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	<title>female gaze Archives - Hammer to Nail</title>
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	<title>female gaze Archives - Hammer to Nail</title>
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	<item>
		<title>A Conversation with Emily Robinson (UGLY CRY)</title>
		<link>https://www.hammertonail.com/interviews/emily-robinson/</link>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Tue, 31 Mar 2026 21:08:25 +0000</pubDate>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Aaron Dominguez]]></category>
		<category><![CDATA[acting industry satire]]></category>
		<category><![CDATA[Amanda Kramer]]></category>
		<category><![CDATA[body horror]]></category>
		<category><![CDATA[cringe horror]]></category>
		<category><![CDATA[dark comedy]]></category>
		<category><![CDATA[debut feature film]]></category>
		<category><![CDATA[directorial debut]]></category>
		<category><![CDATA[Edge of Everything]]></category>
		<category><![CDATA[Emily Robinson]]></category>
		<category><![CDATA[female gaze]]></category>
		<category><![CDATA[Heather Morris]]></category>
		<category><![CDATA[Hollywood satire]]></category>
		<category><![CDATA[male gaze]]></category>
		<category><![CDATA[preventative Botox]]></category>
		<category><![CDATA[psychological thriller]]></category>
		<category><![CDATA[Robin Tunney]]></category>
		<category><![CDATA[Ryan Simpkins]]></category>
		<category><![CDATA[self-objectification]]></category>
		<category><![CDATA[SXSW 2026]]></category>
		<category><![CDATA[SXSW Film & TV Festival]]></category>
		<category><![CDATA[The Year Between]]></category>
		<category><![CDATA[Ugly Cry]]></category>
		<category><![CDATA[Unicorn Store]]></category>
		<category><![CDATA[writer director actress Emily Robinson]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=55402</guid>

					<description><![CDATA[<div><img width="300" height="160" src="https://www.hammertonail.com/wp-content/uploads/2026/03/SXSW2026_2026-03-16_UGLY-CRY-interview_02-2-300x160.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2026/03/SXSW2026_2026-03-16_UGLY-CRY-interview_02-2-300x160.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2026/03/SXSW2026_2026-03-16_UGLY-CRY-interview_02-2-1024x547.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2026/03/SXSW2026_2026-03-16_UGLY-CRY-interview_02-2-768x410.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2026/03/SXSW2026_2026-03-16_UGLY-CRY-interview_02-2.jpg 1500w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>Writer/director/actress Emily Robinson just premiered her debut feature, Ugly Cry, at the 2026 SXSW Film &#38; TV Festival (where I reviewed it). In the film, Robinson plays Delaney James, a 24-year-old struggling actor in Hollywood who faces additional challenges once [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/emily-robinson/">A Conversation with Emily Robinson (UGLY CRY)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>A Conversation with Isa Willinger (NO MERCY)</title>
		<link>https://www.hammertonail.com/interviews/isa-willinger/</link>
		
		<dc:creator><![CDATA[Kaitlyn Hardy]]></dc:creator>
		<pubDate>Sun, 23 Nov 2025 18:04:50 +0000</pubDate>
				<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Alice Diop]]></category>
		<category><![CDATA[Cannes Film Festival]]></category>
		<category><![CDATA[Céline Sciamma]]></category>
		<category><![CDATA[Chantal Akerman]]></category>
		<category><![CDATA[DOCNYC]]></category>
		<category><![CDATA[DOCNYC 2025]]></category>
		<category><![CDATA[female characters in film]]></category>
		<category><![CDATA[female filmmakers]]></category>
		<category><![CDATA[female gaze]]></category>
		<category><![CDATA[film criticism misogyny]]></category>
		<category><![CDATA[film industry sexism]]></category>
		<category><![CDATA[gender disparities in film]]></category>
		<category><![CDATA[Hammer to Nail interview]]></category>
		<category><![CDATA[harsh films]]></category>
		<category><![CDATA[Hollywood vs European film industry]]></category>
		<category><![CDATA[independent film space]]></category>
		<category><![CDATA[Isa Willinger]]></category>
		<category><![CDATA[Jeanne Dielman]]></category>
		<category><![CDATA[Joey Soloway]]></category>
		<category><![CDATA[Kathryn Bigelow]]></category>
		<category><![CDATA[Kira Muratova]]></category>
		<category><![CDATA[Mark Cousins Women Make Film]]></category>
		<category><![CDATA[Mascha Schilinski]]></category>
		<category><![CDATA[Me Too movement in film]]></category>
		<category><![CDATA[Mouly Surya]]></category>
		<category><![CDATA[No Mercy documentary]]></category>
		<category><![CDATA[nonbinary filmmakers]]></category>
		<category><![CDATA[Sight and Sound best film]]></category>
		<category><![CDATA[women behind the camera]]></category>
		<category><![CDATA[women directors]]></category>
		<category><![CDATA[women in film]]></category>
		<category><![CDATA[women in film festivals]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54498</guid>

					<description><![CDATA[<div><img width="300" height="169" src="https://www.hammertonail.com/wp-content/uploads/2025/11/Isa-Willinger-Andreas-Muller-300x169.webp" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" fetchpriority="high" srcset="https://www.hammertonail.com/wp-content/uploads/2025/11/Isa-Willinger-Andreas-Muller-300x169.webp 300w, https://www.hammertonail.com/wp-content/uploads/2025/11/Isa-Willinger-Andreas-Muller-1024x576.webp 1024w, https://www.hammertonail.com/wp-content/uploads/2025/11/Isa-Willinger-Andreas-Muller-768x432.webp 768w, https://www.hammertonail.com/wp-content/uploads/2025/11/Isa-Willinger-Andreas-Muller-1536x864.webp 1536w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>“Do women make harsher films?” This is the question driving filmmaker Isa Willinger’s latest documentary, No Mercy. The film is an electrifying cinematic essay investigating women’s roles on and behind the camera. Willinger brings in the testimonies of some of [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/isa-willinger/">A Conversation with Isa Willinger (NO MERCY)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<title>A Conversation with Noémie Merlant &#038; Sanda Codreanu (THE BALCONETTES)</title>
		<link>https://www.hammertonail.com/interviews/merlant-codreanu/</link>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Fri, 29 Aug 2025 20:07:07 +0000</pubDate>
				<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Stream Free Now]]></category>
		<category><![CDATA[Alfred Hitchcock]]></category>
		<category><![CDATA[Céline Sciamma collaboration]]></category>
		<category><![CDATA[comedy and thriller mix]]></category>
		<category><![CDATA[Emily in Paris]]></category>
		<category><![CDATA[Evgenia Alexandrova cinematography]]></category>
		<category><![CDATA[female gaze]]></category>
		<category><![CDATA[female screenwriters]]></category>
		<category><![CDATA[feminist film]]></category>
		<category><![CDATA[feminist revenge tale]]></category>
		<category><![CDATA[French Cinema]]></category>
		<category><![CDATA[genre-bending film]]></category>
		<category><![CDATA[Julien Lacheray editing]]></category>
		<category><![CDATA[Lucas Bravo]]></category>
		<category><![CDATA[Mi iubita mon amour]]></category>
		<category><![CDATA[Noemie Merlant]]></category>
		<category><![CDATA[Rear Window homage]]></category>
		<category><![CDATA[Sanda Codreanu]]></category>
		<category><![CDATA[sophomore directorial effort]]></category>
		<category><![CDATA[Souheila Yacoub]]></category>
		<category><![CDATA[The Balconettes]]></category>
		<category><![CDATA[trauma and healing]]></category>
		<category><![CDATA[Uèle Lamore score]]></category>
		<category><![CDATA[women on the balcony]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=53930</guid>

					<description><![CDATA[<div><img width="300" height="169" src="https://www.hammertonail.com/wp-content/uploads/2025/08/Balc-300x169.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2025/08/Balc-300x169.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2025/08/Balc-1024x576.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2025/08/Balc-768x432.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2025/08/Balc.jpg 1280w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>In The Balconettes (which I recently reviewed), French actress/writer/director Noémie Merlant (Mi iubita, mon amour) delivers an exciting sophomore effort behind the camera, crafting a powerful feminist tale about physical and sexual assault and its horrific consequences. Seamlessly working over-the-top comedy into the mix, [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/merlant-codreanu/">A Conversation with Noémie Merlant &#038; Sanda Codreanu (THE BALCONETTES)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>A Conversation with the Fatale Collective (BLEED)</title>
		<link>https://www.hammertonail.com/interviews/fatale-collective/</link>
		
		<dc:creator><![CDATA[Bears Rebecca Fonte]]></dc:creator>
		<pubDate>Mon, 13 Jul 2020 19:02:24 +0000</pubDate>
				<category><![CDATA[Horror]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[American Psycho]]></category>
		<category><![CDATA[and the Fear of Female Power]]></category>
		<category><![CDATA[ASMR]]></category>
		<category><![CDATA[Bad Mothers: Monstrosity]]></category>
		<category><![CDATA[Bleed]]></category>
		<category><![CDATA[Clive Barker]]></category>
		<category><![CDATA[Conversion Therapist]]></category>
		<category><![CDATA[Danin Jacquay]]></category>
		<category><![CDATA[Fatale Collective]]></category>
		<category><![CDATA[female gaze]]></category>
		<category><![CDATA[FilmQuest]]></category>
		<category><![CDATA[Francesca Maldonado]]></category>
		<category><![CDATA[Harvey Weinstein]]></category>
		<category><![CDATA[Jason Blumhouse]]></category>
		<category><![CDATA[Jennifer's Body]]></category>
		<category><![CDATA[Linda Chen]]></category>
		<category><![CDATA[Lola Blanc]]></category>
		<category><![CDATA[Megan Rosati]]></category>
		<category><![CDATA[Natasha Halevi]]></category>
		<category><![CDATA[Patriarchy]]></category>
		<category><![CDATA[Project Greenligh]]></category>
		<category><![CDATA[Raw]]></category>
		<category><![CDATA[revenge]]></category>
		<category><![CDATA[Sady Doyle]]></category>
		<category><![CDATA[Shudder]]></category>
		<category><![CDATA[The Babadook]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=33121</guid>

					<description><![CDATA[<div><img width="300" height="162" src="https://www.hammertonail.com/wp-content/uploads/2020/07/fatale_collective_bleed_01safespace_4web__large-300x162.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2020/07/fatale_collective_bleed_01safespace_4web__large-300x162.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2020/07/fatale_collective_bleed_01safespace_4web__large-768x416.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2020/07/fatale_collective_bleed_01safespace_4web__large-600x325.jpg 600w, https://www.hammertonail.com/wp-content/uploads/2020/07/fatale_collective_bleed_01safespace_4web__large.jpg 800w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>One of the great joys of being both a journalist and a filmmaker is going to fests as one and immediately turning into the other. Last year, with my film Conversion Therapist playing FilmQuest, I had the great privilege of [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/fatale-collective/">A Conversation with the Fatale Collective (BLEED)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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