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	<title>Chris Shields, Author at Hammer to Nail</title>
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	<title>Chris Shields, Author at Hammer to Nail</title>
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		<title>A Conversation with Alex Mallis &#038; Travis Wood (THE TRAVEL COMPANION)</title>
		<link>https://www.hammertonail.com/interviews/mallis-wood/</link>
		
		<dc:creator><![CDATA[Chris Shields]]></dc:creator>
		<pubDate>Tue, 10 Jun 2025 17:36:21 +0000</pubDate>
				<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[airport filming]]></category>
		<category><![CDATA[Alex Mallis]]></category>
		<category><![CDATA[buddy pass]]></category>
		<category><![CDATA[co-directing]]></category>
		<category><![CDATA[collaborative filmmaking]]></category>
		<category><![CDATA[documentary filmmakers]]></category>
		<category><![CDATA[film casting]]></category>
		<category><![CDATA[film comedy]]></category>
		<category><![CDATA[film festivals]]></category>
		<category><![CDATA[film industry insights]]></category>
		<category><![CDATA[film premiere]]></category>
		<category><![CDATA[film production]]></category>
		<category><![CDATA[film Q&A]]></category>
		<category><![CDATA[filmmaking process]]></category>
		<category><![CDATA[independent cinema]]></category>
		<category><![CDATA[Indie Filmmaking]]></category>
		<category><![CDATA[Meerkat Media]]></category>
		<category><![CDATA[micro-budget film]]></category>
		<category><![CDATA[Narrative Film]]></category>
		<category><![CDATA[short films]]></category>
		<category><![CDATA[The Travel Companion]]></category>
		<category><![CDATA[Travis Wood]]></category>
		<category><![CDATA[Tribeca Film Festival]]></category>
		<category><![CDATA[Tristan Turner]]></category>
		<category><![CDATA[young filmmakers]]></category>
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					<description><![CDATA[<div><img width="300" height="152" src="https://www.hammertonail.com/wp-content/uploads/2025/06/newcover-300x152.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2025/06/newcover-300x152.png 300w, https://www.hammertonail.com/wp-content/uploads/2025/06/newcover-1024x517.png 1024w, https://www.hammertonail.com/wp-content/uploads/2025/06/newcover-768x388.png 768w, https://www.hammertonail.com/wp-content/uploads/2025/06/newcover-1536x776.png 1536w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>We’ve all seen a bad Q and A after a film screening. They’re awkward, often they overstay their welcome, and inevitably someone has to ask, “what camera did you use?” If you go to a lot of film screenings they [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/mallis-wood/">A Conversation with Alex Mallis &#038; Travis Wood (THE TRAVEL COMPANION)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<title>LYNNE SACHS: FROM THE OUTSIDE IN (A RETROSPECTIVE)</title>
		<link>https://www.hammertonail.com/features/lynne-sachs-retrospective/</link>
		
		<dc:creator><![CDATA[Chris Shields]]></dc:creator>
		<pubDate>Tue, 04 Jun 2024 19:01:19 +0000</pubDate>
				<category><![CDATA[Coming of Age]]></category>
		<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Experimental]]></category>
		<category><![CDATA[Features]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[New York City]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[A Film About A Father Who]]></category>
		<category><![CDATA[A Year in Notes]]></category>
		<category><![CDATA[Dara Messinger]]></category>
		<category><![CDATA[DCTV]]></category>
		<category><![CDATA[Investigation of a Flame]]></category>
		<category><![CDATA[Lynne Sachs]]></category>
		<category><![CDATA[Lynne Sachs Contractions]]></category>
		<category><![CDATA[Lynne Sachs: From the Outside In]]></category>
		<category><![CDATA[Roe vs.Wade]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=50928</guid>

					<description><![CDATA[<div><img width="300" height="196" src="https://www.hammertonail.com/wp-content/uploads/2024/06/Lynne-300x196.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" fetchpriority="high" srcset="https://www.hammertonail.com/wp-content/uploads/2024/06/Lynne-300x196.png 300w, https://www.hammertonail.com/wp-content/uploads/2024/06/Lynne-1024x669.png 1024w, https://www.hammertonail.com/wp-content/uploads/2024/06/Lynne-768x502.png 768w, https://www.hammertonail.com/wp-content/uploads/2024/06/Lynne-1536x1003.png 1536w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>Lynne Sachs’ latest film, Contractions, exists, like much of her work, at the intersection of experimental and documentary film practices. In the 12-minute work, superimposition, narration, and choreography are intermingled–all captured using a graceful and haunting camera language that lends [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/features/lynne-sachs-retrospective/">LYNNE SACHS: FROM THE OUTSIDE IN (A RETROSPECTIVE)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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