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	<title>ghostly camera Archives - Hammer to Nail</title>
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	<title>ghostly camera Archives - Hammer to Nail</title>
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		<title>A Conversation with Mascha Schilinski &#038; Fabian Gamper (SOUND OF FALLING)</title>
		<link>https://www.hammertonail.com/interviews/sound-of-falling/</link>
		
		<dc:creator><![CDATA[Jack Schenker]]></dc:creator>
		<pubDate>Thu, 22 Jan 2026 18:46:56 +0000</pubDate>
				<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[abandoned farmhouse]]></category>
		<category><![CDATA[Altmark region]]></category>
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		<category><![CDATA[century of girlhood]]></category>
		<category><![CDATA[cinematic sound design]]></category>
		<category><![CDATA[debut feature]]></category>
		<category><![CDATA[Fabian Gamper]]></category>
		<category><![CDATA[female perspective]]></category>
		<category><![CDATA[four timelines]]></category>
		<category><![CDATA[generational echo]]></category>
		<category><![CDATA[German Film]]></category>
		<category><![CDATA[Germany Best International Feature]]></category>
		<category><![CDATA[ghostly camera]]></category>
		<category><![CDATA[haunted house]]></category>
		<category><![CDATA[historical drama]]></category>
		<category><![CDATA[intergenerational trauma]]></category>
		<category><![CDATA[Mascha Schilinski]]></category>
		<category><![CDATA[memory and imagination]]></category>
		<category><![CDATA[MUBI]]></category>
		<category><![CDATA[nonlinear narrative]]></category>
		<category><![CDATA[Oscar submission]]></category>
		<category><![CDATA[phantom pain metaphor]]></category>
		<category><![CDATA[pinhole lens cinematography]]></category>
		<category><![CDATA[rural Germany]]></category>
		<category><![CDATA[Sound of Falling]]></category>
		<category><![CDATA[sparse dialogue]]></category>
		<category><![CDATA[steadicam]]></category>
		<category><![CDATA[subjective memory]]></category>
		<category><![CDATA[unreliability of memory]]></category>
		<category><![CDATA[women's history]]></category>
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					<description><![CDATA[<div><img width="300" height="184" src="https://www.hammertonail.com/wp-content/uploads/2026/01/nucover-300x184.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" fetchpriority="high" srcset="https://www.hammertonail.com/wp-content/uploads/2026/01/nucover-300x184.png 300w, https://www.hammertonail.com/wp-content/uploads/2026/01/nucover-1024x627.png 1024w, https://www.hammertonail.com/wp-content/uploads/2026/01/nucover-768x471.png 768w, https://www.hammertonail.com/wp-content/uploads/2026/01/nucover-1536x941.png 1536w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>Sound of Falling, Mascha Schilinski&#8217;s ravishing and uncanny debut feature, traces a century of girlhood on a single farm in Germany&#8217;s Altmark region. The film moves between four time periods—Alma in the 1910s, Erika in the 1940s, Angelika in the [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/sound-of-falling/">A Conversation with Mascha Schilinski &#038; Fabian Gamper (SOUND OF FALLING)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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