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	<title>Sundance 2025 Archives - Hammer to Nail</title>
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	<title>Sundance 2025 Archives - Hammer to Nail</title>
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	<item>
		<title>A Conversation with Ira Sachs (PETER HUJAR&#8217;S DAY)</title>
		<link>https://www.hammertonail.com/interviews/ira-sachs-hujars-day/</link>
		
		<dc:creator><![CDATA[Jack Schenker]]></dc:creator>
		<pubDate>Thu, 13 Nov 2025 23:10:39 +0000</pubDate>
				<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[16mm film]]></category>
		<category><![CDATA[1970s New York]]></category>
		<category><![CDATA[Affonso Gonçalves editor]]></category>
		<category><![CDATA[Alex Ashe cinematography]]></category>
		<category><![CDATA[Ben Whishaw]]></category>
		<category><![CDATA[Bohemia]]></category>
		<category><![CDATA[Chamber piece]]></category>
		<category><![CDATA[Cinematic portraiture]]></category>
		<category><![CDATA[Fassbinder]]></category>
		<category><![CDATA[Ira Sachs]]></category>
		<category><![CDATA[Ira Sachs interview]]></category>
		<category><![CDATA[Janus Films]]></category>
		<category><![CDATA[Jim McDonald Hold Me Tight]]></category>
		<category><![CDATA[Linda Rosenkrantz]]></category>
		<category><![CDATA[Mozart Requiem]]></category>
		<category><![CDATA[New York Film Festival]]></category>
		<category><![CDATA[Peter Hujar's Day]]></category>
		<category><![CDATA[Portrait of Jason]]></category>
		<category><![CDATA[Rebecca Hall]]></category>
		<category><![CDATA[Rohmer]]></category>
		<category><![CDATA[Ryan Scott Fitzgerald art direction]]></category>
		<category><![CDATA[Stephen Phelps production design]]></category>
		<category><![CDATA[Sundance 2025]]></category>
		<category><![CDATA[The Bitter Tears of Petra von Kant]]></category>
		<category><![CDATA[Westbeth Artists Housing]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54425</guid>

					<description><![CDATA[<div><img width="300" height="200" src="https://www.hammertonail.com/wp-content/uploads/2025/11/Ira-Sachs_Credit-Jeong-Park-300x200.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" fetchpriority="high" srcset="https://www.hammertonail.com/wp-content/uploads/2025/11/Ira-Sachs_Credit-Jeong-Park-300x200.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2025/11/Ira-Sachs_Credit-Jeong-Park-1024x683.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2025/11/Ira-Sachs_Credit-Jeong-Park-768x512.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2025/11/Ira-Sachs_Credit-Jeong-Park-1536x1024.jpg 1536w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>Ira Sachs returns with Peter Hujar&#8217;s Day, a mesmerizing 76-minute chamber piece that transforms a rediscovered 1974 transcript into an intimate portrait of friendship, artistry, and 1970s New York bohemia. The film reunites Sachs with Ben Whishaw, star of his [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/ira-sachs-hujars-day/">A Conversation with Ira Sachs (PETER HUJAR&#8217;S DAY)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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			</item>
		<item>
		<title>A Conversation with Nadia Fall, Ebada Hassan &#038; Safiyya Ingar (BRIDES)</title>
		<link>https://www.hammertonail.com/interviews/brides/</link>
		
		<dc:creator><![CDATA[Jack Schenker]]></dc:creator>
		<pubDate>Fri, 14 Feb 2025 18:49:47 +0000</pubDate>
				<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[BFI]]></category>
		<category><![CDATA[Brides]]></category>
		<category><![CDATA[British Film]]></category>
		<category><![CDATA[Clarissa Cappellani]]></category>
		<category><![CDATA[cultural representation]]></category>
		<category><![CDATA[Ebada Hassan]]></category>
		<category><![CDATA[identity]]></category>
		<category><![CDATA[Muslim girls]]></category>
		<category><![CDATA[Nadia Fall]]></category>
		<category><![CDATA[non-linear storytelling]]></category>
		<category><![CDATA[radicalization]]></category>
		<category><![CDATA[road movie]]></category>
		<category><![CDATA[Safiyya Ingar]]></category>
		<category><![CDATA[Sundance 2025]]></category>
		<category><![CDATA[Sundance Film Festival]]></category>
		<category><![CDATA[teenage friendship]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=52597</guid>

					<description><![CDATA[<div><img width="300" height="200" src="https://www.hammertonail.com/wp-content/uploads/2025/02/Nadia-Fall-HS-credit-Mark-Senior-300x200.jpeg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2025/02/Nadia-Fall-HS-credit-Mark-Senior-300x200.jpeg 300w, https://www.hammertonail.com/wp-content/uploads/2025/02/Nadia-Fall-HS-credit-Mark-Senior-1024x683.jpeg 1024w, https://www.hammertonail.com/wp-content/uploads/2025/02/Nadia-Fall-HS-credit-Mark-Senior-768x512.jpeg 768w, https://www.hammertonail.com/wp-content/uploads/2025/02/Nadia-Fall-HS-credit-Mark-Senior.jpeg 1280w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>Brides, premiered in the World Dramatic Competition at Sundance 2025, marking the feature debut of acclaimed theatre director Nadia Fall. The film follows two teenage Muslim girls &#8211; Doe (newcomer Ebada Hassan) and Muna (Safiyya Ingar) &#8211; who run away [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/brides/">A Conversation with Nadia Fall, Ebada Hassan &#038; Safiyya Ingar (BRIDES)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>A Conversation with Flora Lau (LUZ)</title>
		<link>https://www.hammertonail.com/interviews/flora-lau/</link>
		
		<dc:creator><![CDATA[Jack Schenker]]></dc:creator>
		<pubDate>Mon, 10 Feb 2025 18:50:39 +0000</pubDate>
				<category><![CDATA[Cine-Debate]]></category>
		<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Film Festivals]]></category>
		<category><![CDATA[HIDDEN GEMS]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Lists]]></category>
		<category><![CDATA[Reports]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[2025 Sundance Film Festival]]></category>
		<category><![CDATA[Benjamin Echazarreta]]></category>
		<category><![CDATA[Blade Runner]]></category>
		<category><![CDATA[Enter the Void]]></category>
		<category><![CDATA[enter the void opening sequence]]></category>
		<category><![CDATA[Flora Lau]]></category>
		<category><![CDATA[Gaspar Noe]]></category>
		<category><![CDATA[Isabelle Huppert]]></category>
		<category><![CDATA[Luz movie]]></category>
		<category><![CDATA[Mimi Xu]]></category>
		<category><![CDATA[Sandrine Pinna]]></category>
		<category><![CDATA[Sundance]]></category>
		<category><![CDATA[Sundance 2025]]></category>
		<category><![CDATA[Sundance Film Festival]]></category>
		<category><![CDATA[Tom Kan]]></category>
		<category><![CDATA[World Dramatic Competition]]></category>
		<category><![CDATA[Xiao Dong Guo]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=52557</guid>

					<description><![CDATA[<div><img width="300" height="159" src="https://www.hammertonail.com/wp-content/uploads/2025/02/Lau-300x159.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2025/02/Lau-300x159.png 300w, https://www.hammertonail.com/wp-content/uploads/2025/02/Lau-1024x542.png 1024w, https://www.hammertonail.com/wp-content/uploads/2025/02/Lau-768x406.png 768w, https://www.hammertonail.com/wp-content/uploads/2025/02/Lau-1536x812.png 1536w, https://www.hammertonail.com/wp-content/uploads/2025/02/Lau.png 1868w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>Premiering in the World Dramatic Competition at Sundance 2025, Luz is an ambitious exploration of reality, connection and redemption from director Flora Lau (Bends). Set across Chongqing, Hong Kong and Paris, the film follows Wei (Xiao Dong Guo), a reformed [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/flora-lau/">A Conversation with Flora Lau (LUZ)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>A Conversation with Tony Benna (ANDRÉ IS AN IDIOT)</title>
		<link>https://www.hammertonail.com/interviews/tony-benna/</link>
		
		<dc:creator><![CDATA[Jack Schenker]]></dc:creator>
		<pubDate>Thu, 06 Feb 2025 19:26:08 +0000</pubDate>
				<category><![CDATA[Cine-Debate]]></category>
		<category><![CDATA[Film Festivals]]></category>
		<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[HIDDEN GEMS]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Lists]]></category>
		<category><![CDATA[Reports]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[A24]]></category>
		<category><![CDATA[André Is An Idiot]]></category>
		<category><![CDATA[André Is An Idiot documentary]]></category>
		<category><![CDATA[André Is An Idiot movie review]]></category>
		<category><![CDATA[Dan Deacon]]></category>
		<category><![CDATA[Sundance 2025]]></category>
		<category><![CDATA[Sundance Film Festival]]></category>
		<category><![CDATA[Sundance Film Festival 2025]]></category>
		<category><![CDATA[terminal cancer movie]]></category>
		<category><![CDATA[Tommy Chong]]></category>
		<category><![CDATA[Tony Benna]]></category>
		<category><![CDATA[U.S. Documentary Competition]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=52530</guid>

					<description><![CDATA[<div><img width="300" height="200" src="https://www.hammertonail.com/wp-content/uploads/2025/02/Benna-300x200.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2025/02/Benna-300x200.png 300w, https://www.hammertonail.com/wp-content/uploads/2025/02/Benna-1024x682.png 1024w, https://www.hammertonail.com/wp-content/uploads/2025/02/Benna-768x511.png 768w, https://www.hammertonail.com/wp-content/uploads/2025/02/Benna-1536x1022.png 1536w, https://www.hammertonail.com/wp-content/uploads/2025/02/Benna.png 1836w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>In André Is An Idiot, which premiered in the U.S. Documentary Competition at Sundance 2025 (where it won the Audience Award: U.S. Documentary), first-time feature director Tony Benna crafts an unexpectedly profound portrait of his friend André Ricciardi, a maverick advertising [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/tony-benna/">A Conversation with Tony Benna (ANDRÉ IS AN IDIOT)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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