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	<title>Georgian cinema Archives - Hammer to Nail</title>
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	<description>What to Watch</description>
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	<title>Georgian cinema Archives - Hammer to Nail</title>
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	<item>
		<title>A Conversation with Giorgi Koberidze (DRY LEAF)</title>
		<link>https://www.hammertonail.com/interviews/giorgi-koberidze/</link>
		
		<dc:creator><![CDATA[Frank Yan]]></dc:creator>
		<pubDate>Tue, 24 Mar 2026 21:16:52 +0000</pubDate>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Alexandre Koberidze]]></category>
		<category><![CDATA[Alfred Schnittke influence]]></category>
		<category><![CDATA[chonguri instrument]]></category>
		<category><![CDATA[clavichord]]></category>
		<category><![CDATA[contemporary arthouse cinema]]></category>
		<category><![CDATA[Dry Leaf film score]]></category>
		<category><![CDATA[electronic music composition]]></category>
		<category><![CDATA[family filmmaking]]></category>
		<category><![CDATA[film music interview]]></category>
		<category><![CDATA[film scoring techniques]]></category>
		<category><![CDATA[Forests Tales Cities Forests album]]></category>
		<category><![CDATA[Georgian cinema]]></category>
		<category><![CDATA[Georgian folk music]]></category>
		<category><![CDATA[Giorgi Koberidze]]></category>
		<category><![CDATA[Giya Kancheli]]></category>
		<category><![CDATA[Hammer to Nail]]></category>
		<category><![CDATA[leitmotif]]></category>
		<category><![CDATA[low-resolution aesthetic]]></category>
		<category><![CDATA[mobile phone cinematography]]></category>
		<category><![CDATA[Nicolás Jaar]]></category>
		<category><![CDATA[Platero and I]]></category>
		<category><![CDATA[Sony Ericsson film]]></category>
		<category><![CDATA[sound design vs score]]></category>
		<category><![CDATA[temp music]]></category>
		<category><![CDATA[What Do We See When We Look at the Sky]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=55328</guid>

					<description><![CDATA[<div><img width="300" height="300" src="https://www.hammertonail.com/wp-content/uploads/2026/03/Giorgi-Koberidze-300x300.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" fetchpriority="high" srcset="https://www.hammertonail.com/wp-content/uploads/2026/03/Giorgi-Koberidze-300x300.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2026/03/Giorgi-Koberidze-1024x1024.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2026/03/Giorgi-Koberidze-150x150.jpg 150w, https://www.hammertonail.com/wp-content/uploads/2026/03/Giorgi-Koberidze-768x768.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2026/03/Giorgi-Koberidze-650x650.jpg 650w, https://www.hammertonail.com/wp-content/uploads/2026/03/Giorgi-Koberidze-24x24.jpg 24w, https://www.hammertonail.com/wp-content/uploads/2026/03/Giorgi-Koberidze-48x48.jpg 48w, https://www.hammertonail.com/wp-content/uploads/2026/03/Giorgi-Koberidze-96x96.jpg 96w, https://www.hammertonail.com/wp-content/uploads/2026/03/Giorgi-Koberidze-250x250.jpg 250w, https://www.hammertonail.com/wp-content/uploads/2026/03/Giorgi-Koberidze.jpg 1080w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>In contemporary arthouse cinema, the line between score and sound design is often very blurry, but rarely is it navigated with as much familial intuition as in the work of composer Giorgi Koberidze. Following his work on his brother Alexandre [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/giorgi-koberidze/">A Conversation with Giorgi Koberidze (DRY LEAF)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<title>A Conversation with Dea Kulumbegashvili (APRIL)</title>
		<link>https://www.hammertonail.com/interviews/dea-kulumbegashvili/</link>
		
		<dc:creator><![CDATA[Jack Schenker]]></dc:creator>
		<pubDate>Thu, 08 May 2025 19:20:06 +0000</pubDate>
				<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[abortion in film]]></category>
		<category><![CDATA[April movie]]></category>
		<category><![CDATA[authentic storytelling]]></category>
		<category><![CDATA[Beginning film]]></category>
		<category><![CDATA[childbirth in film]]></category>
		<category><![CDATA[Dea Kulumbegashvili]]></category>
		<category><![CDATA[emotional performances]]></category>
		<category><![CDATA[feminist cinema]]></category>
		<category><![CDATA[film directing techniques]]></category>
		<category><![CDATA[film festival awards]]></category>
		<category><![CDATA[film production process]]></category>
		<category><![CDATA[Georgian cinema]]></category>
		<category><![CDATA[Ia Sukhitashvili]]></category>
		<category><![CDATA[immersive cinematography]]></category>
		<category><![CDATA[independent filmmaking]]></category>
		<category><![CDATA[long takes in film]]></category>
		<category><![CDATA[Luca Guadagnino]]></category>
		<category><![CDATA[medical ethics in movies]]></category>
		<category><![CDATA[non-professional actors]]></category>
		<category><![CDATA[patriarchal systems]]></category>
		<category><![CDATA[rural conservatism]]></category>
		<category><![CDATA[surrealism in cinema]]></category>
		<category><![CDATA[tactile filmmaking]]></category>
		<category><![CDATA[Venice Film Festival 2024]]></category>
		<category><![CDATA[women filmmakers]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=53134</guid>

					<description><![CDATA[<div><img width="300" height="153" src="https://www.hammertonail.com/wp-content/uploads/2025/05/dea-300x153.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2025/05/dea-300x153.png 300w, https://www.hammertonail.com/wp-content/uploads/2025/05/dea-1024x521.png 1024w, https://www.hammertonail.com/wp-content/uploads/2025/05/dea-768x391.png 768w, https://www.hammertonail.com/wp-content/uploads/2025/05/dea-1536x782.png 1536w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>Georgian filmmaker Dea Kulumbegashvili has emerged as one of world cinema&#8217;s most uncompromising voices. Her debut feature Beginning (2020), which won four major awards at the San Sebastián Film Festival, established her as a director capable of creating profound tension [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/dea-kulumbegashvili/">A Conversation with Dea Kulumbegashvili (APRIL)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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