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	<title>film criticism Archives - Hammer to Nail</title>
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	<title>film criticism Archives - Hammer to Nail</title>
	<link>https://www.hammertonail.com/tag/film-criticism/</link>
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	<item>
		<title>A Conversation with Maya Annik Bedward (BLACK ZOMBIE)</title>
		<link>https://www.hammertonail.com/interviews/maya-annik-bedward/</link>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Wed, 25 Mar 2026 19:44:19 +0000</pubDate>
				<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Afro-Caribbean history]]></category>
		<category><![CDATA[agency]]></category>
		<category><![CDATA[Atlantique]]></category>
		<category><![CDATA[Black Zombie]]></category>
		<category><![CDATA[breaking the fourth wall]]></category>
		<category><![CDATA[cultural appropriation]]></category>
		<category><![CDATA[Documentary]]></category>
		<category><![CDATA[fair use]]></category>
		<category><![CDATA[film criticism]]></category>
		<category><![CDATA[George A. Romero]]></category>
		<category><![CDATA[Get Out]]></category>
		<category><![CDATA[Haitian Vodou]]></category>
		<category><![CDATA[Hammer to Nail]]></category>
		<category><![CDATA[horror film history]]></category>
		<category><![CDATA[Jordan Peele]]></category>
		<category><![CDATA[Mati Diop]]></category>
		<category><![CDATA[Maya Annik Bedward]]></category>
		<category><![CDATA[Migrant crisis]]></category>
		<category><![CDATA[Night of the Living Dead]]></category>
		<category><![CDATA[reenactment]]></category>
		<category><![CDATA[sugar cane field]]></category>
		<category><![CDATA[SXSW 2026]]></category>
		<category><![CDATA[SXSW Film Festival]]></category>
		<category><![CDATA[The Magic Island]]></category>
		<category><![CDATA[The Serpent and the Rainbow]]></category>
		<category><![CDATA[Tom Savini]]></category>
		<category><![CDATA[Vodou representation]]></category>
		<category><![CDATA[White Zombie]]></category>
		<category><![CDATA[William Seabrook]]></category>
		<category><![CDATA[zombie origins]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=55348</guid>

					<description><![CDATA[<div><img width="300" height="178" src="https://www.hammertonail.com/wp-content/uploads/2026/03/SXSW2026_2026-03-14_BLACK-ZOMBIE-interview_01-300x178.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" fetchpriority="high" srcset="https://www.hammertonail.com/wp-content/uploads/2026/03/SXSW2026_2026-03-14_BLACK-ZOMBIE-interview_01-300x178.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2026/03/SXSW2026_2026-03-14_BLACK-ZOMBIE-interview_01-1024x608.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2026/03/SXSW2026_2026-03-14_BLACK-ZOMBIE-interview_01-768x456.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2026/03/SXSW2026_2026-03-14_BLACK-ZOMBIE-interview_01.jpg 1500w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>The documentary Black Zombie marks director Maya Annik Bedward’s feature debut. In the film, Bedward examines how the cinematic zombie has its roots in the Haitian Vodou faith, even though the original term refers to a live person enslaved by a sorcerer, and [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/maya-annik-bedward/">A Conversation with Maya Annik Bedward (BLACK ZOMBIE)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<item>
		<title>BLACK ZOMBIE</title>
		<link>https://www.hammertonail.com/reviews/black-zombie/</link>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Fri, 20 Mar 2026 18:11:38 +0000</pubDate>
				<category><![CDATA[Documentary]]></category>
		<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Horror]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Black Zombie]]></category>
		<category><![CDATA[colonialism in film]]></category>
		<category><![CDATA[cultural appropriation]]></category>
		<category><![CDATA[documentary film]]></category>
		<category><![CDATA[film criticism]]></category>
		<category><![CDATA[George A. Romero]]></category>
		<category><![CDATA[Haitian cinema]]></category>
		<category><![CDATA[Haitian Vodou]]></category>
		<category><![CDATA[horror documentary]]></category>
		<category><![CDATA[horror tropes]]></category>
		<category><![CDATA[Maya Annik Bedward]]></category>
		<category><![CDATA[Night of the Living Dead]]></category>
		<category><![CDATA[racial representation in horror]]></category>
		<category><![CDATA[social commentary in horror]]></category>
		<category><![CDATA[Tananarive Due]]></category>
		<category><![CDATA[Tom Savini]]></category>
		<category><![CDATA[White Zombie]]></category>
		<category><![CDATA[William Seabrook]]></category>
		<category><![CDATA[Zandashé Brown]]></category>
		<category><![CDATA[zombie history]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=55299</guid>

					<description><![CDATA[<div><img width="300" height="169" src="https://www.hammertonail.com/wp-content/uploads/2026/03/BLACK-ZOMBIE-still-300x169.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2026/03/BLACK-ZOMBIE-still-300x169.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2026/03/BLACK-ZOMBIE-still-1024x576.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2026/03/BLACK-ZOMBIE-still-768x432.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2026/03/BLACK-ZOMBIE-still.jpg 1500w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>(The 2026 SXSW Film Festival ran March 12-18 in beautiful Austin, TX. Check out Chris Reed’s Black Zombie movie review, fresh from the fest. Seen it? Join the conversation with HtN on our Letterboxd Page.) In her feature debut, Black Zombie, director Maya Annik [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/reviews/black-zombie/">BLACK ZOMBIE</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<item>
		<title>FIRST THEY CAME FOR MY COLLEGE</title>
		<link>https://www.hammertonail.com/reviews/first-they-came-for-my-college/</link>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Tue, 17 Mar 2026 20:17:21 +0000</pubDate>
				<category><![CDATA[Documentary]]></category>
		<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[academic freedom]]></category>
		<category><![CDATA[book review]]></category>
		<category><![CDATA[Chris Reed]]></category>
		<category><![CDATA[Christopher Rufo]]></category>
		<category><![CDATA[conservative takeover]]></category>
		<category><![CDATA[culture war]]></category>
		<category><![CDATA[DEI]]></category>
		<category><![CDATA[film criticism]]></category>
		<category><![CDATA[First They Came for My College]]></category>
		<category><![CDATA[Florida politics]]></category>
		<category><![CDATA[Hampshire College]]></category>
		<category><![CDATA[higher education]]></category>
		<category><![CDATA[LGBTQ rights]]></category>
		<category><![CDATA[Martin Niemöller poem]]></category>
		<category><![CDATA[Movie Review]]></category>
		<category><![CDATA[New College of Florida]]></category>
		<category><![CDATA[Ron DeSantis]]></category>
		<category><![CDATA[SXSW 2026]]></category>
		<category><![CDATA[SXSW Film Festival]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=55268</guid>

					<description><![CDATA[<div><img width="300" height="200" src="https://www.hammertonail.com/wp-content/uploads/2026/03/FIRST-THEY-CAME-for-MY-COLLEGE-still-300x200.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2026/03/FIRST-THEY-CAME-for-MY-COLLEGE-still-300x200.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2026/03/FIRST-THEY-CAME-for-MY-COLLEGE-still-1024x682.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2026/03/FIRST-THEY-CAME-for-MY-COLLEGE-still-768x511.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2026/03/FIRST-THEY-CAME-for-MY-COLLEGE-still.jpg 1500w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>(The 2026 SXSW Film Festival runs March 12-18 in beautiful Austin, TX. Check out Chris Reed’s First They Came for My College movie review, fresh from the fest. Seen it? Join the conversation with HtN on our Letterboxd Page.) Most people are familiar with at least [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/reviews/first-they-came-for-my-college/">FIRST THEY CAME FOR MY COLLEGE</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<item>
		<title>LITTLE TROUBLE GIRLS</title>
		<link>https://www.hammertonail.com/reviews/little-trouble-girls/</link>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Fri, 12 Dec 2025 20:04:43 +0000</pubDate>
				<category><![CDATA[Coming of Age]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Foreign]]></category>
		<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[adolescent isolation]]></category>
		<category><![CDATA[artistic filmmaking]]></category>
		<category><![CDATA[Catholic school movie]]></category>
		<category><![CDATA[cinematic beauty]]></category>
		<category><![CDATA[cinephile review]]></category>
		<category><![CDATA[coming-of-age movie]]></category>
		<category><![CDATA[dream symbolism]]></category>
		<category><![CDATA[European film]]></category>
		<category><![CDATA[female director debut]]></category>
		<category><![CDATA[film analysis]]></category>
		<category><![CDATA[film criticism]]></category>
		<category><![CDATA[girls choir movie]]></category>
		<category><![CDATA[indie drama]]></category>
		<category><![CDATA[international cinema]]></category>
		<category><![CDATA[Jara Sofija Ostan]]></category>
		<category><![CDATA[Lev Predan Kowarski cinematography]]></category>
		<category><![CDATA[Little Trouble Girls 2024]]></category>
		<category><![CDATA[Little Trouble Girls movie review]]></category>
		<category><![CDATA[movie in theaters]]></category>
		<category><![CDATA[Netflix November 2024]]></category>
		<category><![CDATA[Netflix release]]></category>
		<category><![CDATA[Slovenian cinema]]></category>
		<category><![CDATA[Sonic Youth]]></category>
		<category><![CDATA[teenage sexual awakening]]></category>
		<category><![CDATA[Urska Djukic film]]></category>
		<category><![CDATA[Vladimir Gojun editor]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54642</guid>

					<description><![CDATA[<div><img width="300" height="200" src="https://www.hammertonail.com/wp-content/uploads/2025/12/LITTLE-TROUBLE-GIRLS-still_17-300x200.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2025/12/LITTLE-TROUBLE-GIRLS-still_17-300x200.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2025/12/LITTLE-TROUBLE-GIRLS-still_17-1024x683.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2025/12/LITTLE-TROUBLE-GIRLS-still_17-768x512.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2025/12/LITTLE-TROUBLE-GIRLS-still_17.jpg 1500w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>(Check out Chris Reed’s Little Trouble Girls movie review, it’s in theaters now. Seen it? Join the conversation with HtN on our Letterboxd Page.) “If you want me to/I will be the one/That is always good/And you&#8217;ll love me, too/But you&#8217;ll [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/reviews/little-trouble-girls/">LITTLE TROUBLE GIRLS</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<item>
		<title>HTN’s 9 Most Anticipated Films of DOC NYC ‘25</title>
		<link>https://www.hammertonail.com/film-festivals/doc-nyc-picks-25/</link>
		
		<dc:creator><![CDATA[The Editorial Staff]]></dc:creator>
		<pubDate>Wed, 12 Nov 2025 15:36:19 +0000</pubDate>
				<category><![CDATA[Best of]]></category>
		<category><![CDATA[Features]]></category>
		<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Al Maysles Captures the Beatles]]></category>
		<category><![CDATA[Albert Maysles]]></category>
		<category><![CDATA[Andrea Gibson documentary]]></category>
		<category><![CDATA[Artists in Residence documentary]]></category>
		<category><![CDATA[Aurora documentary]]></category>
		<category><![CDATA[Bart Weiss director]]></category>
		<category><![CDATA[best documentaries 2024]]></category>
		<category><![CDATA[Cece King director]]></category>
		<category><![CDATA[Chris Reed film critic]]></category>
		<category><![CDATA[Chris Reed Lead Critic]]></category>
		<category><![CDATA[Come See Me in the Good Light]]></category>
		<category><![CDATA[David Maysles]]></category>
		<category><![CDATA[disability rights documentary]]></category>
		<category><![CDATA[DOC NYC 2024]]></category>
		<category><![CDATA[DOC NYC festival]]></category>
		<category><![CDATA[DOC NYC films]]></category>
		<category><![CDATA[documentary cinema]]></category>
		<category><![CDATA[documentary film reviews]]></category>
		<category><![CDATA[Eleanor Magid]]></category>
		<category><![CDATA[endemic species Chile]]></category>
		<category><![CDATA[family history documentary]]></category>
		<category><![CDATA[female artistry]]></category>
		<category><![CDATA[female filmmakers]]></category>
		<category><![CDATA[film criticism]]></category>
		<category><![CDATA[film festival picks]]></category>
		<category><![CDATA[first-generation American story]]></category>
		<category><![CDATA[Hammer to Nail DOC NYC]]></category>
		<category><![CDATA[Hammer to Nail team]]></category>
		<category><![CDATA[I Didn't See You There]]></category>
		<category><![CDATA[indie film coverage]]></category>
		<category><![CDATA[Isa Willinger filmmaker]]></category>
		<category><![CDATA[Isabella Rossellini narrator]]></category>
		<category><![CDATA[Island Willing documentary]]></category>
		<category><![CDATA[Jack Schenker film critic]]></category>
		<category><![CDATA[Jack Schenker review]]></category>
		<category><![CDATA[João Vieira Torres]]></category>
		<category><![CDATA[Kaitlyn Hardy film critic]]></category>
		<category><![CDATA[Kaitlyn Hardy review]]></category>
		<category><![CDATA[Karla Murthy]]></category>
		<category><![CDATA[Katie Jacobs director]]></category>
		<category><![CDATA[Life After documentary]]></category>
		<category><![CDATA[Lois Dodd]]></category>
		<category><![CDATA[Louise Kruger]]></category>
		<category><![CDATA[Maysles Brothers Beatles]]></category>
		<category><![CDATA[Megan Falley]]></category>
		<category><![CDATA[must-see docs]]></category>
		<category><![CDATA[new documentaries]]></category>
		<category><![CDATA[New York City documentary festival]]></category>
		<category><![CDATA[No Mercy documentary]]></category>
		<category><![CDATA[nonbinary filmmakers]]></category>
		<category><![CDATA[Reid Davenport]]></category>
		<category><![CDATA[Robinson Crusoe Island Chile]]></category>
		<category><![CDATA[Rolling Film Rocking History]]></category>
		<category><![CDATA[Ryan White director]]></category>
		<category><![CDATA[Sally Jacobson]]></category>
		<category><![CDATA[Shantha Murthy]]></category>
		<category><![CDATA[Si La Isla Quiere]]></category>
		<category><![CDATA[The Beatles documentary]]></category>
		<category><![CDATA[The Gas Station Attendant]]></category>
		<category><![CDATA[Tuva Björk]]></category>
		<category><![CDATA[Unanimal documentary]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54412</guid>

					<description><![CDATA[<div><img width="300" height="169" src="https://www.hammertonail.com/wp-content/uploads/2025/11/DOCNYC-300x169.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2025/11/DOCNYC-300x169.png 300w, https://www.hammertonail.com/wp-content/uploads/2025/11/DOCNYC-1024x576.png 1024w, https://www.hammertonail.com/wp-content/uploads/2025/11/DOCNYC-768x432.png 768w, https://www.hammertonail.com/wp-content/uploads/2025/11/DOCNYC-1536x864.png 1536w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>It’s that time again as New York City&#8217;s venerable celebration of documentary cinema, DOC NYC, kicks off today (November 12) running all the way through the end of the month with a November 30 wrap date. As has become the [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/film-festivals/doc-nyc-picks-25/">HTN’s 9 Most Anticipated Films of DOC NYC ‘25</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<title>A Conversation with Kleber Mendonça Filho (THE SECRET AGENT)</title>
		<link>https://www.hammertonail.com/interviews/mendonca-filho/</link>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Tue, 04 Nov 2025 15:37:20 +0000</pubDate>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[1977 Brazil]]></category>
		<category><![CDATA[anamorphic lenses]]></category>
		<category><![CDATA[Arri Alexa 35]]></category>
		<category><![CDATA[auteur theory]]></category>
		<category><![CDATA[Brazilian Cinema]]></category>
		<category><![CDATA[Brazilian director]]></category>
		<category><![CDATA[Brazilian history]]></category>
		<category><![CDATA[Cannes Film Festival 2025]]></category>
		<category><![CDATA[cinema and memory]]></category>
		<category><![CDATA[cinematography]]></category>
		<category><![CDATA[Evgenia Alexandrova]]></category>
		<category><![CDATA[film criticism]]></category>
		<category><![CDATA[film nostalgia]]></category>
		<category><![CDATA[filmmaking]]></category>
		<category><![CDATA[Hammer to Nail interview]]></category>
		<category><![CDATA[journalism in film]]></category>
		<category><![CDATA[Kleber Mendonça Filho]]></category>
		<category><![CDATA[Latin American cinema]]></category>
		<category><![CDATA[Middleburg Film Festival]]></category>
		<category><![CDATA[military dictatorship Brazil]]></category>
		<category><![CDATA[Pictures of Ghosts]]></category>
		<category><![CDATA[political thriller]]></category>
		<category><![CDATA[Recife]]></category>
		<category><![CDATA[The Secret Agent]]></category>
		<category><![CDATA[Wagner Moura]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54353</guid>

					<description><![CDATA[<div><img width="300" height="139" src="https://www.hammertonail.com/wp-content/uploads/2025/11/Kleber-Mendonca-Filho-with-Wagner-Moura-MK2-Films-300x139.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2025/11/Kleber-Mendonca-Filho-with-Wagner-Moura-MK2-Films-300x139.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2025/11/Kleber-Mendonca-Filho-with-Wagner-Moura-MK2-Films-1024x475.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2025/11/Kleber-Mendonca-Filho-with-Wagner-Moura-MK2-Films-768x356.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2025/11/Kleber-Mendonca-Filho-with-Wagner-Moura-MK2-Films.jpg 1500w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>Winner of the Best Director and Best Actor awards at the 2025 Cannes Film Festival, The Secret Agent, from Brazilian director Kleber Mendonça Filho (Bacurau), takes place in 1977 during Brazil’s military dictatorship. It was a time of violence and [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/mendonca-filho/">A Conversation with Kleber Mendonça Filho (THE SECRET AGENT)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<title>LA JETÉE THE FIFTH SHOT</title>
		<link>https://www.hammertonail.com/reviews/fifth-shot-of-la-jetee/</link>
		
		<dc:creator><![CDATA[Jonathan Marlow]]></dc:creator>
		<pubDate>Thu, 13 Mar 2025 18:00:36 +0000</pubDate>
				<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Experimental]]></category>
		<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Latest Reviews]]></category>
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		<category><![CDATA[A Grin Without a Cat]]></category>
		<category><![CDATA[Alain Resnais]]></category>
		<category><![CDATA[Algerian immigrants]]></category>
		<category><![CDATA[avant-garde cinema]]></category>
		<category><![CDATA[Chris Marker]]></category>
		<category><![CDATA[Chris Marker films]]></category>
		<category><![CDATA[Christian François Bouche-Villeneuve]]></category>
		<category><![CDATA[ciné-roman]]></category>
		<category><![CDATA[cinematic essays]]></category>
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		<category><![CDATA[Liz Keim]]></category>
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		<category><![CDATA[THE FIFTH SHOT OF LA JETÉE]]></category>
		<category><![CDATA[THE JETTY]]></category>
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		<category><![CDATA[time-travel movies]]></category>
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		<category><![CDATA[Walerian Borowczyk]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=52784</guid>

					<description><![CDATA[<div><img width="300" height="168" src="https://www.hammertonail.com/wp-content/uploads/2025/03/25th-300x168.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2025/03/25th-300x168.png 300w, https://www.hammertonail.com/wp-content/uploads/2025/03/25th-1024x573.png 1024w, https://www.hammertonail.com/wp-content/uploads/2025/03/25th-768x429.png 768w, https://www.hammertonail.com/wp-content/uploads/2025/03/25th-1536x859.png 1536w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>(The Museum of Moving Image’s First Look Festival runs March 12-16. Chrck out Jonathan Marlow&#8217;s movie review of The Fifth Shot of La Jetée. Seen it? Join the conversation with HtN on our Letterboxd Page.) “We’re entertaining ghosts now.” One year to [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/reviews/fifth-shot-of-la-jetee/">LA JETÉE THE FIFTH SHOT</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<title>Roger Ebert, Life Itself, and Conflict of Interest in the Digital Age</title>
		<link>https://www.hammertonail.com/editorial/roger-ebert-life-itself-and-conflict-of-interest-in-the-digital-age/</link>
		
		<dc:creator><![CDATA[]]></dc:creator>
		<pubDate>Tue, 10 Mar 2015 18:34:48 +0000</pubDate>
				<category><![CDATA[Cine-Debate]]></category>
		<category><![CDATA[EDITORIAL]]></category>
		<category><![CDATA[Essays]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[film criticism]]></category>
		<category><![CDATA[independent cinema]]></category>
		<category><![CDATA[independent film]]></category>
		<category><![CDATA[journalism]]></category>
		<category><![CDATA[public relations]]></category>
		<category><![CDATA[Richard Corliss]]></category>
		<category><![CDATA[Roger Ebert]]></category>
		<category><![CDATA[Werner Herzog]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=24112</guid>

					<description><![CDATA[<p>(As Hammer to Nail morphs into version 2.0, we still feel this site needs to champion new and truly independent cinema. But with so many filmmakers, critics, writers and industry professionals wearing so many hats, is conflict of interest a [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/editorial/roger-ebert-life-itself-and-conflict-of-interest-in-the-digital-age/">Roger Ebert, Life Itself, and Conflict of Interest in the Digital Age</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<title>KEYS TO THE CASTLE</title>
		<link>https://www.hammertonail.com/editorial/keys-to-the-castle/</link>
		
		<dc:creator><![CDATA[Don R. Lewis]]></dc:creator>
		<pubDate>Mon, 02 Mar 2015 05:10:52 +0000</pubDate>
				<category><![CDATA[EDITORIAL]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[American Cinema]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[Don R. Lewis]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[film criticism]]></category>
		<category><![CDATA[film festivals]]></category>
		<category><![CDATA[independent film]]></category>
		<category><![CDATA[World Cinema]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=24059</guid>

					<description><![CDATA[<p>I’m sitting in my hotel room in Oxford, MS where I’m a juror for the 12th Annual Oxford Film Festival. My trip here marks my fourth one and also, my first as the new editor here at Hammer to Nail. [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/editorial/keys-to-the-castle/">KEYS TO THE CASTLE</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<title>SHOOTING DOWN PICTURES #902 (43): HOUR OF THE STAR</title>
		<link>https://www.hammertonail.com/reviews/documentary/shooting-down-pictures-902-43-hour-of-the-star-film-criticism-as-autobiography/</link>
		
		<dc:creator><![CDATA[Nelson Kim]]></dc:creator>
		<pubDate>Thu, 26 Feb 2009 21:36:24 +0000</pubDate>
				<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Watch Online]]></category>
		<category><![CDATA[autobiography]]></category>
		<category><![CDATA[film criticism]]></category>
		<category><![CDATA[Hour of the Star]]></category>
		<category><![CDATA[Kevin B. Lee]]></category>
		<category><![CDATA[Lee-hom Wang]]></category>
		<category><![CDATA[memoir]]></category>
		<category><![CDATA[Nelson Kim]]></category>
		<category><![CDATA[Shooting Down Pictures]]></category>
		<category><![CDATA[Taiwan]]></category>
		<category><![CDATA[video essay]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=2580</guid>

					<description><![CDATA[<p>(Kevin B. Lee’s website features all of the Shooting Down Pictures essays and videos. Lee’s YouTube page also carries the videos, plus it enables you to watch them full screen.) Kevin B. Lee is a New York-based filmmaker and film [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/reviews/documentary/shooting-down-pictures-902-43-hour-of-the-star-film-criticism-as-autobiography/">SHOOTING DOWN PICTURES #902 (43): HOUR OF THE STAR</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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