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	<title>film production process Archives - Hammer to Nail</title>
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	<title>film production process Archives - Hammer to Nail</title>
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		<title>A Conversation with Dea Kulumbegashvili (APRIL)</title>
		<link>https://www.hammertonail.com/interviews/dea-kulumbegashvili/</link>
		
		<dc:creator><![CDATA[Jack Schenker]]></dc:creator>
		<pubDate>Thu, 08 May 2025 19:20:06 +0000</pubDate>
				<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[abortion in film]]></category>
		<category><![CDATA[April movie]]></category>
		<category><![CDATA[authentic storytelling]]></category>
		<category><![CDATA[Beginning film]]></category>
		<category><![CDATA[childbirth in film]]></category>
		<category><![CDATA[Dea Kulumbegashvili]]></category>
		<category><![CDATA[emotional performances]]></category>
		<category><![CDATA[feminist cinema]]></category>
		<category><![CDATA[film directing techniques]]></category>
		<category><![CDATA[film festival awards]]></category>
		<category><![CDATA[film production process]]></category>
		<category><![CDATA[Georgian cinema]]></category>
		<category><![CDATA[Ia Sukhitashvili]]></category>
		<category><![CDATA[immersive cinematography]]></category>
		<category><![CDATA[independent filmmaking]]></category>
		<category><![CDATA[long takes in film]]></category>
		<category><![CDATA[Luca Guadagnino]]></category>
		<category><![CDATA[medical ethics in movies]]></category>
		<category><![CDATA[non-professional actors]]></category>
		<category><![CDATA[patriarchal systems]]></category>
		<category><![CDATA[rural conservatism]]></category>
		<category><![CDATA[surrealism in cinema]]></category>
		<category><![CDATA[tactile filmmaking]]></category>
		<category><![CDATA[Venice Film Festival 2024]]></category>
		<category><![CDATA[women filmmakers]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=53134</guid>

					<description><![CDATA[<div><img width="300" height="153" src="https://www.hammertonail.com/wp-content/uploads/2025/05/dea-300x153.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2025/05/dea-300x153.png 300w, https://www.hammertonail.com/wp-content/uploads/2025/05/dea-1024x521.png 1024w, https://www.hammertonail.com/wp-content/uploads/2025/05/dea-768x391.png 768w, https://www.hammertonail.com/wp-content/uploads/2025/05/dea-1536x782.png 1536w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>Georgian filmmaker Dea Kulumbegashvili has emerged as one of world cinema&#8217;s most uncompromising voices. Her debut feature Beginning (2020), which won four major awards at the San Sebastián Film Festival, established her as a director capable of creating profound tension [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/dea-kulumbegashvili/">A Conversation with Dea Kulumbegashvili (APRIL)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<title>A Conversation with Miguel Gomes (GRAND TOUR)</title>
		<link>https://www.hammertonail.com/interviews/miguel-gomes/</link>
		
		<dc:creator><![CDATA[Jack Schenker]]></dc:creator>
		<pubDate>Wed, 23 Apr 2025 17:53:47 +0000</pubDate>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Watch Online]]></category>
		<category><![CDATA[16mm monochrome]]></category>
		<category><![CDATA[Arabian Nights]]></category>
		<category><![CDATA[Asian cinema]]></category>
		<category><![CDATA[Best Director]]></category>
		<category><![CDATA[black and white cinematography]]></category>
		<category><![CDATA[Cannes Film Festival 2024]]></category>
		<category><![CDATA[cinematic storytelling]]></category>
		<category><![CDATA[documentary and fiction blend]]></category>
		<category><![CDATA[experimental narrative]]></category>
		<category><![CDATA[film production process]]></category>
		<category><![CDATA[Grand Tour]]></category>
		<category><![CDATA[Howard Hawks influence]]></category>
		<category><![CDATA[international film locations]]></category>
		<category><![CDATA[Miguel Gomes]]></category>
		<category><![CDATA[pandemic filmmaking]]></category>
		<category><![CDATA[Portuguese filmmakers]]></category>
		<category><![CDATA[remote directing]]></category>
		<category><![CDATA[Rui Poças]]></category>
		<category><![CDATA[Savagery film]]></category>
		<category><![CDATA[screwball comedies]]></category>
		<category><![CDATA[Somerset Maugham]]></category>
		<category><![CDATA[Tabu film]]></category>
		<category><![CDATA[time and memory in film]]></category>
		<category><![CDATA[unconventional filmmaking]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=53063</guid>

					<description><![CDATA[<div><img width="300" height="300" src="https://www.hammertonail.com/wp-content/uploads/2025/04/DirectorsPortrait_Miguel-Gomes_1_©-Patricia-Neves-Gomes-300x300.jpeg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" fetchpriority="high" srcset="https://www.hammertonail.com/wp-content/uploads/2025/04/DirectorsPortrait_Miguel-Gomes_1_©-Patricia-Neves-Gomes-300x300.jpeg 300w, https://www.hammertonail.com/wp-content/uploads/2025/04/DirectorsPortrait_Miguel-Gomes_1_©-Patricia-Neves-Gomes-1024x1024.jpeg 1024w, https://www.hammertonail.com/wp-content/uploads/2025/04/DirectorsPortrait_Miguel-Gomes_1_©-Patricia-Neves-Gomes-150x150.jpeg 150w, https://www.hammertonail.com/wp-content/uploads/2025/04/DirectorsPortrait_Miguel-Gomes_1_©-Patricia-Neves-Gomes-768x768.jpeg 768w, https://www.hammertonail.com/wp-content/uploads/2025/04/DirectorsPortrait_Miguel-Gomes_1_©-Patricia-Neves-Gomes-1536x1536.jpeg 1536w, https://www.hammertonail.com/wp-content/uploads/2025/04/DirectorsPortrait_Miguel-Gomes_1_©-Patricia-Neves-Gomes-650x650.jpeg 650w, https://www.hammertonail.com/wp-content/uploads/2025/04/DirectorsPortrait_Miguel-Gomes_1_©-Patricia-Neves-Gomes-1300x1300.jpeg 1300w, https://www.hammertonail.com/wp-content/uploads/2025/04/DirectorsPortrait_Miguel-Gomes_1_©-Patricia-Neves-Gomes-24x24.jpeg 24w, https://www.hammertonail.com/wp-content/uploads/2025/04/DirectorsPortrait_Miguel-Gomes_1_©-Patricia-Neves-Gomes-48x48.jpeg 48w, https://www.hammertonail.com/wp-content/uploads/2025/04/DirectorsPortrait_Miguel-Gomes_1_©-Patricia-Neves-Gomes-96x96.jpeg 96w, https://www.hammertonail.com/wp-content/uploads/2025/04/DirectorsPortrait_Miguel-Gomes_1_©-Patricia-Neves-Gomes-250x250.jpeg 250w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>Miguel Gomes has established himself as one of Portugal&#8217;s most innovative filmmakers through works that blend documentary and fiction while experimenting with narrative structure. From his debut feature The Face You Deserve (2004) to acclaimed films like Tabu (2012) and the ambitious three-part Arabian Nights (2015), [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/miguel-gomes/">A Conversation with Miguel Gomes (GRAND TOUR)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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