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	<title>Guy Debord Archives - Hammer to Nail</title>
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	<title>Guy Debord Archives - Hammer to Nail</title>
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	<item>
		<title>A Conversation with Olivier Assayas (SUSPENDED TIME)</title>
		<link>https://www.hammertonail.com/interviews/olivier-assayas/</link>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Fri, 15 Aug 2025 19:48:09 +0000</pubDate>
				<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Aki Kaurismaki]]></category>
		<category><![CDATA[art and time]]></category>
		<category><![CDATA[autobiographical film]]></category>
		<category><![CDATA[Carlos film]]></category>
		<category><![CDATA[cinema and memory]]></category>
		<category><![CDATA[COVID-19 lockdown film]]></category>
		<category><![CDATA[Demonlover]]></category>
		<category><![CDATA[doppelgangers in film]]></category>
		<category><![CDATA[Eric Rohmer]]></category>
		<category><![CDATA[François Villon]]></category>
		<category><![CDATA[French Cinema]]></category>
		<category><![CDATA[French filmmakers]]></category>
		<category><![CDATA[Georges Brassens]]></category>
		<category><![CDATA[Guy Debord]]></category>
		<category><![CDATA[In girum imus nocte et consumimur igni]]></category>
		<category><![CDATA[Ken Loach]]></category>
		<category><![CDATA[Micha Lescot]]></category>
		<category><![CDATA[minimalist cinema]]></category>
		<category><![CDATA[Nine D’Urso]]></category>
		<category><![CDATA[Nora Hamzawi]]></category>
		<category><![CDATA[Olivier Assayas]]></category>
		<category><![CDATA[Suspended Time]]></category>
		<category><![CDATA[Vincent Macaigne]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=53817</guid>

					<description><![CDATA[<div><img width="300" height="200" src="https://www.hammertonail.com/wp-content/uploads/2025/08/SUSPENDED-TIME-BTS-still_03-300x200.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" fetchpriority="high" srcset="https://www.hammertonail.com/wp-content/uploads/2025/08/SUSPENDED-TIME-BTS-still_03-300x200.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2025/08/SUSPENDED-TIME-BTS-still_03-1024x683.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2025/08/SUSPENDED-TIME-BTS-still_03-768x512.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2025/08/SUSPENDED-TIME-BTS-still_03.jpg 1500w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>French writer/director Olivier Assayas (Clouds of Sils Maria) returns to the big screen with his latest feature, Suspended Time, a deeply personal meditation on life, love, art, and memory. The narrative is set during the initial COVID-19 lockdown, with Assayas’ [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/olivier-assayas/">A Conversation with Olivier Assayas (SUSPENDED TIME)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>A Conversation With Olivier Assayas (SOMETHING IN THE AIR)</title>
		<link>https://www.hammertonail.com/interviews/a-conversation-with-olivier-assayas-something-in-the-air/</link>
					<comments>https://www.hammertonail.com/interviews/a-conversation-with-olivier-assayas-something-in-the-air/#comments</comments>
		
		<dc:creator><![CDATA[Tom Hall]]></dc:creator>
		<pubDate>Thu, 02 May 2013 16:15:30 +0000</pubDate>
				<category><![CDATA[EDITORIAL]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[A Post-May Adolescence]]></category>
		<category><![CDATA[Aprés Mai]]></category>
		<category><![CDATA[Carlos]]></category>
		<category><![CDATA[Cheech & Chong]]></category>
		<category><![CDATA[Clément Métayer]]></category>
		<category><![CDATA[Cold Water]]></category>
		<category><![CDATA[Demonlover]]></category>
		<category><![CDATA[French Maoism]]></category>
		<category><![CDATA[Guy Debord]]></category>
		<category><![CDATA[Irma Vep]]></category>
		<category><![CDATA[L’Eau Froide]]></category>
		<category><![CDATA[Late August Early September]]></category>
		<category><![CDATA[Lola Créton]]></category>
		<category><![CDATA[May of '68]]></category>
		<category><![CDATA[Olivier Assayas]]></category>
		<category><![CDATA[Sentimental Destinies]]></category>
		<category><![CDATA[Something In The Air]]></category>
		<category><![CDATA[Summer Hours]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=20403</guid>

					<description><![CDATA[<p>(Something In The Air is now available on DVD and at Amazon Instant through MPI Home Video.) It seems I’ve been waiting my entire adult life to talk to Olivier Assayas, so having the chance to actually sit with him [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/a-conversation-with-olivier-assayas-something-in-the-air/">A Conversation With Olivier Assayas (SOMETHING IN THE AIR)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
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			<slash:comments>1</slash:comments>
		
		
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		<item>
		<title>New York Film Festival Report, Part Two: NIGHT AND DAY, THE HEADLESS WOMAN, IN GIRUM…</title>
		<link>https://www.hammertonail.com/shorts-contest/new-york-film-festival-report-part-two-night-and-day-the-headless-woman-in-girum%e2%80%a6/</link>
		
		<dc:creator><![CDATA[Nelson Kim]]></dc:creator>
		<pubDate>Wed, 15 Oct 2008 08:34:17 +0000</pubDate>
				<category><![CDATA[EDITORIAL]]></category>
		<category><![CDATA[SHORT FILM CONTEST]]></category>
		<category><![CDATA[expatriates]]></category>
		<category><![CDATA[Guy Debord]]></category>
		<category><![CDATA[Hong Sang-soo]]></category>
		<category><![CDATA[In girum imus nocte et consumimur igni]]></category>
		<category><![CDATA[Koreans]]></category>
		<category><![CDATA[Lucrecia Martel]]></category>
		<category><![CDATA[Nelson Kim]]></category>
		<category><![CDATA[New York Film Festival]]></category>
		<category><![CDATA[Night and Day]]></category>
		<category><![CDATA[Paris]]></category>
		<category><![CDATA[Situationist]]></category>
		<category><![CDATA[The Headless Woman]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=1708</guid>

					<description><![CDATA[<p>Hong Sang-soo is the Philip Roth of international art-house cinema. I don’t just mean that as a way of saying, “He’s really great!”—although he is. Hong, like Roth, tends to tell the same story over and over again. Usually the [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/shorts-contest/new-york-film-festival-report-part-two-night-and-day-the-headless-woman-in-girum%e2%80%a6/">New York Film Festival Report, Part Two: NIGHT AND DAY, THE HEADLESS WOMAN, IN GIRUM…</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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