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	<title>independent film Archives - Hammer to Nail</title>
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	<description>What to Watch</description>
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	<title>independent film Archives - Hammer to Nail</title>
	<link>https://www.hammertonail.com/tag/independent-film/</link>
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	<item>
		<title>A Conversation with Anna Boden and Ryan Fleck (HALF NELSON)</title>
		<link>https://www.hammertonail.com/interviews/boden-fleck/</link>
		
		<dc:creator><![CDATA[Jack Schenker]]></dc:creator>
		<pubDate>Sat, 21 Mar 2026 21:41:27 +0000</pubDate>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Stream Free Now]]></category>
		<category><![CDATA[Anna Boden]]></category>
		<category><![CDATA[Captain Marvel]]></category>
		<category><![CDATA[character study]]></category>
		<category><![CDATA[film analysis]]></category>
		<category><![CDATA[film directing]]></category>
		<category><![CDATA[filmmaking craft]]></category>
		<category><![CDATA[filmmaking duo]]></category>
		<category><![CDATA[Freaky Tales]]></category>
		<category><![CDATA[Half Nelson]]></category>
		<category><![CDATA[independent film]]></category>
		<category><![CDATA[indie cinema]]></category>
		<category><![CDATA[Mississippi Grind]]></category>
		<category><![CDATA[movie behind the scenes]]></category>
		<category><![CDATA[movie interview]]></category>
		<category><![CDATA[Mrs. America]]></category>
		<category><![CDATA[Project Hail Mary]]></category>
		<category><![CDATA[Ryan Fleck]]></category>
		<category><![CDATA[Ryan Gosling]]></category>
		<category><![CDATA[Shareeka Epps]]></category>
		<category><![CDATA[Sugar]]></category>
		<category><![CDATA[Sundance Film Festival]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=55307</guid>

					<description><![CDATA[<div><img width="300" height="169" src="https://www.hammertonail.com/wp-content/uploads/2026/03/bodenfleck-300x169.webp" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" fetchpriority="high" srcset="https://www.hammertonail.com/wp-content/uploads/2026/03/bodenfleck-300x169.webp 300w, https://www.hammertonail.com/wp-content/uploads/2026/03/bodenfleck-1024x577.webp 1024w, https://www.hammertonail.com/wp-content/uploads/2026/03/bodenfleck-768x433.webp 768w, https://www.hammertonail.com/wp-content/uploads/2026/03/bodenfleck.webp 1500w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>Anna Boden and Ryan Fleck are an American filmmaking duo whose partnership spans over two decades. Boden, originally from Newton, Massachusetts, developed a love of movies, English literature, and photography at a young age. She discovered filmmaking as a medium [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/boden-fleck/">A Conversation with Anna Boden and Ryan Fleck (HALF NELSON)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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			</item>
		<item>
		<title>MY BROTHER&#8217;S WEDDING</title>
		<link>https://www.hammertonail.com/reviews/my-brothers-wedding/</link>
		
		<dc:creator><![CDATA[Brandon Wilson]]></dc:creator>
		<pubDate>Thu, 19 Feb 2026 21:07:45 +0000</pubDate>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[African American cinema]]></category>
		<category><![CDATA[Berlin International Film Festival]]></category>
		<category><![CDATA[Black folklore in film]]></category>
		<category><![CDATA[Brandon Wilson review]]></category>
		<category><![CDATA[Charles Burnett]]></category>
		<category><![CDATA[Charles Burnett film]]></category>
		<category><![CDATA[class conflict film]]></category>
		<category><![CDATA[Everett Silas]]></category>
		<category><![CDATA[family drama film]]></category>
		<category><![CDATA[independent film]]></category>
		<category><![CDATA[Killer of Sheep]]></category>
		<category><![CDATA[Letterboxd]]></category>
		<category><![CDATA[Milestone Films]]></category>
		<category><![CDATA[movie review HtN]]></category>
		<category><![CDATA[My Brother's Wedding 4K restoration]]></category>
		<category><![CDATA[My Brother's Wedding movie review]]></category>
		<category><![CDATA[National Film Registry]]></category>
		<category><![CDATA[Ronnie Bell]]></category>
		<category><![CDATA[South Central Los Angeles film]]></category>
		<category><![CDATA[To Sleep With Anger]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=55102</guid>

					<description><![CDATA[<div><img width="300" height="200" src="https://www.hammertonail.com/wp-content/uploads/2026/02/burnett-300x200.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2026/02/burnett-300x200.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2026/02/burnett-1024x683.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2026/02/burnett-768x512.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2026/02/burnett-1536x1024.jpg 1536w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>(Check out Brandon Wilson&#8217;s My Brother&#8217;s Wedding movie review. Charles Burnett&#8217;s second film has recieved the 4k treatment that was premiered this week at the Berlin International Film Festival. It wil hit American cinemas soon. Seen it? Join the conversation with [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/reviews/my-brothers-wedding/">MY BROTHER&#8217;S WEDDING</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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			</item>
		<item>
		<title>A Conversation with Stephanie Ahn (BEDFORD PARK)</title>
		<link>https://www.hammertonail.com/interviews/stephanie-ahn/</link>
		
		<dc:creator><![CDATA[Jack Schenker]]></dc:creator>
		<pubDate>Tue, 03 Feb 2026 15:06:53 +0000</pubDate>
				<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[adopted character]]></category>
		<category><![CDATA[Bedford Park analysis]]></category>
		<category><![CDATA[Bedford Park film]]></category>
		<category><![CDATA[car accident premise]]></category>
		<category><![CDATA[childhood trauma]]></category>
		<category><![CDATA[cultural conflict]]></category>
		<category><![CDATA[cultural kindness]]></category>
		<category><![CDATA[debut feature]]></category>
		<category><![CDATA[editing career]]></category>
		<category><![CDATA[family expectations]]></category>
		<category><![CDATA[generational conflict]]></category>
		<category><![CDATA[immigrant cinema]]></category>
		<category><![CDATA[immigrant story]]></category>
		<category><![CDATA[independent film]]></category>
		<category><![CDATA[Korean American filmmaker]]></category>
		<category><![CDATA[Korean American identity]]></category>
		<category><![CDATA[Korean diaspora]]></category>
		<category><![CDATA[Moon Choi]]></category>
		<category><![CDATA[Rocky theme song]]></category>
		<category><![CDATA[Son Sukku]]></category>
		<category><![CDATA[Sony Pictures Classics]]></category>
		<category><![CDATA[Stephanie Ahn]]></category>
		<category><![CDATA[Stephanie Ahn interview]]></category>
		<category><![CDATA[Sundance 2026]]></category>
		<category><![CDATA[Sundance jury award]]></category>
		<category><![CDATA[Sundance winner]]></category>
		<category><![CDATA[U.S. Dramatic Competition]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54974</guid>

					<description><![CDATA[<div><img width="300" height="138" src="https://www.hammertonail.com/wp-content/uploads/2026/02/SAhn-300x138.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2026/02/SAhn-300x138.png 300w, https://www.hammertonail.com/wp-content/uploads/2026/02/SAhn-1024x472.png 1024w, https://www.hammertonail.com/wp-content/uploads/2026/02/SAhn-768x354.png 768w, https://www.hammertonail.com/wp-content/uploads/2026/02/SAhn-1536x708.png 1536w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>Stephanie Ahn is a Korean American filmmaker who came to the United States at age two. She worked as an editor on films including Debra Granik&#8217;s Winter&#8217;s Bone (2010) and Israel Horovitz&#8217;s My Old Lady (2014) before setting out to [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/stephanie-ahn/">A Conversation with Stephanie Ahn (BEDFORD PARK)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<item>
		<title>A Conversation with David Greaves, Liani Greaves, Anne de Mare &#038; Lynn True (ONCE UPON A TIME IN HARLEM)</title>
		<link>https://www.hammertonail.com/interviews/once-upon-a-time-in-harlem/</link>
		
		<dc:creator><![CDATA[Jack Schenker]]></dc:creator>
		<pubDate>Sun, 01 Feb 2026 23:20:45 +0000</pubDate>
				<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[16mm film]]></category>
		<category><![CDATA[A. Philip Randolph]]></category>
		<category><![CDATA[Albert Maysles]]></category>
		<category><![CDATA[Anne de Mare]]></category>
		<category><![CDATA[archival footage]]></category>
		<category><![CDATA[Arna Bontemps]]></category>
		<category><![CDATA[Bill Brand]]></category>
		<category><![CDATA[black filmmakers]]></category>
		<category><![CDATA[Black Filmmakers Hall of Fame]]></category>
		<category><![CDATA[Black Journal]]></category>
		<category><![CDATA[Countee Cullen]]></category>
		<category><![CDATA[David Greaves]]></category>
		<category><![CDATA[documentary filmmaking]]></category>
		<category><![CDATA[Duke Ellington]]></category>
		<category><![CDATA[Experimental Film]]></category>
		<category><![CDATA[film editing]]></category>
		<category><![CDATA[film preservation]]></category>
		<category><![CDATA[George Schuyler]]></category>
		<category><![CDATA[Hammer to Nail interview]]></category>
		<category><![CDATA[Harlem Renaissance documentary]]></category>
		<category><![CDATA[Harlem townhouse]]></category>
		<category><![CDATA[Hubert Harrison]]></category>
		<category><![CDATA[Ida B. Wells: A Passion for Justice]]></category>
		<category><![CDATA[In Transit]]></category>
		<category><![CDATA[independent film]]></category>
		<category><![CDATA[Ishmael Reed]]></category>
		<category><![CDATA[Langston Hughes]]></category>
		<category><![CDATA[Leigh Whipper]]></category>
		<category><![CDATA[Liani Greaves]]></category>
		<category><![CDATA[Louise Archambault Greaves]]></category>
		<category><![CDATA[Lynn True]]></category>
		<category><![CDATA[Marcus Garvey]]></category>
		<category><![CDATA[Nathan Huggins]]></category>
		<category><![CDATA[National Film Registry]]></category>
		<category><![CDATA[Nugent]]></category>
		<category><![CDATA[Once Upon a Time in Harlem]]></category>
		<category><![CDATA[Ontological-Hysteric Theater]]></category>
		<category><![CDATA[Ralph Bunche: An American Odyssey]]></category>
		<category><![CDATA[Richard B. Moore]]></category>
		<category><![CDATA[Richard Foreman]]></category>
		<category><![CDATA[Schomburg Center]]></category>
		<category><![CDATA[Steve Buscemi]]></category>
		<category><![CDATA[Steven Soderbergh]]></category>
		<category><![CDATA[Sundance film]]></category>
		<category><![CDATA[Symbiopsychotaxiplasm: Take One]]></category>
		<category><![CDATA[W.E.B. Du Bois]]></category>
		<category><![CDATA[William Greaves]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54961</guid>

					<description><![CDATA[<div><img width="300" height="104" src="https://www.hammertonail.com/wp-content/uploads/2026/02/cover-300x104.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2026/02/cover-300x104.png 300w, https://www.hammertonail.com/wp-content/uploads/2026/02/cover-1024x356.png 1024w, https://www.hammertonail.com/wp-content/uploads/2026/02/cover-768x267.png 768w, https://www.hammertonail.com/wp-content/uploads/2026/02/cover-1536x533.png 1536w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>Once Upon a Time in Harlem is the best film I saw at Sundance this year. It is also, in a sense, a miracle. In 1972, the legendary documentary filmmaker William Greaves—director of the avant-garde masterpiece Symbiopsychotaxiplasm: Take One (1968), [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/once-upon-a-time-in-harlem/">A Conversation with David Greaves, Liani Greaves, Anne de Mare &#038; Lynn True (ONCE UPON A TIME IN HARLEM)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>All Because Robert Redford Started a Film Festival</title>
		<link>https://www.hammertonail.com/features/redford-2025/</link>
		
		<dc:creator><![CDATA[Don R. Lewis]]></dc:creator>
		<pubDate>Mon, 19 Jan 2026 23:56:46 +0000</pubDate>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[1990s film]]></category>
		<category><![CDATA[Chris Gore]]></category>
		<category><![CDATA[Faye Dunaway]]></category>
		<category><![CDATA[film festival memories]]></category>
		<category><![CDATA[film industry]]></category>
		<category><![CDATA[Film Threat]]></category>
		<category><![CDATA[filmmaker stories]]></category>
		<category><![CDATA[Hammer to Nail]]></category>
		<category><![CDATA[iconic film festivals]]></category>
		<category><![CDATA[independent film]]></category>
		<category><![CDATA[Indie Filmmaking]]></category>
		<category><![CDATA[Jonathan Marlow]]></category>
		<category><![CDATA[Melanie Addington]]></category>
		<category><![CDATA[Park City Utah]]></category>
		<category><![CDATA[Robert Altman Sundance]]></category>
		<category><![CDATA[Robert Redford]]></category>
		<category><![CDATA[Robert Redford legacy]]></category>
		<category><![CDATA[Robert Redford tribute]]></category>
		<category><![CDATA[Scarecrow Video]]></category>
		<category><![CDATA[Sundance Film Festival]]></category>
		<category><![CDATA[Sundance Film Festival history]]></category>
		<category><![CDATA[Sundance friendships]]></category>
		<category><![CDATA[Sundance volunteers]]></category>
		<category><![CDATA[The Violent Kind]]></category>
		<category><![CDATA[volunteering at Sundance]]></category>
		<category><![CDATA[William H. Macy]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54079</guid>

					<description><![CDATA[<div><img width="300" height="200" src="https://www.hammertonail.com/wp-content/uploads/2025/09/redford-300x200.jpeg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2025/09/redford-300x200.jpeg 300w, https://www.hammertonail.com/wp-content/uploads/2025/09/redford-1024x683.jpeg 1024w, https://www.hammertonail.com/wp-content/uploads/2025/09/redford-768x512.jpeg 768w, https://www.hammertonail.com/wp-content/uploads/2025/09/redford.jpeg 1200w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>Robert Redford changed my life. It was all the way back in 1997 and my friend’s sister heard I was really getting into independent film and was particularly interested in the Sundance Film Festival. Hell, who wasn’t back in 1997? [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/features/redford-2025/">All Because Robert Redford Started a Film Festival</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<item>
		<title>YOUNG MOTHERS</title>
		<link>https://www.hammertonail.com/reviews/young-mothers/</link>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Thu, 08 Jan 2026 18:09:06 +0000</pubDate>
				<category><![CDATA[Coming of Age]]></category>
		<category><![CDATA[Documentary]]></category>
		<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[award-winning screenplay]]></category>
		<category><![CDATA[Babette Verbeek]]></category>
		<category><![CDATA[Belgian film]]></category>
		<category><![CDATA[Belgium]]></category>
		<category><![CDATA[Best Screenplay Cannes]]></category>
		<category><![CDATA[Cannes 2025]]></category>
		<category><![CDATA[character study]]></category>
		<category><![CDATA[Christopher Llewellyn Reed]]></category>
		<category><![CDATA[critical acclaim]]></category>
		<category><![CDATA[Dardenne Brothers]]></category>
		<category><![CDATA[drama]]></category>
		<category><![CDATA[Elsa Houben]]></category>
		<category><![CDATA[emotional drama]]></category>
		<category><![CDATA[European cinema]]></category>
		<category><![CDATA[film review]]></category>
		<category><![CDATA[Focus Features]]></category>
		<category><![CDATA[Hammer to Nail]]></category>
		<category><![CDATA[independent film]]></category>
		<category><![CDATA[Janaina Halloy Fokan]]></category>
		<category><![CDATA[Jean-Pierre Dardenne]]></category>
		<category><![CDATA[Liège]]></category>
		<category><![CDATA[Luc Dardenne]]></category>
		<category><![CDATA[Lucie Laruelle]]></category>
		<category><![CDATA[motherhood]]></category>
		<category><![CDATA[new release 2025]]></category>
		<category><![CDATA[resilient women]]></category>
		<category><![CDATA[Sami Hilmi]]></category>
		<category><![CDATA[social realism]]></category>
		<category><![CDATA[teenage pregnancy]]></category>
		<category><![CDATA[Tori and Lokita]]></category>
		<category><![CDATA[women's shelter]]></category>
		<category><![CDATA[Young Mothers]]></category>
		<category><![CDATA[Young Mothers movie review]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54822</guid>

					<description><![CDATA[<div><img width="300" height="169" src="https://www.hammertonail.com/wp-content/uploads/2026/01/YOUNG-MOTHERS-still_07-300x169.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2026/01/YOUNG-MOTHERS-still_07-300x169.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2026/01/YOUNG-MOTHERS-still_07-1024x576.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2026/01/YOUNG-MOTHERS-still_07-768x432.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2026/01/YOUNG-MOTHERS-still_07.jpg 1500w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>(Check out Chris Reed’s Young Mothers movie review! It opens January 9 in New York and January 16 in Los Angeles before a national rollout. Seen it? Join the conversation with HtN on our Letterboxd Page.) The Belgian filmmaking duo of brothers [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/reviews/young-mothers/">YOUNG MOTHERS</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<title>A Conversation wtih Luka Sabbat and Indya Moore (FATHER MOTHER SISTER BROTHER)</title>
		<link>https://www.hammertonail.com/interviews/sabbat-moore/</link>
		
		<dc:creator><![CDATA[Jack Schenker]]></dc:creator>
		<pubDate>Wed, 31 Dec 2025 19:26:04 +0000</pubDate>
				<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Adam Driver]]></category>
		<category><![CDATA[adult children parents]]></category>
		<category><![CDATA[anti-action film]]></category>
		<category><![CDATA[Cannes film festival premiere]]></category>
		<category><![CDATA[Cate Blanchett]]></category>
		<category><![CDATA[Catherine George costume designer]]></category>
		<category><![CDATA[Charlotte Rampling]]></category>
		<category><![CDATA[family drama]]></category>
		<category><![CDATA[Father Mother Sister Brother]]></category>
		<category><![CDATA[grief and memory]]></category>
		<category><![CDATA[human fragility]]></category>
		<category><![CDATA[independent film]]></category>
		<category><![CDATA[Indya Moore]]></category>
		<category><![CDATA[Jim Jarmusch]]></category>
		<category><![CDATA[Jim Jarmusch interview]]></category>
		<category><![CDATA[Luka Sabbat]]></category>
		<category><![CDATA[Mayim Bialik]]></category>
		<category><![CDATA[MUBI release]]></category>
		<category><![CDATA[Paris setting]]></category>
		<category><![CDATA[quiet filmmaking]]></category>
		<category><![CDATA[Saint Laurent costumes]]></category>
		<category><![CDATA[sibling relationship]]></category>
		<category><![CDATA[Tom Waits]]></category>
		<category><![CDATA[triptych film]]></category>
		<category><![CDATA[Vicky Krieps]]></category>
		<category><![CDATA[Yorick Le Saux cinematography]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54782</guid>

					<description><![CDATA[<div><img width="300" height="200" src="https://www.hammertonail.com/wp-content/uploads/2025/12/cover-300x200.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2025/12/cover-300x200.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2025/12/cover.jpg 600w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>Jim Jarmusch has spent over four decades crafting films about drifters, outsiders, and quiet souls navigating a world that rarely accommodates their rhythms. With Father Mother Sister Brother, the legendary independent filmmaker delivers what he calls &#8220;a kind of anti-action [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/sabbat-moore/">A Conversation wtih Luka Sabbat and Indya Moore (FATHER MOTHER SISTER BROTHER)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<title>A Conversation with Max Walker-Silverman (REBUILDING)</title>
		<link>https://www.hammertonail.com/interviews/walker-silverman-rebuilding/</link>
		
		<dc:creator><![CDATA[Jack Schenker]]></dc:creator>
		<pubDate>Mon, 24 Nov 2025 15:44:43 +0000</pubDate>
				<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[A Love Song]]></category>
		<category><![CDATA[Alfonso Herrera Salcedo]]></category>
		<category><![CDATA[Amy Madigan]]></category>
		<category><![CDATA[Callie-Rose]]></category>
		<category><![CDATA[cinematography]]></category>
		<category><![CDATA[climate crisis cinema]]></category>
		<category><![CDATA[Colorado rancher]]></category>
		<category><![CDATA[community resilience]]></category>
		<category><![CDATA[displacement]]></category>
		<category><![CDATA[Dusty]]></category>
		<category><![CDATA[father-daughter relationship]]></category>
		<category><![CDATA[FEMA trailer park]]></category>
		<category><![CDATA[grief and loss]]></category>
		<category><![CDATA[Hammer to Nail interview]]></category>
		<category><![CDATA[independent film]]></category>
		<category><![CDATA[intimate filmmaking]]></category>
		<category><![CDATA[Josh O'Connor]]></category>
		<category><![CDATA[legacy and home]]></category>
		<category><![CDATA[Max Walker-Silverman]]></category>
		<category><![CDATA[Meghann Fahy]]></category>
		<category><![CDATA[modern western]]></category>
		<category><![CDATA[non-professional actors]]></category>
		<category><![CDATA[Rebuilding]]></category>
		<category><![CDATA[rebuilding after disaster]]></category>
		<category><![CDATA[rural America]]></category>
		<category><![CDATA[wildfire film]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54505</guid>

					<description><![CDATA[<div><img width="199" height="300" src="https://www.hammertonail.com/wp-content/uploads/2025/11/Max-Walker-Silverman-Headshot-199x300.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2025/11/Max-Walker-Silverman-Headshot-199x300.jpg 199w, https://www.hammertonail.com/wp-content/uploads/2025/11/Max-Walker-Silverman-Headshot-678x1024.jpg 678w, https://www.hammertonail.com/wp-content/uploads/2025/11/Max-Walker-Silverman-Headshot-768x1159.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2025/11/Max-Walker-Silverman-Headshot.jpg 795w" sizes="auto, (max-width: 199px) 100vw, 199px" /></div>
<p>Max Walker-Silverman returns with Rebuilding, a tender follow-up to his 2022 debut A Love Song that explores displacement, community, and resilience in the aftermath of a wildfire. Starring Josh O&#8217;Connor as Dusty, a Colorado rancher struggling to reconcile his identity [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/walker-silverman-rebuilding/">A Conversation with Max Walker-Silverman (REBUILDING)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<title>A Conversation with Richard Linklater (NOUVELLE VAGUE)</title>
		<link>https://www.hammertonail.com/interviews/linklater-nouvelle-vague/</link>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Fri, 14 Nov 2025 18:45:56 +0000</pubDate>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Stream Free Now]]></category>
		<category><![CDATA[Aubry Dullin]]></category>
		<category><![CDATA[Black and white film]]></category>
		<category><![CDATA[Breathless]]></category>
		<category><![CDATA[cinema history]]></category>
		<category><![CDATA[cinematic creation]]></category>
		<category><![CDATA[cinephile]]></category>
		<category><![CDATA[Claude Chabrol]]></category>
		<category><![CDATA[David Chambille]]></category>
		<category><![CDATA[film about film]]></category>
		<category><![CDATA[film crew]]></category>
		<category><![CDATA[filmmaking process]]></category>
		<category><![CDATA[first-time filmmaker]]></category>
		<category><![CDATA[Francois Truffaut]]></category>
		<category><![CDATA[French actors]]></category>
		<category><![CDATA[French New Wave]]></category>
		<category><![CDATA[Guillaume Marbeck]]></category>
		<category><![CDATA[Hammer to Nail interview]]></category>
		<category><![CDATA[independent film]]></category>
		<category><![CDATA[Jean Cocteau]]></category>
		<category><![CDATA[Jean Seberg]]></category>
		<category><![CDATA[Jean-Luc Godard]]></category>
		<category><![CDATA[Jean-Paul Belmondo]]></category>
		<category><![CDATA[José Bénazéraf]]></category>
		<category><![CDATA[Middleburg Film Festival 2025]]></category>
		<category><![CDATA[modernist film]]></category>
		<category><![CDATA[Nouvelle Vague]]></category>
		<category><![CDATA[Paris 1959]]></category>
		<category><![CDATA[punk rock cinema]]></category>
		<category><![CDATA[Raoul Coutard]]></category>
		<category><![CDATA[recreating 1959]]></category>
		<category><![CDATA[Richard Linklater]]></category>
		<category><![CDATA[School of Rock]]></category>
		<category><![CDATA[The 400 Blows]]></category>
		<category><![CDATA[Zoey Deutch]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54439</guid>

					<description><![CDATA[<div><img width="300" height="204" src="https://www.hammertonail.com/wp-content/uploads/2025/11/Richard-Linklater-300x204.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2025/11/Richard-Linklater-300x204.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2025/11/Richard-Linklater-1024x698.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2025/11/Richard-Linklater-768x523.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2025/11/Richard-Linklater.jpg 1500w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>Richard Linklater’s career has been marked by great experimentation and variety, which makes him the perfect candidate to dramatize one of the seminal moments in film history: the making of Jean-Luc Godard’s French New Wave masterpiece Breathless. Starring a mostly [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/linklater-nouvelle-vague/">A Conversation with Richard Linklater (NOUVELLE VAGUE)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>MR. K</title>
		<link>https://www.hammertonail.com/reviews/mr-k/</link>
		
		<dc:creator><![CDATA[Jessica Baxter]]></dc:creator>
		<pubDate>Fri, 31 Oct 2025 15:44:41 +0000</pubDate>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[Experimental]]></category>
		<category><![CDATA[Fantasy]]></category>
		<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Latest Reviews]]></category>
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		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[8 ½ Women]]></category>
		<category><![CDATA[Alice in Wonderland]]></category>
		<category><![CDATA[Barbara Sarafian]]></category>
		<category><![CDATA[Barton Fink]]></category>
		<category><![CDATA[Barton Fink similar movies]]></category>
		<category><![CDATA[Bjorn Sundquist]]></category>
		<category><![CDATA[Bror Kristiansen]]></category>
		<category><![CDATA[Cloud Atlas]]></category>
		<category><![CDATA[Coraline]]></category>
		<category><![CDATA[Crispin Glover]]></category>
		<category><![CDATA[Crispin Glover magician]]></category>
		<category><![CDATA[Delicatessen]]></category>
		<category><![CDATA[existential crisis movie]]></category>
		<category><![CDATA[existential movie]]></category>
		<category><![CDATA[Fionnula Flannigan]]></category>
		<category><![CDATA[Frank Griebe]]></category>
		<category><![CDATA[Frank Griebe cinematography]]></category>
		<category><![CDATA[independent film]]></category>
		<category><![CDATA[Jan Gunnar Røise]]></category>
		<category><![CDATA[Kafkaesque film]]></category>
		<category><![CDATA[magical realism film]]></category>
		<category><![CDATA[movies like Alice in Wonderland]]></category>
		<category><![CDATA[Mr. K]]></category>
		<category><![CDATA[Mr. K film review]]></category>
		<category><![CDATA[Mr. K movie]]></category>
		<category><![CDATA[Nils Viken]]></category>
		<category><![CDATA[Perfume: Story of a Murderer]]></category>
		<category><![CDATA[philosophical film]]></category>
		<category><![CDATA[Run Lola Run]]></category>
		<category><![CDATA[Snowpiercer]]></category>
		<category><![CDATA[Stijn Cole]]></category>
		<category><![CDATA[stunning set design]]></category>
		<category><![CDATA[Sunnyi Miles]]></category>
		<category><![CDATA[surreal black comedy]]></category>
		<category><![CDATA[surreal cinema]]></category>
		<category><![CDATA[surreal hotel mystery]]></category>
		<category><![CDATA[surreal sound design]]></category>
		<category><![CDATA[Tallulah Hazekamp Schwab]]></category>
		<category><![CDATA[The Matrix]]></category>
		<category><![CDATA[The Others]]></category>
		<category><![CDATA[The Thing]]></category>
		<category><![CDATA[Time Bandits]]></category>
		<category><![CDATA[Triangle of Sadness]]></category>
		<category><![CDATA[what is reality movie]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54271</guid>

					<description><![CDATA[<div><img width="300" height="172" src="https://www.hammertonail.com/wp-content/uploads/2025/10/Screenshot-2025-10-20-at-8.41.27 AM-300x172.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2025/10/Screenshot-2025-10-20-at-8.41.27 AM-300x172.png 300w, https://www.hammertonail.com/wp-content/uploads/2025/10/Screenshot-2025-10-20-at-8.41.27 AM-1024x587.png 1024w, https://www.hammertonail.com/wp-content/uploads/2025/10/Screenshot-2025-10-20-at-8.41.27 AM-768x441.png 768w, https://www.hammertonail.com/wp-content/uploads/2025/10/Screenshot-2025-10-20-at-8.41.27 AM-1536x881.png 1536w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>(Check out Jessica Baxter&#8217;s Mr. Kmovie review, it&#8217;s in select theaters now via Music Box Films. Seen it? Join the conversation with HtN on our Letterboxd Page.) After over two decades of directing Dutch film and television, Tallulah Hazekamp Schwab makes her [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/reviews/mr-k/">MR. K</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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