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	<title>Coppola Archives - Hammer to Nail</title>
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	<title>Coppola Archives - Hammer to Nail</title>
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	<item>
		<title>A Conversation with Scott Cummings (REALM OF SATAN)</title>
		<link>https://www.hammertonail.com/interviews/scott-cummings/</link>
		
		<dc:creator><![CDATA[Lauren Wissot]]></dc:creator>
		<pubDate>Thu, 28 Aug 2025 14:42:39 +0000</pubDate>
				<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Adam Cardone]]></category>
		<category><![CDATA[Aleksei German]]></category>
		<category><![CDATA[Anton LaVey]]></category>
		<category><![CDATA[Benh Zeitlin]]></category>
		<category><![CDATA[Blood and Black Lace]]></category>
		<category><![CDATA[Bram Stoker's Dracula]]></category>
		<category><![CDATA[Buffalo Juggalos]]></category>
		<category><![CDATA[Church of Satan]]></category>
		<category><![CDATA[Coppola]]></category>
		<category><![CDATA[David Copperfield]]></category>
		<category><![CDATA[Eliza Hittman]]></category>
		<category><![CDATA[Freaks]]></category>
		<category><![CDATA[Hail Satan?]]></category>
		<category><![CDATA[Hammer horror]]></category>
		<category><![CDATA[Hard to Be a God]]></category>
		<category><![CDATA[High Priest]]></category>
		<category><![CDATA[Ken Burns]]></category>
		<category><![CDATA[Ken Russell]]></category>
		<category><![CDATA[Monsters and Men]]></category>
		<category><![CDATA[Never Rarely Sometimes Always]]></category>
		<category><![CDATA[Pasolini]]></category>
		<category><![CDATA[Peggy Nadramia]]></category>
		<category><![CDATA[Penny Lane]]></category>
		<category><![CDATA[Peter Gilmore]]></category>
		<category><![CDATA[Realm of Satan]]></category>
		<category><![CDATA[Reinaldo Marcus Green]]></category>
		<category><![CDATA[satanists]]></category>
		<category><![CDATA[Scott Cummings]]></category>
		<category><![CDATA[Sundance]]></category>
		<category><![CDATA[The Satanic Temple]]></category>
		<category><![CDATA[Trilogy of Life]]></category>
		<category><![CDATA[Universal horror]]></category>
		<category><![CDATA[Wendy]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=53908</guid>

					<description><![CDATA[<div><img width="300" height="169" src="https://www.hammertonail.com/wp-content/uploads/2025/08/cover-1-300x169.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" fetchpriority="high" srcset="https://www.hammertonail.com/wp-content/uploads/2025/08/cover-1-300x169.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2025/08/cover-1-1024x576.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2025/08/cover-1-768x432.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2025/08/cover-1.jpg 1500w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>“Hey, this isn’t Ken Burns” – Scott Cummings on Realm of Satan The feature-length directorial debut of veteran editor Scott Cummings, Realm of Satan (reviewed here by Chris Reed), is equal parts visually stunning and (no pun intended) wickedly funny. Not to [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/scott-cummings/">A Conversation with Scott Cummings (REALM OF SATAN)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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			</item>
		<item>
		<title>A Conversation with Arnaud Desplechin (SPECTATEURS!)</title>
		<link>https://www.hammertonail.com/interviews/arnaud-desplechin/</link>
		
		<dc:creator><![CDATA[Rory O'Connor]]></dc:creator>
		<pubDate>Thu, 27 Feb 2025 19:07:04 +0000</pubDate>
				<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[A Christmas Tale]]></category>
		<category><![CDATA[Age of Innocence]]></category>
		<category><![CDATA[Armageddon Time]]></category>
		<category><![CDATA[Arnaud Desplechin]]></category>
		<category><![CDATA[Beastiari Herbari Lepadari]]></category>
		<category><![CDATA[Belfast]]></category>
		<category><![CDATA[Broken Arrow]]></category>
		<category><![CDATA[Carax]]></category>
		<category><![CDATA[Charles Gillibert]]></category>
		<category><![CDATA[Charlotte Rampling]]></category>
		<category><![CDATA[Cheyenne Autumn]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[cinema appreciation]]></category>
		<category><![CDATA[cinephile]]></category>
		<category><![CDATA[Claude Lanzmann]]></category>
		<category><![CDATA[Coppola]]></category>
		<category><![CDATA[directors]]></category>
		<category><![CDATA[Emerson]]></category>
		<category><![CDATA[Emilia Pérez]]></category>
		<category><![CDATA[Fabelmans]]></category>
		<category><![CDATA[Fahrenheit 451]]></category>
		<category><![CDATA[film analysis]]></category>
		<category><![CDATA[film editing]]></category>
		<category><![CDATA[film festivals]]></category>
		<category><![CDATA[film history]]></category>
		<category><![CDATA[film nostalgia]]></category>
		<category><![CDATA[film production]]></category>
		<category><![CDATA[filmmaking]]></category>
		<category><![CDATA[François Civil]]></category>
		<category><![CDATA[French Cinema]]></category>
		<category><![CDATA[Godard]]></category>
		<category><![CDATA[Guadagnino]]></category>
		<category><![CDATA[James Gray]]></category>
		<category><![CDATA[John Woo]]></category>
		<category><![CDATA[Joker]]></category>
		<category><![CDATA[Kamen Velkovsky]]></category>
		<category><![CDATA[Kazan]]></category>
		<category><![CDATA[Lars von Trier]]></category>
		<category><![CDATA[Mathieu Amalric]]></category>
		<category><![CDATA[Megalopolis]]></category>
		<category><![CDATA[Melancholia]]></category>
		<category><![CDATA[Minority Report]]></category>
		<category><![CDATA[movie clips]]></category>
		<category><![CDATA[movie recommendations]]></category>
		<category><![CDATA[My Golden Days]]></category>
		<category><![CDATA[My Sex Life… or How I Got Into An Argument]]></category>
		<category><![CDATA[Nancy Hsueh]]></category>
		<category><![CDATA[NOPE]]></category>
		<category><![CDATA[Paul Guilhaume]]></category>
		<category><![CDATA[Pier Paulo Pasolini]]></category>
		<category><![CDATA[Roma]]></category>
		<category><![CDATA[Sam Mendes]]></category>
		<category><![CDATA[Spectateurs!]]></category>
		<category><![CDATA[Stanley Cavell]]></category>
		<category><![CDATA[storytelling]]></category>
		<category><![CDATA[TÁR]]></category>
		<category><![CDATA[The 400 Blows]]></category>
		<category><![CDATA[Theroux]]></category>
		<category><![CDATA[Tom Cruise]]></category>
		<category><![CDATA[Wes Anderson]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=52692</guid>

					<description><![CDATA[<div><img width="300" height="181" src="https://www.hammertonail.com/wp-content/uploads/2025/02/Arnaud-Desplechin-300x181.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2025/02/Arnaud-Desplechin-300x181.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2025/02/Arnaud-Desplechin-1024x618.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2025/02/Arnaud-Desplechin-768x464.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2025/02/Arnaud-Desplechin-1536x927.jpg 1536w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>“You know, you’re Irish, so when I’m saying Dédalus you’re probably thinking Joyce.” It’s early December in Avelino and Arnaud Desplechin isn’t really talking  A Portrait of the Artist as a Young Man. The French director’s latest, Spectateurs!, reintroduces the [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/arnaud-desplechin/">A Conversation with Arnaud Desplechin (SPECTATEURS!)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
			</item>
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		<title>A Conversation with Moritz Binder (SEPTEMBER 5)</title>
		<link>https://www.hammertonail.com/interviews/moritz-binder/</link>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Tue, 18 Feb 2025 20:07:49 +0000</pubDate>
				<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[1970s cinematic thrillers]]></category>
		<category><![CDATA[1972 Munich Olympics]]></category>
		<category><![CDATA[2025 Oscar nominations]]></category>
		<category><![CDATA[2025 Oscars]]></category>
		<category><![CDATA[ABC Sports Division]]></category>
		<category><![CDATA[Alex David]]></category>
		<category><![CDATA[claustrophobic thriller]]></category>
		<category><![CDATA[Coppola]]></category>
		<category><![CDATA[Das Boot]]></category>
		<category><![CDATA[Geoffrey Mason]]></category>
		<category><![CDATA[German screenwriter]]></category>
		<category><![CDATA[Jimmy Schaeffler]]></category>
		<category><![CDATA[John Magaro]]></category>
		<category><![CDATA[Leonie Benesch]]></category>
		<category><![CDATA[media perspective]]></category>
		<category><![CDATA[Moritz Binder]]></category>
		<category><![CDATA[Oscar-nominated screenplay]]></category>
		<category><![CDATA[Peter Jennings]]></category>
		<category><![CDATA[Peter Sarsgaard]]></category>
		<category><![CDATA[Roone Arledge]]></category>
		<category><![CDATA[September 5 movie]]></category>
		<category><![CDATA[The Conversation]]></category>
		<category><![CDATA[Tim Fehlbaum]]></category>
		<category><![CDATA[Wolfgang Petersen]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=52617</guid>

					<description><![CDATA[<div><img width="300" height="200" src="https://www.hammertonail.com/wp-content/uploads/2025/02/Moritz-Binder-headshot-300x200.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2025/02/Moritz-Binder-headshot-300x200.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2025/02/Moritz-Binder-headshot-1024x683.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2025/02/Moritz-Binder-headshot-768x513.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2025/02/Moritz-Binder-headshot.jpg 1500w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>German screenwriter Moritz Binder co-wrote the screenplay for the 2024 film September 5 together with director Tim Fehlbaum and American dialoguist Alex David. I reviewed the movie last fall and put it in my Top 10 for the year. In [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/moritz-binder/">A Conversation with Moritz Binder (SEPTEMBER 5)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>A Conversation with David Hinton &#038; Thelma Schoonmaker (MADE IN ENGLAND: THE FILMS OF POWELL AND PRESSBURGER)</title>
		<link>https://www.hammertonail.com/interviews/hinton-schoonmaker/</link>
		
		<dc:creator><![CDATA[Jack Schenker]]></dc:creator>
		<pubDate>Thu, 15 Aug 2024 20:38:46 +0000</pubDate>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[VOD Release]]></category>
		<category><![CDATA[Black Narcissus]]></category>
		<category><![CDATA[Brian De Palma]]></category>
		<category><![CDATA[Coppola]]></category>
		<category><![CDATA[David Hinton]]></category>
		<category><![CDATA[George Lucas]]></category>
		<category><![CDATA[Killers of the Flower Moon]]></category>
		<category><![CDATA[MADE IN ENGLAND: THE FILMS OF POWELL AND PRESSBURGER]]></category>
		<category><![CDATA[Martin Scorsese]]></category>
		<category><![CDATA[Million Dollar Movie]]></category>
		<category><![CDATA[Peeping Tom]]></category>
		<category><![CDATA[Powell & Pressburger documentary]]></category>
		<category><![CDATA[Tales of Hoffman]]></category>
		<category><![CDATA[The Life and Death of Colonel Blimp]]></category>
		<category><![CDATA[The Red Shoes]]></category>
		<category><![CDATA[Thelma Schoonmaker]]></category>
		<category><![CDATA[Travis Bickle]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=51414</guid>

					<description><![CDATA[<div><img width="300" height="149" src="https://www.hammertonail.com/wp-content/uploads/2024/08/coverpp-300x149.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2024/08/coverpp-300x149.png 300w, https://www.hammertonail.com/wp-content/uploads/2024/08/coverpp-1024x508.png 1024w, https://www.hammertonail.com/wp-content/uploads/2024/08/coverpp-768x381.png 768w, https://www.hammertonail.com/wp-content/uploads/2024/08/coverpp-1536x762.png 1536w, https://www.hammertonail.com/wp-content/uploads/2024/08/coverpp-1300x650.png 1300w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>Made in England: The Films of Powell and Pressburger was written and directed by David Hinton and executive produced by Thelma Schoonmaker. The film is essentially 2 hrs + of Martin Scorsese expressing his deep love and admiration for the [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/hinton-schoonmaker/">A Conversation with David Hinton &#038; Thelma Schoonmaker (MADE IN ENGLAND: THE FILMS OF POWELL AND PRESSBURGER)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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