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	<title>Sundance Film Festival 2025 Archives - Hammer to Nail</title>
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	<description>What to Watch</description>
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	<title>Sundance Film Festival 2025 Archives - Hammer to Nail</title>
	<link>https://www.hammertonail.com/tag/sundance-film-festival-2025/</link>
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	<item>
		<title>A Conversation with Sara Khaki &#038; Mohammadreza Eyni (CUTTING THROUGH ROCKS)</title>
		<link>https://www.hammertonail.com/interviews/khaki-eyni/</link>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Fri, 23 Jan 2026 17:25:57 +0000</pubDate>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Azeri Turkish language]]></category>
		<category><![CDATA[Canon C70]]></category>
		<category><![CDATA[Cutting Through Rocks]]></category>
		<category><![CDATA[intimate filmmaking]]></category>
		<category><![CDATA[Iranian documentary]]></category>
		<category><![CDATA[Iranian filmmakers]]></category>
		<category><![CDATA[Iranian village life]]></category>
		<category><![CDATA[Mohammadreza Eyni]]></category>
		<category><![CDATA[Sara Khaki]]></category>
		<category><![CDATA[Sara Shahverdi]]></category>
		<category><![CDATA[social activism in Iran]]></category>
		<category><![CDATA[Sundance Film Festival 2025]]></category>
		<category><![CDATA[underrepresented stories]]></category>
		<category><![CDATA[Women in Politics]]></category>
		<category><![CDATA[women's rights advocacy]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=52681</guid>

					<description><![CDATA[<div><img width="300" height="169" src="https://www.hammertonail.com/wp-content/uploads/2025/02/Directors-Sara-Khaki-Mohammadreza-Eyni_Color-300x169.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" fetchpriority="high" srcset="https://www.hammertonail.com/wp-content/uploads/2025/02/Directors-Sara-Khaki-Mohammadreza-Eyni_Color-300x169.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2025/02/Directors-Sara-Khaki-Mohammadreza-Eyni_Color-1024x577.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2025/02/Directors-Sara-Khaki-Mohammadreza-Eyni_Color-768x433.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2025/02/Directors-Sara-Khaki-Mohammadreza-Eyni_Color.jpg 1500w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>Married Iranian directors Mohammadreza Eyni and Sara Khaki just premiered Cutting Through Rocks—their feature debut—at the 2025 Sundance Film Festival (where I reviewed it). The documentary tells the story of Sara Shahverdi, who lives in a village in northwestern Iran, [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/khaki-eyni/">A Conversation with Sara Khaki &#038; Mohammadreza Eyni (CUTTING THROUGH ROCKS)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>A Conversation with Roxy Sophie Sorkin (SWOLLEN)</title>
		<link>https://www.hammertonail.com/reviews/roxy-sorkin/</link>
					<comments>https://www.hammertonail.com/reviews/roxy-sorkin/#comments</comments>
		
		<dc:creator><![CDATA[Jack Schenker]]></dc:creator>
		<pubDate>Wed, 21 May 2025 18:49:38 +0000</pubDate>
				<category><![CDATA[Comedy]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Horror]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Thriller]]></category>
		<category><![CDATA[A$AP Rocky Babushka Boi]]></category>
		<category><![CDATA[absurd comedy]]></category>
		<category><![CDATA[Death Becomes Her]]></category>
		<category><![CDATA[gay cops]]></category>
		<category><![CDATA[home invasion]]></category>
		<category><![CDATA[horror comedy]]></category>
		<category><![CDATA[Indie Filmmaking]]></category>
		<category><![CDATA[Isaac Friedenberg music]]></category>
		<category><![CDATA[miniature sets]]></category>
		<category><![CDATA[Mumblecore]]></category>
		<category><![CDATA[Pen15]]></category>
		<category><![CDATA[plastic surgery recovery]]></category>
		<category><![CDATA[Roxy Sophie Sorkin]]></category>
		<category><![CDATA[sound design]]></category>
		<category><![CDATA[stylized visuals]]></category>
		<category><![CDATA[Sundance Film Festival 2025]]></category>
		<category><![CDATA[Swollen short film]]></category>
		<category><![CDATA[The Exorcist references]]></category>
		<category><![CDATA[tight shots]]></category>
		<category><![CDATA[toy model homes]]></category>
		<category><![CDATA[vampire movie]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=53202</guid>

					<description><![CDATA[<div><img width="300" height="169" src="https://www.hammertonail.com/wp-content/uploads/2025/05/2swole-300x169.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2025/05/2swole-300x169.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2025/05/2swole-1024x575.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2025/05/2swole-768x431.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2025/05/2swole-1536x863.jpg 1536w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>Rising filmmaker Roxy Sophie Sorkin brings her unique comedic sensibility to the screen with Swollen, a sharp-witted short film which premiered at the 2025 Sundance Film Festival. In this 13-minute horror-comedy, two best friends recovering from facial plastic surgery find [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/reviews/roxy-sorkin/">A Conversation with Roxy Sophie Sorkin (SWOLLEN)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
					<wfw:commentRss>https://www.hammertonail.com/reviews/roxy-sorkin/feed/</wfw:commentRss>
			<slash:comments>1</slash:comments>
		
		
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		<item>
		<title>A Conversation with Amalia Ulman (MAGIC FARM)</title>
		<link>https://www.hammertonail.com/interviews/amalia-ulman/</link>
		
		<dc:creator><![CDATA[Jack Schenker]]></dc:creator>
		<pubDate>Tue, 13 May 2025 18:40:04 +0000</pubDate>
				<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Alex Wolff]]></category>
		<category><![CDATA[Amalia Ulman]]></category>
		<category><![CDATA[Berlin Film Festival]]></category>
		<category><![CDATA[Chloe Sevigny]]></category>
		<category><![CDATA[corruption in Latin America]]></category>
		<category><![CDATA[cross-cultural communication]]></category>
		<category><![CDATA[Dov Charney inspiration]]></category>
		<category><![CDATA[environmental devastation]]></category>
		<category><![CDATA[film production design]]></category>
		<category><![CDATA[Global South representation]]></category>
		<category><![CDATA[glyphosate exposure]]></category>
		<category><![CDATA[hipster journalism satire]]></category>
		<category><![CDATA[indigenous communities Argentina]]></category>
		<category><![CDATA[Latin American cinema]]></category>
		<category><![CDATA[Latin American politeness]]></category>
		<category><![CDATA[location scouting]]></category>
		<category><![CDATA[Magic Farm movie]]></category>
		<category><![CDATA[media exploitation]]></category>
		<category><![CDATA[Simon Rex]]></category>
		<category><![CDATA[Sundance Film Festival 2025]]></category>
		<category><![CDATA[Vice Media parody]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=53146</guid>

					<description><![CDATA[<div><img width="300" height="119" src="https://www.hammertonail.com/wp-content/uploads/2025/05/magic-300x119.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2025/05/magic-300x119.png 300w, https://www.hammertonail.com/wp-content/uploads/2025/05/magic-1024x405.png 1024w, https://www.hammertonail.com/wp-content/uploads/2025/05/magic-768x304.png 768w, https://www.hammertonail.com/wp-content/uploads/2025/05/magic-1536x608.png 1536w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>Filmmaker and visual artist Amalia Ulman brings her bold perspective to Magic Farm, a film that examines the fraught relationship between American media and Latin American subjects. Premiering at the 2025 Sundance Film Festival and later screening at Berlin, this 93-minute [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/amalia-ulman/">A Conversation with Amalia Ulman (MAGIC FARM)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>A Conversation with Evan Twohy, Himesh Patel, Sarah Goldberg, Dave Franco, Steven Yeun, Anna Smoroňová &#038; Brad Oberhofer (BUBBLE &#038; SQUEAK)</title>
		<link>https://www.hammertonail.com/interviews/bubble-squeak/</link>
		
		<dc:creator><![CDATA[Jack Schenker]]></dc:creator>
		<pubDate>Thu, 20 Mar 2025 17:55:09 +0000</pubDate>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[absurdist comedy drama]]></category>
		<category><![CDATA[Anna Smoroňová cinematography]]></category>
		<category><![CDATA[Brad Oberhofer film score]]></category>
		<category><![CDATA[Bubble & Squeak movie 2025]]></category>
		<category><![CDATA[Celadon Pictures film production]]></category>
		<category><![CDATA[Dave Franco indie film acting]]></category>
		<category><![CDATA[Eastern European folk music in film]]></category>
		<category><![CDATA[Estonia filming locations]]></category>
		<category><![CDATA[Evan Twohy director interview]]></category>
		<category><![CDATA[Evan Twohy feature directorial debut]]></category>
		<category><![CDATA[Himesh Patel Sarah Goldberg chemistry]]></category>
		<category><![CDATA[illegal cabbage smuggling movie]]></category>
		<category><![CDATA[intimate vs suspenseful cinematography]]></category>
		<category><![CDATA[marriage story film themes]]></category>
		<category><![CDATA[newlywed dynamics in film]]></category>
		<category><![CDATA[square aspect ratio cinematography]]></category>
		<category><![CDATA[Steven Yeun producer actor]]></category>
		<category><![CDATA[Sundance Film Festival 2025]]></category>
		<category><![CDATA[unique love story endings in cinema]]></category>
		<category><![CDATA[Yorgos Lanthimos visual influence]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=52832</guid>

					<description><![CDATA[<div><img width="300" height="209" src="https://www.hammertonail.com/wp-content/uploads/2025/03/Bubbs-300x209.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2025/03/Bubbs-300x209.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2025/03/Bubbs.jpg 768w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>I had the opportunity to speak with key members of the creative team behind Bubble &#38; Squeak, premiering at the 2025 Sundance Film Festival in the U.S. Dramatic Competition. This unique film follows newlyweds Declan and Delores (played by Himesh [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/bubble-squeak/">A Conversation with Evan Twohy, Himesh Patel, Sarah Goldberg, Dave Franco, Steven Yeun, Anna Smoroňová &#038; Brad Oberhofer (BUBBLE &#038; SQUEAK)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>A Conversation with Chloé Robichaud, writer Catherine Léger, Karine Gonthier-Hyndman &#038; Laurence Leboeuf (TWO WOMEN)</title>
		<link>https://www.hammertonail.com/interviews/two-women/</link>
		
		<dc:creator><![CDATA[Jack Schenker]]></dc:creator>
		<pubDate>Thu, 06 Mar 2025 19:15:32 +0000</pubDate>
				<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[35mm film]]></category>
		<category><![CDATA[Catherine Léger]]></category>
		<category><![CDATA[Chloé Robichaud]]></category>
		<category><![CDATA[comedy about women]]></category>
		<category><![CDATA[complex female characters]]></category>
		<category><![CDATA[contemporary Quebec writers]]></category>
		<category><![CDATA[female bodies on screen]]></category>
		<category><![CDATA[female chemistry]]></category>
		<category><![CDATA[female desire]]></category>
		<category><![CDATA[female empowerment]]></category>
		<category><![CDATA[female liberation]]></category>
		<category><![CDATA[female perspective]]></category>
		<category><![CDATA[female sexuality]]></category>
		<category><![CDATA[female-centric storytelling]]></category>
		<category><![CDATA[female-driven narrative]]></category>
		<category><![CDATA[French-language comedy]]></category>
		<category><![CDATA[friendship]]></category>
		<category><![CDATA[housing cooperative]]></category>
		<category><![CDATA[intimacy]]></category>
		<category><![CDATA[Karine Gonthier-Hyndman]]></category>
		<category><![CDATA[Laurence Leboeuf]]></category>
		<category><![CDATA[modern life]]></category>
		<category><![CDATA[modern relationships]]></category>
		<category><![CDATA[monogamy]]></category>
		<category><![CDATA[motherhood]]></category>
		<category><![CDATA[Quebec cinema]]></category>
		<category><![CDATA[Quebec filmmakers]]></category>
		<category><![CDATA[rebellion]]></category>
		<category><![CDATA[societal expectations]]></category>
		<category><![CDATA[societal norms]]></category>
		<category><![CDATA[Sundance Film Festival 2025]]></category>
		<category><![CDATA[transgressive characters]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=52731</guid>

					<description><![CDATA[<div><img width="300" height="164" src="https://www.hammertonail.com/wp-content/uploads/2025/03/front-300x164.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2025/03/front-300x164.png 300w, https://www.hammertonail.com/wp-content/uploads/2025/03/front-1024x560.png 1024w, https://www.hammertonail.com/wp-content/uploads/2025/03/front-768x420.png 768w, https://www.hammertonail.com/wp-content/uploads/2025/03/front.png 1122w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>Two Women, an official selection of the 2025 Sundance Film Festival, marks the latest feature from acclaimed Quebec filmmaker Chloé Robichaud (Sarah Prefers to Run, Boundaries). The French-language comedy, adapted from Catherine Léger&#8217;s stage play, inspired by the 1970s films of [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/two-women/">A Conversation with Chloé Robichaud, writer Catherine Léger, Karine Gonthier-Hyndman &#038; Laurence Leboeuf (TWO WOMEN)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<title>A Conversation with Laura Casabé (THE VIRGIN OF THE QUARRY LAKE)</title>
		<link>https://www.hammertonail.com/interviews/laura-casabe/</link>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Mon, 03 Mar 2025 16:30:12 +0000</pubDate>
				<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Argentinian Cinema]]></category>
		<category><![CDATA[Benjamin Naishtat]]></category>
		<category><![CDATA[Benjamin Naishtat screenwriting]]></category>
		<category><![CDATA[coming-of-age films]]></category>
		<category><![CDATA[David Lynch]]></category>
		<category><![CDATA[David Lynch-inspired films]]></category>
		<category><![CDATA[Dolores Oliverio]]></category>
		<category><![CDATA[Ernesto Sabato]]></category>
		<category><![CDATA[Fernanda Echeverría]]></category>
		<category><![CDATA[Get Out]]></category>
		<category><![CDATA[Horacio Quiroga]]></category>
		<category><![CDATA[Josefina]]></category>
		<category><![CDATA[Julio Cortazar]]></category>
		<category><![CDATA[Latin American cinema]]></category>
		<category><![CDATA[Laura Casabé’]]></category>
		<category><![CDATA[Lovecraft]]></category>
		<category><![CDATA[Mariana Enriquez]]></category>
		<category><![CDATA[Mariana Enriquez adaptations]]></category>
		<category><![CDATA[Mariela]]></category>
		<category><![CDATA[Polanski]]></category>
		<category><![CDATA[Polanski influences]]></category>
		<category><![CDATA[Possession]]></category>
		<category><![CDATA[Repulsion]]></category>
		<category><![CDATA[Rosemary's Baby]]></category>
		<category><![CDATA[social realism]]></category>
		<category><![CDATA[Sundance Film Festival 2025]]></category>
		<category><![CDATA[supernatural horror]]></category>
		<category><![CDATA[The Returned]]></category>
		<category><![CDATA[The Tenant]]></category>
		<category><![CDATA[The Virgin of the Quarry Lake]]></category>
		<category><![CDATA[The Witch]]></category>
		<category><![CDATA[Zulawski]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=52711</guid>

					<description><![CDATA[<div><img width="300" height="188" src="https://www.hammertonail.com/wp-content/uploads/2025/03/Director_Laura_Casabei_PhotoCredit_Catalina_Bartolome-300x188.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2025/03/Director_Laura_Casabei_PhotoCredit_Catalina_Bartolome-300x188.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2025/03/Director_Laura_Casabei_PhotoCredit_Catalina_Bartolome-1024x640.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2025/03/Director_Laura_Casabei_PhotoCredit_Catalina_Bartolome-768x480.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2025/03/Director_Laura_Casabei_PhotoCredit_Catalina_Bartolome.jpg 1500w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>Argentinian director Laura Casabé (The Returned) premiered her latest feature, The Virgin of the Quarry Lake, at the 2025 Sundance Film Festival (where I reviewed it). Based on two short stories—“Our Lady of the Quarry” and “The Cart”—by author Mariana [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/laura-casabe/">A Conversation with Laura Casabé (THE VIRGIN OF THE QUARRY LAKE)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<title>A Conversation with Amel Guellaty (WHERE THE WIND COMES FROM)</title>
		<link>https://www.hammertonail.com/interviews/amel-guellaty/</link>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Thu, 13 Feb 2025 19:36:16 +0000</pubDate>
				<category><![CDATA[Coming of Age]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Foreign]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[2D vs 3D animation]]></category>
		<category><![CDATA[Amel Guellaty]]></category>
		<category><![CDATA[Arab cinema]]></category>
		<category><![CDATA[Arab world]]></category>
		<category><![CDATA[Ben Ali dictatorship]]></category>
		<category><![CDATA[Black Mamba]]></category>
		<category><![CDATA[cinematography]]></category>
		<category><![CDATA[class divisions]]></category>
		<category><![CDATA[cultural divisions]]></category>
		<category><![CDATA[Djerba]]></category>
		<category><![CDATA[economic crisis]]></category>
		<category><![CDATA[Eya Bellagha]]></category>
		<category><![CDATA[French influence in Tunisia]]></category>
		<category><![CDATA[Frida Marzouk]]></category>
		<category><![CDATA[Gabon artist Willa]]></category>
		<category><![CDATA[German art competition]]></category>
		<category><![CDATA[mental health and imagination]]></category>
		<category><![CDATA[Muslim tradition]]></category>
		<category><![CDATA[North African cinema.]]></category>
		<category><![CDATA[political instability]]></category>
		<category><![CDATA[road trip movie]]></category>
		<category><![CDATA[Slim Baccar]]></category>
		<category><![CDATA[Sundance Film Festival 2025]]></category>
		<category><![CDATA[surrealistic art]]></category>
		<category><![CDATA[Tunisia]]></category>
		<category><![CDATA[Tunisian actors]]></category>
		<category><![CDATA[Tunisian cinema]]></category>
		<category><![CDATA[Tunisian culture]]></category>
		<category><![CDATA[Tunisian director]]></category>
		<category><![CDATA[Tunisian film industry]]></category>
		<category><![CDATA[Tunisian identity]]></category>
		<category><![CDATA[Tunisian middle class]]></category>
		<category><![CDATA[Tunisian revolution]]></category>
		<category><![CDATA[Tunisian youth]]></category>
		<category><![CDATA[wealth disparity]]></category>
		<category><![CDATA[Where the Wind Comes From]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=52585</guid>

					<description><![CDATA[<div><img width="300" height="170" src="https://www.hammertonail.com/wp-content/uploads/2025/02/AMEL-GUELLATY_PhotoCredit-Bechir-Zayen-horizontal-edit-300x170.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2025/02/AMEL-GUELLATY_PhotoCredit-Bechir-Zayen-horizontal-edit-300x170.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2025/02/AMEL-GUELLATY_PhotoCredit-Bechir-Zayen-horizontal-edit-1024x580.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2025/02/AMEL-GUELLATY_PhotoCredit-Bechir-Zayen-horizontal-edit-768x435.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2025/02/AMEL-GUELLATY_PhotoCredit-Bechir-Zayen-horizontal-edit.jpg 1500w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>Tunisian director Amel Guellaty just premiered her feature-film debut, Where the Wind Comes From, at the 2025 Sundance Film Festival (where I reviewed it). The movie offers striking visuals and a compelling story of friendship in a road-trip structure, showing [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/amel-guellaty/">A Conversation with Amel Guellaty (WHERE THE WIND COMES FROM)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<title>A Conversation with Tony Benna (ANDRÉ IS AN IDIOT)</title>
		<link>https://www.hammertonail.com/interviews/tony-benna/</link>
		
		<dc:creator><![CDATA[Jack Schenker]]></dc:creator>
		<pubDate>Thu, 06 Feb 2025 19:26:08 +0000</pubDate>
				<category><![CDATA[Cine-Debate]]></category>
		<category><![CDATA[Film Festivals]]></category>
		<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[HIDDEN GEMS]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Lists]]></category>
		<category><![CDATA[Reports]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[A24]]></category>
		<category><![CDATA[André Is An Idiot]]></category>
		<category><![CDATA[André Is An Idiot documentary]]></category>
		<category><![CDATA[André Is An Idiot movie review]]></category>
		<category><![CDATA[Dan Deacon]]></category>
		<category><![CDATA[Sundance 2025]]></category>
		<category><![CDATA[Sundance Film Festival]]></category>
		<category><![CDATA[Sundance Film Festival 2025]]></category>
		<category><![CDATA[terminal cancer movie]]></category>
		<category><![CDATA[Tommy Chong]]></category>
		<category><![CDATA[Tony Benna]]></category>
		<category><![CDATA[U.S. Documentary Competition]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=52530</guid>

					<description><![CDATA[<div><img width="300" height="200" src="https://www.hammertonail.com/wp-content/uploads/2025/02/Benna-300x200.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2025/02/Benna-300x200.png 300w, https://www.hammertonail.com/wp-content/uploads/2025/02/Benna-1024x682.png 1024w, https://www.hammertonail.com/wp-content/uploads/2025/02/Benna-768x511.png 768w, https://www.hammertonail.com/wp-content/uploads/2025/02/Benna-1536x1022.png 1536w, https://www.hammertonail.com/wp-content/uploads/2025/02/Benna.png 1836w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>In André Is An Idiot, which premiered in the U.S. Documentary Competition at Sundance 2025 (where it won the Audience Award: U.S. Documentary), first-time feature director Tony Benna crafts an unexpectedly profound portrait of his friend André Ricciardi, a maverick advertising [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/tony-benna/">A Conversation with Tony Benna (ANDRÉ IS AN IDIOT)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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