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	<title>cinema and memory Archives - Hammer to Nail</title>
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		<title>A Conversation with Kleber Mendonça Filho (THE SECRET AGENT)</title>
		<link>https://www.hammertonail.com/interviews/mendonca-filho/</link>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Tue, 04 Nov 2025 15:37:20 +0000</pubDate>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[1977 Brazil]]></category>
		<category><![CDATA[anamorphic lenses]]></category>
		<category><![CDATA[Arri Alexa 35]]></category>
		<category><![CDATA[auteur theory]]></category>
		<category><![CDATA[Brazilian Cinema]]></category>
		<category><![CDATA[Brazilian director]]></category>
		<category><![CDATA[Brazilian history]]></category>
		<category><![CDATA[Cannes Film Festival 2025]]></category>
		<category><![CDATA[cinema and memory]]></category>
		<category><![CDATA[cinematography]]></category>
		<category><![CDATA[Evgenia Alexandrova]]></category>
		<category><![CDATA[film criticism]]></category>
		<category><![CDATA[film nostalgia]]></category>
		<category><![CDATA[filmmaking]]></category>
		<category><![CDATA[Hammer to Nail interview]]></category>
		<category><![CDATA[journalism in film]]></category>
		<category><![CDATA[Kleber Mendonça Filho]]></category>
		<category><![CDATA[Latin American cinema]]></category>
		<category><![CDATA[Middleburg Film Festival]]></category>
		<category><![CDATA[military dictatorship Brazil]]></category>
		<category><![CDATA[Pictures of Ghosts]]></category>
		<category><![CDATA[political thriller]]></category>
		<category><![CDATA[Recife]]></category>
		<category><![CDATA[The Secret Agent]]></category>
		<category><![CDATA[Wagner Moura]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54353</guid>

					<description><![CDATA[<div><img width="300" height="139" src="https://www.hammertonail.com/wp-content/uploads/2025/11/Kleber-Mendonca-Filho-with-Wagner-Moura-MK2-Films-300x139.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2025/11/Kleber-Mendonca-Filho-with-Wagner-Moura-MK2-Films-300x139.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2025/11/Kleber-Mendonca-Filho-with-Wagner-Moura-MK2-Films-1024x475.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2025/11/Kleber-Mendonca-Filho-with-Wagner-Moura-MK2-Films-768x356.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2025/11/Kleber-Mendonca-Filho-with-Wagner-Moura-MK2-Films.jpg 1500w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>Winner of the Best Director and Best Actor awards at the 2025 Cannes Film Festival, The Secret Agent, from Brazilian director Kleber Mendonça Filho (Bacurau), takes place in 1977 during Brazil’s military dictatorship. It was a time of violence and [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/mendonca-filho/">A Conversation with Kleber Mendonça Filho (THE SECRET AGENT)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<title>A Conversation with Olivier Assayas (SUSPENDED TIME)</title>
		<link>https://www.hammertonail.com/interviews/olivier-assayas/</link>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Fri, 15 Aug 2025 19:48:09 +0000</pubDate>
				<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Aki Kaurismaki]]></category>
		<category><![CDATA[art and time]]></category>
		<category><![CDATA[autobiographical film]]></category>
		<category><![CDATA[Carlos film]]></category>
		<category><![CDATA[cinema and memory]]></category>
		<category><![CDATA[COVID-19 lockdown film]]></category>
		<category><![CDATA[Demonlover]]></category>
		<category><![CDATA[doppelgangers in film]]></category>
		<category><![CDATA[Eric Rohmer]]></category>
		<category><![CDATA[François Villon]]></category>
		<category><![CDATA[French Cinema]]></category>
		<category><![CDATA[French filmmakers]]></category>
		<category><![CDATA[Georges Brassens]]></category>
		<category><![CDATA[Guy Debord]]></category>
		<category><![CDATA[In girum imus nocte et consumimur igni]]></category>
		<category><![CDATA[Ken Loach]]></category>
		<category><![CDATA[Micha Lescot]]></category>
		<category><![CDATA[minimalist cinema]]></category>
		<category><![CDATA[Nine D’Urso]]></category>
		<category><![CDATA[Nora Hamzawi]]></category>
		<category><![CDATA[Olivier Assayas]]></category>
		<category><![CDATA[Suspended Time]]></category>
		<category><![CDATA[Vincent Macaigne]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=53817</guid>

					<description><![CDATA[<div><img width="300" height="200" src="https://www.hammertonail.com/wp-content/uploads/2025/08/SUSPENDED-TIME-BTS-still_03-300x200.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" fetchpriority="high" srcset="https://www.hammertonail.com/wp-content/uploads/2025/08/SUSPENDED-TIME-BTS-still_03-300x200.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2025/08/SUSPENDED-TIME-BTS-still_03-1024x683.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2025/08/SUSPENDED-TIME-BTS-still_03-768x512.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2025/08/SUSPENDED-TIME-BTS-still_03.jpg 1500w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>French writer/director Olivier Assayas (Clouds of Sils Maria) returns to the big screen with his latest feature, Suspended Time, a deeply personal meditation on life, love, art, and memory. The narrative is set during the initial COVID-19 lockdown, with Assayas’ [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/olivier-assayas/">A Conversation with Olivier Assayas (SUSPENDED TIME)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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