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	<title>film nostalgia Archives - Hammer to Nail</title>
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	<title>film nostalgia Archives - Hammer to Nail</title>
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		<title>A Conversation with Kleber Mendonça Filho (THE SECRET AGENT)</title>
		<link>https://www.hammertonail.com/interviews/mendonca-filho/</link>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Tue, 04 Nov 2025 15:37:20 +0000</pubDate>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[1977 Brazil]]></category>
		<category><![CDATA[anamorphic lenses]]></category>
		<category><![CDATA[Arri Alexa 35]]></category>
		<category><![CDATA[auteur theory]]></category>
		<category><![CDATA[Brazilian Cinema]]></category>
		<category><![CDATA[Brazilian director]]></category>
		<category><![CDATA[Brazilian history]]></category>
		<category><![CDATA[Cannes Film Festival 2025]]></category>
		<category><![CDATA[cinema and memory]]></category>
		<category><![CDATA[cinematography]]></category>
		<category><![CDATA[Evgenia Alexandrova]]></category>
		<category><![CDATA[film criticism]]></category>
		<category><![CDATA[film nostalgia]]></category>
		<category><![CDATA[filmmaking]]></category>
		<category><![CDATA[Hammer to Nail interview]]></category>
		<category><![CDATA[journalism in film]]></category>
		<category><![CDATA[Kleber Mendonça Filho]]></category>
		<category><![CDATA[Latin American cinema]]></category>
		<category><![CDATA[Middleburg Film Festival]]></category>
		<category><![CDATA[military dictatorship Brazil]]></category>
		<category><![CDATA[Pictures of Ghosts]]></category>
		<category><![CDATA[political thriller]]></category>
		<category><![CDATA[Recife]]></category>
		<category><![CDATA[The Secret Agent]]></category>
		<category><![CDATA[Wagner Moura]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54353</guid>

					<description><![CDATA[<div><img width="300" height="139" src="https://www.hammertonail.com/wp-content/uploads/2025/11/Kleber-Mendonca-Filho-with-Wagner-Moura-MK2-Films-300x139.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2025/11/Kleber-Mendonca-Filho-with-Wagner-Moura-MK2-Films-300x139.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2025/11/Kleber-Mendonca-Filho-with-Wagner-Moura-MK2-Films-1024x475.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2025/11/Kleber-Mendonca-Filho-with-Wagner-Moura-MK2-Films-768x356.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2025/11/Kleber-Mendonca-Filho-with-Wagner-Moura-MK2-Films.jpg 1500w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>Winner of the Best Director and Best Actor awards at the 2025 Cannes Film Festival, The Secret Agent, from Brazilian director Kleber Mendonça Filho (Bacurau), takes place in 1977 during Brazil’s military dictatorship. It was a time of violence and [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/mendonca-filho/">A Conversation with Kleber Mendonça Filho (THE SECRET AGENT)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<title>A Conversation with Arnaud Desplechin (SPECTATEURS!)</title>
		<link>https://www.hammertonail.com/interviews/arnaud-desplechin/</link>
		
		<dc:creator><![CDATA[Rory O'Connor]]></dc:creator>
		<pubDate>Thu, 27 Feb 2025 19:07:04 +0000</pubDate>
				<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[A Christmas Tale]]></category>
		<category><![CDATA[Age of Innocence]]></category>
		<category><![CDATA[Armageddon Time]]></category>
		<category><![CDATA[Arnaud Desplechin]]></category>
		<category><![CDATA[Beastiari Herbari Lepadari]]></category>
		<category><![CDATA[Belfast]]></category>
		<category><![CDATA[Broken Arrow]]></category>
		<category><![CDATA[Carax]]></category>
		<category><![CDATA[Charles Gillibert]]></category>
		<category><![CDATA[Charlotte Rampling]]></category>
		<category><![CDATA[Cheyenne Autumn]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[cinema appreciation]]></category>
		<category><![CDATA[cinephile]]></category>
		<category><![CDATA[Claude Lanzmann]]></category>
		<category><![CDATA[Coppola]]></category>
		<category><![CDATA[directors]]></category>
		<category><![CDATA[Emerson]]></category>
		<category><![CDATA[Emilia Pérez]]></category>
		<category><![CDATA[Fabelmans]]></category>
		<category><![CDATA[Fahrenheit 451]]></category>
		<category><![CDATA[film analysis]]></category>
		<category><![CDATA[film editing]]></category>
		<category><![CDATA[film festivals]]></category>
		<category><![CDATA[film history]]></category>
		<category><![CDATA[film nostalgia]]></category>
		<category><![CDATA[film production]]></category>
		<category><![CDATA[filmmaking]]></category>
		<category><![CDATA[François Civil]]></category>
		<category><![CDATA[French Cinema]]></category>
		<category><![CDATA[Godard]]></category>
		<category><![CDATA[Guadagnino]]></category>
		<category><![CDATA[James Gray]]></category>
		<category><![CDATA[John Woo]]></category>
		<category><![CDATA[Joker]]></category>
		<category><![CDATA[Kamen Velkovsky]]></category>
		<category><![CDATA[Kazan]]></category>
		<category><![CDATA[Lars von Trier]]></category>
		<category><![CDATA[Mathieu Amalric]]></category>
		<category><![CDATA[Megalopolis]]></category>
		<category><![CDATA[Melancholia]]></category>
		<category><![CDATA[Minority Report]]></category>
		<category><![CDATA[movie clips]]></category>
		<category><![CDATA[movie recommendations]]></category>
		<category><![CDATA[My Golden Days]]></category>
		<category><![CDATA[My Sex Life… or How I Got Into An Argument]]></category>
		<category><![CDATA[Nancy Hsueh]]></category>
		<category><![CDATA[NOPE]]></category>
		<category><![CDATA[Paul Guilhaume]]></category>
		<category><![CDATA[Pier Paulo Pasolini]]></category>
		<category><![CDATA[Roma]]></category>
		<category><![CDATA[Sam Mendes]]></category>
		<category><![CDATA[Spectateurs!]]></category>
		<category><![CDATA[Stanley Cavell]]></category>
		<category><![CDATA[storytelling]]></category>
		<category><![CDATA[TÁR]]></category>
		<category><![CDATA[The 400 Blows]]></category>
		<category><![CDATA[Theroux]]></category>
		<category><![CDATA[Tom Cruise]]></category>
		<category><![CDATA[Wes Anderson]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=52692</guid>

					<description><![CDATA[<div><img width="300" height="181" src="https://www.hammertonail.com/wp-content/uploads/2025/02/Arnaud-Desplechin-300x181.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" fetchpriority="high" srcset="https://www.hammertonail.com/wp-content/uploads/2025/02/Arnaud-Desplechin-300x181.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2025/02/Arnaud-Desplechin-1024x618.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2025/02/Arnaud-Desplechin-768x464.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2025/02/Arnaud-Desplechin-1536x927.jpg 1536w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>“You know, you’re Irish, so when I’m saying Dédalus you’re probably thinking Joyce.” It’s early December in Avelino and Arnaud Desplechin isn’t really talking  A Portrait of the Artist as a Young Man. The French director’s latest, Spectateurs!, reintroduces the [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/arnaud-desplechin/">A Conversation with Arnaud Desplechin (SPECTATEURS!)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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