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	<title>political thriller Archives - Hammer to Nail</title>
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	<title>political thriller Archives - Hammer to Nail</title>
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	<item>
		<title>A Coversation with Laura Poitras &#038; Mark Obenhaus (COVER UP)</title>
		<link>https://www.hammertonail.com/interviews/poitras-obenhaus/</link>
		
		<dc:creator><![CDATA[Jack Schenker]]></dc:creator>
		<pubDate>Thu, 25 Dec 2025 19:54:42 +0000</pubDate>
				<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Abu Ghraib]]></category>
		<category><![CDATA[accountability]]></category>
		<category><![CDATA[archival research]]></category>
		<category><![CDATA[Chile coup]]></category>
		<category><![CDATA[CIA spying]]></category>
		<category><![CDATA[Cover-Up documentary]]></category>
		<category><![CDATA[cycles of impunity]]></category>
		<category><![CDATA[documentary film]]></category>
		<category><![CDATA[Gaza conflict]]></category>
		<category><![CDATA[government deception]]></category>
		<category><![CDATA[institutional violence]]></category>
		<category><![CDATA[investigative journalism]]></category>
		<category><![CDATA[journalism ethics]]></category>
		<category><![CDATA[Kissinger]]></category>
		<category><![CDATA[Laura Poitras]]></category>
		<category><![CDATA[Mark Obenhaus]]></category>
		<category><![CDATA[My Lai Massacre]]></category>
		<category><![CDATA[national security reporting]]></category>
		<category><![CDATA[Netflix Documentary]]></category>
		<category><![CDATA[Pinochet]]></category>
		<category><![CDATA[political thriller]]></category>
		<category><![CDATA[Seymour Hersh]]></category>
		<category><![CDATA[source protection]]></category>
		<category><![CDATA[Watergate]]></category>
		<category><![CDATA[whistleblowers]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54699</guid>

					<description><![CDATA[<div><img width="300" height="189" src="https://www.hammertonail.com/wp-content/uploads/2025/12/NuCover-1-300x189.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" fetchpriority="high" srcset="https://www.hammertonail.com/wp-content/uploads/2025/12/NuCover-1-300x189.png 300w, https://www.hammertonail.com/wp-content/uploads/2025/12/NuCover-1-1024x645.png 1024w, https://www.hammertonail.com/wp-content/uploads/2025/12/NuCover-1-768x484.png 768w, https://www.hammertonail.com/wp-content/uploads/2025/12/NuCover-1-1536x967.png 1536w, https://www.hammertonail.com/wp-content/uploads/2025/12/NuCover-1.png 1880w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>Seymour Hersh has spent six decades doing what few journalists dare: telling the American public what its government desperately wants to keep hidden. From his Pulitzer Prize-winning exposé of the Mỹ Lai Massacre in 1969 to his groundbreaking reporting on [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/poitras-obenhaus/">A Coversation with Laura Poitras &#038; Mark Obenhaus (COVER UP)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<item>
		<title>A Conversation with Kleber Mendonça Filho (THE SECRET AGENT)</title>
		<link>https://www.hammertonail.com/interviews/mendonca-filho/</link>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Tue, 04 Nov 2025 15:37:20 +0000</pubDate>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[1977 Brazil]]></category>
		<category><![CDATA[anamorphic lenses]]></category>
		<category><![CDATA[Arri Alexa 35]]></category>
		<category><![CDATA[auteur theory]]></category>
		<category><![CDATA[Brazilian Cinema]]></category>
		<category><![CDATA[Brazilian director]]></category>
		<category><![CDATA[Brazilian history]]></category>
		<category><![CDATA[Cannes Film Festival 2025]]></category>
		<category><![CDATA[cinema and memory]]></category>
		<category><![CDATA[cinematography]]></category>
		<category><![CDATA[Evgenia Alexandrova]]></category>
		<category><![CDATA[film criticism]]></category>
		<category><![CDATA[film nostalgia]]></category>
		<category><![CDATA[filmmaking]]></category>
		<category><![CDATA[Hammer to Nail interview]]></category>
		<category><![CDATA[journalism in film]]></category>
		<category><![CDATA[Kleber Mendonça Filho]]></category>
		<category><![CDATA[Latin American cinema]]></category>
		<category><![CDATA[Middleburg Film Festival]]></category>
		<category><![CDATA[military dictatorship Brazil]]></category>
		<category><![CDATA[Pictures of Ghosts]]></category>
		<category><![CDATA[political thriller]]></category>
		<category><![CDATA[Recife]]></category>
		<category><![CDATA[The Secret Agent]]></category>
		<category><![CDATA[Wagner Moura]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54353</guid>

					<description><![CDATA[<div><img width="300" height="139" src="https://www.hammertonail.com/wp-content/uploads/2025/11/Kleber-Mendonca-Filho-with-Wagner-Moura-MK2-Films-300x139.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2025/11/Kleber-Mendonca-Filho-with-Wagner-Moura-MK2-Films-300x139.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2025/11/Kleber-Mendonca-Filho-with-Wagner-Moura-MK2-Films-1024x475.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2025/11/Kleber-Mendonca-Filho-with-Wagner-Moura-MK2-Films-768x356.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2025/11/Kleber-Mendonca-Filho-with-Wagner-Moura-MK2-Films.jpg 1500w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>Winner of the Best Director and Best Actor awards at the 2025 Cannes Film Festival, The Secret Agent, from Brazilian director Kleber Mendonça Filho (Bacurau), takes place in 1977 during Brazil’s military dictatorship. It was a time of violence and [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/mendonca-filho/">A Conversation with Kleber Mendonça Filho (THE SECRET AGENT)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<title>A Conversation with Jafar Panahi (IT WAS JUST AN ACCIDENT)</title>
		<link>https://www.hammertonail.com/interviews/jafar-panahi/</link>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Tue, 28 Oct 2025 17:50:54 +0000</pubDate>
				<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[2025 Cannes Palme d'Or]]></category>
		<category><![CDATA[absurdity of fate]]></category>
		<category><![CDATA[authoritarianism]]></category>
		<category><![CDATA[banned filmmaker]]></category>
		<category><![CDATA[casting non-actors]]></category>
		<category><![CDATA[comedy of errors]]></category>
		<category><![CDATA[dissident cinema]]></category>
		<category><![CDATA[filmmaking in Iran]]></category>
		<category><![CDATA[former political prisoners]]></category>
		<category><![CDATA[green screen]]></category>
		<category><![CDATA[Hammer to Nail interview]]></category>
		<category><![CDATA[Iranian film]]></category>
		<category><![CDATA[It Was Just an Accident]]></category>
		<category><![CDATA[Jafar Panahi]]></category>
		<category><![CDATA[Mariam Afshari]]></category>
		<category><![CDATA[Middleburg Film Festival]]></category>
		<category><![CDATA[Movie Review]]></category>
		<category><![CDATA[No Bears]]></category>
		<category><![CDATA[political thriller]]></category>
		<category><![CDATA[post-production in France]]></category>
		<category><![CDATA[proxy files]]></category>
		<category><![CDATA[retribution]]></category>
		<category><![CDATA[secret editing]]></category>
		<category><![CDATA[taut quasi-comedy]]></category>
		<category><![CDATA[Taxi]]></category>
		<category><![CDATA[Vahid Mobasseri]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54314</guid>

					<description><![CDATA[<div><img width="300" height="161" src="https://www.hammertonail.com/wp-content/uploads/2025/10/Panahi-horizontal-300x161.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2025/10/Panahi-horizontal-300x161.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2025/10/Panahi-horizontal-1024x548.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2025/10/Panahi-horizontal-768x411.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2025/10/Panahi-horizontal.jpg 1500w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>Dissident Iranian director Jafar Panahi (3 Faces) just won the Palme d’Or at the 2025 Cannes Film Festival with his latest movie, It Was Just an Accident, which asks viewers to consider what they would do if offered a chance [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/jafar-panahi/">A Conversation with Jafar Panahi (IT WAS JUST AN ACCIDENT)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>THE SECRET AGENT</title>
		<link>https://www.hammertonail.com/reviews/the-secret-agent/</link>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Fri, 17 Oct 2025 20:07:08 +0000</pubDate>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Foreign]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[1977 Brazil]]></category>
		<category><![CDATA[ambitious cinema]]></category>
		<category><![CDATA[authoritarianism]]></category>
		<category><![CDATA[Bacurau director]]></category>
		<category><![CDATA[Best Actor]]></category>
		<category><![CDATA[Best Director]]></category>
		<category><![CDATA[Brazilian Cinema]]></category>
		<category><![CDATA[Brazilian film]]></category>
		<category><![CDATA[Cannes Film Festival]]></category>
		<category><![CDATA[Civil War actor]]></category>
		<category><![CDATA[dictatorship horrors]]></category>
		<category><![CDATA[historical drama]]></category>
		<category><![CDATA[Kleber Mendonça Filho]]></category>
		<category><![CDATA[military dictatorship Brazil]]></category>
		<category><![CDATA[political refugees]]></category>
		<category><![CDATA[political thriller]]></category>
		<category><![CDATA[Recife]]></category>
		<category><![CDATA[Slow Cinema]]></category>
		<category><![CDATA[The Secret Agent]]></category>
		<category><![CDATA[Wagner Moura]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54258</guid>

					<description><![CDATA[<div><img width="300" height="200" src="https://www.hammertonail.com/wp-content/uploads/2025/10/SECRET-AGENT-THE-300x200.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2025/10/SECRET-AGENT-THE-300x200.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2025/10/SECRET-AGENT-THE-1024x683.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2025/10/SECRET-AGENT-THE-768x512.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2025/10/SECRET-AGENT-THE.jpg 1500w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>(The Middleburg Film Festival runs October 16-19 in Middleburg, Virginia, and lead critic Chris Reed is on the ground doing coverage for us. Check out his The Secret Agent movie review! Seen it? Join the conversation with HtN on our Letterboxd Page.) The [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/reviews/the-secret-agent/">THE SECRET AGENT</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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