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	<title>Evgenia Alexandrova Archives - Hammer to Nail</title>
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	<title>Evgenia Alexandrova Archives - Hammer to Nail</title>
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		<title>A Conversation with Kleber Mendonça Filho (THE SECRET AGENT)</title>
		<link>https://www.hammertonail.com/interviews/mendonca-filho/</link>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Tue, 04 Nov 2025 15:37:20 +0000</pubDate>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[1977 Brazil]]></category>
		<category><![CDATA[anamorphic lenses]]></category>
		<category><![CDATA[Arri Alexa 35]]></category>
		<category><![CDATA[auteur theory]]></category>
		<category><![CDATA[Brazilian Cinema]]></category>
		<category><![CDATA[Brazilian director]]></category>
		<category><![CDATA[Brazilian history]]></category>
		<category><![CDATA[Cannes Film Festival 2025]]></category>
		<category><![CDATA[cinema and memory]]></category>
		<category><![CDATA[cinematography]]></category>
		<category><![CDATA[Evgenia Alexandrova]]></category>
		<category><![CDATA[film criticism]]></category>
		<category><![CDATA[film nostalgia]]></category>
		<category><![CDATA[filmmaking]]></category>
		<category><![CDATA[Hammer to Nail interview]]></category>
		<category><![CDATA[journalism in film]]></category>
		<category><![CDATA[Kleber Mendonça Filho]]></category>
		<category><![CDATA[Latin American cinema]]></category>
		<category><![CDATA[Middleburg Film Festival]]></category>
		<category><![CDATA[military dictatorship Brazil]]></category>
		<category><![CDATA[Pictures of Ghosts]]></category>
		<category><![CDATA[political thriller]]></category>
		<category><![CDATA[Recife]]></category>
		<category><![CDATA[The Secret Agent]]></category>
		<category><![CDATA[Wagner Moura]]></category>
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					<description><![CDATA[<div><img width="300" height="139" src="https://www.hammertonail.com/wp-content/uploads/2025/11/Kleber-Mendonca-Filho-with-Wagner-Moura-MK2-Films-300x139.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2025/11/Kleber-Mendonca-Filho-with-Wagner-Moura-MK2-Films-300x139.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2025/11/Kleber-Mendonca-Filho-with-Wagner-Moura-MK2-Films-1024x475.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2025/11/Kleber-Mendonca-Filho-with-Wagner-Moura-MK2-Films-768x356.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2025/11/Kleber-Mendonca-Filho-with-Wagner-Moura-MK2-Films.jpg 1500w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>Winner of the Best Director and Best Actor awards at the 2025 Cannes Film Festival, The Secret Agent, from Brazilian director Kleber Mendonça Filho (Bacurau), takes place in 1977 during Brazil’s military dictatorship. It was a time of violence and [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/mendonca-filho/">A Conversation with Kleber Mendonça Filho (THE SECRET AGENT)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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