![CDATA[dark comedy]]></category>
		<category><![CDATA[debut feature film]]></category>
		<category><![CDATA[directorial debut]]></category>
		<category><![CDATA[Edge of Everything]]></category>
		<category><![CDATA[Emily Robinson]]></category>
		<category><![CDATA[female gaze]]></category>
		<category><![CDATA[Heather Morris]]></category>
		<category><![CDATA[Hollywood satire]]></category>
		<category><![CDATA[male gaze]]></category>
		<category><![CDATA[preventative Botox]]></category>
		<category><![CDATA[psychological thriller]]></category>
		<category><![CDATA[Robin Tunney]]></category>
		<category><![CDATA[Ryan Simpkins]]></category>
		<category><![CDATA[self-objectification]]></category>
		<category><![CDATA[SXSW 2026]]></category>
		<category><![CDATA[SXSW Film & TV Festival]]></category>
		<category><![CDATA[The Year Between]]></category>
		<category><![CDATA[Ugly Cry]]></category>
		<category><![CDATA[Unicorn Store]]></category>
		<category><![CDATA[writer director actress Emily Robinson]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=55402</guid>

					<description><![CDATA[<div><img width="300" height="160" src="https://www.hammertonail.com/wp-content/uploads/2026/03/SXSW2026_2026-03-16_UGLY-CRY-interview_02-2-300x160.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2026/03/SXSW2026_2026-03-16_UGLY-CRY-interview_02-2-300x160.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2026/03/SXSW2026_2026-03-16_UGLY-CRY-interview_02-2-1024x547.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2026/03/SXSW2026_2026-03-16_UGLY-CRY-interview_02-2-768x410.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2026/03/SXSW2026_2026-03-16_UGLY-CRY-interview_02-2.jpg 1500w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>Writer/director/actress Emily Robinson just premiered her debut feature, Ugly Cry, at the 2026 SXSW Film &#38; TV Festival (where I reviewed it). In the film, Robinson plays Delaney James, a 24-year-old struggling actor in Hollywood who faces additional challenges once [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/emily-robinson/">A Conversation with Emily Robinson (UGLY CRY)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<title>A Conversation with Patrick Bresnan &#038; Amy Reid (FIRST THEY CAME FOR MY COLLEGE)</title>
		<link>https://www.hammertonail.com/interviews/bresnan-reid/</link>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Fri, 27 Mar 2026 17:21:37 +0000</pubDate>
				<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[academic freedom]]></category>
		<category><![CDATA[Amy Reid]]></category>
		<category><![CDATA[Chris Rufo]]></category>
		<category><![CDATA[college documentary]]></category>
		<category><![CDATA[conservative board takeover]]></category>
		<category><![CDATA[culture wars]]></category>
		<category><![CDATA[diversity equity and inclusion]]></category>
		<category><![CDATA[documentary film]]></category>
		<category><![CDATA[education censorship]]></category>
		<category><![CDATA[faculty tenure]]></category>
		<category><![CDATA[Fascism]]></category>
		<category><![CDATA[First They Came for My College]]></category>
		<category><![CDATA[Florida politics]]></category>
		<category><![CDATA[freedom to learn]]></category>
		<category><![CDATA[gender studies]]></category>
		<category><![CDATA[higher education takeover]]></category>
		<category><![CDATA[New College of Florida]]></category>
		<category><![CDATA[Patrick Bresnan]]></category>
		<category><![CDATA[PEN America]]></category>
		<category><![CDATA[Richard Corcoran]]></category>
		<category><![CDATA[Ron DeSantis]]></category>
		<category><![CDATA[student activism]]></category>
		<category><![CDATA[student journalism]]></category>
		<category><![CDATA[SXSW 2026]]></category>
		<category><![CDATA[The Catalyst]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=55367</guid>

					<description><![CDATA[<div><img width="300" height="255" src="https://www.hammertonail.com/wp-content/uploads/2026/03/SXSW2026_2026-03-14_FIRST-THEY-CAME-FOR-MY-COLLEGE-interview_05-300x255.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2026/03/SXSW2026_2026-03-14_FIRST-THEY-CAME-FOR-MY-COLLEGE-interview_05-300x255.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2026/03/SXSW2026_2026-03-14_FIRST-THEY-CAME-FOR-MY-COLLEGE-interview_05-1024x871.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2026/03/SXSW2026_2026-03-14_FIRST-THEY-CAME-FOR-MY-COLLEGE-interview_05-768x653.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2026/03/SXSW2026_2026-03-14_FIRST-THEY-CAME-FOR-MY-COLLEGE-interview_05.jpg 1500w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>First They Came for My College is the latest documentary from director Patrick Bresnan (Naked Gardens) and it follows the takeover and transformation of the New College of Florida by the state’s governor, Ron DeSantis, and his conservative cronies. Deeply [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/bresnan-reid/">A Conversation with Patrick Bresnan &#038; Amy Reid (FIRST THEY CAME FOR MY COLLEGE)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<title>A Conversation with Maya Annik Bedward (BLACK ZOMBIE)</title>
		<link>https://www.hammertonail.com/interviews/maya-annik-bedward/</link>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Wed, 25 Mar 2026 19:44:19 +0000</pubDate>
				<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Afro-Caribbean history]]></category>
		<category><![CDATA[agency]]></category>
		<category><![CDATA[Atlantique]]></category>
		<category><![CDATA[Black Zombie]]></category>
		<category><![CDATA[breaking the fourth wall]]></category>
		<category><![CDATA[cultural appropriation]]></category>
		<category><![CDATA[Documentary]]></category>
		<category><![CDATA[fair use]]></category>
		<category><![CDATA[film criticism]]></category>
		<category><![CDATA[George A. Romero]]></category>
		<category><![CDATA[Get Out]]></category>
		<category><![CDATA[Haitian Vodou]]></category>
		<category><![CDATA[Hammer to Nail]]></category>
		<category><![CDATA[horror film history]]></category>
		<category><![CDATA[Jordan Peele]]></category>
		<category><![CDATA[Mati Diop]]></category>
		<category><![CDATA[Maya Annik Bedward]]></category>
		<category><![CDATA[Migrant crisis]]></category>
		<category><![CDATA[Night of the Living Dead]]></category>
		<category><![CDATA[reenactment]]></category>
		<category><![CDATA[sugar cane field]]></category>
		<category><![CDATA[SXSW 2026]]></category>
		<category><![CDATA[SXSW Film Festival]]></category>
		<category><![CDATA[The Magic Island]]></category>
		<category><![CDATA[The Serpent and the Rainbow]]></category>
		<category><![CDATA[Tom Savini]]></category>
		<category><![CDATA[Vodou representation]]></category>
		<category><![CDATA[White Zombie]]></category>
		<category><![CDATA[William Seabrook]]></category>
		<category><![CDATA[zombie origins]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=55348</guid>

					<description><![CDATA[<div><img width="300" height="178" src="https://www.hammertonail.com/wp-content/uploads/2026/03/SXSW2026_2026-03-14_BLACK-ZOMBIE-interview_01-300x178.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2026/03/SXSW2026_2026-03-14_BLACK-ZOMBIE-interview_01-300x178.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2026/03/SXSW2026_2026-03-14_BLACK-ZOMBIE-interview_01-1024x608.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2026/03/SXSW2026_2026-03-14_BLACK-ZOMBIE-interview_01-768x456.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2026/03/SXSW2026_2026-03-14_BLACK-ZOMBIE-interview_01.jpg 1500w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>The documentary Black Zombie marks director Maya Annik Bedward’s feature debut. In the film, Bedward examines how the cinematic zombie has its roots in the Haitian Vodou faith, even though the original term refers to a live person enslaved by a sorcerer, and [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/maya-annik-bedward/">A Conversation with Maya Annik Bedward (BLACK ZOMBIE)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<title>STORMBOUND</title>
		<link>https://www.hammertonail.com/reviews/stormbound/</link>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Tue, 24 Mar 2026 17:04:42 +0000</pubDate>
				<category><![CDATA[Documentary]]></category>
		<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[atmospheric cinematography]]></category>
		<category><![CDATA[Chad Cannon score]]></category>
		<category><![CDATA[Chris Reed review]]></category>
		<category><![CDATA[documentary film]]></category>
		<category><![CDATA[HtN review]]></category>
		<category><![CDATA[hurricane documentary]]></category>
		<category><![CDATA[IMAX documentary]]></category>
		<category><![CDATA[Jeff Gammons]]></category>
		<category><![CDATA[Miko Lim]]></category>
		<category><![CDATA[nature documentary]]></category>
		<category><![CDATA[Sara Gammons]]></category>
		<category><![CDATA[storm chasers]]></category>
		<category><![CDATA[storm chasing documentary]]></category>
		<category><![CDATA[Stormbound]]></category>
		<category><![CDATA[Stormbound documentary]]></category>
		<category><![CDATA[SXSW 2026]]></category>
		<category><![CDATA[SXSW Film Festival 2026]]></category>
		<category><![CDATA[tornado documentary]]></category>
		<category><![CDATA[Twister comparison]]></category>
		<category><![CDATA[Twisters comparison]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=55322</guid>

					<description><![CDATA[<div><img width="300" height="169" src="https://www.hammertonail.com/wp-content/uploads/2026/03/STORMBOUND-still-300x169.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2026/03/STORMBOUND-still-300x169.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2026/03/STORMBOUND-still-1024x576.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2026/03/STORMBOUND-still-768x432.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2026/03/STORMBOUND-still.jpg 1500w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>(The 2026 SXSW Film Festival ran March 12-18 in beautiful Austin, TX. Check out Chris Reed’s Stormbound movie review, fresh from the fest. Seen it? Join the conversation with HtN on our Letterboxd Page.) If you’ve seen movies like the 1996 Twister and/or its sequel, the 2024 Twisters, [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/reviews/stormbound/">STORMBOUND</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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