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	<title>Latin American cinema Archives - Hammer to Nail</title>
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	<description>What to Watch</description>
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	<title>Latin American cinema Archives - Hammer to Nail</title>
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	<item>
		<title>A Conversation with Kleber Mendonça Filho (THE SECRET AGENT)</title>
		<link>https://www.hammertonail.com/interviews/mendonca-filho/</link>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Tue, 04 Nov 2025 15:37:20 +0000</pubDate>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[1977 Brazil]]></category>
		<category><![CDATA[anamorphic lenses]]></category>
		<category><![CDATA[Arri Alexa 35]]></category>
		<category><![CDATA[auteur theory]]></category>
		<category><![CDATA[Brazilian Cinema]]></category>
		<category><![CDATA[Brazilian director]]></category>
		<category><![CDATA[Brazilian history]]></category>
		<category><![CDATA[Cannes Film Festival 2025]]></category>
		<category><![CDATA[cinema and memory]]></category>
		<category><![CDATA[cinematography]]></category>
		<category><![CDATA[Evgenia Alexandrova]]></category>
		<category><![CDATA[film criticism]]></category>
		<category><![CDATA[film nostalgia]]></category>
		<category><![CDATA[filmmaking]]></category>
		<category><![CDATA[Hammer to Nail interview]]></category>
		<category><![CDATA[journalism in film]]></category>
		<category><![CDATA[Kleber Mendonça Filho]]></category>
		<category><![CDATA[Latin American cinema]]></category>
		<category><![CDATA[Middleburg Film Festival]]></category>
		<category><![CDATA[military dictatorship Brazil]]></category>
		<category><![CDATA[Pictures of Ghosts]]></category>
		<category><![CDATA[political thriller]]></category>
		<category><![CDATA[Recife]]></category>
		<category><![CDATA[The Secret Agent]]></category>
		<category><![CDATA[Wagner Moura]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54353</guid>

					<description><![CDATA[<div><img width="300" height="139" src="https://www.hammertonail.com/wp-content/uploads/2025/11/Kleber-Mendonca-Filho-with-Wagner-Moura-MK2-Films-300x139.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2025/11/Kleber-Mendonca-Filho-with-Wagner-Moura-MK2-Films-300x139.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2025/11/Kleber-Mendonca-Filho-with-Wagner-Moura-MK2-Films-1024x475.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2025/11/Kleber-Mendonca-Filho-with-Wagner-Moura-MK2-Films-768x356.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2025/11/Kleber-Mendonca-Filho-with-Wagner-Moura-MK2-Films.jpg 1500w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>Winner of the Best Director and Best Actor awards at the 2025 Cannes Film Festival, The Secret Agent, from Brazilian director Kleber Mendonça Filho (Bacurau), takes place in 1977 during Brazil’s military dictatorship. It was a time of violence and [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/mendonca-filho/">A Conversation with Kleber Mendonça Filho (THE SECRET AGENT)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>A Conversation with Amalia Ulman (MAGIC FARM)</title>
		<link>https://www.hammertonail.com/interviews/amalia-ulman/</link>
		
		<dc:creator><![CDATA[Jack Schenker]]></dc:creator>
		<pubDate>Tue, 13 May 2025 18:40:04 +0000</pubDate>
				<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Alex Wolff]]></category>
		<category><![CDATA[Amalia Ulman]]></category>
		<category><![CDATA[Berlin Film Festival]]></category>
		<category><![CDATA[Chloe Sevigny]]></category>
		<category><![CDATA[corruption in Latin America]]></category>
		<category><![CDATA[cross-cultural communication]]></category>
		<category><![CDATA[Dov Charney inspiration]]></category>
		<category><![CDATA[environmental devastation]]></category>
		<category><![CDATA[film production design]]></category>
		<category><![CDATA[Global South representation]]></category>
		<category><![CDATA[glyphosate exposure]]></category>
		<category><![CDATA[hipster journalism satire]]></category>
		<category><![CDATA[indigenous communities Argentina]]></category>
		<category><![CDATA[Latin American cinema]]></category>
		<category><![CDATA[Latin American politeness]]></category>
		<category><![CDATA[location scouting]]></category>
		<category><![CDATA[Magic Farm movie]]></category>
		<category><![CDATA[media exploitation]]></category>
		<category><![CDATA[Simon Rex]]></category>
		<category><![CDATA[Sundance Film Festival 2025]]></category>
		<category><![CDATA[Vice Media parody]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=53146</guid>

					<description><![CDATA[<div><img width="300" height="119" src="https://www.hammertonail.com/wp-content/uploads/2025/05/magic-300x119.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2025/05/magic-300x119.png 300w, https://www.hammertonail.com/wp-content/uploads/2025/05/magic-1024x405.png 1024w, https://www.hammertonail.com/wp-content/uploads/2025/05/magic-768x304.png 768w, https://www.hammertonail.com/wp-content/uploads/2025/05/magic-1536x608.png 1536w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>Filmmaker and visual artist Amalia Ulman brings her bold perspective to Magic Farm, a film that examines the fraught relationship between American media and Latin American subjects. Premiering at the 2025 Sundance Film Festival and later screening at Berlin, this 93-minute [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/amalia-ulman/">A Conversation with Amalia Ulman (MAGIC FARM)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>A Conversation with J.D Fernández Molero (PUNKU)</title>
		<link>https://www.hammertonail.com/interviews/punku/</link>
		
		<dc:creator><![CDATA[Kaitlyn Hardy]]></dc:creator>
		<pubDate>Tue, 01 Apr 2025 18:33:24 +0000</pubDate>
				<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Amazon jungle]]></category>
		<category><![CDATA[Berlinale premiere]]></category>
		<category><![CDATA[childhood memories]]></category>
		<category><![CDATA[cinema as expression]]></category>
		<category><![CDATA[experimental filmmaker]]></category>
		<category><![CDATA[family influence]]></category>
		<category><![CDATA[horror]]></category>
		<category><![CDATA[identity]]></category>
		<category><![CDATA[J.D Fernández Molero]]></category>
		<category><![CDATA[Latin American cinema]]></category>
		<category><![CDATA[Machiguenga culture]]></category>
		<category><![CDATA[magical realism]]></category>
		<category><![CDATA[Peruvian cinema]]></category>
		<category><![CDATA[punku]]></category>
		<category><![CDATA[Punku movie]]></category>
		<category><![CDATA[Quechua]]></category>
		<category><![CDATA[Quillabamba]]></category>
		<category><![CDATA[self-expression]]></category>
		<category><![CDATA[sleep paralysis]]></category>
		<category><![CDATA[surrealism]]></category>
		<category><![CDATA[trauma]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=52909</guid>

					<description><![CDATA[<div><img width="300" height="153" src="https://www.hammertonail.com/wp-content/uploads/2025/04/jd2-300x153.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2025/04/jd2-300x153.png 300w, https://www.hammertonail.com/wp-content/uploads/2025/04/jd2-1024x521.png 1024w, https://www.hammertonail.com/wp-content/uploads/2025/04/jd2-768x391.png 768w, https://www.hammertonail.com/wp-content/uploads/2025/04/jd2-1536x782.png 1536w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>When words fail, cinema is the purest form of expression, believes experimental filmmaker J.D Fernández Molero. Cinema is the closest thing to dreams, in its ability to conjure existence and twist reality. Cinema is a punku,  meaning for “gateway” in [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/punku/">A Conversation with J.D Fernández Molero (PUNKU)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>A Conversation with Laura Casabé (THE VIRGIN OF THE QUARRY LAKE)</title>
		<link>https://www.hammertonail.com/interviews/laura-casabe/</link>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Mon, 03 Mar 2025 16:30:12 +0000</pubDate>
				<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Argentinian Cinema]]></category>
		<category><![CDATA[Benjamin Naishtat]]></category>
		<category><![CDATA[Benjamin Naishtat screenwriting]]></category>
		<category><![CDATA[coming-of-age films]]></category>
		<category><![CDATA[David Lynch]]></category>
		<category><![CDATA[David Lynch-inspired films]]></category>
		<category><![CDATA[Dolores Oliverio]]></category>
		<category><![CDATA[Ernesto Sabato]]></category>
		<category><![CDATA[Fernanda Echeverría]]></category>
		<category><![CDATA[Get Out]]></category>
		<category><![CDATA[Horacio Quiroga]]></category>
		<category><![CDATA[Josefina]]></category>
		<category><![CDATA[Julio Cortazar]]></category>
		<category><![CDATA[Latin American cinema]]></category>
		<category><![CDATA[Laura Casabé’]]></category>
		<category><![CDATA[Lovecraft]]></category>
		<category><![CDATA[Mariana Enriquez]]></category>
		<category><![CDATA[Mariana Enriquez adaptations]]></category>
		<category><![CDATA[Mariela]]></category>
		<category><![CDATA[Polanski]]></category>
		<category><![CDATA[Polanski influences]]></category>
		<category><![CDATA[Possession]]></category>
		<category><![CDATA[Repulsion]]></category>
		<category><![CDATA[Rosemary's Baby]]></category>
		<category><![CDATA[social realism]]></category>
		<category><![CDATA[Sundance Film Festival 2025]]></category>
		<category><![CDATA[supernatural horror]]></category>
		<category><![CDATA[The Returned]]></category>
		<category><![CDATA[The Tenant]]></category>
		<category><![CDATA[The Virgin of the Quarry Lake]]></category>
		<category><![CDATA[The Witch]]></category>
		<category><![CDATA[Zulawski]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=52711</guid>

					<description><![CDATA[<div><img width="300" height="188" src="https://www.hammertonail.com/wp-content/uploads/2025/03/Director_Laura_Casabei_PhotoCredit_Catalina_Bartolome-300x188.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2025/03/Director_Laura_Casabei_PhotoCredit_Catalina_Bartolome-300x188.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2025/03/Director_Laura_Casabei_PhotoCredit_Catalina_Bartolome-1024x640.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2025/03/Director_Laura_Casabei_PhotoCredit_Catalina_Bartolome-768x480.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2025/03/Director_Laura_Casabei_PhotoCredit_Catalina_Bartolome.jpg 1500w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>Argentinian director Laura Casabé (The Returned) premiered her latest feature, The Virgin of the Quarry Lake, at the 2025 Sundance Film Festival (where I reviewed it). Based on two short stories—“Our Lady of the Quarry” and “The Cart”—by author Mariana [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/laura-casabe/">A Conversation with Laura Casabé (THE VIRGIN OF THE QUARRY LAKE)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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