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	<title>Vitalina Varela Archives - Hammer to Nail</title>
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	<title>Vitalina Varela Archives - Hammer to Nail</title>
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		<title>VITALINA VARELA</title>
		<link>https://www.hammertonail.com/reviews/vitalina-varela/</link>
		
		<dc:creator><![CDATA[Ray Lobo]]></dc:creator>
		<pubDate>Wed, 25 May 2022 16:20:26 +0000</pubDate>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[Foreign]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[VOD Release]]></category>
		<category><![CDATA[Metrograph]]></category>
		<category><![CDATA[Metrograph A-Z series]]></category>
		<category><![CDATA[Notes from Underground]]></category>
		<category><![CDATA[Pedro Costa]]></category>
		<category><![CDATA[Vitalina Varela]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=37167</guid>

					<description><![CDATA[<div><img width="300" height="150" src="https://www.hammertonail.com/wp-content/uploads/2022/05/vv-300x150.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2022/05/vv-300x150.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2022/05/vv-768x384.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2022/05/vv-600x300.jpg 600w, https://www.hammertonail.com/wp-content/uploads/2022/05/vv.jpg 1000w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>(Check out Ray Lobo&#8217;s Vitalina Varela movie review. It&#8217;s now playing as part of the Metrograph A-Z series. Seen it? Join the conversation with HtN on our Letterboxd Page). Vitalina Varela is a film profoundly concerned with abandonment. Director Pedro Costa [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/reviews/vitalina-varela/">VITALINA VARELA</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>Nelson Kim&#8217;s 2019 New York Film Festival Report</title>
		<link>https://www.hammertonail.com/shorts-contest/2019-nyff-wrap/</link>
					<comments>https://www.hammertonail.com/shorts-contest/2019-nyff-wrap/#comments</comments>
		
		<dc:creator><![CDATA[Nelson Kim]]></dc:creator>
		<pubDate>Mon, 28 Oct 2019 18:38:28 +0000</pubDate>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[SHORT FILM CONTEST]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[2019 New York Film Festival]]></category>
		<category><![CDATA[Adèle Exarchopoulos]]></category>
		<category><![CDATA[Al Pacino]]></category>
		<category><![CDATA[American Trial]]></category>
		<category><![CDATA[American Trial: The Eric Garner Story]]></category>
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		<category><![CDATA[Nadav Lapid]]></category>
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		<category><![CDATA[Sandra Hüller]]></category>
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		<category><![CDATA[The Aviator]]></category>
		<category><![CDATA[The Battle of Algiers]]></category>
		<category><![CDATA[The Irishman]]></category>
		<category><![CDATA[The Last Soldiers of the Cold War: The Story of the Cuban Five]]></category>
		<category><![CDATA[Tom Mercier]]></category>
		<category><![CDATA[Toni Erdmann]]></category>
		<category><![CDATA[Virginie Efira]]></category>
		<category><![CDATA[Vitalina Varela]]></category>
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		<category><![CDATA[Winston Churchill]]></category>
		<category><![CDATA[Z]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=31665</guid>

					<description><![CDATA[<div><img width="300" height="169" src="https://www.hammertonail.com/wp-content/uploads/2019/10/AAAABXDhteVwL1ML8ML8JgtRiUwGhrREuN6LJqaqtWCTF3ban7Hqc09db8jH0pxhugqvXkRuriAy5UVhstBE07rROn-xC6YX-300x169.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" fetchpriority="high" srcset="https://www.hammertonail.com/wp-content/uploads/2019/10/AAAABXDhteVwL1ML8ML8JgtRiUwGhrREuN6LJqaqtWCTF3ban7Hqc09db8jH0pxhugqvXkRuriAy5UVhstBE07rROn-xC6YX-300x169.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2019/10/AAAABXDhteVwL1ML8ML8JgtRiUwGhrREuN6LJqaqtWCTF3ban7Hqc09db8jH0pxhugqvXkRuriAy5UVhstBE07rROn-xC6YX-768x432.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2019/10/AAAABXDhteVwL1ML8ML8JgtRiUwGhrREuN6LJqaqtWCTF3ban7Hqc09db8jH0pxhugqvXkRuriAy5UVhstBE07rROn-xC6YX.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2019/10/AAAABXDhteVwL1ML8ML8JgtRiUwGhrREuN6LJqaqtWCTF3ban7Hqc09db8jH0pxhugqvXkRuriAy5UVhstBE07rROn-xC6YX-600x338.jpg 600w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>The 2019 New York Film Festival began with a bang — the world premiere of Martin Scorsese’s feverishly anticipated The Irishman. And The Irishman itself ended with a whimper, or something close to it: This long (three and a half [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/shorts-contest/2019-nyff-wrap/">Nelson Kim&#8217;s 2019 New York Film Festival Report</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
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