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	<title>Ingmar Bergman Archives - Hammer to Nail</title>
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	<link>https://www.hammertonail.com/tag/ingmar-bergman/</link>
	<description>What to Watch</description>
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	<title>Ingmar Bergman Archives - Hammer to Nail</title>
	<link>https://www.hammertonail.com/tag/ingmar-bergman/</link>
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	<item>
		<title>A Conversation with Vicky Krieps &#038; Samuel Van Grinsven (WENT UP THE HILL)</title>
		<link>https://www.hammertonail.com/interviews/went-up-the-hill/</link>
		
		<dc:creator><![CDATA[Jack Schenker]]></dc:creator>
		<pubDate>Mon, 25 Aug 2025 18:33:02 +0000</pubDate>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[VOD Release]]></category>
		<category><![CDATA[ahaunting film]]></category>
		<category><![CDATA[breaking cycles of trauma]]></category>
		<category><![CDATA[chamber piece horror]]></category>
		<category><![CDATA[Dacre Montgomery]]></category>
		<category><![CDATA[emotional horror]]></category>
		<category><![CDATA[family trauma]]></category>
		<category><![CDATA[Flock Hill Lodge]]></category>
		<category><![CDATA[grief and trauma]]></category>
		<category><![CDATA[haunted by the past]]></category>
		<category><![CDATA[Ingmar Bergman]]></category>
		<category><![CDATA[Ingmar Bergman inspired]]></category>
		<category><![CDATA[Lord of the Rings]]></category>
		<category><![CDATA[modern ghost story]]></category>
		<category><![CDATA[New Zealand film]]></category>
		<category><![CDATA[Persona film]]></category>
		<category><![CDATA[Phantom Thread actress]]></category>
		<category><![CDATA[possession horror]]></category>
		<category><![CDATA[psychological supernatural drama]]></category>
		<category><![CDATA[psychological thriller]]></category>
		<category><![CDATA[raw emotional truth]]></category>
		<category><![CDATA[Samuel Van Grinsven]]></category>
		<category><![CDATA[Sequin in a Blue Room director]]></category>
		<category><![CDATA[Vicky Krieps interview]]></category>
		<category><![CDATA[Went Up the Hill]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=53879</guid>

					<description><![CDATA[<div><img width="300" height="158" src="https://www.hammertonail.com/wp-content/uploads/2025/08/newCover-300x158.jpeg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2025/08/newCover-300x158.jpeg 300w, https://www.hammertonail.com/wp-content/uploads/2025/08/newCover-1024x538.jpeg 1024w, https://www.hammertonail.com/wp-content/uploads/2025/08/newCover-768x403.jpeg 768w, https://www.hammertonail.com/wp-content/uploads/2025/08/newCover.jpeg 1200w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>Went Up the Hill is a haunting psychological supernatural drama that explores the complex aftermath of grief and trauma. Directed by Samuel Van Grinsven, the film follows Jack (Dacre Montgomery), who travels to remote New Zealand for his estranged mother [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/went-up-the-hill/">A Conversation with Vicky Krieps &#038; Samuel Van Grinsven (WENT UP THE HILL)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>A Conversation with Halfdan Ullmann Tøndel &#038; Renate Reinsve (ARMAND)</title>
		<link>https://www.hammertonail.com/interviews/armand/</link>
		
		<dc:creator><![CDATA[Jack Schenker]]></dc:creator>
		<pubDate>Thu, 03 Apr 2025 17:32:50 +0000</pubDate>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Stream Free Now]]></category>
		<category><![CDATA[Armand]]></category>
		<category><![CDATA[Armand movie]]></category>
		<category><![CDATA[Cannes 2024]]></category>
		<category><![CDATA[chamber drama]]></category>
		<category><![CDATA[claustrophobic thriller]]></category>
		<category><![CDATA[dance sequences]]></category>
		<category><![CDATA[Gothic architecture]]></category>
		<category><![CDATA[Halfdan Ullmann Tøndel]]></category>
		<category><![CDATA[Ingmar Bergman]]></category>
		<category><![CDATA[institutional responsibility]]></category>
		<category><![CDATA[Joachim Trier]]></category>
		<category><![CDATA[Nordic cinema renaissance]]></category>
		<category><![CDATA[Norwegian Cinema]]></category>
		<category><![CDATA[parental anxiety]]></category>
		<category><![CDATA[physical acting]]></category>
		<category><![CDATA[psychological drama]]></category>
		<category><![CDATA[Renate Reinsve]]></category>
		<category><![CDATA[Scandinavian film]]></category>
		<category><![CDATA[The Cabinet of Dr. Caligari]]></category>
		<category><![CDATA[THE WORST PERSON IN THE WORLD]]></category>
		<category><![CDATA[Un Certain Regard]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=52929</guid>

					<description><![CDATA[<div><img width="300" height="185" src="https://www.hammertonail.com/wp-content/uploads/2025/04/armand-300x185.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" fetchpriority="high" srcset="https://www.hammertonail.com/wp-content/uploads/2025/04/armand-300x185.png 300w, https://www.hammertonail.com/wp-content/uploads/2025/04/armand-1024x631.png 1024w, https://www.hammertonail.com/wp-content/uploads/2025/04/armand-768x473.png 768w, https://www.hammertonail.com/wp-content/uploads/2025/04/armand.png 1444w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>Premiering to critical acclaim in the Un Certain Regard section at Cannes 2024, Armand marks the feature debut of Norwegian filmmaker Halfdan Ullmann Tøndel. Set entirely within the labyrinthine corridors of an elementary school after hours, this tense psychological drama follows Elisabeth [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/armand/">A Conversation with Halfdan Ullmann Tøndel &#038; Renate Reinsve (ARMAND)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>ARMAND Trailer: Renate Reinsve Unravels in Norway&#8217;s Oscar Entry</title>
		<link>https://www.hammertonail.com/trailer/armand-renate-reinsve-norway-oscar-entry/</link>
		
		<dc:creator><![CDATA[M.J. O'Toole]]></dc:creator>
		<pubDate>Thu, 09 Jan 2025 19:14:14 +0000</pubDate>
				<category><![CDATA[Coming Soon]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[TRAILERS]]></category>
		<category><![CDATA[2024 Cannes]]></category>
		<category><![CDATA[2024 Cannes Film Festival]]></category>
		<category><![CDATA[97th Academy Awards]]></category>
		<category><![CDATA[Camera d'Or]]></category>
		<category><![CDATA[Cannes]]></category>
		<category><![CDATA[Cannes Film Festival]]></category>
		<category><![CDATA[Ellen Dorrit Petersen]]></category>
		<category><![CDATA[Endre Hellestveit]]></category>
		<category><![CDATA[Halfdan Ullmann Tøndel]]></category>
		<category><![CDATA[IFC Films]]></category>
		<category><![CDATA[Ingmar Bergman]]></category>
		<category><![CDATA[Liv Ullmann]]></category>
		<category><![CDATA[Norway]]></category>
		<category><![CDATA[Norway's Oscar Entry]]></category>
		<category><![CDATA[Norwegian Cinema]]></category>
		<category><![CDATA[Norwegian Film Institute]]></category>
		<category><![CDATA[Norwegian Oscar Entry]]></category>
		<category><![CDATA[Øystein Røger]]></category>
		<category><![CDATA[Renate Reinsve]]></category>
		<category><![CDATA[Thea Lambrechts Vaulen]]></category>
		<category><![CDATA[Vera Veljovic]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=52357</guid>

					<description><![CDATA[<div><img width="300" height="162" src="https://www.hammertonail.com/wp-content/uploads/2025/01/Armand_Still-9-300x162.jpg" class="attachment-medium size-medium wp-post-image" alt="Renate Reinsve in ARMAND" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2025/01/Armand_Still-9-300x162.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2025/01/Armand_Still-9-1024x554.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2025/01/Armand_Still-9-768x415.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2025/01/Armand_Still-9-1536x830.jpg 1536w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>Renate Reinsve (The Worst Person in the World) is a force to be reckoned with in Armand. The psychological thriller marks the directorial debut of Halfdan Ullmann Tøndel, the grandson of Liv Ullmann and Ingmar Bergman. It had its world [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/trailer/armand-renate-reinsve-norway-oscar-entry/">ARMAND Trailer: Renate Reinsve Unravels in Norway&#8217;s Oscar Entry</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>THE CURBSIDE CRITERION: THE SEVENTH SEAL</title>
		<link>https://www.hammertonail.com/reviews/criterion-seventh-seal/</link>
		
		<dc:creator><![CDATA[Brad Cook]]></dc:creator>
		<pubDate>Tue, 25 Apr 2023 16:37:46 +0000</pubDate>
				<category><![CDATA[Blu-ray]]></category>
		<category><![CDATA[Comedy]]></category>
		<category><![CDATA[Curbside Criterion]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Foreign]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Bergman Island]]></category>
		<category><![CDATA[Criterion]]></category>
		<category><![CDATA[Criterion 4k]]></category>
		<category><![CDATA[Criterion Collection]]></category>
		<category><![CDATA[Criterion Seventh Seal]]></category>
		<category><![CDATA[Gary Giddins]]></category>
		<category><![CDATA[Ingmar Bergman]]></category>
		<category><![CDATA[Marie Nyrerod]]></category>
		<category><![CDATA[Peter Cowie]]></category>
		<category><![CDATA[The Seventh Seal]]></category>
		<category><![CDATA[Woody Allen]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=39334</guid>

					<description><![CDATA[<div><img width="300" height="169" src="https://www.hammertonail.com/wp-content/uploads/2023/04/Seal-300x169.jpeg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2023/04/Seal-300x169.jpeg 300w, https://www.hammertonail.com/wp-content/uploads/2023/04/Seal-1024x576.jpeg 1024w, https://www.hammertonail.com/wp-content/uploads/2023/04/Seal-768x432.jpeg 768w, https://www.hammertonail.com/wp-content/uploads/2023/04/Seal-1536x864.jpeg 1536w, https://www.hammertonail.com/wp-content/uploads/2023/04/Seal.jpeg 1600w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>(Here at Hammer to Nail, we are all about true independent cinema. But we also have to tip our hat to the great films of yesteryear that continue to inspire filmmakers and cinephiles alike. This week, Brad Cook finds himself [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/reviews/criterion-seventh-seal/">THE CURBSIDE CRITERION: THE SEVENTH SEAL</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>ROBERT GREENE’S &#8220;KATE PLAYS CHRISTINE&#8221; IS ANOTHER DOCUMENTARY EXPERIMENT</title>
		<link>https://www.hammertonail.com/editorial/robert-greene-kate-christine/</link>
		
		<dc:creator><![CDATA[Ray Lobo]]></dc:creator>
		<pubDate>Wed, 10 Mar 2021 16:28:09 +0000</pubDate>
				<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[EDITORIAL]]></category>
		<category><![CDATA[Experimental]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Actress]]></category>
		<category><![CDATA[Antonio Campos]]></category>
		<category><![CDATA[Bisbee '17]]></category>
		<category><![CDATA[Christine Chubbuck]]></category>
		<category><![CDATA[David Lynch]]></category>
		<category><![CDATA[Ingmar Bergman]]></category>
		<category><![CDATA[Kate Lyn Sheil]]></category>
		<category><![CDATA[Kate Plays Christine]]></category>
		<category><![CDATA[Mulholland Drive]]></category>
		<category><![CDATA[Persona]]></category>
		<category><![CDATA[Rebecca Hall]]></category>
		<category><![CDATA[Robert Greene]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=34450</guid>

					<description><![CDATA[<div><img width="300" height="169" src="https://www.hammertonail.com/wp-content/uploads/2021/03/6966ccb0-1a72-4051-8746-1a67f9beac7e-300x169.jpeg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2021/03/6966ccb0-1a72-4051-8746-1a67f9beac7e-300x169.jpeg 300w, https://www.hammertonail.com/wp-content/uploads/2021/03/6966ccb0-1a72-4051-8746-1a67f9beac7e-768x432.jpeg 768w, https://www.hammertonail.com/wp-content/uploads/2021/03/6966ccb0-1a72-4051-8746-1a67f9beac7e-1024x576.jpeg 1024w, https://www.hammertonail.com/wp-content/uploads/2021/03/6966ccb0-1a72-4051-8746-1a67f9beac7e-600x338.jpeg 600w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>(HtN contributor Ray Lobo is a big fan of the films of Robert Greene. So much so, he’s trotting out this 3-part series on Greene’s films Actress, Kate Plays Christine and Bisbee ’17. Like what you see here on Hammer to Nail? Why not [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/editorial/robert-greene-kate-christine/">ROBERT GREENE’S &#8220;KATE PLAYS CHRISTINE&#8221; IS ANOTHER DOCUMENTARY EXPERIMENT</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>Nelson Kim&#8217;s 2019 New York Film Festival Report</title>
		<link>https://www.hammertonail.com/shorts-contest/2019-nyff-wrap/</link>
					<comments>https://www.hammertonail.com/shorts-contest/2019-nyff-wrap/#comments</comments>
		
		<dc:creator><![CDATA[Nelson Kim]]></dc:creator>
		<pubDate>Mon, 28 Oct 2019 18:38:28 +0000</pubDate>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[SHORT FILM CONTEST]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[2019 New York Film Festival]]></category>
		<category><![CDATA[Adèle Exarchopoulos]]></category>
		<category><![CDATA[Al Pacino]]></category>
		<category><![CDATA[American Trial]]></category>
		<category><![CDATA[American Trial: The Eric Garner Story]]></category>
		<category><![CDATA[Ana de Armas]]></category>
		<category><![CDATA[Anthony Altieri]]></category>
		<category><![CDATA[Arthur Harari]]></category>
		<category><![CDATA[Bay of Pigs]]></category>
		<category><![CDATA[Black Lives Matter]]></category>
		<category><![CDATA[Cuba]]></category>
		<category><![CDATA[Daniel Pantaleo]]></category>
		<category><![CDATA[Edgar Ramirez]]></category>
		<category><![CDATA[Eric Garner]]></category>
		<category><![CDATA[Esaw Snipes Garner]]></category>
		<category><![CDATA[Fernando Morais]]></category>
		<category><![CDATA[Fidel Castro]]></category>
		<category><![CDATA[Frank Sheeran]]></category>
		<category><![CDATA[Gangs of New York]]></category>
		<category><![CDATA[Hugo]]></category>
		<category><![CDATA[Ingmar Bergman]]></category>
		<category><![CDATA[James Knight]]></category>
		<category><![CDATA[Jimmy Hoffa]]></category>
		<category><![CDATA[Joey Gallo]]></category>
		<category><![CDATA[Juan Pablo Roque]]></category>
		<category><![CDATA[Justine Triet]]></category>
		<category><![CDATA[Last Tango in Paris]]></category>
		<category><![CDATA[Laurent Sénéchal]]></category>
		<category><![CDATA[Lawrence Olivier]]></category>
		<category><![CDATA[Leonardo Simões]]></category>
		<category><![CDATA[Lisbon]]></category>
		<category><![CDATA[Lord Beaverbrook]]></category>
		<category><![CDATA[Martin Scorsese]]></category>
		<category><![CDATA[Mike Leigh]]></category>
		<category><![CDATA[Nadav Lapid]]></category>
		<category><![CDATA[Naked]]></category>
		<category><![CDATA[New York Film Festival]]></category>
		<category><![CDATA[Norman Mailer]]></category>
		<category><![CDATA[NYFF]]></category>
		<category><![CDATA[Olga Salanueva]]></category>
		<category><![CDATA[Olivier Assayas]]></category>
		<category><![CDATA[Orson Welles]]></category>
		<category><![CDATA[Paris]]></category>
		<category><![CDATA[Pedro Costa]]></category>
		<category><![CDATA[Penélope Cruz]]></category>
		<category><![CDATA[Portugal]]></category>
		<category><![CDATA[René Gonzalez]]></category>
		<category><![CDATA[Richard Burton]]></category>
		<category><![CDATA[Robert De Niro]]></category>
		<category><![CDATA[Roee Messinger]]></category>
		<category><![CDATA[Sandra Hüller]]></category>
		<category><![CDATA[Sibyl]]></category>
		<category><![CDATA[Synonyms]]></category>
		<category><![CDATA[The Aviator]]></category>
		<category><![CDATA[The Battle of Algiers]]></category>
		<category><![CDATA[The Irishman]]></category>
		<category><![CDATA[The Last Soldiers of the Cold War: The Story of the Cuban Five]]></category>
		<category><![CDATA[Tom Mercier]]></category>
		<category><![CDATA[Toni Erdmann]]></category>
		<category><![CDATA[Virginie Efira]]></category>
		<category><![CDATA[Vitalina Varela]]></category>
		<category><![CDATA[Wagner Moura]]></category>
		<category><![CDATA[Wasp Network]]></category>
		<category><![CDATA[Winston Churchill]]></category>
		<category><![CDATA[Z]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=31665</guid>

					<description><![CDATA[<div><img width="300" height="169" src="https://www.hammertonail.com/wp-content/uploads/2019/10/AAAABXDhteVwL1ML8ML8JgtRiUwGhrREuN6LJqaqtWCTF3ban7Hqc09db8jH0pxhugqvXkRuriAy5UVhstBE07rROn-xC6YX-300x169.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2019/10/AAAABXDhteVwL1ML8ML8JgtRiUwGhrREuN6LJqaqtWCTF3ban7Hqc09db8jH0pxhugqvXkRuriAy5UVhstBE07rROn-xC6YX-300x169.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2019/10/AAAABXDhteVwL1ML8ML8JgtRiUwGhrREuN6LJqaqtWCTF3ban7Hqc09db8jH0pxhugqvXkRuriAy5UVhstBE07rROn-xC6YX-768x432.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2019/10/AAAABXDhteVwL1ML8ML8JgtRiUwGhrREuN6LJqaqtWCTF3ban7Hqc09db8jH0pxhugqvXkRuriAy5UVhstBE07rROn-xC6YX.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2019/10/AAAABXDhteVwL1ML8ML8JgtRiUwGhrREuN6LJqaqtWCTF3ban7Hqc09db8jH0pxhugqvXkRuriAy5UVhstBE07rROn-xC6YX-600x338.jpg 600w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>The 2019 New York Film Festival began with a bang — the world premiere of Martin Scorsese’s feverishly anticipated The Irishman. And The Irishman itself ended with a whimper, or something close to it: This long (three and a half [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/shorts-contest/2019-nyff-wrap/">Nelson Kim&#8217;s 2019 New York Film Festival Report</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
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			<slash:comments>3</slash:comments>
		
		
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		<title>COLD WAR</title>
		<link>https://www.hammertonail.com/reviews/cold-war/</link>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Fri, 21 Dec 2018 19:10:51 +0000</pubDate>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[Foreign]]></category>
		<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[2015 Foreign Language Oscar winner]]></category>
		<category><![CDATA[Agata Kulesza]]></category>
		<category><![CDATA[Alan Alda]]></category>
		<category><![CDATA[Cold War]]></category>
		<category><![CDATA[Disco Polo]]></category>
		<category><![CDATA[IDA]]></category>
		<category><![CDATA[Ingmar Bergman]]></category>
		<category><![CDATA[Joanna Kulig]]></category>
		<category><![CDATA[Marcin Masecki]]></category>
		<category><![CDATA[Pawel Pawlikowski]]></category>
		<category><![CDATA[realpolitik]]></category>
		<category><![CDATA[Roma]]></category>
		<category><![CDATA[Same Time Next Year]]></category>
		<category><![CDATA[Scenes From A Marriage]]></category>
		<category><![CDATA[The Woman in the Fifth]]></category>
		<category><![CDATA[Tomasz Kot]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=30573</guid>

					<description><![CDATA[<div><img width="145" height="216" src="https://www.hammertonail.com/wp-content/uploads/2018/12/1cold.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" /></div>
<p>Polish director Pawel Pawlikowski's Cold War has the great virtue of offering wholly unexpected plot twists in a passionate period drama where emotions belie the title and run hot all over.</p>
<p>The post <a href="https://www.hammertonail.com/reviews/cold-war/">COLD WAR</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<item>
		<title>A Conversation with Pawel Pawlikowski   (COLD WAR)</title>
		<link>https://www.hammertonail.com/interviews/pawlikowski-interview/</link>
		
		<dc:creator><![CDATA[Matt Delman]]></dc:creator>
		<pubDate>Fri, 21 Dec 2018 14:00:25 +0000</pubDate>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[2015 Foreign Language Oscar winner]]></category>
		<category><![CDATA[Alan Alda]]></category>
		<category><![CDATA[Cold War]]></category>
		<category><![CDATA[IDA]]></category>
		<category><![CDATA[Ingmar Bergman]]></category>
		<category><![CDATA[Joanna Kulig]]></category>
		<category><![CDATA[Marcin Masecki]]></category>
		<category><![CDATA[Pawel Pawlikowski]]></category>
		<category><![CDATA[Roma]]></category>
		<category><![CDATA[Same Time Next Year]]></category>
		<category><![CDATA[Scenes From A Marriage]]></category>
		<category><![CDATA[The Woman in the Fifth]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=30239</guid>

					<description><![CDATA[<p>Pawel Pawlikowski is the Polish, 61 year-old Academy Award-winning Director behind Ida, the 2015 Foreign Language Oscar winner. His new film Cold War is poised to challenge Roma for this year’s crown. It’s a stunning romance that spans multiple countries [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/pawlikowski-interview/">A Conversation with Pawel Pawlikowski   (COLD WAR)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>ON THE FRINGE, PART THREE: ALICE DOESN’T LIVE HERE ANYMORE (1974)</title>
		<link>https://www.hammertonail.com/editorial/on-the-fringe-3/</link>
		
		<dc:creator><![CDATA[]]></dc:creator>
		<pubDate>Wed, 21 Mar 2018 22:18:20 +0000</pubDate>
				<category><![CDATA[EDITORIAL]]></category>
		<category><![CDATA[Essays]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[A Woman Under the Influence]]></category>
		<category><![CDATA[Agnes Varda]]></category>
		<category><![CDATA[Alejandro Jodorowsky]]></category>
		<category><![CDATA[Alfred Lutter]]></category>
		<category><![CDATA[Alice Doesn't Live Here Any More]]></category>
		<category><![CDATA[Alice Doesn’t Live Here Anymore]]></category>
		<category><![CDATA[All That Jazz]]></category>
		<category><![CDATA[Arthur Penn]]></category>
		<category><![CDATA[Atlantic City]]></category>
		<category><![CDATA[Behind the Green Door]]></category>
		<category><![CDATA[Being There]]></category>
		<category><![CDATA[Bob Fosse]]></category>
		<category><![CDATA[Boxcar Bertha]]></category>
		<category><![CDATA[Brian De Palma]]></category>
		<category><![CDATA[Butch Cassidy and the Sundance Kid; Bonnie and Clyde]]></category>
		<category><![CDATA[Casino]]></category>
		<category><![CDATA[Chantal Akerman]]></category>
		<category><![CDATA[Closely Watched Trains]]></category>
		<category><![CDATA[Coming Home]]></category>
		<category><![CDATA[Deep Throat]]></category>
		<category><![CDATA[Delicatessen]]></category>
		<category><![CDATA[Diane Ladd]]></category>
		<category><![CDATA[Dog Day Afternoon]]></category>
		<category><![CDATA[Easy Riders]]></category>
		<category><![CDATA[El Topo]]></category>
		<category><![CDATA[Elaine May]]></category>
		<category><![CDATA[Ellen Burstyn]]></category>
		<category><![CDATA[Fat City]]></category>
		<category><![CDATA[Five Easy Pieces]]></category>
		<category><![CDATA[Francis Ford Coppola]]></category>
		<category><![CDATA[Francois Truffaut]]></category>
		<category><![CDATA[French New Wave]]></category>
		<category><![CDATA[George Roy Hill]]></category>
		<category><![CDATA[Get Out]]></category>
		<category><![CDATA[Gone With the Wind]]></category>
		<category><![CDATA[Goodfellas]]></category>
		<category><![CDATA[Gordon Parks]]></category>
		<category><![CDATA[Guillermo del Toro]]></category>
		<category><![CDATA[Hal Ashby]]></category>
		<category><![CDATA[Halloween]]></category>
		<category><![CDATA[Harold & Maude]]></category>
		<category><![CDATA[Harvey Keitel]]></category>
		<category><![CDATA[Herbert Ross]]></category>
		<category><![CDATA[Herschell Gordon Lewis]]></category>
		<category><![CDATA[Husbands]]></category>
		<category><![CDATA[I Am Curious]]></category>
		<category><![CDATA[In The Realm of the Senses]]></category>
		<category><![CDATA[Ingmar Bergman]]></category>
		<category><![CDATA[Italian Neorealism]]></category>
		<category><![CDATA[Italian-Neorealists]]></category>
		<category><![CDATA[Jean-Luc Godard]]></category>
		<category><![CDATA[Jean-Pierre Jeunet]]></category>
		<category><![CDATA[Jirí Menzel]]></category>
		<category><![CDATA[Jodie Foster]]></category>
		<category><![CDATA[John Carpenter]]></category>
		<category><![CDATA[John Cassavetes]]></category>
		<category><![CDATA[John Schlesinger]]></category>
		<category><![CDATA[John Waters]]></category>
		<category><![CDATA[Jr.]]></category>
		<category><![CDATA[Ken Loach]]></category>
		<category><![CDATA[Killer of Sheep]]></category>
		<category><![CDATA[Kramer vs. Kramer]]></category>
		<category><![CDATA[Kris Kristofferson]]></category>
		<category><![CDATA[Louis Malle]]></category>
		<category><![CDATA[Loves of a Blonde]]></category>
		<category><![CDATA[Maidstone]]></category>
		<category><![CDATA[Martin Ritt]]></category>
		<category><![CDATA[Martin Scorsese]]></category>
		<category><![CDATA[Mathew Klickstein]]></category>
		<category><![CDATA[Mean Streets]]></category>
		<category><![CDATA[Melvin and Howard]]></category>
		<category><![CDATA[Melvin Van Peebles]]></category>
		<category><![CDATA[Midnight Cowboy]]></category>
		<category><![CDATA[Mike Nichols]]></category>
		<category><![CDATA[Milos Forman]]></category>
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		<category><![CDATA[Nagisa Oshima]]></category>
		<category><![CDATA[Nashville]]></category>
		<category><![CDATA[Network]]></category>
		<category><![CDATA[Norma Rae]]></category>
		<category><![CDATA[Norman Mailer]]></category>
		<category><![CDATA[One the Fringe]]></category>
		<category><![CDATA[Pan's Labyrinth]]></category>
		<category><![CDATA[Paper Moon]]></category>
		<category><![CDATA[Paul Verhoeven]]></category>
		<category><![CDATA[Peter Biskind]]></category>
		<category><![CDATA[Peter Bogdanovich]]></category>
		<category><![CDATA[Poor Cow]]></category>
		<category><![CDATA[Raging Bulls]]></category>
		<category><![CDATA[Rainer Werner Fassbinder]]></category>
		<category><![CDATA[Ralph Bakshi]]></category>
		<category><![CDATA[Robert Altman]]></category>
		<category><![CDATA[Robert Downey Sr.]]></category>
		<category><![CDATA[Robert Evans]]></category>
		<category><![CDATA[Roger Corman]]></category>
		<category><![CDATA[Roman Polanski]]></category>
		<category><![CDATA[Russ Meyer]]></category>
		<category><![CDATA[Scenes From A Marriage]]></category>
		<category><![CDATA[Shampoo]]></category>
		<category><![CDATA[Sidney Lumet]]></category>
		<category><![CDATA[Stanley Kubrick]]></category>
		<category><![CDATA[Stroszek]]></category>
		<category><![CDATA[Sweet Movie]]></category>
		<category><![CDATA[Sydney Pollack]]></category>
		<category><![CDATA[Taxi Driver]]></category>
		<category><![CDATA[The Bad News Bears]]></category>
		<category><![CDATA[The Fireman's Ball]]></category>
		<category><![CDATA[The Harder They Come]]></category>
		<category><![CDATA[The Kid Stays in the Picture]]></category>
		<category><![CDATA[the Kuchar Brothers]]></category>
		<category><![CDATA[The Landlord]]></category>
		<category><![CDATA[The Last Detail]]></category>
		<category><![CDATA[The Last House on the Left]]></category>
		<category><![CDATA[The Last Picture Show]]></category>
		<category><![CDATA[The Shape of Water]]></category>
		<category><![CDATA[The Spirit of the Beehive]]></category>
		<category><![CDATA[The Stepford Wives]]></category>
		<category><![CDATA[The Swimmer]]></category>
		<category><![CDATA[The Texas Chainsaw Massacre]]></category>
		<category><![CDATA[The Wolf of Wall Street]]></category>
		<category><![CDATA[Tobe Hooper]]></category>
		<category><![CDATA[Turkish Delight]]></category>
		<category><![CDATA[Victor Erice]]></category>
		<category><![CDATA[Vilgot Sjöman]]></category>
		<category><![CDATA[Volker Schlöndorff]]></category>
		<category><![CDATA[Werner Herzog]]></category>
		<category><![CDATA[Wes Craven]]></category>
		<category><![CDATA[William Friedkin]]></category>
		<category><![CDATA[Wim Wenders]]></category>
		<category><![CDATA[Wizard of Oz]]></category>
		<category><![CDATA[Woody Allen]]></category>
		<category><![CDATA[WR: Mysteries of the Organism]]></category>
		<category><![CDATA[Xala]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=29240</guid>

					<description><![CDATA[<p>Something was happening in the American cinema starting in the late 1960s and throughout the 1970s. Among other progressions in societal mores, technology and legalities, this decade+ could arguably be considered a Golden Age of courageous truth-telling films that mine [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/editorial/on-the-fringe-3/">ON THE FRINGE, PART THREE: ALICE DOESN’T LIVE HERE ANYMORE (1974)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<title>LOVERS</title>
		<link>https://www.hammertonail.com/shorts-contest/lovers-review/</link>
		
		<dc:creator><![CDATA[]]></dc:creator>
		<pubDate>Tue, 23 Jan 2018 20:30:50 +0000</pubDate>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[Experimental]]></category>
		<category><![CDATA[Foreign]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[SHORT FILM CONTEST]]></category>
		<category><![CDATA[2018 Slamdance Film Festival]]></category>
		<category><![CDATA[David Bowie]]></category>
		<category><![CDATA[Ingmar Bergman]]></category>
		<category><![CDATA[Josh Mandel]]></category>
		<category><![CDATA[Lovers]]></category>
		<category><![CDATA[Niels Holstein Kaa]]></category>
		<category><![CDATA[Slamdance]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=28937</guid>

					<description><![CDATA[<div><img width="145" height="216" src="https://www.hammertonail.com/wp-content/uploads/2018/01/1lovers.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" /></div>
<p>Niels Holstein Kaa’s Lovers, with its North American premiere in the Narrative Feature category at Slamdance 2018, exemplifies this truly independent festival’s attitude, focusing more on experimentation than potential ticket sales.</p>
<p>The post <a href="https://www.hammertonail.com/shorts-contest/lovers-review/">LOVERS</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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