I feel ashamed for underestimating the stimulating potential of one of the most prolific worldwide sensations. Baptist pulls out the seemingly indescribable feelings his subjects have for the camera and interprets them on the screen as one part cosmic and another part autobiographical.

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In the new documentary Instant Dreams, Dutch director Willem Baptist – making his feature debut – presents three latter-day Polaroid aficionados, all working to keep the medium alive in their own way.

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