<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>Nicolas Pereda Archives - Hammer to Nail</title>
	<atom:link href="https://www.hammertonail.com/tag/nicolas-pereda/feed/" rel="self" type="application/rss+xml" />
	<link>https://www.hammertonail.com/tag/nicolas-pereda/</link>
	<description>What to Watch</description>
	<lastBuildDate>Tue, 11 Mar 2025 19:11:42 +0000</lastBuildDate>
	<language>en-US</language>
	<sy:updatePeriod>
	hourly	</sy:updatePeriod>
	<sy:updateFrequency>
	1	</sy:updateFrequency>
	<generator>https://wordpress.org/?v=6.9.4</generator>

<image>
	<url>https://www.hammertonail.com/wp-content/uploads/2020/01/cropped-logo02-1-32x32.png</url>
	<title>Nicolas Pereda Archives - Hammer to Nail</title>
	<link>https://www.hammertonail.com/tag/nicolas-pereda/</link>
	<width>32</width>
	<height>32</height>
</image> 
	<item>
		<title>A Conversation with Mathijs Poppe (THE JACKET)</title>
		<link>https://www.hammertonail.com/interviews/mathijs-poppe/</link>
		
		<dc:creator><![CDATA[Kaitlyn Hardy]]></dc:creator>
		<pubDate>Tue, 11 Mar 2025 19:11:23 +0000</pubDate>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Abbas Kiarostami influence]]></category>
		<category><![CDATA[Beirut explosion]]></category>
		<category><![CDATA[Beirut landscapes]]></category>
		<category><![CDATA[Beirut Lebanon]]></category>
		<category><![CDATA[Close Up film]]></category>
		<category><![CDATA[displacement stories]]></category>
		<category><![CDATA[documentary-style filmmaking]]></category>
		<category><![CDATA[filmmaker Mathijs Poppe]]></category>
		<category><![CDATA[identity and displacement]]></category>
		<category><![CDATA[improvisation in film]]></category>
		<category><![CDATA[Jamal character]]></category>
		<category><![CDATA[Lebanese Civil War]]></category>
		<category><![CDATA[Nicolas Pereda]]></category>
		<category><![CDATA[Palestinian diaspora]]></category>
		<category><![CDATA[Palestinian identity]]></category>
		<category><![CDATA[Palestinian liberation]]></category>
		<category><![CDATA[Shatila refugee camp]]></category>
		<category><![CDATA[Syrian refugees]]></category>
		<category><![CDATA[The Jacket film]]></category>
		<category><![CDATA[theater as metaphor]]></category>
		<category><![CDATA[timeless filmmaking]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=52751</guid>

					<description><![CDATA[<div><img width="300" height="200" src="https://www.hammertonail.com/wp-content/uploads/2025/03/2poppe-300x200.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" fetchpriority="high" srcset="https://www.hammertonail.com/wp-content/uploads/2025/03/2poppe-300x200.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2025/03/2poppe.jpg 620w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>Filmmaker Mathijs Poppe first stepped foot in the Shatia refugee camp in Beirut, Lebanon 13 years ago as a volunteer at a youth center in the camp. Upon the first interactions he had with those in the camp, he was [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/mathijs-poppe/">A Conversation with Mathijs Poppe (THE JACKET)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>ANAHEIM INTERNATIONAL FILM FESTIVAL: Film Festivals and Taco Trucks</title>
		<link>https://www.hammertonail.com/shorts-contest/film-festivals-and-taco-trucks-alejandro-adams/</link>
					<comments>https://www.hammertonail.com/shorts-contest/film-festivals-and-taco-trucks-alejandro-adams/#comments</comments>
		
		<dc:creator><![CDATA[The Editorial Staff]]></dc:creator>
		<pubDate>Tue, 16 Nov 2010 19:21:18 +0000</pubDate>
				<category><![CDATA[EDITORIAL]]></category>
		<category><![CDATA[Essays]]></category>
		<category><![CDATA[SHORT FILM CONTEST]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[AFI Fest]]></category>
		<category><![CDATA[Alejandro Adams]]></category>
		<category><![CDATA[Anaheim International Film Festival]]></category>
		<category><![CDATA[Babnik]]></category>
		<category><![CDATA[Bill Nighy]]></category>
		<category><![CDATA[Canary]]></category>
		<category><![CDATA[Damien Chazelle]]></category>
		<category><![CDATA[Dardennes Brothers]]></category>
		<category><![CDATA[Dave McDougall]]></category>
		<category><![CDATA[Disneyland]]></category>
		<category><![CDATA[Emily Blunt]]></category>
		<category><![CDATA[Eric Rohmer]]></category>
		<category><![CDATA[FestWorks]]></category>
		<category><![CDATA[Film Society of Lincoln Center]]></category>
		<category><![CDATA[Guy And Madeline On A Park Bench]]></category>
		<category><![CDATA[Hong Sang-soo]]></category>
		<category><![CDATA[I'm In Trouble]]></category>
		<category><![CDATA[In Bruges]]></category>
		<category><![CDATA[James Brooks]]></category>
		<category><![CDATA[John Wildman]]></category>
		<category><![CDATA[Jonathan Lynn]]></category>
		<category><![CDATA[Josh Bednarsky]]></category>
		<category><![CDATA[Kodak Double-X Negative Film 7222]]></category>
		<category><![CDATA[La Strada]]></category>
		<category><![CDATA[Like You Know It All]]></category>
		<category><![CDATA[Matt Bolish]]></category>
		<category><![CDATA[Melnitz series]]></category>
		<category><![CDATA[Mira Sorvino]]></category>
		<category><![CDATA[Nicolas Pereda]]></category>
		<category><![CDATA[Paul Sorvino]]></category>
		<category><![CDATA[Pedro Costa]]></category>
		<category><![CDATA[Perpetuum Mobile]]></category>
		<category><![CDATA[Peter Sellers]]></category>
		<category><![CDATA[Phil Coldiron]]></category>
		<category><![CDATA[Robbie Coltrane]]></category>
		<category><![CDATA[Robert Koehler]]></category>
		<category><![CDATA[Rose Kuo]]></category>
		<category><![CDATA[Samson and Delilah]]></category>
		<category><![CDATA[The Social Network]]></category>
		<category><![CDATA[Tsai Ming-liang]]></category>
		<category><![CDATA[UCLA]]></category>
		<category><![CDATA[UltraStar Cinemas]]></category>
		<category><![CDATA[Wild Target]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=7151</guid>

					<description><![CDATA[<p>Over the past month my films have screened in a variety of circumstances—the kind of variety that is more demoralizing than exhilarating, the kind of variety that makes one wonder if there&#8217;s such a thing as an ideal screening. It&#8217;s [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/shorts-contest/film-festivals-and-taco-trucks-alejandro-adams/">ANAHEIM INTERNATIONAL FILM FESTIVAL: Film Festivals and Taco Trucks</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
					<wfw:commentRss>https://www.hammertonail.com/shorts-contest/film-festivals-and-taco-trucks-alejandro-adams/feed/</wfw:commentRss>
			<slash:comments>2</slash:comments>
		
		
			</item>
	</channel>
</rss>

<!--
Performance optimized by W3 Total Cache. Learn more: https://www.boldgrid.com/w3-total-cache/?utm_source=w3tc&utm_medium=footer_comment&utm_campaign=free_plugin

Database Caching 43/43 queries in 0.021 seconds using Disk

Served from: www.hammertonail.com @ 2026-04-25 12:14:48 by W3 Total Cache
-->