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	<title>film analysis Archives - Hammer to Nail</title>
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	<title>film analysis Archives - Hammer to Nail</title>
	<link>https://www.hammertonail.com/tag/film-analysis/</link>
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	<item>
		<title>WE ARE LIVING THROUGH HELL: JULIA DUCOURNAU&#8217;S ALPHA</title>
		<link>https://www.hammertonail.com/reviews/alpha-ducournau/</link>
		
		<dc:creator><![CDATA[Anders Ljung]]></dc:creator>
		<pubDate>Wed, 01 Apr 2026 17:18:24 +0000</pubDate>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[Fantasy]]></category>
		<category><![CDATA[Foreign]]></category>
		<category><![CDATA[Horror]]></category>
		<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[2025 film]]></category>
		<category><![CDATA[AIDS crisis allegory]]></category>
		<category><![CDATA[Alpha film review]]></category>
		<category><![CDATA[Alpha movie]]></category>
		<category><![CDATA[AMC screening]]></category>
		<category><![CDATA[auteur cinema]]></category>
		<category><![CDATA[body horror]]></category>
		<category><![CDATA[Cannes Film Festival]]></category>
		<category><![CDATA[Century City AMC]]></category>
		<category><![CDATA[cinematic trauma]]></category>
		<category><![CDATA[familial trauma]]></category>
		<category><![CDATA[film analysis]]></category>
		<category><![CDATA[French Cinema]]></category>
		<category><![CDATA[French horror]]></category>
		<category><![CDATA[Golshifteh Farahani]]></category>
		<category><![CDATA[horror genre]]></category>
		<category><![CDATA[horror movie review]]></category>
		<category><![CDATA[Julia Ducournau]]></category>
		<category><![CDATA[Julia Ducournau Alpha]]></category>
		<category><![CDATA[Mélissa Boros]]></category>
		<category><![CDATA[queer cinema]]></category>
		<category><![CDATA[Raw director]]></category>
		<category><![CDATA[social isolation allegory]]></category>
		<category><![CDATA[Tahar Rahim]]></category>
		<category><![CDATA[Titane director]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=55415</guid>

					<description><![CDATA[<div><img width="300" height="167" src="https://www.hammertonail.com/wp-content/uploads/2026/04/alp-300x167.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" fetchpriority="high" srcset="https://www.hammertonail.com/wp-content/uploads/2026/04/alp-300x167.png 300w, https://www.hammertonail.com/wp-content/uploads/2026/04/alp-1024x568.png 1024w, https://www.hammertonail.com/wp-content/uploads/2026/04/alp-768x426.png 768w, https://www.hammertonail.com/wp-content/uploads/2026/04/alp-1536x853.png 1536w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>“I’m not sure if we have truly hit rock bottom, but I hope if it’s not now, then it will come soon, because I’m not sure how it can get any worse than this.&#8221; – Julia Ducournau  It appears to [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/reviews/alpha-ducournau/">WE ARE LIVING THROUGH HELL: JULIA DUCOURNAU&#8217;S ALPHA</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<item>
		<title>A Conversation with Anna Boden and Ryan Fleck (HALF NELSON)</title>
		<link>https://www.hammertonail.com/interviews/boden-fleck/</link>
		
		<dc:creator><![CDATA[Jack Schenker]]></dc:creator>
		<pubDate>Sat, 21 Mar 2026 21:41:27 +0000</pubDate>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Stream Free Now]]></category>
		<category><![CDATA[Anna Boden]]></category>
		<category><![CDATA[Captain Marvel]]></category>
		<category><![CDATA[character study]]></category>
		<category><![CDATA[film analysis]]></category>
		<category><![CDATA[film directing]]></category>
		<category><![CDATA[filmmaking craft]]></category>
		<category><![CDATA[filmmaking duo]]></category>
		<category><![CDATA[Freaky Tales]]></category>
		<category><![CDATA[Half Nelson]]></category>
		<category><![CDATA[independent film]]></category>
		<category><![CDATA[indie cinema]]></category>
		<category><![CDATA[Mississippi Grind]]></category>
		<category><![CDATA[movie behind the scenes]]></category>
		<category><![CDATA[movie interview]]></category>
		<category><![CDATA[Mrs. America]]></category>
		<category><![CDATA[Project Hail Mary]]></category>
		<category><![CDATA[Ryan Fleck]]></category>
		<category><![CDATA[Ryan Gosling]]></category>
		<category><![CDATA[Shareeka Epps]]></category>
		<category><![CDATA[Sugar]]></category>
		<category><![CDATA[Sundance Film Festival]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=55307</guid>

					<description><![CDATA[<div><img width="300" height="169" src="https://www.hammertonail.com/wp-content/uploads/2026/03/bodenfleck-300x169.webp" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2026/03/bodenfleck-300x169.webp 300w, https://www.hammertonail.com/wp-content/uploads/2026/03/bodenfleck-1024x577.webp 1024w, https://www.hammertonail.com/wp-content/uploads/2026/03/bodenfleck-768x433.webp 768w, https://www.hammertonail.com/wp-content/uploads/2026/03/bodenfleck.webp 1500w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>Anna Boden and Ryan Fleck are an American filmmaking duo whose partnership spans over two decades. Boden, originally from Newton, Massachusetts, developed a love of movies, English literature, and photography at a young age. She discovered filmmaking as a medium [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/boden-fleck/">A Conversation with Anna Boden and Ryan Fleck (HALF NELSON)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<item>
		<title>A Conversation with Visar Morina (SHAME AND MONEY)</title>
		<link>https://www.hammertonail.com/interviews/visar-morina/</link>
		
		<dc:creator><![CDATA[Jack Schenker]]></dc:creator>
		<pubDate>Sun, 08 Feb 2026 20:25:45 +0000</pubDate>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Astrit Kabashi]]></category>
		<category><![CDATA[Babai]]></category>
		<category><![CDATA[Berlin filmmaker]]></category>
		<category><![CDATA[class struggle]]></category>
		<category><![CDATA[economic hardship]]></category>
		<category><![CDATA[Exile]]></category>
		<category><![CDATA[family drama]]></category>
		<category><![CDATA[film analysis]]></category>
		<category><![CDATA[Flonja Kodheli]]></category>
		<category><![CDATA[German Film Academy Award]]></category>
		<category><![CDATA[immigration film]]></category>
		<category><![CDATA[Kosovar cinema]]></category>
		<category><![CDATA[Kosovo filmmaker]]></category>
		<category><![CDATA[refugee story]]></category>
		<category><![CDATA[Shame and Money]]></category>
		<category><![CDATA[social realism]]></category>
		<category><![CDATA[Sundance Film Festival 2026]]></category>
		<category><![CDATA[Sundance interview]]></category>
		<category><![CDATA[Visar Morina]]></category>
		<category><![CDATA[World Cinema Dramatic Grand Jury Prize]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=55018</guid>

					<description><![CDATA[<div><img width="300" height="130" src="https://www.hammertonail.com/wp-content/uploads/2026/02/shamevusar-300x130.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2026/02/shamevusar-300x130.png 300w, https://www.hammertonail.com/wp-content/uploads/2026/02/shamevusar-1024x445.png 1024w, https://www.hammertonail.com/wp-content/uploads/2026/02/shamevusar-768x333.png 768w, https://www.hammertonail.com/wp-content/uploads/2026/02/shamevusar-1536x667.png 1536w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>Visar Morina was born in Pristina, Kosovo in 1979, when the region was still part of Yugoslavia. At 15, his family fled as refugees during the turmoil that would eventually lead to the Kosovo War, and he has lived in [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/visar-morina/">A Conversation with Visar Morina (SHAME AND MONEY)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<item>
		<title>LITTLE TROUBLE GIRLS</title>
		<link>https://www.hammertonail.com/reviews/little-trouble-girls/</link>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Fri, 12 Dec 2025 20:04:43 +0000</pubDate>
				<category><![CDATA[Coming of Age]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Foreign]]></category>
		<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[adolescent isolation]]></category>
		<category><![CDATA[artistic filmmaking]]></category>
		<category><![CDATA[Catholic school movie]]></category>
		<category><![CDATA[cinematic beauty]]></category>
		<category><![CDATA[cinephile review]]></category>
		<category><![CDATA[coming-of-age movie]]></category>
		<category><![CDATA[dream symbolism]]></category>
		<category><![CDATA[European film]]></category>
		<category><![CDATA[female director debut]]></category>
		<category><![CDATA[film analysis]]></category>
		<category><![CDATA[film criticism]]></category>
		<category><![CDATA[girls choir movie]]></category>
		<category><![CDATA[indie drama]]></category>
		<category><![CDATA[international cinema]]></category>
		<category><![CDATA[Jara Sofija Ostan]]></category>
		<category><![CDATA[Lev Predan Kowarski cinematography]]></category>
		<category><![CDATA[Little Trouble Girls 2024]]></category>
		<category><![CDATA[Little Trouble Girls movie review]]></category>
		<category><![CDATA[movie in theaters]]></category>
		<category><![CDATA[Netflix November 2024]]></category>
		<category><![CDATA[Netflix release]]></category>
		<category><![CDATA[Slovenian cinema]]></category>
		<category><![CDATA[Sonic Youth]]></category>
		<category><![CDATA[teenage sexual awakening]]></category>
		<category><![CDATA[Urska Djukic film]]></category>
		<category><![CDATA[Vladimir Gojun editor]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54642</guid>

					<description><![CDATA[<div><img width="300" height="200" src="https://www.hammertonail.com/wp-content/uploads/2025/12/LITTLE-TROUBLE-GIRLS-still_17-300x200.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2025/12/LITTLE-TROUBLE-GIRLS-still_17-300x200.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2025/12/LITTLE-TROUBLE-GIRLS-still_17-1024x683.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2025/12/LITTLE-TROUBLE-GIRLS-still_17-768x512.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2025/12/LITTLE-TROUBLE-GIRLS-still_17.jpg 1500w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>(Check out Chris Reed’s Little Trouble Girls movie review, it’s in theaters now. Seen it? Join the conversation with HtN on our Letterboxd Page.) “If you want me to/I will be the one/That is always good/And you&#8217;ll love me, too/But you&#8217;ll [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/reviews/little-trouble-girls/">LITTLE TROUBLE GIRLS</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<item>
		<title>REFLECTION IN A DEAD DIAMOND</title>
		<link>https://www.hammertonail.com/reviews/reflection-in-a-dead-diamond/</link>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Thu, 11 Dec 2025 13:37:43 +0000</pubDate>
				<category><![CDATA[Action]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Foreign]]></category>
		<category><![CDATA[Horror]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Stream Free Now]]></category>
		<category><![CDATA[1960s cinema]]></category>
		<category><![CDATA[aging spy]]></category>
		<category><![CDATA[arthouse spy film]]></category>
		<category><![CDATA[Bruno Forzani]]></category>
		<category><![CDATA[cinematic pastiche]]></category>
		<category><![CDATA[cinephile film]]></category>
		<category><![CDATA[cult movie]]></category>
		<category><![CDATA[Eurospy]]></category>
		<category><![CDATA[Fabio Testi]]></category>
		<category><![CDATA[film analysis]]></category>
		<category><![CDATA[genre tribute]]></category>
		<category><![CDATA[Hélène Cattet]]></category>
		<category><![CDATA[Italian cinema]]></category>
		<category><![CDATA[James Bond homage]]></category>
		<category><![CDATA[Let the Corpses Tan]]></category>
		<category><![CDATA[memory and delusion]]></category>
		<category><![CDATA[mind-bending plot]]></category>
		<category><![CDATA[Movie Review]]></category>
		<category><![CDATA[OpArt cinematography]]></category>
		<category><![CDATA[psychedelic thriller]]></category>
		<category><![CDATA[Reflection in a Dead Diamond]]></category>
		<category><![CDATA[Sean Connery]]></category>
		<category><![CDATA[spy movie]]></category>
		<category><![CDATA[stylish thriller]]></category>
		<category><![CDATA[Yannick Renier]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54590</guid>

					<description><![CDATA[<div><img width="300" height="126" src="https://www.hammertonail.com/wp-content/uploads/2025/12/REFLECTION-IN-A-DEAD-DIAMOND-still_08-300x126.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2025/12/REFLECTION-IN-A-DEAD-DIAMOND-still_08-300x126.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2025/12/REFLECTION-IN-A-DEAD-DIAMOND-still_08-1024x429.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2025/12/REFLECTION-IN-A-DEAD-DIAMOND-still_08-768x322.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2025/12/REFLECTION-IN-A-DEAD-DIAMOND-still_08.jpg 1500w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>(Check out Chris Reed’s Reflection in a Dead Diamond movie review, it’s in theaters now and hits Netflix November 21! Seen it? Join the conversation with HtN on our Letterboxd Page.) The 1960s were the golden age of spy movies, thanks to an [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/reviews/reflection-in-a-dead-diamond/">REFLECTION IN A DEAD DIAMOND</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<title>IT WAS JUST AN ACCIDENT</title>
		<link>https://www.hammertonail.com/reviews/it-was-just-an-accident/</link>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Thu, 16 Oct 2025 19:57:22 +0000</pubDate>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Foreign]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Cannes Film Festival]]></category>
		<category><![CDATA[Chris Reed]]></category>
		<category><![CDATA[dark comedy]]></category>
		<category><![CDATA[ethical dilemma]]></category>
		<category><![CDATA[film analysis]]></category>
		<category><![CDATA[Hammer to Nails]]></category>
		<category><![CDATA[Iranian cinema]]></category>
		<category><![CDATA[Iranian film]]></category>
		<category><![CDATA[It Was Just an Accident]]></category>
		<category><![CDATA[Jafar Panahi]]></category>
		<category><![CDATA[justice and retribution]]></category>
		<category><![CDATA[Letterboxd]]></category>
		<category><![CDATA[Middleburg Film Festival]]></category>
		<category><![CDATA[moral conflict]]></category>
		<category><![CDATA[Movie Review]]></category>
		<category><![CDATA[No Bears]]></category>
		<category><![CDATA[Palme d'Or winner]]></category>
		<category><![CDATA[political film]]></category>
		<category><![CDATA[revenge thriller]]></category>
		<category><![CDATA[state violence]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54248</guid>

					<description><![CDATA[<div><img width="300" height="162" src="https://www.hammertonail.com/wp-content/uploads/2025/10/IT-WAS-JUST-an-ACCIDENT-still-300x162.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2025/10/IT-WAS-JUST-an-ACCIDENT-still-300x162.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2025/10/IT-WAS-JUST-an-ACCIDENT-still-1024x552.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2025/10/IT-WAS-JUST-an-ACCIDENT-still-768x414.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2025/10/IT-WAS-JUST-an-ACCIDENT-still.jpg 1500w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>(The Middleburg Film Festival runs October 16-19 in Middleburg, Virginia, and lead critic Chris Reed is on the ground doing coverage for us. Check out his It Was Just an Accident movie review! Seen it? Join the conversation with HtN on our Letterboxd [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/reviews/it-was-just-an-accident/">IT WAS JUST AN ACCIDENT</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<title>SENTIMENTAL VALUE</title>
		<link>https://www.hammertonail.com/reviews/sentimental-value/</link>
		
		<dc:creator><![CDATA[Savina Petkova]]></dc:creator>
		<pubDate>Thu, 22 May 2025 18:37:32 +0000</pubDate>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[Foreign]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[acting]]></category>
		<category><![CDATA[Arthouse Films]]></category>
		<category><![CDATA[best movies 2025]]></category>
		<category><![CDATA[Cannes Film Festival 2025]]></category>
		<category><![CDATA[Cannes premiere]]></category>
		<category><![CDATA[drama films]]></category>
		<category><![CDATA[Elle Fanning]]></category>
		<category><![CDATA[emotional films]]></category>
		<category><![CDATA[Eskil Vogt]]></category>
		<category><![CDATA[family drama]]></category>
		<category><![CDATA[father-daughter relationship]]></category>
		<category><![CDATA[film analysis]]></category>
		<category><![CDATA[filmmaking]]></category>
		<category><![CDATA[Inga Ibsdotter Lilleaas]]></category>
		<category><![CDATA[Joachim Trier]]></category>
		<category><![CDATA[Kaspar Tuxen cinematography]]></category>
		<category><![CDATA[melodrama]]></category>
		<category><![CDATA[movie recommendations]]></category>
		<category><![CDATA[Norwegian Cinema]]></category>
		<category><![CDATA[Oslo Trilogy]]></category>
		<category><![CDATA[Renate Reinsve]]></category>
		<category><![CDATA[Savina Petkova review]]></category>
		<category><![CDATA[Scandinavian cinema]]></category>
		<category><![CDATA[Sentimental Value movie review]]></category>
		<category><![CDATA[Stellan Skarsgård]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=53212</guid>

					<description><![CDATA[<div><img width="300" height="164" src="https://www.hammertonail.com/wp-content/uploads/2025/05/senti-300x164.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2025/05/senti-300x164.png 300w, https://www.hammertonail.com/wp-content/uploads/2025/05/senti-1024x561.png 1024w, https://www.hammertonail.com/wp-content/uploads/2025/05/senti-768x421.png 768w, https://www.hammertonail.com/wp-content/uploads/2025/05/senti-1536x841.png 1536w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>(Check out Savina Petkova’s Sentimental Value movie review. The film just had its premiere at the Cannes Film Festival. Seen it? Join the conversation with HtN on our Letterboxd Page.) Renate Reinsve has once again captured Cannes audiences’ hearts, four years [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/reviews/sentimental-value/">SENTIMENTAL VALUE</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<title>THE CURBSIDE CRITERION: THIEF</title>
		<link>https://www.hammertonail.com/blu-ray/curbside-criterion/thief/</link>
		
		<dc:creator><![CDATA[Brad Cook]]></dc:creator>
		<pubDate>Fri, 21 Mar 2025 17:42:20 +0000</pubDate>
				<category><![CDATA[Curbside Criterion]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[1981 movies]]></category>
		<category><![CDATA[4K UltraHD]]></category>
		<category><![CDATA[Blu-ray]]></category>
		<category><![CDATA[crime films]]></category>
		<category><![CDATA[Criterion Collection]]></category>
		<category><![CDATA[diamond heist]]></category>
		<category><![CDATA[director’s cut]]></category>
		<category><![CDATA[film analysis]]></category>
		<category><![CDATA[film restoration]]></category>
		<category><![CDATA[film soundtrack]]></category>
		<category><![CDATA[Guillermo del Toro]]></category>
		<category><![CDATA[home video edition]]></category>
		<category><![CDATA[James Belushi]]></category>
		<category><![CDATA[James Caan]]></category>
		<category><![CDATA[Johannes Schmoelling]]></category>
		<category><![CDATA[Michael Mann]]></category>
		<category><![CDATA[Michael Mann commentary]]></category>
		<category><![CDATA[Robert Prosky]]></category>
		<category><![CDATA[Tangerine Dream]]></category>
		<category><![CDATA[Thief movie]]></category>
		<category><![CDATA[Tuesday Weld]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=52841</guid>

					<description><![CDATA[<div><img width="300" height="186" src="https://www.hammertonail.com/wp-content/uploads/2025/03/Thief-300x186.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2025/03/Thief-300x186.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2025/03/Thief-768x475.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2025/03/Thief.jpg 970w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>(We here at Hammer to Nail are all about true independent cinema. But we also have to tip our hat to the great films of yesteryear that continue to inspire filmmakers and cinephiles alike. This week, “The Curbside Criterion” continues [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/blu-ray/curbside-criterion/thief/">THE CURBSIDE CRITERION: THIEF</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<item>
		<title>SEVEN VEILS</title>
		<link>https://www.hammertonail.com/reviews/seven-veils/</link>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Fri, 07 Mar 2025 22:20:23 +0000</pubDate>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[abuse themes]]></category>
		<category><![CDATA[Amanda Seyfried]]></category>
		<category><![CDATA[art house cinema]]></category>
		<category><![CDATA[Atom Egoyan]]></category>
		<category><![CDATA[Canadian filmmaker]]></category>
		<category><![CDATA[Canadian Opera Company]]></category>
		<category><![CDATA[character study]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[cinematic obsessions]]></category>
		<category><![CDATA[complex narratives]]></category>
		<category><![CDATA[confused desire]]></category>
		<category><![CDATA[dramatic tension]]></category>
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		<category><![CDATA[evocative storytelling]]></category>
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		<category><![CDATA[film analysis]]></category>
		<category><![CDATA[film and opera fusion]]></category>
		<category><![CDATA[film review]]></category>
		<category><![CDATA[First Reformed]]></category>
		<category><![CDATA[incest themes]]></category>
		<category><![CDATA[layered themes]]></category>
		<category><![CDATA[opera in film]]></category>
		<category><![CDATA[Oscar Wilde]]></category>
		<category><![CDATA[Rebecca Liddiard]]></category>
		<category><![CDATA[Richard Strauss]]></category>
		<category><![CDATA[Salome opera]]></category>
		<category><![CDATA[Seven Veils]]></category>
		<category><![CDATA[The Sweet Hereafter]]></category>
		<category><![CDATA[theater director]]></category>
		<category><![CDATA[time and memory]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=52746</guid>

					<description><![CDATA[<div><img width="300" height="200" src="https://www.hammertonail.com/wp-content/uploads/2025/03/SEVEN-VEILS-still_13-300x200.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2025/03/SEVEN-VEILS-still_13-300x200.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2025/03/SEVEN-VEILS-still_13-1024x683.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2025/03/SEVEN-VEILS-still_13-768x512.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2025/03/SEVEN-VEILS-still_13.jpg 1500w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>(Check out Chris Reed&#8217;s Seven Veils movie review. The film is playing now in theaters via Elevation Pictures. Seen it? Join the conversation with HtN on our Letterboxd Page.) The work of Canadian filmmaker Atom Egoyan (Guest of Honour) is often complex [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/reviews/seven-veils/">SEVEN VEILS</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<item>
		<title>A Conversation with Arnaud Desplechin (SPECTATEURS!)</title>
		<link>https://www.hammertonail.com/interviews/arnaud-desplechin/</link>
		
		<dc:creator><![CDATA[Rory O'Connor]]></dc:creator>
		<pubDate>Thu, 27 Feb 2025 19:07:04 +0000</pubDate>
				<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[A Christmas Tale]]></category>
		<category><![CDATA[Age of Innocence]]></category>
		<category><![CDATA[Armageddon Time]]></category>
		<category><![CDATA[Arnaud Desplechin]]></category>
		<category><![CDATA[Beastiari Herbari Lepadari]]></category>
		<category><![CDATA[Belfast]]></category>
		<category><![CDATA[Broken Arrow]]></category>
		<category><![CDATA[Carax]]></category>
		<category><![CDATA[Charles Gillibert]]></category>
		<category><![CDATA[Charlotte Rampling]]></category>
		<category><![CDATA[Cheyenne Autumn]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[cinema appreciation]]></category>
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		<category><![CDATA[Claude Lanzmann]]></category>
		<category><![CDATA[Coppola]]></category>
		<category><![CDATA[directors]]></category>
		<category><![CDATA[Emerson]]></category>
		<category><![CDATA[Emilia Pérez]]></category>
		<category><![CDATA[Fabelmans]]></category>
		<category><![CDATA[Fahrenheit 451]]></category>
		<category><![CDATA[film analysis]]></category>
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		<category><![CDATA[film history]]></category>
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		<category><![CDATA[French Cinema]]></category>
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		<category><![CDATA[John Woo]]></category>
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		<category><![CDATA[Kamen Velkovsky]]></category>
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		<category><![CDATA[My Sex Life… or How I Got Into An Argument]]></category>
		<category><![CDATA[Nancy Hsueh]]></category>
		<category><![CDATA[NOPE]]></category>
		<category><![CDATA[Paul Guilhaume]]></category>
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		<category><![CDATA[Sam Mendes]]></category>
		<category><![CDATA[Spectateurs!]]></category>
		<category><![CDATA[Stanley Cavell]]></category>
		<category><![CDATA[storytelling]]></category>
		<category><![CDATA[TÁR]]></category>
		<category><![CDATA[The 400 Blows]]></category>
		<category><![CDATA[Theroux]]></category>
		<category><![CDATA[Tom Cruise]]></category>
		<category><![CDATA[Wes Anderson]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=52692</guid>

					<description><![CDATA[<div><img width="300" height="181" src="https://www.hammertonail.com/wp-content/uploads/2025/02/Arnaud-Desplechin-300x181.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2025/02/Arnaud-Desplechin-300x181.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2025/02/Arnaud-Desplechin-1024x618.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2025/02/Arnaud-Desplechin-768x464.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2025/02/Arnaud-Desplechin-1536x927.jpg 1536w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>“You know, you’re Irish, so when I’m saying Dédalus you’re probably thinking Joyce.” It’s early December in Avelino and Arnaud Desplechin isn’t really talking  A Portrait of the Artist as a Young Man. The French director’s latest, Spectateurs!, reintroduces the [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/arnaud-desplechin/">A Conversation with Arnaud Desplechin (SPECTATEURS!)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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