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	<title>filmmaker interview Archives - Hammer to Nail</title>
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	<title>filmmaker interview Archives - Hammer to Nail</title>
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		<title>A Conversation with  Lynne Sachs (EVERY CONTACT LEAVES A TRACE)</title>
		<link>https://www.hammertonail.com/interviews/lynne-sachs/</link>
		
		<dc:creator><![CDATA[Jonathan Marlow]]></dc:creator>
		<pubDate>Fri, 24 Apr 2026 18:16:52 +0000</pubDate>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[avant-garde cinema]]></category>
		<category><![CDATA[Betty Leacraft]]></category>
		<category><![CDATA[Bradley Eros]]></category>
		<category><![CDATA[business cards]]></category>
		<category><![CDATA[creative process]]></category>
		<category><![CDATA[documentary filmmaking]]></category>
		<category><![CDATA[documentary performance]]></category>
		<category><![CDATA[Every Contact Leaves a Trace]]></category>
		<category><![CDATA[Experimental Film]]></category>
		<category><![CDATA[film and poetry]]></category>
		<category><![CDATA[film editing]]></category>
		<category><![CDATA[filmmaker interview]]></category>
		<category><![CDATA[Gunvor Nelson]]></category>
		<category><![CDATA[hybrid filmmaking]]></category>
		<category><![CDATA[IDFA documentary]]></category>
		<category><![CDATA[Lynne Sachs]]></category>
		<category><![CDATA[Lynne Sachs interview]]></category>
		<category><![CDATA[memory and ephemera]]></category>
		<category><![CDATA[non-narrative film]]></category>
		<category><![CDATA[Scarecrow Video Archive]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54805</guid>

					<description><![CDATA[<div><img width="300" height="160" src="https://www.hammertonail.com/wp-content/uploads/2026/04/Screenshot-2026-04-24-at-11.30.40-AM-300x160.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2026/04/Screenshot-2026-04-24-at-11.30.40-AM-300x160.png 300w, https://www.hammertonail.com/wp-content/uploads/2026/04/Screenshot-2026-04-24-at-11.30.40-AM-1024x546.png 1024w, https://www.hammertonail.com/wp-content/uploads/2026/04/Screenshot-2026-04-24-at-11.30.40-AM-768x410.png 768w, https://www.hammertonail.com/wp-content/uploads/2026/04/Screenshot-2026-04-24-at-11.30.40-AM-1536x819.png 1536w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>Some filmmakers are known for their documentary works. Others for their narrative films. Still others—the better filmmakers (for me), generally—do not fit comfortably into either category. Or any category whatsoever. Poet / artist / filmmaker Lynne Sachs is one of [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/lynne-sachs/">A Conversation with  Lynne Sachs (EVERY CONTACT LEAVES A TRACE)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<title>A Conversation with Oliver Laxe (SIRĀT)</title>
		<link>https://www.hammertonail.com/interviews/oliver-laxe/</link>
		
		<dc:creator><![CDATA[Jack Schenker]]></dc:creator>
		<pubDate>Fri, 27 Feb 2026 18:16:26 +0000</pubDate>
				<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Apichatpong Weerasethakul]]></category>
		<category><![CDATA[Best International Feature Film]]></category>
		<category><![CDATA[Cannes Film Festival]]></category>
		<category><![CDATA[father-son relationship]]></category>
		<category><![CDATA[filmmaker interview]]></category>
		<category><![CDATA[FIPRESCI Prize]]></category>
		<category><![CDATA[Fire Will Come]]></category>
		<category><![CDATA[Free Party Movement]]></category>
		<category><![CDATA[Galician cinema]]></category>
		<category><![CDATA[Jury Prize]]></category>
		<category><![CDATA[Kangding Ray]]></category>
		<category><![CDATA[Mauro Herce]]></category>
		<category><![CDATA[Mimosas]]></category>
		<category><![CDATA[Moroccan desert]]></category>
		<category><![CDATA[NEON acquisition]]></category>
		<category><![CDATA[non-professional actors]]></category>
		<category><![CDATA[Oliver Laxe]]></category>
		<category><![CDATA[Oscar nominations]]></category>
		<category><![CDATA[rave culture]]></category>
		<category><![CDATA[Sergi López]]></category>
		<category><![CDATA[Sirāt film]]></category>
		<category><![CDATA[Spain Oscar submission]]></category>
		<category><![CDATA[Super-16mm]]></category>
		<category><![CDATA[techno soundtrack]]></category>
		<category><![CDATA[You Are All Captains]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=55143</guid>

					<description><![CDATA[<div><img width="300" height="198" src="https://www.hammertonail.com/wp-content/uploads/2026/02/Oliver-Laxe--300x198.jpeg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" fetchpriority="high" srcset="https://www.hammertonail.com/wp-content/uploads/2026/02/Oliver-Laxe--300x198.jpeg 300w, https://www.hammertonail.com/wp-content/uploads/2026/02/Oliver-Laxe-.jpeg 599w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>Oliver Laxe was born in Paris in 1982, the son of Galician emigrants. When he was six, his family returned to Northwest Spain. After completing his studies in audiovisual communication, he moved to Tangier, Morocco, where he self-produced his 2010 [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/oliver-laxe/">A Conversation with Oliver Laxe (SIRĀT)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<title>A Conversation with Hlynur Pálmason (THE LOVE THAT REMAINS)</title>
		<link>https://www.hammertonail.com/interviews/hlynur-palmason/</link>
		
		<dc:creator><![CDATA[Jack Schenker]]></dc:creator>
		<pubDate>Thu, 12 Feb 2026 17:45:57 +0000</pubDate>
				<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[16mm cinematography]]></category>
		<category><![CDATA[A White White Day]]></category>
		<category><![CDATA[arrow scene]]></category>
		<category><![CDATA[Cannes 2025]]></category>
		<category><![CDATA[Cannes premiere]]></category>
		<category><![CDATA[Creature from the Black Lagoon homage]]></category>
		<category><![CDATA[directing children]]></category>
		<category><![CDATA[family portrait film]]></category>
		<category><![CDATA[filmmaker interview]]></category>
		<category><![CDATA[Godland director]]></category>
		<category><![CDATA[Hlynur Palmason]]></category>
		<category><![CDATA[Icelandic cinema]]></category>
		<category><![CDATA[Icelandic landscape]]></category>
		<category><![CDATA[National Film School of Denmark]]></category>
		<category><![CDATA[New York Film Festival 2025]]></category>
		<category><![CDATA[Nordic drama]]></category>
		<category><![CDATA[Palme Dog winner]]></category>
		<category><![CDATA[Panda the sheepdog]]></category>
		<category><![CDATA[practical effects VFX]]></category>
		<category><![CDATA[Saga Gardarsdottir]]></category>
		<category><![CDATA[surrealist cinema]]></category>
		<category><![CDATA[Sverrir Gudnason]]></category>
		<category><![CDATA[The Love That Remains]]></category>
		<category><![CDATA[Un Certain Regard]]></category>
		<category><![CDATA[Winter Brothers]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=55070</guid>

					<description><![CDATA[<div><img width="300" height="169" src="https://www.hammertonail.com/wp-content/uploads/2026/02/hlynur-300x169.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2026/02/hlynur-300x169.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2026/02/hlynur-1024x576.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2026/02/hlynur-768x432.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2026/02/hlynur.jpg 1280w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>Hlynur Pálmason is an Icelandic writer and director. For his latest project The Love That Remains, the filmmaker delivers a poignant, domestic drama that observes life&#8217;s changes with humor and whimsy, set against the majestic, ever-shifting Icelandic landscape. Pálmason is [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/hlynur-palmason/">A Conversation with Hlynur Pálmason (THE LOVE THAT REMAINS)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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