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	<title>filmmaking process Archives - Hammer to Nail</title>
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	<title>filmmaking process Archives - Hammer to Nail</title>
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	<item>
		<title>A Conversation with Urška Djukić (LITTLE TROUBLE GIRLS)</title>
		<link>https://www.hammertonail.com/interviews/urska-djukic/</link>
		
		<dc:creator><![CDATA[Jack Schenker]]></dc:creator>
		<pubDate>Wed, 17 Dec 2025 22:16:06 +0000</pubDate>
				<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[adolescent self-discovery]]></category>
		<category><![CDATA[Berlinale 2025]]></category>
		<category><![CDATA[Cannes Cinéfondation residency]]></category>
		<category><![CDATA[Catholic school choir]]></category>
		<category><![CDATA[cinematography Lev Predan Kowarski]]></category>
		<category><![CDATA[collaboration with actors]]></category>
		<category><![CDATA[coming-of-age film]]></category>
		<category><![CDATA[director interview]]></category>
		<category><![CDATA[European film]]></category>
		<category><![CDATA[female director]]></category>
		<category><![CDATA[female friendship]]></category>
		<category><![CDATA[film rehearsal scenes]]></category>
		<category><![CDATA[filmmaking process]]></category>
		<category><![CDATA[FIPRESCI Prize]]></category>
		<category><![CDATA[interview]]></category>
		<category><![CDATA[LittleTrouble Girls]]></category>
		<category><![CDATA[mother-daughter relationships]]></category>
		<category><![CDATA[project choir]]></category>
		<category><![CDATA[Sonic Youth]]></category>
		<category><![CDATA[sound design]]></category>
		<category><![CDATA[teenage sexuality]]></category>
		<category><![CDATA[Tribeca Best Cinematography]]></category>
		<category><![CDATA[Urška Djukić]]></category>
		<category><![CDATA[Virgin Mary symbolism]]></category>
		<category><![CDATA[visual language]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54682</guid>

					<description><![CDATA[<div><img width="300" height="180" src="https://www.hammertonail.com/wp-content/uploads/2025/12/LTGs-300x180.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" fetchpriority="high" srcset="https://www.hammertonail.com/wp-content/uploads/2025/12/LTGs-300x180.png 300w, https://www.hammertonail.com/wp-content/uploads/2025/12/LTGs-1024x615.png 1024w, https://www.hammertonail.com/wp-content/uploads/2025/12/LTGs-768x461.png 768w, https://www.hammertonail.com/wp-content/uploads/2025/12/LTGs-1536x923.png 1536w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>Urška Djukić&#8217;s Little Trouble Girls (which Chris Reed reviewed here) follows introverted 16-year-old Lucia as she joins her Catholic school&#8217;s all-girls choir and befriends Ana-Maria, a popular student. When the choir travels to a countryside convent for a weekend retreat, [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/urska-djukic/">A Conversation with Urška Djukić (LITTLE TROUBLE GIRLS)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
			</item>
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		<title>A Conversation with Clint Bentley (TRAIN DREAMS)</title>
		<link>https://www.hammertonail.com/interviews/clint-bentley/</link>
		
		<dc:creator><![CDATA[Jack Schenker]]></dc:creator>
		<pubDate>Tue, 02 Dec 2025 18:44:19 +0000</pubDate>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Stream Free Now]]></category>
		<category><![CDATA[Adolpho Veloso cinematography]]></category>
		<category><![CDATA[American expansion film]]></category>
		<category><![CDATA[cinematic adaptation]]></category>
		<category><![CDATA[Clint Bentley interview]]></category>
		<category><![CDATA[Denis Johnson adaptation]]></category>
		<category><![CDATA[directing vision]]></category>
		<category><![CDATA[early 20th century Idaho]]></category>
		<category><![CDATA[emotional performance]]></category>
		<category><![CDATA[Felicity Jones]]></category>
		<category><![CDATA[film editing]]></category>
		<category><![CDATA[filmmaking process]]></category>
		<category><![CDATA[Greg Kwedar]]></category>
		<category><![CDATA[grief and memory film]]></category>
		<category><![CDATA[historical drama film]]></category>
		<category><![CDATA[Joel Edgerton film]]></category>
		<category><![CDATA[Kerry Condon]]></category>
		<category><![CDATA[logging film]]></category>
		<category><![CDATA[nature and ecology film]]></category>
		<category><![CDATA[Netflix film]]></category>
		<category><![CDATA[ordinary lives film]]></category>
		<category><![CDATA[Oscar-nominated filmmakers]]></category>
		<category><![CDATA[Pacific Northwest film]]></category>
		<category><![CDATA[quiet man film]]></category>
		<category><![CDATA[Train Dreams]]></category>
		<category><![CDATA[Train Dreams Netflix]]></category>
		<category><![CDATA[William H. Macy]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54546</guid>

					<description><![CDATA[<div><img width="300" height="158" src="https://www.hammertonail.com/wp-content/uploads/2025/12/Screenshot-2025-12-02-at-10.37.06 AM-300x158.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2025/12/Screenshot-2025-12-02-at-10.37.06 AM-300x158.png 300w, https://www.hammertonail.com/wp-content/uploads/2025/12/Screenshot-2025-12-02-at-10.37.06 AM-1024x539.png 1024w, https://www.hammertonail.com/wp-content/uploads/2025/12/Screenshot-2025-12-02-at-10.37.06 AM-768x404.png 768w, https://www.hammertonail.com/wp-content/uploads/2025/12/Screenshot-2025-12-02-at-10.37.06 AM-1536x808.png 1536w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>Writer and director Clint Bentley doesn&#8217;t make films about the exceptional. He finds the exceptional in the ordinary. Stories about jockeys past their prime, incarcerated men staging plays, and now, with Train Dreams, an Idaho logger whose entire life unfolds [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/clint-bentley/">A Conversation with Clint Bentley (TRAIN DREAMS)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>A Conversation with Richard Linklater (NOUVELLE VAGUE)</title>
		<link>https://www.hammertonail.com/interviews/linklater-nouvelle-vague/</link>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Fri, 14 Nov 2025 18:45:56 +0000</pubDate>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Stream Free Now]]></category>
		<category><![CDATA[Aubry Dullin]]></category>
		<category><![CDATA[Black and white film]]></category>
		<category><![CDATA[Breathless]]></category>
		<category><![CDATA[cinema history]]></category>
		<category><![CDATA[cinematic creation]]></category>
		<category><![CDATA[cinephile]]></category>
		<category><![CDATA[Claude Chabrol]]></category>
		<category><![CDATA[David Chambille]]></category>
		<category><![CDATA[film about film]]></category>
		<category><![CDATA[film crew]]></category>
		<category><![CDATA[filmmaking process]]></category>
		<category><![CDATA[first-time filmmaker]]></category>
		<category><![CDATA[Francois Truffaut]]></category>
		<category><![CDATA[French actors]]></category>
		<category><![CDATA[French New Wave]]></category>
		<category><![CDATA[Guillaume Marbeck]]></category>
		<category><![CDATA[Hammer to Nail interview]]></category>
		<category><![CDATA[independent film]]></category>
		<category><![CDATA[Jean Cocteau]]></category>
		<category><![CDATA[Jean Seberg]]></category>
		<category><![CDATA[Jean-Luc Godard]]></category>
		<category><![CDATA[Jean-Paul Belmondo]]></category>
		<category><![CDATA[José Bénazéraf]]></category>
		<category><![CDATA[Middleburg Film Festival 2025]]></category>
		<category><![CDATA[modernist film]]></category>
		<category><![CDATA[Nouvelle Vague]]></category>
		<category><![CDATA[Paris 1959]]></category>
		<category><![CDATA[punk rock cinema]]></category>
		<category><![CDATA[Raoul Coutard]]></category>
		<category><![CDATA[recreating 1959]]></category>
		<category><![CDATA[Richard Linklater]]></category>
		<category><![CDATA[School of Rock]]></category>
		<category><![CDATA[The 400 Blows]]></category>
		<category><![CDATA[Zoey Deutch]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54439</guid>

					<description><![CDATA[<div><img width="300" height="204" src="https://www.hammertonail.com/wp-content/uploads/2025/11/Richard-Linklater-300x204.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2025/11/Richard-Linklater-300x204.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2025/11/Richard-Linklater-1024x698.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2025/11/Richard-Linklater-768x523.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2025/11/Richard-Linklater.jpg 1500w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>Richard Linklater’s career has been marked by great experimentation and variety, which makes him the perfect candidate to dramatize one of the seminal moments in film history: the making of Jean-Luc Godard’s French New Wave masterpiece Breathless. Starring a mostly [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/linklater-nouvelle-vague/">A Conversation with Richard Linklater (NOUVELLE VAGUE)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>A Conversation with Alex Mallis &#038; Travis Wood (THE TRAVEL COMPANION)</title>
		<link>https://www.hammertonail.com/interviews/mallis-wood/</link>
		
		<dc:creator><![CDATA[Chris Shields]]></dc:creator>
		<pubDate>Tue, 10 Jun 2025 17:36:21 +0000</pubDate>
				<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[airport filming]]></category>
		<category><![CDATA[Alex Mallis]]></category>
		<category><![CDATA[buddy pass]]></category>
		<category><![CDATA[co-directing]]></category>
		<category><![CDATA[collaborative filmmaking]]></category>
		<category><![CDATA[documentary filmmakers]]></category>
		<category><![CDATA[film casting]]></category>
		<category><![CDATA[film comedy]]></category>
		<category><![CDATA[film festivals]]></category>
		<category><![CDATA[film industry insights]]></category>
		<category><![CDATA[film premiere]]></category>
		<category><![CDATA[film production]]></category>
		<category><![CDATA[film Q&A]]></category>
		<category><![CDATA[filmmaking process]]></category>
		<category><![CDATA[independent cinema]]></category>
		<category><![CDATA[Indie Filmmaking]]></category>
		<category><![CDATA[Meerkat Media]]></category>
		<category><![CDATA[micro-budget film]]></category>
		<category><![CDATA[Narrative Film]]></category>
		<category><![CDATA[short films]]></category>
		<category><![CDATA[The Travel Companion]]></category>
		<category><![CDATA[Travis Wood]]></category>
		<category><![CDATA[Tribeca Film Festival]]></category>
		<category><![CDATA[Tristan Turner]]></category>
		<category><![CDATA[young filmmakers]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=53331</guid>

					<description><![CDATA[<div><img width="300" height="152" src="https://www.hammertonail.com/wp-content/uploads/2025/06/newcover-300x152.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2025/06/newcover-300x152.png 300w, https://www.hammertonail.com/wp-content/uploads/2025/06/newcover-1024x517.png 1024w, https://www.hammertonail.com/wp-content/uploads/2025/06/newcover-768x388.png 768w, https://www.hammertonail.com/wp-content/uploads/2025/06/newcover-1536x776.png 1536w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>We’ve all seen a bad Q and A after a film screening. They’re awkward, often they overstay their welcome, and inevitably someone has to ask, “what camera did you use?” If you go to a lot of film screenings they [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/mallis-wood/">A Conversation with Alex Mallis &#038; Travis Wood (THE TRAVEL COMPANION)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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