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	<title>low-budget filmmaking Archives - Hammer to Nail</title>
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	<title>low-budget filmmaking Archives - Hammer to Nail</title>
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	<item>
		<title>A Conversation with Radu Jude (DRACULA)</title>
		<link>https://www.hammertonail.com/interviews/radu-jude-dracula/</link>
		
		<dc:creator><![CDATA[Jack Schenker]]></dc:creator>
		<pubDate>Mon, 17 Nov 2025 16:28:09 +0000</pubDate>
				<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[AI filmmaking]]></category>
		<category><![CDATA[AI-generated imagery]]></category>
		<category><![CDATA[amateur AI collaboration]]></category>
		<category><![CDATA[Bad Luck Banging or Loony Porn]]></category>
		<category><![CDATA[confronting national mythology]]></category>
		<category><![CDATA[digressive storytelling]]></category>
		<category><![CDATA[Do Not Expect Too Much from The End of the World]]></category>
		<category><![CDATA[Dracula movie 2024]]></category>
		<category><![CDATA[film critique of AI]]></category>
		<category><![CDATA[formal invention in film]]></category>
		<category><![CDATA[glitch aesthetic]]></category>
		<category><![CDATA[Golden Bear winner]]></category>
		<category><![CDATA[history and capital]]></category>
		<category><![CDATA[iPhone filmmaking]]></category>
		<category><![CDATA[Kontinental '25]]></category>
		<category><![CDATA[low-budget filmmaking]]></category>
		<category><![CDATA[Marius Panduru cinematography]]></category>
		<category><![CDATA[Midjourney film]]></category>
		<category><![CDATA[New York Film Festival]]></category>
		<category><![CDATA[parasitic technology]]></category>
		<category><![CDATA[Radu Jude Dracula]]></category>
		<category><![CDATA[Radu Jude interview]]></category>
		<category><![CDATA[Romanian Cinema]]></category>
		<category><![CDATA[technology and film]]></category>
		<category><![CDATA[vampire myth]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54448</guid>

					<description><![CDATA[<div><img width="300" height="207" src="https://www.hammertonail.com/wp-content/uploads/2025/11/Screenshot-2025-11-17-at-8.22.08 AM-300x207.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" fetchpriority="high" srcset="https://www.hammertonail.com/wp-content/uploads/2025/11/Screenshot-2025-11-17-at-8.22.08 AM-300x207.png 300w, https://www.hammertonail.com/wp-content/uploads/2025/11/Screenshot-2025-11-17-at-8.22.08 AM-1024x706.png 1024w, https://www.hammertonail.com/wp-content/uploads/2025/11/Screenshot-2025-11-17-at-8.22.08 AM-768x530.png 768w, https://www.hammertonail.com/wp-content/uploads/2025/11/Screenshot-2025-11-17-at-8.22.08 AM-1536x1059.png 1536w, https://www.hammertonail.com/wp-content/uploads/2025/11/Screenshot-2025-11-17-at-8.22.08 AM.png 1830w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>Romanian filmmaker Radu Jude has built a reputation for making films confronting history, technology, and national mythology. His latest film, Dracula, is perhaps his most audacious provocation yet: a 170-minute, 14-segment epic that weaponizes artificial intelligence, iPhone footage, and absurdity [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/radu-jude-dracula/">A Conversation with Radu Jude (DRACULA)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>A Conversation with Park Jeong-min &#038; Yeon Sang-ho  (THE UGLY)</title>
		<link>https://www.hammertonail.com/interviews/theugly-min-ho/</link>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Mon, 22 Sep 2025 13:55:55 +0000</pubDate>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[blind engraver]]></category>
		<category><![CDATA[computer graphics in film]]></category>
		<category><![CDATA[dual role]]></category>
		<category><![CDATA[Edward Yang]]></category>
		<category><![CDATA[film interview]]></category>
		<category><![CDATA[graphic novel adaptation]]></category>
		<category><![CDATA[Hammer to Nail]]></category>
		<category><![CDATA[human brutality]]></category>
		<category><![CDATA[independent film]]></category>
		<category><![CDATA[Kiyoshi Kurosawa]]></category>
		<category><![CDATA[Korean cinema]]></category>
		<category><![CDATA[Korean film]]></category>
		<category><![CDATA[low-budget filmmaking]]></category>
		<category><![CDATA[method actor]]></category>
		<category><![CDATA[mystery thriller]]></category>
		<category><![CDATA[Park Jeong-min]]></category>
		<category><![CDATA[The Ugly]]></category>
		<category><![CDATA[TIFF 2025]]></category>
		<category><![CDATA[Toronto International Film Festival 2025]]></category>
		<category><![CDATA[Train to Busan]]></category>
		<category><![CDATA[Train to Busan director]]></category>
		<category><![CDATA[Yeon Sang-ho]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54105</guid>

					<description><![CDATA[<div><img width="300" height="150" src="https://www.hammertonail.com/wp-content/uploads/2025/09/Park-Jeong-min-and-Yeon-Sang-ho-collage-300x150.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2025/09/Park-Jeong-min-and-Yeon-Sang-ho-collage-300x150.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2025/09/Park-Jeong-min-and-Yeon-Sang-ho-collage-1024x512.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2025/09/Park-Jeong-min-and-Yeon-Sang-ho-collage-768x384.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2025/09/Park-Jeong-min-and-Yeon-Sang-ho-collage-1300x650.jpg 1300w, https://www.hammertonail.com/wp-content/uploads/2025/09/Park-Jeong-min-and-Yeon-Sang-ho-collage.jpg 1500w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>South Korean director Yeon Sang-ho (Train to Busan) just premiered his latest movie, The Ugly (based on his graphic novel), at the 2025 Toronto International Film Festival, where I reviewed it. Set in two different time periods, the film features actor Park Jeong-min in [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/theugly-min-ho/">A Conversation with Park Jeong-min &#038; Yeon Sang-ho  (THE UGLY)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>A Conversation with Jay Duplass, Michael Strassner &#038; Liz Larsen (THE BALTIMORONS)</title>
		<link>https://www.hammertonail.com/interviews/baltimorons/</link>
		
		<dc:creator><![CDATA[Jack Schenker]]></dc:creator>
		<pubDate>Tue, 02 Sep 2025 14:50:39 +0000</pubDate>
				<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[actor-director collaboration]]></category>
		<category><![CDATA[available materials filmmaking]]></category>
		<category><![CDATA[Baltimore-set romance]]></category>
		<category><![CDATA[Duplass Brothers]]></category>
		<category><![CDATA[filmmaking after strike]]></category>
		<category><![CDATA[Harold and Maude comparison]]></category>
		<category><![CDATA[improv comedy film]]></category>
		<category><![CDATA[independent film success]]></category>
		<category><![CDATA[Indie Filmmaking]]></category>
		<category><![CDATA[intimate romance film]]></category>
		<category><![CDATA[Jay Duplass interview]]></category>
		<category><![CDATA[Jay Duplass return to directing]]></category>
		<category><![CDATA[lightning in a bottle movie]]></category>
		<category><![CDATA[Liz Larsen actress]]></category>
		<category><![CDATA[low-budget filmmaking]]></category>
		<category><![CDATA[May-December romance]]></category>
		<category><![CDATA[Michael Strassner breakout performance]]></category>
		<category><![CDATA[on-set improv]]></category>
		<category><![CDATA[Planes Trains and Automobiles love story]]></category>
		<category><![CDATA[second chances movie]]></category>
		<category><![CDATA[sober comedy]]></category>
		<category><![CDATA[sobriety in film]]></category>
		<category><![CDATA[SXSW Film]]></category>
		<category><![CDATA[The Baltimorons movie]]></category>
		<category><![CDATA[The Creep Tapes]]></category>
		<category><![CDATA[Transparent Musical]]></category>
		<category><![CDATA[Wild Wild Country documentary]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=53943</guid>

					<description><![CDATA[<div><img width="300" height="169" src="https://www.hammertonail.com/wp-content/uploads/2025/09/THE-BALTIMORONS-Still-1-300x169.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2025/09/THE-BALTIMORONS-Still-1-300x169.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2025/09/THE-BALTIMORONS-Still-1-1024x576.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2025/09/THE-BALTIMORONS-Still-1-768x432.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2025/09/THE-BALTIMORONS-Still-1-1536x864.jpg 1536w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>The Baltimorons marks Jay Duplass&#8217;s return to feature directing after more than a decade away from the director&#8217;s chair. The film follows Cliff (Michael Strassner), a newly sober improv comedian who cracks a tooth on Christmas Eve and lands in [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/baltimorons/">A Conversation with Jay Duplass, Michael Strassner &#038; Liz Larsen (THE BALTIMORONS)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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