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	<title>Migrant crisis Archives - Hammer to Nail</title>
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	<title>Migrant crisis Archives - Hammer to Nail</title>
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		<title>A Conversation with Maya Annik Bedward (BLACK ZOMBIE)</title>
		<link>https://www.hammertonail.com/interviews/maya-annik-bedward/</link>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Wed, 25 Mar 2026 19:44:19 +0000</pubDate>
				<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Afro-Caribbean history]]></category>
		<category><![CDATA[agency]]></category>
		<category><![CDATA[Atlantique]]></category>
		<category><![CDATA[Black Zombie]]></category>
		<category><![CDATA[breaking the fourth wall]]></category>
		<category><![CDATA[cultural appropriation]]></category>
		<category><![CDATA[Documentary]]></category>
		<category><![CDATA[fair use]]></category>
		<category><![CDATA[film criticism]]></category>
		<category><![CDATA[George A. Romero]]></category>
		<category><![CDATA[Get Out]]></category>
		<category><![CDATA[Haitian Vodou]]></category>
		<category><![CDATA[Hammer to Nail]]></category>
		<category><![CDATA[horror film history]]></category>
		<category><![CDATA[Jordan Peele]]></category>
		<category><![CDATA[Mati Diop]]></category>
		<category><![CDATA[Maya Annik Bedward]]></category>
		<category><![CDATA[Migrant crisis]]></category>
		<category><![CDATA[Night of the Living Dead]]></category>
		<category><![CDATA[reenactment]]></category>
		<category><![CDATA[sugar cane field]]></category>
		<category><![CDATA[SXSW 2026]]></category>
		<category><![CDATA[SXSW Film Festival]]></category>
		<category><![CDATA[The Magic Island]]></category>
		<category><![CDATA[The Serpent and the Rainbow]]></category>
		<category><![CDATA[Tom Savini]]></category>
		<category><![CDATA[Vodou representation]]></category>
		<category><![CDATA[White Zombie]]></category>
		<category><![CDATA[William Seabrook]]></category>
		<category><![CDATA[zombie origins]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=55348</guid>

					<description><![CDATA[<div><img width="300" height="178" src="https://www.hammertonail.com/wp-content/uploads/2026/03/SXSW2026_2026-03-14_BLACK-ZOMBIE-interview_01-300x178.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" fetchpriority="high" srcset="https://www.hammertonail.com/wp-content/uploads/2026/03/SXSW2026_2026-03-14_BLACK-ZOMBIE-interview_01-300x178.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2026/03/SXSW2026_2026-03-14_BLACK-ZOMBIE-interview_01-1024x608.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2026/03/SXSW2026_2026-03-14_BLACK-ZOMBIE-interview_01-768x456.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2026/03/SXSW2026_2026-03-14_BLACK-ZOMBIE-interview_01.jpg 1500w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>The documentary Black Zombie marks director Maya Annik Bedward’s feature debut. In the film, Bedward examines how the cinematic zombie has its roots in the Haitian Vodou faith, even though the original term refers to a live person enslaved by a sorcerer, and [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/maya-annik-bedward/">A Conversation with Maya Annik Bedward (BLACK ZOMBIE)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<item>
		<title>A Conversation with Marialuisa Ernst (A PLACE OF ABSENCE)</title>
		<link>https://www.hammertonail.com/interviews/marialuisa-ernst/</link>
		
		<dc:creator><![CDATA[Kaitlyn Hardy]]></dc:creator>
		<pubDate>Wed, 19 Nov 2025 19:02:18 +0000</pubDate>
				<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[A Place of Absence]]></category>
		<category><![CDATA[Ambiguous loss]]></category>
		<category><![CDATA[Anita COFAMIDE]]></category>
		<category><![CDATA[archival footage]]></category>
		<category><![CDATA[Argentina Dirty War]]></category>
		<category><![CDATA[Caravan of Mothers]]></category>
		<category><![CDATA[Central American migration]]></category>
		<category><![CDATA[Cofamide]]></category>
		<category><![CDATA[CONADEP]]></category>
		<category><![CDATA[Desaparecidos]]></category>
		<category><![CDATA[Disappeared persons]]></category>
		<category><![CDATA[DOC NYC 2025]]></category>
		<category><![CDATA[documentary filmmaking]]></category>
		<category><![CDATA[El Salvador]]></category>
		<category><![CDATA[Grief and perseverance]]></category>
		<category><![CDATA[human rights activism]]></category>
		<category><![CDATA[human rights documentary]]></category>
		<category><![CDATA[Latin America documentary]]></category>
		<category><![CDATA[Leti Caravan]]></category>
		<category><![CDATA[Marialuisa Ernst]]></category>
		<category><![CDATA[Mass graves]]></category>
		<category><![CDATA[Migrant crisis]]></category>
		<category><![CDATA[Migrant disappearances]]></category>
		<category><![CDATA[Military dictatorship Argentina]]></category>
		<category><![CDATA[Missing migrants]]></category>
		<category><![CDATA[Mothers of Plaza de Mayo]]></category>
		<category><![CDATA[National Reorganization Process]]></category>
		<category><![CDATA[Performance art documentary]]></category>
		<category><![CDATA[Plaza de Mayo mothers]]></category>
		<category><![CDATA[Searching for the disappeared]]></category>
		<category><![CDATA[stop-motion animation]]></category>
		<category><![CDATA[Transgenerational trauma]]></category>
		<category><![CDATA[Unmarked graves]]></category>
		<category><![CDATA[Verité filmmaking]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54466</guid>

					<description><![CDATA[<div><img width="300" height="300" src="https://www.hammertonail.com/wp-content/uploads/2025/11/Dir.-Marialuisa-Ernst-300x300.jpeg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2025/11/Dir.-Marialuisa-Ernst-300x300.jpeg 300w, https://www.hammertonail.com/wp-content/uploads/2025/11/Dir.-Marialuisa-Ernst-1024x1024.jpeg 1024w, https://www.hammertonail.com/wp-content/uploads/2025/11/Dir.-Marialuisa-Ernst-150x150.jpeg 150w, https://www.hammertonail.com/wp-content/uploads/2025/11/Dir.-Marialuisa-Ernst-768x767.jpeg 768w, https://www.hammertonail.com/wp-content/uploads/2025/11/Dir.-Marialuisa-Ernst-1536x1534.jpeg 1536w, https://www.hammertonail.com/wp-content/uploads/2025/11/Dir.-Marialuisa-Ernst-650x650.jpeg 650w, https://www.hammertonail.com/wp-content/uploads/2025/11/Dir.-Marialuisa-Ernst-1300x1300.jpeg 1300w, https://www.hammertonail.com/wp-content/uploads/2025/11/Dir.-Marialuisa-Ernst-24x24.jpeg 24w, https://www.hammertonail.com/wp-content/uploads/2025/11/Dir.-Marialuisa-Ernst-48x48.jpeg 48w, https://www.hammertonail.com/wp-content/uploads/2025/11/Dir.-Marialuisa-Ernst-96x96.jpeg 96w, https://www.hammertonail.com/wp-content/uploads/2025/11/Dir.-Marialuisa-Ernst-250x250.jpeg 250w, https://www.hammertonail.com/wp-content/uploads/2025/11/Dir.-Marialuisa-Ernst.jpeg 1560w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>During Argentina’s Dirty War between 1976 and 1983, up to 30,000 people disappeared. Many were dissidents and activists publicly opposing the military dictatorship, Proceso de Reorganización Nacional (National Reorganization Process), though others were citizens suspected of being “terrorists” for having [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/marialuisa-ernst/">A Conversation with Marialuisa Ernst (A PLACE OF ABSENCE)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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