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	<title>cinematography Archives - Hammer to Nail</title>
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	<title>cinematography Archives - Hammer to Nail</title>
	<link>https://www.hammertonail.com/tag/cinematography/</link>
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	<item>
		<title>Oscars 2026 Nominees at Hammer to Nail</title>
		<link>https://www.hammertonail.com/features/htn-oscars-2026/</link>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Wed, 18 Feb 2026 18:39:54 +0000</pubDate>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[VOD Release]]></category>
		<category><![CDATA[Academy Awards]]></category>
		<category><![CDATA[Actor in a Leading Role]]></category>
		<category><![CDATA[Actor in a Supporting Role]]></category>
		<category><![CDATA[Actress in a Leading Role]]></category>
		<category><![CDATA[Actress in a Supporting Role]]></category>
		<category><![CDATA[Adapted Screenplay]]></category>
		<category><![CDATA[Animated Feature Film]]></category>
		<category><![CDATA[animated short film]]></category>
		<category><![CDATA[Best Picture]]></category>
		<category><![CDATA[Bugonia]]></category>
		<category><![CDATA[Chloé Zhao]]></category>
		<category><![CDATA[cinematography]]></category>
		<category><![CDATA[Costume Design]]></category>
		<category><![CDATA[directing]]></category>
		<category><![CDATA[DOCUMENTARY FEATURE FILM]]></category>
		<category><![CDATA[documentary short film]]></category>
		<category><![CDATA[Elle Fanning]]></category>
		<category><![CDATA[Emma Stone]]></category>
		<category><![CDATA[F1 The Movie]]></category>
		<category><![CDATA[film editing]]></category>
		<category><![CDATA[Frankenstein]]></category>
		<category><![CDATA[Hamnet]]></category>
		<category><![CDATA[INTERNATIONAL FEATURE FILM]]></category>
		<category><![CDATA[Jacob Elordi]]></category>
		<category><![CDATA[Jessie Buckley]]></category>
		<category><![CDATA[Joachim Trier]]></category>
		<category><![CDATA[Jonny Greenwood]]></category>
		<category><![CDATA[Josh Safdie]]></category>
		<category><![CDATA[Leonardo DiCaprio]]></category>
		<category><![CDATA[LIVE-ACTION SHORT FILM]]></category>
		<category><![CDATA[makeup and hairstyling]]></category>
		<category><![CDATA[Marty Supreme]]></category>
		<category><![CDATA[Michael B. Jordan]]></category>
		<category><![CDATA[One Battle After Another]]></category>
		<category><![CDATA[original score]]></category>
		<category><![CDATA[Original Screenplay]]></category>
		<category><![CDATA[original song]]></category>
		<category><![CDATA[Oscars 2026]]></category>
		<category><![CDATA[Paul Thomas Anderson]]></category>
		<category><![CDATA[production design]]></category>
		<category><![CDATA[Ruth E Carter]]></category>
		<category><![CDATA[Ryan Coogler]]></category>
		<category><![CDATA[Sean Penn]]></category>
		<category><![CDATA[Sentimental Value]]></category>
		<category><![CDATA[Sinners]]></category>
		<category><![CDATA[Sound]]></category>
		<category><![CDATA[Teyana Taylor]]></category>
		<category><![CDATA[The Secret Agent]]></category>
		<category><![CDATA[Timothée Chalamet]]></category>
		<category><![CDATA[Train Dreams]]></category>
		<category><![CDATA[Visual Effects]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=55096</guid>

					<description><![CDATA[<div><img width="300" height="180" src="https://www.hammertonail.com/wp-content/uploads/2026/02/HtN-OSCARS-2026-BEST-PICTURE_ALL-300x180.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" fetchpriority="high" srcset="https://www.hammertonail.com/wp-content/uploads/2026/02/HtN-OSCARS-2026-BEST-PICTURE_ALL-300x180.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2026/02/HtN-OSCARS-2026-BEST-PICTURE_ALL-1024x614.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2026/02/HtN-OSCARS-2026-BEST-PICTURE_ALL-768x461.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2026/02/HtN-OSCARS-2026-BEST-PICTURE_ALL.jpg 1500w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>On January 22, the Academy of Motion Picture Arts and Sciences (or AMPAS) announced its nominees for the 2026 Oscars last week. Below, you will find the complete list, with the titles that Hammer to Nail covered in some way [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/features/htn-oscars-2026/">Oscars 2026 Nominees at Hammer to Nail</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>A Conversation with Max Walker-Silverman (REBUILDING)</title>
		<link>https://www.hammertonail.com/interviews/walker-silverman-rebuilding/</link>
		
		<dc:creator><![CDATA[Jack Schenker]]></dc:creator>
		<pubDate>Mon, 24 Nov 2025 15:44:43 +0000</pubDate>
				<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[A Love Song]]></category>
		<category><![CDATA[Alfonso Herrera Salcedo]]></category>
		<category><![CDATA[Amy Madigan]]></category>
		<category><![CDATA[Callie-Rose]]></category>
		<category><![CDATA[cinematography]]></category>
		<category><![CDATA[climate crisis cinema]]></category>
		<category><![CDATA[Colorado rancher]]></category>
		<category><![CDATA[community resilience]]></category>
		<category><![CDATA[displacement]]></category>
		<category><![CDATA[Dusty]]></category>
		<category><![CDATA[father-daughter relationship]]></category>
		<category><![CDATA[FEMA trailer park]]></category>
		<category><![CDATA[grief and loss]]></category>
		<category><![CDATA[Hammer to Nail interview]]></category>
		<category><![CDATA[independent film]]></category>
		<category><![CDATA[intimate filmmaking]]></category>
		<category><![CDATA[Josh O'Connor]]></category>
		<category><![CDATA[legacy and home]]></category>
		<category><![CDATA[Max Walker-Silverman]]></category>
		<category><![CDATA[Meghann Fahy]]></category>
		<category><![CDATA[modern western]]></category>
		<category><![CDATA[non-professional actors]]></category>
		<category><![CDATA[Rebuilding]]></category>
		<category><![CDATA[rebuilding after disaster]]></category>
		<category><![CDATA[rural America]]></category>
		<category><![CDATA[wildfire film]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54505</guid>

					<description><![CDATA[<div><img width="199" height="300" src="https://www.hammertonail.com/wp-content/uploads/2025/11/Max-Walker-Silverman-Headshot-199x300.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2025/11/Max-Walker-Silverman-Headshot-199x300.jpg 199w, https://www.hammertonail.com/wp-content/uploads/2025/11/Max-Walker-Silverman-Headshot-678x1024.jpg 678w, https://www.hammertonail.com/wp-content/uploads/2025/11/Max-Walker-Silverman-Headshot-768x1159.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2025/11/Max-Walker-Silverman-Headshot.jpg 795w" sizes="(max-width: 199px) 100vw, 199px" /></div>
<p>Max Walker-Silverman returns with Rebuilding, a tender follow-up to his 2022 debut A Love Song that explores displacement, community, and resilience in the aftermath of a wildfire. Starring Josh O&#8217;Connor as Dusty, a Colorado rancher struggling to reconcile his identity [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/walker-silverman-rebuilding/">A Conversation with Max Walker-Silverman (REBUILDING)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>A Conversation with Kleber Mendonça Filho (THE SECRET AGENT)</title>
		<link>https://www.hammertonail.com/interviews/mendonca-filho/</link>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Tue, 04 Nov 2025 15:37:20 +0000</pubDate>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[1977 Brazil]]></category>
		<category><![CDATA[anamorphic lenses]]></category>
		<category><![CDATA[Arri Alexa 35]]></category>
		<category><![CDATA[auteur theory]]></category>
		<category><![CDATA[Brazilian Cinema]]></category>
		<category><![CDATA[Brazilian director]]></category>
		<category><![CDATA[Brazilian history]]></category>
		<category><![CDATA[Cannes Film Festival 2025]]></category>
		<category><![CDATA[cinema and memory]]></category>
		<category><![CDATA[cinematography]]></category>
		<category><![CDATA[Evgenia Alexandrova]]></category>
		<category><![CDATA[film criticism]]></category>
		<category><![CDATA[film nostalgia]]></category>
		<category><![CDATA[filmmaking]]></category>
		<category><![CDATA[Hammer to Nail interview]]></category>
		<category><![CDATA[journalism in film]]></category>
		<category><![CDATA[Kleber Mendonça Filho]]></category>
		<category><![CDATA[Latin American cinema]]></category>
		<category><![CDATA[Middleburg Film Festival]]></category>
		<category><![CDATA[military dictatorship Brazil]]></category>
		<category><![CDATA[Pictures of Ghosts]]></category>
		<category><![CDATA[political thriller]]></category>
		<category><![CDATA[Recife]]></category>
		<category><![CDATA[The Secret Agent]]></category>
		<category><![CDATA[Wagner Moura]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54353</guid>

					<description><![CDATA[<div><img width="300" height="139" src="https://www.hammertonail.com/wp-content/uploads/2025/11/Kleber-Mendonca-Filho-with-Wagner-Moura-MK2-Films-300x139.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2025/11/Kleber-Mendonca-Filho-with-Wagner-Moura-MK2-Films-300x139.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2025/11/Kleber-Mendonca-Filho-with-Wagner-Moura-MK2-Films-1024x475.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2025/11/Kleber-Mendonca-Filho-with-Wagner-Moura-MK2-Films-768x356.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2025/11/Kleber-Mendonca-Filho-with-Wagner-Moura-MK2-Films.jpg 1500w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>Winner of the Best Director and Best Actor awards at the 2025 Cannes Film Festival, The Secret Agent, from Brazilian director Kleber Mendonça Filho (Bacurau), takes place in 1977 during Brazil’s military dictatorship. It was a time of violence and [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/mendonca-filho/">A Conversation with Kleber Mendonça Filho (THE SECRET AGENT)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<title>A Conversation with Eli Craig &#038; Adam Cesare (CLOWN IN A CORNFIELD)</title>
		<link>https://www.hammertonail.com/interviews/cesare-craig/</link>
		
		<dc:creator><![CDATA[Jack Schenker]]></dc:creator>
		<pubDate>Thu, 26 Jun 2025 22:54:08 +0000</pubDate>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[VOD Release]]></category>
		<category><![CDATA[Adam Cesare]]></category>
		<category><![CDATA[American Dream]]></category>
		<category><![CDATA[cinematography]]></category>
		<category><![CDATA[Clown in a Cornfield]]></category>
		<category><![CDATA[cornfield horror]]></category>
		<category><![CDATA[dark humor]]></category>
		<category><![CDATA[economic decline]]></category>
		<category><![CDATA[Eli Craig]]></category>
		<category><![CDATA[film adaptation process]]></category>
		<category><![CDATA[Frendo the Clown]]></category>
		<category><![CDATA[generational divide]]></category>
		<category><![CDATA[horror comedy]]></category>
		<category><![CDATA[horror kills]]></category>
		<category><![CDATA[horror movie adaptation]]></category>
		<category><![CDATA[Katie Douglas]]></category>
		<category><![CDATA[Kettle Springs]]></category>
		<category><![CDATA[production design]]></category>
		<category><![CDATA[RLJE Films]]></category>
		<category><![CDATA[slasher film]]></category>
		<category><![CDATA[small-town horror]]></category>
		<category><![CDATA[social commentary in horror]]></category>
		<category><![CDATA[Tucker and Dale vs Evil]]></category>
		<category><![CDATA[YA horror]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=53440</guid>

					<description><![CDATA[<div><img width="300" height="235" src="https://www.hammertonail.com/wp-content/uploads/2025/06/OVERLOOK-5-300x235.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2025/06/OVERLOOK-5-300x235.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2025/06/OVERLOOK-5-1024x803.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2025/06/OVERLOOK-5-768x602.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2025/06/OVERLOOK-5-1536x1204.jpg 1536w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>Clown in a Cornfield brings Adam Cesare&#8217;s beloved YA horror novel to terrifying life under the direction of Eli Craig, known for the cult classic Tucker and Dale vs. Evil. The film follows Quinn (Katie Douglas)  and her father as [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/cesare-craig/">A Conversation with Eli Craig &#038; Adam Cesare (CLOWN IN A CORNFIELD)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<title>A Conversation with Alain Guiraudie (MISERICORDIA)</title>
		<link>https://www.hammertonail.com/interviews/alain-guiraudie/</link>
		
		<dc:creator><![CDATA[Jonathan Marlow]]></dc:creator>
		<pubDate>Mon, 07 Apr 2025 18:03:11 +0000</pubDate>
				<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Alain Guiraudie]]></category>
		<category><![CDATA[best films 2025]]></category>
		<category><![CDATA[character transformation]]></category>
		<category><![CDATA[cinematography]]></category>
		<category><![CDATA[Claire Mathon]]></category>
		<category><![CDATA[Criterion Collection]]></category>
		<category><![CDATA[dark cinematography]]></category>
		<category><![CDATA[day-for-night filming]]></category>
		<category><![CDATA[editing process]]></category>
		<category><![CDATA[film adaptation]]></category>
		<category><![CDATA[film distribution]]></category>
		<category><![CDATA[film festivals 2024]]></category>
		<category><![CDATA[filmmaking techniques]]></category>
		<category><![CDATA[French arthouse cinema]]></category>
		<category><![CDATA[French Cinema]]></category>
		<category><![CDATA[French film director]]></category>
		<category><![CDATA[LGBTQ+ cinema]]></category>
		<category><![CDATA[Misericordia]]></category>
		<category><![CDATA[mystery in film]]></category>
		<category><![CDATA[Nobody’s Hero]]></category>
		<category><![CDATA[psychological thriller]]></category>
		<category><![CDATA[rural thriller]]></category>
		<category><![CDATA[sexual fantasy in film]]></category>
		<category><![CDATA[Sideshow and Janus Films]]></category>
		<category><![CDATA[Staying Vertical]]></category>
		<category><![CDATA[Stranger By The Lake]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=52949</guid>

					<description><![CDATA[<div><img width="300" height="169" src="https://www.hammertonail.com/wp-content/uploads/2025/04/2miser-300x169.webp" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2025/04/2miser-300x169.webp 300w, https://www.hammertonail.com/wp-content/uploads/2025/04/2miser-1024x577.webp 1024w, https://www.hammertonail.com/wp-content/uploads/2025/04/2miser-768x433.webp 768w, https://www.hammertonail.com/wp-content/uploads/2025/04/2miser.webp 1296w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>The less you know, the better. A young man travels from Toulouse to his (fictional) hometown of Saint-Martial to attend the funeral of his former boss, a fondly appreciated baker in the neighbourhood. His widow invites the estranged man to [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/alain-guiraudie/">A Conversation with Alain Guiraudie (MISERICORDIA)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<title>WHO BY FIRE</title>
		<link>https://www.hammertonail.com/reviews/who-by-fire/</link>
		
		<dc:creator><![CDATA[M.J. O'Toole]]></dc:creator>
		<pubDate>Mon, 24 Mar 2025 19:11:00 +0000</pubDate>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[Foreign]]></category>
		<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Arieh Worthalter]]></category>
		<category><![CDATA[cabin fever]]></category>
		<category><![CDATA[cinematography]]></category>
		<category><![CDATA[coming-of-age drama]]></category>
		<category><![CDATA[dark humor]]></category>
		<category><![CDATA[ensemble film]]></category>
		<category><![CDATA[French-Canadian director]]></category>
		<category><![CDATA[indie drama]]></category>
		<category><![CDATA[indie film]]></category>
		<category><![CDATA[Irene Jacob]]></category>
		<category><![CDATA[Laurent Lucas]]></category>
		<category><![CDATA[long takes]]></category>
		<category><![CDATA[Paul Ahmarani]]></category>
		<category><![CDATA[Philippe Lesage]]></category>
		<category><![CDATA[psychological depth]]></category>
		<category><![CDATA[Québecois wilderness]]></category>
		<category><![CDATA[romantic rivalry]]></category>
		<category><![CDATA[toxic masculinity]]></category>
		<category><![CDATA[White Lotus]]></category>
		<category><![CDATA[Who By Fire]]></category>
		<category><![CDATA[youth and aging]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=52847</guid>

					<description><![CDATA[<div><img width="300" height="169" src="https://www.hammertonail.com/wp-content/uploads/2025/03/fire-300x169.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2025/03/fire-300x169.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2025/03/fire-1024x576.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2025/03/fire-768x432.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2025/03/fire.jpg 1400w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>(Check out MJ. O&#8217;Toole&#8217;s movie review of Who By Fire, now playing at NY’s Film at Lincoln Center LA’s Laemmle Theaters. Seen it? Join the conversation with HtN on our Letterboxd Page.) French-Canadian director Philippe Lesage knows how uneasy it is to [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/reviews/who-by-fire/">WHO BY FIRE</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<title>A Conversation with Amel Guellaty (WHERE THE WIND COMES FROM)</title>
		<link>https://www.hammertonail.com/interviews/amel-guellaty/</link>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Thu, 13 Feb 2025 19:36:16 +0000</pubDate>
				<category><![CDATA[Coming of Age]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Foreign]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[2D vs 3D animation]]></category>
		<category><![CDATA[Amel Guellaty]]></category>
		<category><![CDATA[Arab cinema]]></category>
		<category><![CDATA[Arab world]]></category>
		<category><![CDATA[Ben Ali dictatorship]]></category>
		<category><![CDATA[Black Mamba]]></category>
		<category><![CDATA[cinematography]]></category>
		<category><![CDATA[class divisions]]></category>
		<category><![CDATA[cultural divisions]]></category>
		<category><![CDATA[Djerba]]></category>
		<category><![CDATA[economic crisis]]></category>
		<category><![CDATA[Eya Bellagha]]></category>
		<category><![CDATA[French influence in Tunisia]]></category>
		<category><![CDATA[Frida Marzouk]]></category>
		<category><![CDATA[Gabon artist Willa]]></category>
		<category><![CDATA[German art competition]]></category>
		<category><![CDATA[mental health and imagination]]></category>
		<category><![CDATA[Muslim tradition]]></category>
		<category><![CDATA[North African cinema.]]></category>
		<category><![CDATA[political instability]]></category>
		<category><![CDATA[road trip movie]]></category>
		<category><![CDATA[Slim Baccar]]></category>
		<category><![CDATA[Sundance Film Festival 2025]]></category>
		<category><![CDATA[surrealistic art]]></category>
		<category><![CDATA[Tunisia]]></category>
		<category><![CDATA[Tunisian actors]]></category>
		<category><![CDATA[Tunisian cinema]]></category>
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		<category><![CDATA[Tunisian director]]></category>
		<category><![CDATA[Tunisian film industry]]></category>
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		<category><![CDATA[Tunisian middle class]]></category>
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		<category><![CDATA[wealth disparity]]></category>
		<category><![CDATA[Where the Wind Comes From]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=52585</guid>

					<description><![CDATA[<div><img width="300" height="170" src="https://www.hammertonail.com/wp-content/uploads/2025/02/AMEL-GUELLATY_PhotoCredit-Bechir-Zayen-horizontal-edit-300x170.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2025/02/AMEL-GUELLATY_PhotoCredit-Bechir-Zayen-horizontal-edit-300x170.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2025/02/AMEL-GUELLATY_PhotoCredit-Bechir-Zayen-horizontal-edit-1024x580.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2025/02/AMEL-GUELLATY_PhotoCredit-Bechir-Zayen-horizontal-edit-768x435.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2025/02/AMEL-GUELLATY_PhotoCredit-Bechir-Zayen-horizontal-edit.jpg 1500w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>Tunisian director Amel Guellaty just premiered her feature-film debut, Where the Wind Comes From, at the 2025 Sundance Film Festival (where I reviewed it). The movie offers striking visuals and a compelling story of friendship in a road-trip structure, showing [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/amel-guellaty/">A Conversation with Amel Guellaty (WHERE THE WIND COMES FROM)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<title>Barry Sonnenfeld’s Cinematography Master Class at 2009 HIFF</title>
		<link>https://www.hammertonail.com/editorial/essays/barry-sonnenfeld%e2%80%99s-cinematography-master-class-at-2009-hiff/</link>
		
		<dc:creator><![CDATA[Michael Tully]]></dc:creator>
		<pubDate>Tue, 14 Apr 2009 11:40:21 +0000</pubDate>
				<category><![CDATA[Essays]]></category>
		<category><![CDATA[A Serious Man]]></category>
		<category><![CDATA[Barry Sonnenfeld]]></category>
		<category><![CDATA[Blood Simple]]></category>
		<category><![CDATA[cinematography]]></category>
		<category><![CDATA[Cinematography Master Class]]></category>
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		<category><![CDATA[David Letterman]]></category>
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		<category><![CDATA[Dr. Strangelove]]></category>
		<category><![CDATA[Farrelly Brothers]]></category>
		<category><![CDATA[Gordon Willis]]></category>
		<category><![CDATA[Hamptons International Film Festival]]></category>
		<category><![CDATA[Meg Ryan]]></category>
		<category><![CDATA[Michael Mann]]></category>
		<category><![CDATA[Miller's Crossing]]></category>
		<category><![CDATA[Museum of Moving Image]]></category>
		<category><![CDATA[Network]]></category>
		<category><![CDATA[Owen Roizman]]></category>
		<category><![CDATA[Raising Arizona]]></category>
		<category><![CDATA[Roger Deakins]]></category>
		<category><![CDATA[Scott Rudin]]></category>
		<category><![CDATA[Steven Soderbergh]]></category>
		<category><![CDATA[Terrence Malick]]></category>
		<category><![CDATA[The Adams Family]]></category>
		<category><![CDATA[The Addams Family]]></category>
		<category><![CDATA[The Conformist]]></category>
		<category><![CDATA[The Exorcist]]></category>
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		<guid isPermaLink="false">http://www.hammertonail.com/?p=2934</guid>

					<description><![CDATA[<p>Barry Sonnenfeld hates panning. Throughout his hour-long Kodak-sponsored Cinematography Master Class at the 2009 Hamptons International Film Festival (moderated by the Museum of Moving Image’s Chief Curator David Schwartz), Sonnenfeld pummeled that particular technique-of-the-trade into submission. “That’s why movies are [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/editorial/essays/barry-sonnenfeld%e2%80%99s-cinematography-master-class-at-2009-hiff/">Barry Sonnenfeld’s Cinematography Master Class at 2009 HIFF</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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