<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>film vs digital Archives - Hammer to Nail</title>
	<atom:link href="https://www.hammertonail.com/tag/film-vs-digital/feed/" rel="self" type="application/rss+xml" />
	<link>https://www.hammertonail.com/tag/film-vs-digital/</link>
	<description>What to Watch</description>
	<lastBuildDate>Mon, 29 Dec 2025 16:32:16 +0000</lastBuildDate>
	<language>en-US</language>
	<sy:updatePeriod>
	hourly	</sy:updatePeriod>
	<sy:updateFrequency>
	1	</sy:updateFrequency>
	<generator>https://wordpress.org/?v=6.9.4</generator>

<image>
	<url>https://www.hammertonail.com/wp-content/uploads/2020/01/cropped-logo02-1-32x32.png</url>
	<title>film vs digital Archives - Hammer to Nail</title>
	<link>https://www.hammertonail.com/tag/film-vs-digital/</link>
	<width>32</width>
	<height>32</height>
</image> 
	<item>
		<title>A Conversation with Darius Khondji (MARTY SUPREME)</title>
		<link>https://www.hammertonail.com/interviews/darius-khondji/</link>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Mon, 29 Dec 2025 16:32:16 +0000</pubDate>
				<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[2025 movies]]></category>
		<category><![CDATA[35mm film]]></category>
		<category><![CDATA[360mm lens]]></category>
		<category><![CDATA[Amour]]></category>
		<category><![CDATA[anamorphic lens]]></category>
		<category><![CDATA[Ari Aster]]></category>
		<category><![CDATA[Betty Blue]]></category>
		<category><![CDATA[Bong Joon-Ho]]></category>
		<category><![CDATA[Christopher Llewellyn Reed]]></category>
		<category><![CDATA[cinematographer]]></category>
		<category><![CDATA[cinematography techniques]]></category>
		<category><![CDATA[Darius Khondji]]></category>
		<category><![CDATA[David Fincher]]></category>
		<category><![CDATA[Delicatessen]]></category>
		<category><![CDATA[Diva]]></category>
		<category><![CDATA[Eddington]]></category>
		<category><![CDATA[film vs digital]]></category>
		<category><![CDATA[Francesco Rosi]]></category>
		<category><![CDATA[Funny Games]]></category>
		<category><![CDATA[Gianni Di Venanzo]]></category>
		<category><![CDATA[Iranian-French cinematographer]]></category>
		<category><![CDATA[Jack Fisk]]></category>
		<category><![CDATA[James Gray]]></category>
		<category><![CDATA[Jean-François Robin]]></category>
		<category><![CDATA[Jean-Jacques Beineix]]></category>
		<category><![CDATA[Jean-Pierre Jeunet]]></category>
		<category><![CDATA[Josh Safdie]]></category>
		<category><![CDATA[Marc Caro]]></category>
		<category><![CDATA[Marty Supreme]]></category>
		<category><![CDATA[Michael Haneke]]></category>
		<category><![CDATA[Mickey 17]]></category>
		<category><![CDATA[Miyako Bellizzi]]></category>
		<category><![CDATA[My Blueberry Nights]]></category>
		<category><![CDATA[Panavision]]></category>
		<category><![CDATA[Panic Room]]></category>
		<category><![CDATA[Philippe Rousselot]]></category>
		<category><![CDATA[Safdie Brothers]]></category>
		<category><![CDATA[Se7en]]></category>
		<category><![CDATA[table tennis cinematography]]></category>
		<category><![CDATA[The City of Lost Children]]></category>
		<category><![CDATA[The Immigrant]]></category>
		<category><![CDATA[The Lost City of Z]]></category>
		<category><![CDATA[Timothée Chalamet]]></category>
		<category><![CDATA[timothy chalamet]]></category>
		<category><![CDATA[Uncut Gems]]></category>
		<category><![CDATA[Wong Kar Wai]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54762</guid>

					<description><![CDATA[<div><img width="300" height="200" src="https://www.hammertonail.com/wp-content/uploads/2025/12/Darius-Khondji-and-Josh-Safdie-300x200.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" fetchpriority="high" srcset="https://www.hammertonail.com/wp-content/uploads/2025/12/Darius-Khondji-and-Josh-Safdie-300x200.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2025/12/Darius-Khondji-and-Josh-Safdie-1024x683.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2025/12/Darius-Khondji-and-Josh-Safdie-768x512.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2025/12/Darius-Khondji-and-Josh-Safdie.jpg 1500w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>Iranian-French cinematographer Darius Khondji turned 70 in October of this year and shows no sign of slowing down in any way. His credits include such masterpieces as Marc Caro and Jean-Pierre Jeunet’s 1991 Delicatessen and 1995 The City of Lost Children, David Fincher’s [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/darius-khondji/">A Conversation with Darius Khondji (MARTY SUPREME)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
			</item>
	</channel>
</rss>

<!--
Performance optimized by W3 Total Cache. Learn more: https://www.boldgrid.com/w3-total-cache/?utm_source=w3tc&utm_medium=footer_comment&utm_campaign=free_plugin

Database Caching using Disk

Served from: www.hammertonail.com @ 2026-05-16 19:24:50 by W3 Total Cache
-->