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	<title>DOC NYC 2025 Archives - Hammer to Nail</title>
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	<title>DOC NYC 2025 Archives - Hammer to Nail</title>
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		<title>A Conversation with Zaradasht Ahmed (THE LIONS BY THE RIVER TIGRIS)</title>
		<link>https://www.hammertonail.com/interviews/zaradasht-ahmed/</link>
		
		<dc:creator><![CDATA[Kaitlyn Hardy]]></dc:creator>
		<pubDate>Tue, 09 Dec 2025 15:44:42 +0000</pubDate>
				<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Bashar Mosul]]></category>
		<category><![CDATA[cinema verite]]></category>
		<category><![CDATA[cultural heritage preservation]]></category>
		<category><![CDATA[DOC NYC 2025]]></category>
		<category><![CDATA[documentary filmmaking]]></category>
		<category><![CDATA[Fakhri antique collector]]></category>
		<category><![CDATA[heritage looting]]></category>
		<category><![CDATA[human resilience]]></category>
		<category><![CDATA[Iraq war film]]></category>
		<category><![CDATA[ISIS aftermath]]></category>
		<category><![CDATA[Kurdish-Norwegian filmmaker]]></category>
		<category><![CDATA[memory and home]]></category>
		<category><![CDATA[Mesopotamian history]]></category>
		<category><![CDATA[Mosul documentary]]></category>
		<category><![CDATA[Nowhere to Hide]]></category>
		<category><![CDATA[objective journalism]]></category>
		<category><![CDATA[Old City Mosul]]></category>
		<category><![CDATA[post-war recovery]]></category>
		<category><![CDATA[rebuilding Mosul]]></category>
		<category><![CDATA[River Tigris]]></category>
		<category><![CDATA[The Lions by the River Tigris]]></category>
		<category><![CDATA[urban reconstruction]]></category>
		<category><![CDATA[war documentary]]></category>
		<category><![CDATA[war trauma]]></category>
		<category><![CDATA[Zaradasht Ahmed]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54607</guid>

					<description><![CDATA[<div><img width="300" height="199" src="https://www.hammertonail.com/wp-content/uploads/2025/12/indiefilm_zaradacht_WIDE_foto_stian_servoss-1-300x199.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" fetchpriority="high" srcset="https://www.hammertonail.com/wp-content/uploads/2025/12/indiefilm_zaradacht_WIDE_foto_stian_servoss-1-300x199.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2025/12/indiefilm_zaradacht_WIDE_foto_stian_servoss-1-1024x679.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2025/12/indiefilm_zaradacht_WIDE_foto_stian_servoss-1-768x509.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2025/12/indiefilm_zaradacht_WIDE_foto_stian_servoss-1-1536x1019.jpg 1536w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>In 2017, after three years under the control of the Islamic State (ISIS), the people of Mosul, Iraq fought to reclaim their city. The nine-month battle to liberate Mosul was marked by catastrophic violence, especially in the historic Old City. [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/zaradasht-ahmed/">A Conversation with Zaradasht Ahmed (THE LIONS BY THE RIVER TIGRIS)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<title>A Conversation with Marialuisa Ernst (A PLACE OF ABSENCE)</title>
		<link>https://www.hammertonail.com/interviews/marialuisa-ernst/</link>
		
		<dc:creator><![CDATA[Kaitlyn Hardy]]></dc:creator>
		<pubDate>Wed, 19 Nov 2025 19:02:18 +0000</pubDate>
				<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[A Place of Absence]]></category>
		<category><![CDATA[Ambiguous loss]]></category>
		<category><![CDATA[Anita COFAMIDE]]></category>
		<category><![CDATA[archival footage]]></category>
		<category><![CDATA[Argentina Dirty War]]></category>
		<category><![CDATA[Caravan of Mothers]]></category>
		<category><![CDATA[Central American migration]]></category>
		<category><![CDATA[Cofamide]]></category>
		<category><![CDATA[CONADEP]]></category>
		<category><![CDATA[Desaparecidos]]></category>
		<category><![CDATA[Disappeared persons]]></category>
		<category><![CDATA[DOC NYC 2025]]></category>
		<category><![CDATA[documentary filmmaking]]></category>
		<category><![CDATA[El Salvador]]></category>
		<category><![CDATA[Grief and perseverance]]></category>
		<category><![CDATA[human rights activism]]></category>
		<category><![CDATA[human rights documentary]]></category>
		<category><![CDATA[Latin America documentary]]></category>
		<category><![CDATA[Leti Caravan]]></category>
		<category><![CDATA[Marialuisa Ernst]]></category>
		<category><![CDATA[Mass graves]]></category>
		<category><![CDATA[Migrant crisis]]></category>
		<category><![CDATA[Migrant disappearances]]></category>
		<category><![CDATA[Military dictatorship Argentina]]></category>
		<category><![CDATA[Missing migrants]]></category>
		<category><![CDATA[Mothers of Plaza de Mayo]]></category>
		<category><![CDATA[National Reorganization Process]]></category>
		<category><![CDATA[Performance art documentary]]></category>
		<category><![CDATA[Plaza de Mayo mothers]]></category>
		<category><![CDATA[Searching for the disappeared]]></category>
		<category><![CDATA[stop-motion animation]]></category>
		<category><![CDATA[Transgenerational trauma]]></category>
		<category><![CDATA[Unmarked graves]]></category>
		<category><![CDATA[Verité filmmaking]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54466</guid>

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<p>During Argentina’s Dirty War between 1976 and 1983, up to 30,000 people disappeared. Many were dissidents and activists publicly opposing the military dictatorship, Proceso de Reorganización Nacional (National Reorganization Process), though others were citizens suspected of being “terrorists” for having [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/marialuisa-ernst/">A Conversation with Marialuisa Ernst (A PLACE OF ABSENCE)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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