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	<title>Palestinian diaspora Archives - Hammer to Nail</title>
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		<title>A Conversation with Colette Ghunim (TRACES OF HOME)</title>
		<link>https://www.hammertonail.com/interviews/colette-ghunim/</link>
		
		<dc:creator><![CDATA[Kaitlyn Hardy]]></dc:creator>
		<pubDate>Wed, 03 Dec 2025 20:55:32 +0000</pubDate>
				<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[animation in documentary]]></category>
		<category><![CDATA[archival footage]]></category>
		<category><![CDATA[Colette Ghunim]]></category>
		<category><![CDATA[community support]]></category>
		<category><![CDATA[cross-generational trauma]]></category>
		<category><![CDATA[DOC NYC premiere]]></category>
		<category><![CDATA[documentary film]]></category>
		<category><![CDATA[family healing journey]]></category>
		<category><![CDATA[finding home]]></category>
		<category><![CDATA[forced displacement]]></category>
		<category><![CDATA[healing from trauma]]></category>
		<category><![CDATA[home and identity]]></category>
		<category><![CDATA[immigrant story]]></category>
		<category><![CDATA[immigration policies]]></category>
		<category><![CDATA[intergenerational trauma]]></category>
		<category><![CDATA[mental health documentary]]></category>
		<category><![CDATA[Mexican migration]]></category>
		<category><![CDATA[Mezcla Media Collective]]></category>
		<category><![CDATA[Palestinian diaspora]]></category>
		<category><![CDATA[parent-child relationships]]></category>
		<category><![CDATA[personal documentary]]></category>
		<category><![CDATA[somatic healing]]></category>
		<category><![CDATA[therapy and filmmaking]]></category>
		<category><![CDATA[Traces of Home]]></category>
		<category><![CDATA[Trump administration impact]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54573</guid>

					<description><![CDATA[<div><img width="300" height="129" src="https://www.hammertonail.com/wp-content/uploads/2025/12/Screenshot-2025-12-03-at-12.54.03 PM-300x129.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2025/12/Screenshot-2025-12-03-at-12.54.03 PM-300x129.png 300w, https://www.hammertonail.com/wp-content/uploads/2025/12/Screenshot-2025-12-03-at-12.54.03 PM-1024x439.png 1024w, https://www.hammertonail.com/wp-content/uploads/2025/12/Screenshot-2025-12-03-at-12.54.03 PM-768x329.png 768w, https://www.hammertonail.com/wp-content/uploads/2025/12/Screenshot-2025-12-03-at-12.54.03 PM-1536x658.png 1536w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>In Traces of Home, filmmaker Colette Ghunim takes her parents back to the homes they were forced to leave as children. Her mother returns to her childhood home in Mexico City, and her father finds the home he fled in [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/colette-ghunim/">A Conversation with Colette Ghunim (TRACES OF HOME)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<title>A Conversation with Mathijs Poppe (THE JACKET)</title>
		<link>https://www.hammertonail.com/interviews/mathijs-poppe/</link>
		
		<dc:creator><![CDATA[Kaitlyn Hardy]]></dc:creator>
		<pubDate>Tue, 11 Mar 2025 19:11:23 +0000</pubDate>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Abbas Kiarostami influence]]></category>
		<category><![CDATA[Beirut explosion]]></category>
		<category><![CDATA[Beirut landscapes]]></category>
		<category><![CDATA[Beirut Lebanon]]></category>
		<category><![CDATA[Close Up film]]></category>
		<category><![CDATA[displacement stories]]></category>
		<category><![CDATA[documentary-style filmmaking]]></category>
		<category><![CDATA[filmmaker Mathijs Poppe]]></category>
		<category><![CDATA[identity and displacement]]></category>
		<category><![CDATA[improvisation in film]]></category>
		<category><![CDATA[Jamal character]]></category>
		<category><![CDATA[Lebanese Civil War]]></category>
		<category><![CDATA[Nicolas Pereda]]></category>
		<category><![CDATA[Palestinian diaspora]]></category>
		<category><![CDATA[Palestinian identity]]></category>
		<category><![CDATA[Palestinian liberation]]></category>
		<category><![CDATA[Shatila refugee camp]]></category>
		<category><![CDATA[Syrian refugees]]></category>
		<category><![CDATA[The Jacket film]]></category>
		<category><![CDATA[theater as metaphor]]></category>
		<category><![CDATA[timeless filmmaking]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=52751</guid>

					<description><![CDATA[<div><img width="300" height="200" src="https://www.hammertonail.com/wp-content/uploads/2025/03/2poppe-300x200.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" fetchpriority="high" srcset="https://www.hammertonail.com/wp-content/uploads/2025/03/2poppe-300x200.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2025/03/2poppe.jpg 620w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>Filmmaker Mathijs Poppe first stepped foot in the Shatia refugee camp in Beirut, Lebanon 13 years ago as a volunteer at a youth center in the camp. Upon the first interactions he had with those in the camp, he was [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/mathijs-poppe/">A Conversation with Mathijs Poppe (THE JACKET)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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