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	<title>DOCNYC Archives - Hammer to Nail</title>
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	<title>DOCNYC Archives - Hammer to Nail</title>
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	<item>
		<title>A Conversation with Katie Jacobs (ARTISTS IN RESIDENCE)</title>
		<link>https://www.hammertonail.com/interviews/katie-jacobs/</link>
		
		<dc:creator><![CDATA[Kaitlyn Hardy]]></dc:creator>
		<pubDate>Mon, 01 Dec 2025 16:17:18 +0000</pubDate>
				<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[artist documentary]]></category>
		<category><![CDATA[artist residency]]></category>
		<category><![CDATA[artist resilience]]></category>
		<category><![CDATA[Artists in Residence documentary]]></category>
		<category><![CDATA[DOC NYC Grand Jury prize]]></category>
		<category><![CDATA[DOCNYC]]></category>
		<category><![CDATA[DOCNYC25]]></category>
		<category><![CDATA[documentary director]]></category>
		<category><![CDATA[documentary film]]></category>
		<category><![CDATA[East 2nd Street New York]]></category>
		<category><![CDATA[Eleanor Magid]]></category>
		<category><![CDATA[female artists documentary]]></category>
		<category><![CDATA[female independence]]></category>
		<category><![CDATA[filmmaker Katie Jacobs]]></category>
		<category><![CDATA[House M.D. producer]]></category>
		<category><![CDATA[Katie Jacobs]]></category>
		<category><![CDATA[Lois Dodd]]></category>
		<category><![CDATA[Louise Kruger]]></category>
		<category><![CDATA[Metropolis Competition]]></category>
		<category><![CDATA[New York art scene]]></category>
		<category><![CDATA[New York City artists]]></category>
		<category><![CDATA[New York filmmaker]]></category>
		<category><![CDATA[New York stories]]></category>
		<category><![CDATA[overcoming sexism in arts]]></category>
		<category><![CDATA[resilience documentary]]></category>
		<category><![CDATA[women filmmakers]]></category>
		<category><![CDATA[women in arts]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54540</guid>

					<description><![CDATA[<div><img width="300" height="148" src="https://www.hammertonail.com/wp-content/uploads/2025/12/Screenshot-2025-12-01-at-8.18.03 AM-300x148.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2025/12/Screenshot-2025-12-01-at-8.18.03 AM-300x148.png 300w, https://www.hammertonail.com/wp-content/uploads/2025/12/Screenshot-2025-12-01-at-8.18.03 AM-1024x505.png 1024w, https://www.hammertonail.com/wp-content/uploads/2025/12/Screenshot-2025-12-01-at-8.18.03 AM-768x379.png 768w, https://www.hammertonail.com/wp-content/uploads/2025/12/Screenshot-2025-12-01-at-8.18.03 AM-1536x758.png 1536w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>When producer and director Katie Jacobs moved into a second-floor unit on East 2nd Street in New York City she didn’t know what she was getting into. Finding herself sandwiched between two legendary artists living on the first and third [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/katie-jacobs/">A Conversation with Katie Jacobs (ARTISTS IN RESIDENCE)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<item>
		<title>A Conversation with Isa Willinger (NO MERCY)</title>
		<link>https://www.hammertonail.com/interviews/isa-willinger/</link>
		
		<dc:creator><![CDATA[Kaitlyn Hardy]]></dc:creator>
		<pubDate>Sun, 23 Nov 2025 18:04:50 +0000</pubDate>
				<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Alice Diop]]></category>
		<category><![CDATA[Cannes Film Festival]]></category>
		<category><![CDATA[Céline Sciamma]]></category>
		<category><![CDATA[Chantal Akerman]]></category>
		<category><![CDATA[DOCNYC]]></category>
		<category><![CDATA[DOCNYC 2025]]></category>
		<category><![CDATA[female characters in film]]></category>
		<category><![CDATA[female filmmakers]]></category>
		<category><![CDATA[female gaze]]></category>
		<category><![CDATA[film criticism misogyny]]></category>
		<category><![CDATA[film industry sexism]]></category>
		<category><![CDATA[gender disparities in film]]></category>
		<category><![CDATA[Hammer to Nail interview]]></category>
		<category><![CDATA[harsh films]]></category>
		<category><![CDATA[Hollywood vs European film industry]]></category>
		<category><![CDATA[independent film space]]></category>
		<category><![CDATA[Isa Willinger]]></category>
		<category><![CDATA[Jeanne Dielman]]></category>
		<category><![CDATA[Joey Soloway]]></category>
		<category><![CDATA[Kathryn Bigelow]]></category>
		<category><![CDATA[Kira Muratova]]></category>
		<category><![CDATA[Mark Cousins Women Make Film]]></category>
		<category><![CDATA[Mascha Schilinski]]></category>
		<category><![CDATA[Me Too movement in film]]></category>
		<category><![CDATA[Mouly Surya]]></category>
		<category><![CDATA[No Mercy documentary]]></category>
		<category><![CDATA[nonbinary filmmakers]]></category>
		<category><![CDATA[Sight and Sound best film]]></category>
		<category><![CDATA[women behind the camera]]></category>
		<category><![CDATA[women directors]]></category>
		<category><![CDATA[women in film]]></category>
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					<description><![CDATA[<div><img width="300" height="169" src="https://www.hammertonail.com/wp-content/uploads/2025/11/Isa-Willinger-Andreas-Muller-300x169.webp" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" fetchpriority="high" srcset="https://www.hammertonail.com/wp-content/uploads/2025/11/Isa-Willinger-Andreas-Muller-300x169.webp 300w, https://www.hammertonail.com/wp-content/uploads/2025/11/Isa-Willinger-Andreas-Muller-1024x576.webp 1024w, https://www.hammertonail.com/wp-content/uploads/2025/11/Isa-Willinger-Andreas-Muller-768x432.webp 768w, https://www.hammertonail.com/wp-content/uploads/2025/11/Isa-Willinger-Andreas-Muller-1536x864.webp 1536w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>“Do women make harsher films?” This is the question driving filmmaker Isa Willinger’s latest documentary, No Mercy. The film is an electrifying cinematic essay investigating women’s roles on and behind the camera. Willinger brings in the testimonies of some of [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/isa-willinger/">A Conversation with Isa Willinger (NO MERCY)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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