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	<title>New Red Order Archives - Hammer to Nail</title>
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	<title>New Red Order Archives - Hammer to Nail</title>
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	<item>
		<title>A Conversation with Zack Khalil (AANIKOBIJIGAN)</title>
		<link>https://www.hammertonail.com/interviews/zack-khalil/</link>
		
		<dc:creator><![CDATA[Jack Schenker]]></dc:creator>
		<pubDate>Tue, 24 Feb 2026 17:51:25 +0000</pubDate>
				<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[2026 Sundance Film Festival]]></category>
		<category><![CDATA[Aanikoobijigan]]></category>
		<category><![CDATA[Adam Khalil]]></category>
		<category><![CDATA[Alison Bouchard Krebs]]></category>
		<category><![CDATA[Anishinaabe]]></category>
		<category><![CDATA[decolonization]]></category>
		<category><![CDATA[documentary film]]></category>
		<category><![CDATA[human remains in museums]]></category>
		<category><![CDATA[indigenous filmmaking]]></category>
		<category><![CDATA[Indigenous repatriation]]></category>
		<category><![CDATA[MACPRA]]></category>
		<category><![CDATA[Michigan Anishinaabek Cultural Preservation and Repatriation Alliance]]></category>
		<category><![CDATA[museum ethics]]></category>
		<category><![CDATA[NAGPRA]]></category>
		<category><![CDATA[Native American Graves Protection and Repatriation Act]]></category>
		<category><![CDATA[New Red Order]]></category>
		<category><![CDATA[Ojibwe filmmakers]]></category>
		<category><![CDATA[Smithsonian Institution]]></category>
		<category><![CDATA[Sundance Film Festival]]></category>
		<category><![CDATA[Sundance Film Festival 2026]]></category>
		<category><![CDATA[tribal repatriation specialists]]></category>
		<category><![CDATA[Zack Khalil]]></category>
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					<description><![CDATA[<div><img width="300" height="184" src="https://www.hammertonail.com/wp-content/uploads/2026/02/Screenshot-2026-02-24-at-9.47.55 AM-300x184.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" fetchpriority="high" srcset="https://www.hammertonail.com/wp-content/uploads/2026/02/Screenshot-2026-02-24-at-9.47.55 AM-300x184.png 300w, https://www.hammertonail.com/wp-content/uploads/2026/02/Screenshot-2026-02-24-at-9.47.55 AM-1024x629.png 1024w, https://www.hammertonail.com/wp-content/uploads/2026/02/Screenshot-2026-02-24-at-9.47.55 AM-768x472.png 768w, https://www.hammertonail.com/wp-content/uploads/2026/02/Screenshot-2026-02-24-at-9.47.55 AM-1536x943.png 1536w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>&#8220;When I enter a museum, I&#8217;m not looking for what&#8217;s on the walls, I&#8217;m looking at what&#8217;s behind them,&#8221; says a participant in Aanikoobijigan [ancestor/great-grandparent/great-grandchild]. &#8220;I wonder if people know that they&#8217;ve paid $20 to enter a museum that&#8217;s holding [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/zack-khalil/">A Conversation with Zack Khalil (AANIKOBIJIGAN)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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