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	<title>feminist film Archives - Hammer to Nail</title>
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	<title>feminist film Archives - Hammer to Nail</title>
	<link>https://www.hammertonail.com/tag/feminist-film/</link>
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	<item>
		<title>STRAY BODIES</title>
		<link>https://www.hammertonail.com/reviews/stray-bodies/</link>
		
		<dc:creator><![CDATA[Lauren Wissot]]></dc:creator>
		<pubDate>Wed, 26 Nov 2025 18:35:46 +0000</pubDate>
				<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[abortion access]]></category>
		<category><![CDATA[assisted dying]]></category>
		<category><![CDATA[bodily autonomy]]></category>
		<category><![CDATA[CPH:DOX]]></category>
		<category><![CDATA[Dobbs decision]]></category>
		<category><![CDATA[documentary film]]></category>
		<category><![CDATA[Elina Psykou]]></category>
		<category><![CDATA[European Union abortion laws]]></category>
		<category><![CDATA[euthanasia]]></category>
		<category><![CDATA[feminist film]]></category>
		<category><![CDATA[global crackdown on reproductive rights]]></category>
		<category><![CDATA[Hot Docs]]></category>
		<category><![CDATA[IVF Europe]]></category>
		<category><![CDATA[Lauren Wissot]]></category>
		<category><![CDATA[medical tourism]]></category>
		<category><![CDATA[political documentary]]></category>
		<category><![CDATA[procreative tourist]]></category>
		<category><![CDATA[reproductive rights]]></category>
		<category><![CDATA[Stray Bodies movie]]></category>
		<category><![CDATA[Stray Bodies review]]></category>
		<category><![CDATA[Thessaloniki Documentary Festival]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54524</guid>

					<description><![CDATA[<div><img width="300" height="169" src="https://www.hammertonail.com/wp-content/uploads/2025/11/stray-300x169.webp" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" fetchpriority="high" srcset="https://www.hammertonail.com/wp-content/uploads/2025/11/stray-300x169.webp 300w, https://www.hammertonail.com/wp-content/uploads/2025/11/stray.webp 681w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>(Check out Lauren Wissot&#8217;s Stray Bodies movie review. Seen it? Join the conversation with HtN on our Letterboxd Page.) Though Elina Psykou’s Son of Sofia took top honors in the International Narrative section back at Tribeca 2017, the acclaimed Greek director’s first documentary, last [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/reviews/stray-bodies/">STRAY BODIES</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<item>
		<title>A Conversation with Emily Mkrtichian (THERE WAS, THERE WAS NOT)</title>
		<link>https://www.hammertonail.com/interviews/emily-mkrtichian/</link>
		
		<dc:creator><![CDATA[Kaitlyn Hardy]]></dc:creator>
		<pubDate>Tue, 21 Oct 2025 18:10:16 +0000</pubDate>
				<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[archival footage]]></category>
		<category><![CDATA[Armenian genocide]]></category>
		<category><![CDATA[Armenian women]]></category>
		<category><![CDATA[Artsakh film]]></category>
		<category><![CDATA[conflict journalism]]></category>
		<category><![CDATA[de-miners Artsakh]]></category>
		<category><![CDATA[displacement]]></category>
		<category><![CDATA[documentary filmmaking]]></category>
		<category><![CDATA[Emily Mkrtichian]]></category>
		<category><![CDATA[ethnic cleansing]]></category>
		<category><![CDATA[feminist film]]></category>
		<category><![CDATA[Gayane feminist leader]]></category>
		<category><![CDATA[memory and storytelling]]></category>
		<category><![CDATA[Nagorno-Karabakh documentary]]></category>
		<category><![CDATA[oral history]]></category>
		<category><![CDATA[personal essay film]]></category>
		<category><![CDATA[post-conflict society]]></category>
		<category><![CDATA[Remove term: There Was There Was Not There Was There Was Not movie]]></category>
		<category><![CDATA[resilience]]></category>
		<category><![CDATA[Siranush politician]]></category>
		<category><![CDATA[Sosé Judo champion]]></category>
		<category><![CDATA[Sundance Institute]]></category>
		<category><![CDATA[Sveta deminer]]></category>
		<category><![CDATA[There Was There Was Not]]></category>
		<category><![CDATA[True/False Film Festival]]></category>
		<category><![CDATA[war documentary]]></category>
		<category><![CDATA[Women in War]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54284</guid>

					<description><![CDATA[<div><img width="200" height="300" src="https://www.hammertonail.com/wp-content/uploads/2025/10/Emily-Mkrtichian-headshot-photo-credit-Chris-Natalie-200x300.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2025/10/Emily-Mkrtichian-headshot-photo-credit-Chris-Natalie-200x300.jpg 200w, https://www.hammertonail.com/wp-content/uploads/2025/10/Emily-Mkrtichian-headshot-photo-credit-Chris-Natalie-683x1024.jpg 683w, https://www.hammertonail.com/wp-content/uploads/2025/10/Emily-Mkrtichian-headshot-photo-credit-Chris-Natalie-768x1152.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2025/10/Emily-Mkrtichian-headshot-photo-credit-Chris-Natalie-1024x1536.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2025/10/Emily-Mkrtichian-headshot-photo-credit-Chris-Natalie-1365x2048.jpg 1365w, https://www.hammertonail.com/wp-content/uploads/2025/10/Emily-Mkrtichian-headshot-photo-credit-Chris-Natalie-scaled.jpg 1707w" sizes="(max-width: 200px) 100vw, 200px" /></div>
<p>It may be incongruous to characterize a film about war and destruction as “gentle,” or a film of loss and ethnic cleaning as “tender,” but Emily Mkrtichian’s debut feature There Was, There Was Not is a film that continuously breaks [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/emily-mkrtichian/">A Conversation with Emily Mkrtichian (THERE WAS, THERE WAS NOT)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<item>
		<title>YEAR OF THE FOX</title>
		<link>https://www.hammertonail.com/reviews/year-of-the-fox/</link>
		
		<dc:creator><![CDATA[Jessica Baxter]]></dc:creator>
		<pubDate>Thu, 25 Sep 2025 13:42:40 +0000</pubDate>
				<category><![CDATA[Coming of Age]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[VOD Release]]></category>
		<category><![CDATA[1997 Seattle]]></category>
		<category><![CDATA[Aspen]]></category>
		<category><![CDATA[Balthazar Getty]]></category>
		<category><![CDATA[coming-of-age drama]]></category>
		<category><![CDATA[commodification of young girls]]></category>
		<category><![CDATA[dark drama]]></category>
		<category><![CDATA[Eliza Flug screenwriter]]></category>
		<category><![CDATA[feminist film]]></category>
		<category><![CDATA[independent film]]></category>
		<category><![CDATA[Jane Adams]]></category>
		<category><![CDATA[Jessica Baxter review]]></category>
		<category><![CDATA[Linas Phillips]]></category>
		<category><![CDATA[Megan Griffiths director]]></category>
		<category><![CDATA[Monument Releasing]]></category>
		<category><![CDATA[patriarchal hypocrisy]]></category>
		<category><![CDATA[Sarah Jeffery]]></category>
		<category><![CDATA[systematic exploitation]]></category>
		<category><![CDATA[Twin Peaks comparison]]></category>
		<category><![CDATA[VOD movies]]></category>
		<category><![CDATA[Year of the Fox movie]]></category>
		<category><![CDATA[Year of the Fox review]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=53852</guid>

					<description><![CDATA[<div><img width="300" height="168" src="https://www.hammertonail.com/wp-content/uploads/2025/08/Screenshot-2025-08-20-at-10.41.19 AM-300x168.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2025/08/Screenshot-2025-08-20-at-10.41.19 AM-300x168.png 300w, https://www.hammertonail.com/wp-content/uploads/2025/08/Screenshot-2025-08-20-at-10.41.19 AM-1024x574.png 1024w, https://www.hammertonail.com/wp-content/uploads/2025/08/Screenshot-2025-08-20-at-10.41.19 AM-768x431.png 768w, https://www.hammertonail.com/wp-content/uploads/2025/08/Screenshot-2025-08-20-at-10.41.19 AM-1536x861.png 1536w, https://www.hammertonail.com/wp-content/uploads/2025/08/Screenshot-2025-08-20-at-10.41.19 AM.png 1734w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>(Check out Jessica Baxter’s Year of the Fox movie review, it’s available on VOD now. Seen it? Join the conversation with HtN on our Letterboxd Page.) Megan Griffiths’ latest film, Year of the Fox (check out my interview with Griffiths and [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/reviews/year-of-the-fox/">YEAR OF THE FOX</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<item>
		<title>A Conversation with Noémie Merlant &#038; Sanda Codreanu (THE BALCONETTES)</title>
		<link>https://www.hammertonail.com/interviews/merlant-codreanu/</link>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Fri, 29 Aug 2025 20:07:07 +0000</pubDate>
				<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Stream Free Now]]></category>
		<category><![CDATA[Alfred Hitchcock]]></category>
		<category><![CDATA[Céline Sciamma collaboration]]></category>
		<category><![CDATA[comedy and thriller mix]]></category>
		<category><![CDATA[Emily in Paris]]></category>
		<category><![CDATA[Evgenia Alexandrova cinematography]]></category>
		<category><![CDATA[female gaze]]></category>
		<category><![CDATA[female screenwriters]]></category>
		<category><![CDATA[feminist film]]></category>
		<category><![CDATA[feminist revenge tale]]></category>
		<category><![CDATA[French Cinema]]></category>
		<category><![CDATA[genre-bending film]]></category>
		<category><![CDATA[Julien Lacheray editing]]></category>
		<category><![CDATA[Lucas Bravo]]></category>
		<category><![CDATA[Mi iubita mon amour]]></category>
		<category><![CDATA[Noemie Merlant]]></category>
		<category><![CDATA[Rear Window homage]]></category>
		<category><![CDATA[Sanda Codreanu]]></category>
		<category><![CDATA[sophomore directorial effort]]></category>
		<category><![CDATA[Souheila Yacoub]]></category>
		<category><![CDATA[The Balconettes]]></category>
		<category><![CDATA[trauma and healing]]></category>
		<category><![CDATA[Uèle Lamore score]]></category>
		<category><![CDATA[women on the balcony]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=53930</guid>

					<description><![CDATA[<div><img width="300" height="169" src="https://www.hammertonail.com/wp-content/uploads/2025/08/Balc-300x169.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2025/08/Balc-300x169.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2025/08/Balc-1024x576.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2025/08/Balc-768x432.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2025/08/Balc.jpg 1280w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>In The Balconettes (which I recently reviewed), French actress/writer/director Noémie Merlant (Mi iubita, mon amour) delivers an exciting sophomore effort behind the camera, crafting a powerful feminist tale about physical and sexual assault and its horrific consequences. Seamlessly working over-the-top comedy into the mix, [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/merlant-codreanu/">A Conversation with Noémie Merlant &#038; Sanda Codreanu (THE BALCONETTES)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<item>
		<title>WE WERE DANGEROUS</title>
		<link>https://www.hammertonail.com/reviews/wewere-dangerous/</link>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Thu, 17 Apr 2025 19:05:42 +0000</pubDate>
				<category><![CDATA[Coming of Age]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Foreign]]></category>
		<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[1954 historical drama]]></category>
		<category><![CDATA[anti-colonial films]]></category>
		<category><![CDATA[colonial oppression]]></category>
		<category><![CDATA[Erana James]]></category>
		<category><![CDATA[feminist film]]></category>
		<category><![CDATA[forced Christianization]]></category>
		<category><![CDATA[indigenous stories]]></category>
		<category><![CDATA[Josephine Stewart-Te Whiu]]></category>
		<category><![CDATA[Maddie Dai screenplay]]></category>
		<category><![CDATA[Manaia Hall]]></category>
		<category><![CDATA[Māori representation in film]]></category>
		<category><![CDATA[María Inés Manchego cinematography]]></category>
		<category><![CDATA[Nathalie Morris]]></category>
		<category><![CDATA[New Zealand cinema]]></category>
		<category><![CDATA[New Zealand history]]></category>
		<category><![CDATA[resistance movies]]></category>
		<category><![CDATA[Rima Te Wiata]]></category>
		<category><![CDATA[social class in film]]></category>
		<category><![CDATA[We Were Dangerous movie]]></category>
		<category><![CDATA[women rebellion]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=53049</guid>

					<description><![CDATA[<div><img width="300" height="170" src="https://www.hammertonail.com/wp-content/uploads/2025/04/WE-WERE-DANGEROUS-still-300x170.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2025/04/WE-WERE-DANGEROUS-still-300x170.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2025/04/WE-WERE-DANGEROUS-still-1024x582.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2025/04/WE-WERE-DANGEROUS-still-768x436.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2025/04/WE-WERE-DANGEROUS-still.jpg 1500w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>(Check out Chris Reed’s We Were Dangerous movie review, It starts April 18 in L.A. before a nationwide rollout. Seen it? Join the conversation with HtN on our Letterboxd Page.) In director Josephine Stewart Te-Whiu’s debut feature, We Were Dangerous, the time [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/reviews/wewere-dangerous/">WE WERE DANGEROUS</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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