<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>Cannes Film Festival 2024 Archives - Hammer to Nail</title>
	<atom:link href="https://www.hammertonail.com/tag/cannes-film-festival-2024/feed/" rel="self" type="application/rss+xml" />
	<link>https://www.hammertonail.com/tag/cannes-film-festival-2024/</link>
	<description>What to Watch</description>
	<lastBuildDate>Mon, 18 May 2026 13:32:45 +0000</lastBuildDate>
	<language>en-US</language>
	<sy:updatePeriod>
	hourly	</sy:updatePeriod>
	<sy:updateFrequency>
	1	</sy:updateFrequency>
	<generator>https://wordpress.org/?v=6.9.4</generator>

<image>
	<url>https://www.hammertonail.com/wp-content/uploads/2020/01/cropped-logo02-1-32x32.png</url>
	<title>Cannes Film Festival 2024 Archives - Hammer to Nail</title>
	<link>https://www.hammertonail.com/tag/cannes-film-festival-2024/</link>
	<width>32</width>
	<height>32</height>
</image> 
	<item>
		<title>SHEEP IN THE BOX</title>
		<link>https://www.hammertonail.com/reviews/sheep-in-the-box/</link>
		
		<dc:creator><![CDATA[Savina Petkova]]></dc:creator>
		<pubDate>Mon, 18 May 2026 13:32:45 +0000</pubDate>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[Fantasy]]></category>
		<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Foreign]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Science Fiction]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[artificial intelligence emotional drama]]></category>
		<category><![CDATA[best Cannes 2024 movies]]></category>
		<category><![CDATA[Cannes Film Festival 2024]]></category>
		<category><![CDATA[films about losing a child]]></category>
		<category><![CDATA[grief and AI technology movie]]></category>
		<category><![CDATA[Haruka Ayase Sheep in the Box]]></category>
		<category><![CDATA[Hirokazu Koreeda new film]]></category>
		<category><![CDATA[Hirokazu Koreeda Sheep in the Box review]]></category>
		<category><![CDATA[Japanese director Hirokazu Koreeda]]></category>
		<category><![CDATA[Kondo Ryuto cinematography]]></category>
		<category><![CDATA[Monster follow-up film]]></category>
		<category><![CDATA[parenting and autonomy allegory]]></category>
		<category><![CDATA[posthumanist film analysis]]></category>
		<category><![CDATA[REbirth service film]]></category>
		<category><![CDATA[Rimu Kuwaki Kakeru]]></category>
		<category><![CDATA[Sheep in the Box AI humanoid]]></category>
		<category><![CDATA[Sheep in the Box Letterboxd]]></category>
		<category><![CDATA[Sheep in the Box movie review]]></category>
		<category><![CDATA[slow-burn Japanese drama]]></category>
		<category><![CDATA[The Little Prince references in film]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=55700</guid>

					<description><![CDATA[<div><img width="300" height="147" src="https://www.hammertonail.com/wp-content/uploads/2026/05/cover-300x147.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2026/05/cover-300x147.png 300w, https://www.hammertonail.com/wp-content/uploads/2026/05/cover-1024x502.png 1024w, https://www.hammertonail.com/wp-content/uploads/2026/05/cover-768x376.png 768w, https://www.hammertonail.com/wp-content/uploads/2026/05/cover-1536x753.png 1536w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>(Check out Savina Petkova’s Sheep in the Box movie review. The film just had its premiere at the Cannes Film Festival. Seen it? Join the conversation with HtN on our Letterboxd Page.) The newest film by Japanese director Hirokazu Koreeda may be [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/reviews/sheep-in-the-box/">SHEEP IN THE BOX</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>DIE, MY LOVE</title>
		<link>https://www.hammertonail.com/reviews/die-my-love/</link>
		
		<dc:creator><![CDATA[Savina Petkova]]></dc:creator>
		<pubDate>Fri, 23 May 2025 14:34:43 +0000</pubDate>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Ariana Harwicz adaptation]]></category>
		<category><![CDATA[Ben Frost soundtrack]]></category>
		<category><![CDATA[best films about mental breakdowns]]></category>
		<category><![CDATA[best psychological horror movies]]></category>
		<category><![CDATA[Cannes Film Festival 2024]]></category>
		<category><![CDATA[dark romance movies]]></category>
		<category><![CDATA[Die My Love controversy]]></category>
		<category><![CDATA[Die My Love movie review]]></category>
		<category><![CDATA[disturbing cinema 2024]]></category>
		<category><![CDATA[intense drama films]]></category>
		<category><![CDATA[Jennifer Lawrence]]></category>
		<category><![CDATA[Jennifer Lawrence best roles]]></category>
		<category><![CDATA[Jennifer Lawrence performance]]></category>
		<category><![CDATA[Lynne Ramsay]]></category>
		<category><![CDATA[Lynne Ramsay directing style]]></category>
		<category><![CDATA[Lynne Ramsay film analysis]]></category>
		<category><![CDATA[must-watch psychological dramas]]></category>
		<category><![CDATA[Psychological thriller movies]]></category>
		<category><![CDATA[Robert Pattinson]]></category>
		<category><![CDATA[Robert Pattinson movie]]></category>
		<category><![CDATA[Seamus McGarvey cinematography]]></category>
		<category><![CDATA[Sissy Spacek supporting role]]></category>
		<category><![CDATA[You Were Never Really Here comparison]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=53220</guid>

					<description><![CDATA[<div><img width="300" height="166" src="https://www.hammertonail.com/wp-content/uploads/2025/05/cover-300x166.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2025/05/cover-300x166.png 300w, https://www.hammertonail.com/wp-content/uploads/2025/05/cover-1024x568.png 1024w, https://www.hammertonail.com/wp-content/uploads/2025/05/cover-768x426.png 768w, https://www.hammertonail.com/wp-content/uploads/2025/05/cover-1536x851.png 1536w, https://www.hammertonail.com/wp-content/uploads/2025/05/cover.png 1768w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>(Check out Savina Petkova’s Die, My Lovemovie review. The film just had its premiere at the Cannes Film Festival. Seen it? Join the conversation with HtN on our Letterboxd Page.) Eight whole years after You Were Never Really Here shook Cannes, [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/reviews/die-my-love/">DIE, MY LOVE</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>A Conversation with Miguel Gomes (GRAND TOUR)</title>
		<link>https://www.hammertonail.com/interviews/miguel-gomes/</link>
		
		<dc:creator><![CDATA[Jack Schenker]]></dc:creator>
		<pubDate>Wed, 23 Apr 2025 17:53:47 +0000</pubDate>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Watch Online]]></category>
		<category><![CDATA[16mm monochrome]]></category>
		<category><![CDATA[Arabian Nights]]></category>
		<category><![CDATA[Asian cinema]]></category>
		<category><![CDATA[Best Director]]></category>
		<category><![CDATA[black and white cinematography]]></category>
		<category><![CDATA[Cannes Film Festival 2024]]></category>
		<category><![CDATA[cinematic storytelling]]></category>
		<category><![CDATA[documentary and fiction blend]]></category>
		<category><![CDATA[experimental narrative]]></category>
		<category><![CDATA[film production process]]></category>
		<category><![CDATA[Grand Tour]]></category>
		<category><![CDATA[Howard Hawks influence]]></category>
		<category><![CDATA[international film locations]]></category>
		<category><![CDATA[Miguel Gomes]]></category>
		<category><![CDATA[pandemic filmmaking]]></category>
		<category><![CDATA[Portuguese filmmakers]]></category>
		<category><![CDATA[remote directing]]></category>
		<category><![CDATA[Rui Poças]]></category>
		<category><![CDATA[Savagery film]]></category>
		<category><![CDATA[screwball comedies]]></category>
		<category><![CDATA[Somerset Maugham]]></category>
		<category><![CDATA[Tabu film]]></category>
		<category><![CDATA[time and memory in film]]></category>
		<category><![CDATA[unconventional filmmaking]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=53063</guid>

					<description><![CDATA[<div><img width="300" height="300" src="https://www.hammertonail.com/wp-content/uploads/2025/04/DirectorsPortrait_Miguel-Gomes_1_©-Patricia-Neves-Gomes-300x300.jpeg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" fetchpriority="high" srcset="https://www.hammertonail.com/wp-content/uploads/2025/04/DirectorsPortrait_Miguel-Gomes_1_©-Patricia-Neves-Gomes-300x300.jpeg 300w, https://www.hammertonail.com/wp-content/uploads/2025/04/DirectorsPortrait_Miguel-Gomes_1_©-Patricia-Neves-Gomes-1024x1024.jpeg 1024w, https://www.hammertonail.com/wp-content/uploads/2025/04/DirectorsPortrait_Miguel-Gomes_1_©-Patricia-Neves-Gomes-150x150.jpeg 150w, https://www.hammertonail.com/wp-content/uploads/2025/04/DirectorsPortrait_Miguel-Gomes_1_©-Patricia-Neves-Gomes-768x768.jpeg 768w, https://www.hammertonail.com/wp-content/uploads/2025/04/DirectorsPortrait_Miguel-Gomes_1_©-Patricia-Neves-Gomes-1536x1536.jpeg 1536w, https://www.hammertonail.com/wp-content/uploads/2025/04/DirectorsPortrait_Miguel-Gomes_1_©-Patricia-Neves-Gomes-650x650.jpeg 650w, https://www.hammertonail.com/wp-content/uploads/2025/04/DirectorsPortrait_Miguel-Gomes_1_©-Patricia-Neves-Gomes-1300x1300.jpeg 1300w, https://www.hammertonail.com/wp-content/uploads/2025/04/DirectorsPortrait_Miguel-Gomes_1_©-Patricia-Neves-Gomes-24x24.jpeg 24w, https://www.hammertonail.com/wp-content/uploads/2025/04/DirectorsPortrait_Miguel-Gomes_1_©-Patricia-Neves-Gomes-48x48.jpeg 48w, https://www.hammertonail.com/wp-content/uploads/2025/04/DirectorsPortrait_Miguel-Gomes_1_©-Patricia-Neves-Gomes-96x96.jpeg 96w, https://www.hammertonail.com/wp-content/uploads/2025/04/DirectorsPortrait_Miguel-Gomes_1_©-Patricia-Neves-Gomes-250x250.jpeg 250w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>Miguel Gomes has established himself as one of Portugal&#8217;s most innovative filmmakers through works that blend documentary and fiction while experimenting with narrative structure. From his debut feature The Face You Deserve (2004) to acclaimed films like Tabu (2012) and the ambitious three-part Arabian Nights (2015), [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/miguel-gomes/">A Conversation with Miguel Gomes (GRAND TOUR)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>BLACK DOG</title>
		<link>https://www.hammertonail.com/reviews/black-dog/</link>
		
		<dc:creator><![CDATA[Kim Voynar]]></dc:creator>
		<pubDate>Mon, 09 Dec 2024 19:11:14 +0000</pubDate>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[Foreign]]></category>
		<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Black Dog movie]]></category>
		<category><![CDATA[Cannes Film Festival]]></category>
		<category><![CDATA[Cannes Film Festival 2024]]></category>
		<category><![CDATA[Eddie Peng]]></category>
		<category><![CDATA[Gao Weizhe]]></category>
		<category><![CDATA[Guan Hu]]></category>
		<category><![CDATA[Jia Zhangke]]></category>
		<category><![CDATA[The Eight Hundred]]></category>
		<category><![CDATA[The Sacrifice]]></category>
		<category><![CDATA[Tong Liya]]></category>
		<category><![CDATA[Un Certain Regard]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=52106</guid>

					<description><![CDATA[<div><img width="300" height="169" src="https://www.hammertonail.com/wp-content/uploads/2024/11/BlackDog-300x169.webp" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2024/11/BlackDog-300x169.webp 300w, https://www.hammertonail.com/wp-content/uploads/2024/11/BlackDog-1024x576.webp 1024w, https://www.hammertonail.com/wp-content/uploads/2024/11/BlackDog-768x432.webp 768w, https://www.hammertonail.com/wp-content/uploads/2024/11/BlackDog.webp 1440w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>(Check out Kim Voynar&#8217;s Black Dog movie review, in theaters now. Seen it? Join the conversation with HtN on our Letterboxd Page.) “Black Dog,”  the latest film by director Guan Hu (The Eight Hundred, The Sacrifice), opens moodily with a languid shot panning [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/reviews/black-dog/">BLACK DOG</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
			</item>
	</channel>
</rss>

<!--
Performance optimized by W3 Total Cache. Learn more: https://www.boldgrid.com/w3-total-cache/?utm_source=w3tc&utm_medium=footer_comment&utm_campaign=free_plugin

Database Caching using Disk

Served from: www.hammertonail.com @ 2026-05-21 10:12:42 by W3 Total Cache
-->