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	<title>immigrant story Archives - Hammer to Nail</title>
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	<title>immigrant story Archives - Hammer to Nail</title>
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		<title>A Conversation with Joanna Natasegara, Abigail Anketell-Jones, Chloe Lambourne &#038; Cyrus Bozorgmehr (THE DISCIPLE)</title>
		<link>https://www.hammertonail.com/film-festivals/the-disciple/</link>
		
		<dc:creator><![CDATA[Jack Schenker]]></dc:creator>
		<pubDate>Mon, 09 Feb 2026 18:14:28 +0000</pubDate>
				<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[$2 million album]]></category>
		<category><![CDATA[Abigail Anketell-Jones]]></category>
		<category><![CDATA[album as fine art]]></category>
		<category><![CDATA[Chloe Lambourne editor]]></category>
		<category><![CDATA[Cilvaringz]]></category>
		<category><![CDATA[Cyrus Bozorgmehr]]></category>
		<category><![CDATA[documentary editing]]></category>
		<category><![CDATA[documentary film]]></category>
		<category><![CDATA[fanboy story]]></category>
		<category><![CDATA[hip-hop documentary]]></category>
		<category><![CDATA[immigrant story]]></category>
		<category><![CDATA[Joanna Natasegara directorial debut]]></category>
		<category><![CDATA[Martin Shkreli]]></category>
		<category><![CDATA[most expensive music album]]></category>
		<category><![CDATA[music as art]]></category>
		<category><![CDATA[music devaluation]]></category>
		<category><![CDATA[music industry controversy]]></category>
		<category><![CDATA[Once Upon a Time in Shaolin]]></category>
		<category><![CDATA[Oscar-winning filmmaker]]></category>
		<category><![CDATA[pharmaceutical villain]]></category>
		<category><![CDATA[resilience story]]></category>
		<category><![CDATA[RZA]]></category>
		<category><![CDATA[Shaolin]]></category>
		<category><![CDATA[single copy album]]></category>
		<category><![CDATA[streaming age]]></category>
		<category><![CDATA[Sundance 2026]]></category>
		<category><![CDATA[Tarik Azzougarh]]></category>
		<category><![CDATA[The Disciple documentary]]></category>
		<category><![CDATA[vinyl resurgence]]></category>
		<category><![CDATA[Wu-Tang Clan album]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=55034</guid>

					<description><![CDATA[<div><img width="300" height="169" src="https://www.hammertonail.com/wp-content/uploads/2026/02/wu-tang-1-300x169.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" fetchpriority="high" srcset="https://www.hammertonail.com/wp-content/uploads/2026/02/wu-tang-1-300x169.png 300w, https://www.hammertonail.com/wp-content/uploads/2026/02/wu-tang-1-1024x577.png 1024w, https://www.hammertonail.com/wp-content/uploads/2026/02/wu-tang-1-768x433.png 768w, https://www.hammertonail.com/wp-content/uploads/2026/02/wu-tang-1-1536x865.png 1536w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>The Disciple is a documentary about the creation of Once Upon a Time in Shaolin, the Wu-Tang Clan album famously pressed as a single copy and sold at auction for $2 million in 2015—the most expensive piece of recorded music [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/film-festivals/the-disciple/">A Conversation with Joanna Natasegara, Abigail Anketell-Jones, Chloe Lambourne &#038; Cyrus Bozorgmehr (THE DISCIPLE)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<title>A Conversation with Stephanie Ahn (BEDFORD PARK)</title>
		<link>https://www.hammertonail.com/interviews/stephanie-ahn/</link>
		
		<dc:creator><![CDATA[Jack Schenker]]></dc:creator>
		<pubDate>Tue, 03 Feb 2026 15:06:53 +0000</pubDate>
				<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[adopted character]]></category>
		<category><![CDATA[Bedford Park analysis]]></category>
		<category><![CDATA[Bedford Park film]]></category>
		<category><![CDATA[car accident premise]]></category>
		<category><![CDATA[childhood trauma]]></category>
		<category><![CDATA[cultural conflict]]></category>
		<category><![CDATA[cultural kindness]]></category>
		<category><![CDATA[debut feature]]></category>
		<category><![CDATA[editing career]]></category>
		<category><![CDATA[family expectations]]></category>
		<category><![CDATA[generational conflict]]></category>
		<category><![CDATA[immigrant cinema]]></category>
		<category><![CDATA[immigrant story]]></category>
		<category><![CDATA[independent film]]></category>
		<category><![CDATA[Korean American filmmaker]]></category>
		<category><![CDATA[Korean American identity]]></category>
		<category><![CDATA[Korean diaspora]]></category>
		<category><![CDATA[Moon Choi]]></category>
		<category><![CDATA[Rocky theme song]]></category>
		<category><![CDATA[Son Sukku]]></category>
		<category><![CDATA[Sony Pictures Classics]]></category>
		<category><![CDATA[Stephanie Ahn]]></category>
		<category><![CDATA[Stephanie Ahn interview]]></category>
		<category><![CDATA[Sundance 2026]]></category>
		<category><![CDATA[Sundance jury award]]></category>
		<category><![CDATA[Sundance winner]]></category>
		<category><![CDATA[U.S. Dramatic Competition]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54974</guid>

					<description><![CDATA[<div><img width="300" height="138" src="https://www.hammertonail.com/wp-content/uploads/2026/02/SAhn-300x138.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2026/02/SAhn-300x138.png 300w, https://www.hammertonail.com/wp-content/uploads/2026/02/SAhn-1024x472.png 1024w, https://www.hammertonail.com/wp-content/uploads/2026/02/SAhn-768x354.png 768w, https://www.hammertonail.com/wp-content/uploads/2026/02/SAhn-1536x708.png 1536w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>Stephanie Ahn is a Korean American filmmaker who came to the United States at age two. She worked as an editor on films including Debra Granik&#8217;s Winter&#8217;s Bone (2010) and Israel Horovitz&#8217;s My Old Lady (2014) before setting out to [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/stephanie-ahn/">A Conversation with Stephanie Ahn (BEDFORD PARK)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>A Conversation with Colette Ghunim (TRACES OF HOME)</title>
		<link>https://www.hammertonail.com/interviews/colette-ghunim/</link>
		
		<dc:creator><![CDATA[Kaitlyn Hardy]]></dc:creator>
		<pubDate>Wed, 03 Dec 2025 20:55:32 +0000</pubDate>
				<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[animation in documentary]]></category>
		<category><![CDATA[archival footage]]></category>
		<category><![CDATA[Colette Ghunim]]></category>
		<category><![CDATA[community support]]></category>
		<category><![CDATA[cross-generational trauma]]></category>
		<category><![CDATA[DOC NYC premiere]]></category>
		<category><![CDATA[documentary film]]></category>
		<category><![CDATA[family healing journey]]></category>
		<category><![CDATA[finding home]]></category>
		<category><![CDATA[forced displacement]]></category>
		<category><![CDATA[healing from trauma]]></category>
		<category><![CDATA[home and identity]]></category>
		<category><![CDATA[immigrant story]]></category>
		<category><![CDATA[immigration policies]]></category>
		<category><![CDATA[intergenerational trauma]]></category>
		<category><![CDATA[mental health documentary]]></category>
		<category><![CDATA[Mexican migration]]></category>
		<category><![CDATA[Mezcla Media Collective]]></category>
		<category><![CDATA[Palestinian diaspora]]></category>
		<category><![CDATA[parent-child relationships]]></category>
		<category><![CDATA[personal documentary]]></category>
		<category><![CDATA[somatic healing]]></category>
		<category><![CDATA[therapy and filmmaking]]></category>
		<category><![CDATA[Traces of Home]]></category>
		<category><![CDATA[Trump administration impact]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54573</guid>

					<description><![CDATA[<div><img width="300" height="129" src="https://www.hammertonail.com/wp-content/uploads/2025/12/Screenshot-2025-12-03-at-12.54.03 PM-300x129.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2025/12/Screenshot-2025-12-03-at-12.54.03 PM-300x129.png 300w, https://www.hammertonail.com/wp-content/uploads/2025/12/Screenshot-2025-12-03-at-12.54.03 PM-1024x439.png 1024w, https://www.hammertonail.com/wp-content/uploads/2025/12/Screenshot-2025-12-03-at-12.54.03 PM-768x329.png 768w, https://www.hammertonail.com/wp-content/uploads/2025/12/Screenshot-2025-12-03-at-12.54.03 PM-1536x658.png 1536w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>In Traces of Home, filmmaker Colette Ghunim takes her parents back to the homes they were forced to leave as children. Her mother returns to her childhood home in Mexico City, and her father finds the home he fled in [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/colette-ghunim/">A Conversation with Colette Ghunim (TRACES OF HOME)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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