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	<title>Gordon Willis Archives - Hammer to Nail</title>
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	<title>Gordon Willis Archives - Hammer to Nail</title>
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		<title>THE CURBSIDE CRITERION: THE PARALLAX VIEW</title>
		<link>https://www.hammertonail.com/reviews/parallax-view-criterion/</link>
		
		<dc:creator><![CDATA[Don R. Lewis]]></dc:creator>
		<pubDate>Tue, 09 Mar 2021 16:20:30 +0000</pubDate>
				<category><![CDATA[Blu-ray]]></category>
		<category><![CDATA[Curbside Criterion]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[A Face in the Crowd Criterion Blu ray]]></category>
		<category><![CDATA[Alan J. Pakula]]></category>
		<category><![CDATA[All the President's Men]]></category>
		<category><![CDATA[Criterion]]></category>
		<category><![CDATA[Gordon Willis]]></category>
		<category><![CDATA[Hume Cronyn]]></category>
		<category><![CDATA[Marvel Cinematic Universe]]></category>
		<category><![CDATA[Nathan Heller]]></category>
		<category><![CDATA[Paula Prentiss]]></category>
		<category><![CDATA[The Curbside Criterion]]></category>
		<category><![CDATA[The Parallax View]]></category>
		<category><![CDATA[Warren Beatty]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=34445</guid>

					<description><![CDATA[<div><img width="300" height="150" src="https://www.hammertonail.com/wp-content/uploads/2021/03/paralaxx-300x150.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2021/03/paralaxx-300x150.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2021/03/paralaxx.jpg 480w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>(We here at Hammer to Nail are all about true independent cinema. But we also have to tip our hat to the great films of yesteryear that continue to inspire filmmakers and cinephiles alike hence, “The Curbside Criterion.&#8221; This week [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/reviews/parallax-view-criterion/">THE CURBSIDE CRITERION: THE PARALLAX VIEW</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<title>Barry Sonnenfeld’s Cinematography Master Class at 2009 HIFF</title>
		<link>https://www.hammertonail.com/editorial/essays/barry-sonnenfeld%e2%80%99s-cinematography-master-class-at-2009-hiff/</link>
		
		<dc:creator><![CDATA[Michael Tully]]></dc:creator>
		<pubDate>Tue, 14 Apr 2009 11:40:21 +0000</pubDate>
				<category><![CDATA[Essays]]></category>
		<category><![CDATA[A Serious Man]]></category>
		<category><![CDATA[Barry Sonnenfeld]]></category>
		<category><![CDATA[Blood Simple]]></category>
		<category><![CDATA[cinematography]]></category>
		<category><![CDATA[Cinematography Master Class]]></category>
		<category><![CDATA[Coen Brothers]]></category>
		<category><![CDATA[David Letterman]]></category>
		<category><![CDATA[David Schwartz]]></category>
		<category><![CDATA[director of photography]]></category>
		<category><![CDATA[Dr. Strangelove]]></category>
		<category><![CDATA[Farrelly Brothers]]></category>
		<category><![CDATA[Gordon Willis]]></category>
		<category><![CDATA[Hamptons International Film Festival]]></category>
		<category><![CDATA[Meg Ryan]]></category>
		<category><![CDATA[Michael Mann]]></category>
		<category><![CDATA[Miller's Crossing]]></category>
		<category><![CDATA[Museum of Moving Image]]></category>
		<category><![CDATA[Network]]></category>
		<category><![CDATA[Owen Roizman]]></category>
		<category><![CDATA[Raising Arizona]]></category>
		<category><![CDATA[Roger Deakins]]></category>
		<category><![CDATA[Scott Rudin]]></category>
		<category><![CDATA[Steven Soderbergh]]></category>
		<category><![CDATA[Terrence Malick]]></category>
		<category><![CDATA[The Adams Family]]></category>
		<category><![CDATA[The Addams Family]]></category>
		<category><![CDATA[The Conformist]]></category>
		<category><![CDATA[The Exorcist]]></category>
		<category><![CDATA[The French Connection]]></category>
		<category><![CDATA[When Harry Met Sally]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=2934</guid>

					<description><![CDATA[<p>Barry Sonnenfeld hates panning. Throughout his hour-long Kodak-sponsored Cinematography Master Class at the 2009 Hamptons International Film Festival (moderated by the Museum of Moving Image’s Chief Curator David Schwartz), Sonnenfeld pummeled that particular technique-of-the-trade into submission. “That’s why movies are [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/editorial/essays/barry-sonnenfeld%e2%80%99s-cinematography-master-class-at-2009-hiff/">Barry Sonnenfeld’s Cinematography Master Class at 2009 HIFF</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<title>“THE BLUEPRINT” &#8211; Ira Sachs and Mike Ryan on FORTY SHADES OF BLUE</title>
		<link>https://www.hammertonail.com/editorial/essays/%e2%80%9cthe-blueprint%e2%80%9d-ira-sachs-and-mike-ryan-on-forty-shades-of-blue/</link>
		
		<dc:creator><![CDATA[Mike S. Ryan]]></dc:creator>
		<pubDate>Fri, 06 Mar 2009 20:05:00 +0000</pubDate>
				<category><![CDATA[Essays]]></category>
		<category><![CDATA[Anthology Film Archives]]></category>
		<category><![CDATA[Charulata]]></category>
		<category><![CDATA[Chris Menges]]></category>
		<category><![CDATA[David Lynch]]></category>
		<category><![CDATA[family life]]></category>
		<category><![CDATA[Forty Shades of Blue]]></category>
		<category><![CDATA[Gordon Willis]]></category>
		<category><![CDATA[Hitchcock]]></category>
		<category><![CDATA[Ira Sachs]]></category>
		<category><![CDATA[Julian Whatley]]></category>
		<category><![CDATA[Ken Loach]]></category>
		<category><![CDATA[Kes]]></category>
		<category><![CDATA[Looks and Smiles]]></category>
		<category><![CDATA[Lost Highway]]></category>
		<category><![CDATA[Married Life]]></category>
		<category><![CDATA[Mike Ryan]]></category>
		<category><![CDATA[Mulholland Drive]]></category>
		<category><![CDATA[Otto Preminger]]></category>
		<category><![CDATA[Peter Deming]]></category>
		<category><![CDATA[Rip Torn]]></category>
		<category><![CDATA[Satyajit Ray]]></category>
		<category><![CDATA[Summer With Monika]]></category>
		<category><![CDATA[The Delta]]></category>
		<category><![CDATA[The Lonely Wife]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=1036</guid>

					<description><![CDATA[<p>(In our new series &#8220;The Blueprint,&#8221; producers and directors discuss more pointed aspects about their filmmaking process. For the first installment, Hammer to Nail writer and Forty Shades of Blue line producer Mike S. Ryan asks director Ira Sachs about [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/editorial/essays/%e2%80%9cthe-blueprint%e2%80%9d-ira-sachs-and-mike-ryan-on-forty-shades-of-blue/">“THE BLUEPRINT” &#8211; Ira Sachs and Mike Ryan on FORTY SHADES OF BLUE</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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