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	<title>long takes in film Archives - Hammer to Nail</title>
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	<title>long takes in film Archives - Hammer to Nail</title>
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		<title>A Conversation with Dea Kulumbegashvili (APRIL)</title>
		<link>https://www.hammertonail.com/interviews/dea-kulumbegashvili/</link>
		
		<dc:creator><![CDATA[Jack Schenker]]></dc:creator>
		<pubDate>Thu, 08 May 2025 19:20:06 +0000</pubDate>
				<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[abortion in film]]></category>
		<category><![CDATA[April movie]]></category>
		<category><![CDATA[authentic storytelling]]></category>
		<category><![CDATA[Beginning film]]></category>
		<category><![CDATA[childbirth in film]]></category>
		<category><![CDATA[Dea Kulumbegashvili]]></category>
		<category><![CDATA[emotional performances]]></category>
		<category><![CDATA[feminist cinema]]></category>
		<category><![CDATA[film directing techniques]]></category>
		<category><![CDATA[film festival awards]]></category>
		<category><![CDATA[film production process]]></category>
		<category><![CDATA[Georgian cinema]]></category>
		<category><![CDATA[Ia Sukhitashvili]]></category>
		<category><![CDATA[immersive cinematography]]></category>
		<category><![CDATA[independent filmmaking]]></category>
		<category><![CDATA[long takes in film]]></category>
		<category><![CDATA[Luca Guadagnino]]></category>
		<category><![CDATA[medical ethics in movies]]></category>
		<category><![CDATA[non-professional actors]]></category>
		<category><![CDATA[patriarchal systems]]></category>
		<category><![CDATA[rural conservatism]]></category>
		<category><![CDATA[surrealism in cinema]]></category>
		<category><![CDATA[tactile filmmaking]]></category>
		<category><![CDATA[Venice Film Festival 2024]]></category>
		<category><![CDATA[women filmmakers]]></category>
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					<description><![CDATA[<div><img width="300" height="153" src="https://www.hammertonail.com/wp-content/uploads/2025/05/dea-300x153.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2025/05/dea-300x153.png 300w, https://www.hammertonail.com/wp-content/uploads/2025/05/dea-1024x521.png 1024w, https://www.hammertonail.com/wp-content/uploads/2025/05/dea-768x391.png 768w, https://www.hammertonail.com/wp-content/uploads/2025/05/dea-1536x782.png 1536w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>Georgian filmmaker Dea Kulumbegashvili has emerged as one of world cinema&#8217;s most uncompromising voices. Her debut feature Beginning (2020), which won four major awards at the San Sebastián Film Festival, established her as a director capable of creating profound tension [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/dea-kulumbegashvili/">A Conversation with Dea Kulumbegashvili (APRIL)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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