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	<title>avant-garde cinema Archives - Hammer to Nail</title>
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	<title>avant-garde cinema Archives - Hammer to Nail</title>
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	<item>
		<title>A Conversation with  Lynne Sachs (EVERY CONTACT LEAVES A TRACE)</title>
		<link>https://www.hammertonail.com/interviews/lynne-sachs/</link>
		
		<dc:creator><![CDATA[Jonathan Marlow]]></dc:creator>
		<pubDate>Fri, 24 Apr 2026 18:16:52 +0000</pubDate>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[avant-garde cinema]]></category>
		<category><![CDATA[Betty Leacraft]]></category>
		<category><![CDATA[Bradley Eros]]></category>
		<category><![CDATA[business cards]]></category>
		<category><![CDATA[creative process]]></category>
		<category><![CDATA[documentary filmmaking]]></category>
		<category><![CDATA[documentary performance]]></category>
		<category><![CDATA[Every Contact Leaves a Trace]]></category>
		<category><![CDATA[Experimental Film]]></category>
		<category><![CDATA[film and poetry]]></category>
		<category><![CDATA[film editing]]></category>
		<category><![CDATA[filmmaker interview]]></category>
		<category><![CDATA[Gunvor Nelson]]></category>
		<category><![CDATA[hybrid filmmaking]]></category>
		<category><![CDATA[IDFA documentary]]></category>
		<category><![CDATA[Lynne Sachs]]></category>
		<category><![CDATA[Lynne Sachs interview]]></category>
		<category><![CDATA[memory and ephemera]]></category>
		<category><![CDATA[non-narrative film]]></category>
		<category><![CDATA[Scarecrow Video Archive]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54805</guid>

					<description><![CDATA[<div><img width="300" height="160" src="https://www.hammertonail.com/wp-content/uploads/2026/04/Screenshot-2026-04-24-at-11.30.40-AM-300x160.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2026/04/Screenshot-2026-04-24-at-11.30.40-AM-300x160.png 300w, https://www.hammertonail.com/wp-content/uploads/2026/04/Screenshot-2026-04-24-at-11.30.40-AM-1024x546.png 1024w, https://www.hammertonail.com/wp-content/uploads/2026/04/Screenshot-2026-04-24-at-11.30.40-AM-768x410.png 768w, https://www.hammertonail.com/wp-content/uploads/2026/04/Screenshot-2026-04-24-at-11.30.40-AM-1536x819.png 1536w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>Some filmmakers are known for their documentary works. Others for their narrative films. Still others—the better filmmakers (for me), generally—do not fit comfortably into either category. Or any category whatsoever. Poet / artist / filmmaker Lynne Sachs is one of [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/lynne-sachs/">A Conversation with  Lynne Sachs (EVERY CONTACT LEAVES A TRACE)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<item>
		<title>BARBARA FOREVER</title>
		<link>https://www.hammertonail.com/reviews/barbara-forever/</link>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Tue, 27 Jan 2026 19:06:52 +0000</pubDate>
				<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Experimental]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[avant-garde cinema]]></category>
		<category><![CDATA[Barbara Forever]]></category>
		<category><![CDATA[Barbara Hammer documentary]]></category>
		<category><![CDATA[Brydie O'Connor]]></category>
		<category><![CDATA[Chris Reed film review]]></category>
		<category><![CDATA[Christopher Llewellyn Reed]]></category>
		<category><![CDATA[experimental filmmaker]]></category>
		<category><![CDATA[feminist filmmaking]]></category>
		<category><![CDATA[Florrie Burke]]></category>
		<category><![CDATA[Hammer documentary review]]></category>
		<category><![CDATA[legacy preservation]]></category>
		<category><![CDATA[lesbian narratives]]></category>
		<category><![CDATA[Nitrate Kisses]]></category>
		<category><![CDATA[Park City Utah]]></category>
		<category><![CDATA[queer art history]]></category>
		<category><![CDATA[queer cinema]]></category>
		<category><![CDATA[sapphic love]]></category>
		<category><![CDATA[Sundance Film Festival 2026]]></category>
		<category><![CDATA[Whitney Biennial]]></category>
		<category><![CDATA[Yale Beinecke Library]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54922</guid>

					<description><![CDATA[<div><img width="300" height="193" src="https://www.hammertonail.com/wp-content/uploads/2026/01/Still-2-BARBARA-FOREVER_Barbara-Hammer_courtesy-Barbara-Forever-LLC-300x193.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" fetchpriority="high" srcset="https://www.hammertonail.com/wp-content/uploads/2026/01/Still-2-BARBARA-FOREVER_Barbara-Hammer_courtesy-Barbara-Forever-LLC-300x193.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2026/01/Still-2-BARBARA-FOREVER_Barbara-Hammer_courtesy-Barbara-Forever-LLC-1024x657.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2026/01/Still-2-BARBARA-FOREVER_Barbara-Hammer_courtesy-Barbara-Forever-LLC-768x493.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2026/01/Still-2-BARBARA-FOREVER_Barbara-Hammer_courtesy-Barbara-Forever-LLC.jpg 1500w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>(The 2026 Sundance Film Festival kicks off Thursday, January 22 and runs through Sunday, February 1 for, sadly the last time, in and around Park City, Utah. Check out Chris Reed&#8217;s Barbara Forever movie review, fresh from the fest. Seen it? Join [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/reviews/barbara-forever/">BARBARA FOREVER</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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			</item>
		<item>
		<title>DEBUT, OR, OBJECTS OF THE FIELD OF DEBRIS AS CURRENTLY CATALOGUED</title>
		<link>https://www.hammertonail.com/reviews/debut-objects-of-the-field-of-debris/</link>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Mon, 10 Nov 2025 15:39:00 +0000</pubDate>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[Experimental]]></category>
		<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[art forgery crime]]></category>
		<category><![CDATA[avant-garde cinema]]></category>
		<category><![CDATA[cinematic puzzle]]></category>
		<category><![CDATA[Debut or Objects of the Field of Debris]]></category>
		<category><![CDATA[epistolary filmmaking]]></category>
		<category><![CDATA[Experimental Film]]></category>
		<category><![CDATA[film within a film]]></category>
		<category><![CDATA[found footage mystery]]></category>
		<category><![CDATA[Griffin and Sabine]]></category>
		<category><![CDATA[intellectual cinema]]></category>
		<category><![CDATA[investigatory drama]]></category>
		<category><![CDATA[Julian Castronovo]]></category>
		<category><![CDATA[MacBook camera film]]></category>
		<category><![CDATA[Maryland Film Festival 2025]]></category>
		<category><![CDATA[meta-narrative]]></category>
		<category><![CDATA[missing artist mystery]]></category>
		<category><![CDATA[Movie Review]]></category>
		<category><![CDATA[new filmmaker]]></category>
		<category><![CDATA[Photo Booth narration]]></category>
		<category><![CDATA[Werner Herzog influence]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54400</guid>

					<description><![CDATA[<div><img width="300" height="168" src="https://www.hammertonail.com/wp-content/uploads/2025/11/DEBUT-OR-OBJECTS-OF-THE-FIELD-OF-DEBRIS-AS-CURRENTLY-CATALOGUED-still_02-300x168.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2025/11/DEBUT-OR-OBJECTS-OF-THE-FIELD-OF-DEBRIS-AS-CURRENTLY-CATALOGUED-still_02-300x168.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2025/11/DEBUT-OR-OBJECTS-OF-THE-FIELD-OF-DEBRIS-AS-CURRENTLY-CATALOGUED-still_02-1024x573.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2025/11/DEBUT-OR-OBJECTS-OF-THE-FIELD-OF-DEBRIS-AS-CURRENTLY-CATALOGUED-still_02-768x430.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2025/11/DEBUT-OR-OBJECTS-OF-THE-FIELD-OF-DEBRIS-AS-CURRENTLY-CATALOGUED-still_02.jpg 1500w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>(The 2025 Maryland Film Festival ran November 5-9. Check out Chris Reed&#8217;s Debut, or, Objects of the Field of Debris as Currently Catalogued movie review from the fest! Seen it? Join the conversation with HtN on our Letterboxd Page.) In the early [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/reviews/debut-objects-of-the-field-of-debris/">DEBUT, OR, OBJECTS OF THE FIELD OF DEBRIS AS CURRENTLY CATALOGUED</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>LA JETÉE THE FIFTH SHOT</title>
		<link>https://www.hammertonail.com/reviews/fifth-shot-of-la-jetee/</link>
		
		<dc:creator><![CDATA[Jonathan Marlow]]></dc:creator>
		<pubDate>Thu, 13 Mar 2025 18:00:36 +0000</pubDate>
				<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Experimental]]></category>
		<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[A Grin Without a Cat]]></category>
		<category><![CDATA[Alain Resnais]]></category>
		<category><![CDATA[Algerian immigrants]]></category>
		<category><![CDATA[avant-garde cinema]]></category>
		<category><![CDATA[Chris Marker]]></category>
		<category><![CDATA[Chris Marker films]]></category>
		<category><![CDATA[Christian François Bouche-Villeneuve]]></category>
		<category><![CDATA[ciné-roman]]></category>
		<category><![CDATA[cinematic essays]]></category>
		<category><![CDATA[cinematic mysteries]]></category>
		<category><![CDATA[DOG’S DIALOGUE]]></category>
		<category><![CDATA[Dominique Cabrera]]></category>
		<category><![CDATA[Dominique Cabrera documentary]]></category>
		<category><![CDATA[Éditions du Seuil]]></category>
		<category><![CDATA[Esprit]]></category>
		<category><![CDATA[experimental films]]></category>
		<category><![CDATA[Exploratorium]]></category>
		<category><![CDATA[Exploratorium screenings]]></category>
		<category><![CDATA[film archeology]]></category>
		<category><![CDATA[film criticism]]></category>
		<category><![CDATA[film curation]]></category>
		<category><![CDATA[film history]]></category>
		<category><![CDATA[film photography]]></category>
		<category><![CDATA[film restoration]]></category>
		<category><![CDATA[First Look]]></category>
		<category><![CDATA[FIRST LOOK 2025]]></category>
		<category><![CDATA[FIRST LOOK film festival]]></category>
		<category><![CDATA[François Reichenbach]]></category>
		<category><![CDATA[French Cinema]]></category>
		<category><![CDATA[French colonial history]]></category>
		<category><![CDATA[French New Wave]]></category>
		<category><![CDATA[Guillaume-en-Égypte]]></category>
		<category><![CDATA[iconic short films]]></category>
		<category><![CDATA[independent cinema]]></category>
		<category><![CDATA[Kurba Mikurda]]></category>
		<category><![CDATA[La Jetée]]></category>
		<category><![CDATA[LA JETÉE analysis]]></category>
		<category><![CDATA[LA JOLI MAI]]></category>
		<category><![CDATA[LEVEL FIVE]]></category>
		<category><![CDATA[Liz Keim]]></category>
		<category><![CDATA[Lynne Sachs]]></category>
		<category><![CDATA[Museum of the Moving Image]]></category>
		<category><![CDATA[Orly Airport]]></category>
		<category><![CDATA[Palace of Fine Arts]]></category>
		<category><![CDATA[Panama-Pacific International Exposition]]></category>
		<category><![CDATA[Petite Planète]]></category>
		<category><![CDATA[Pierre Lhomme]]></category>
		<category><![CDATA[political documentaries]]></category>
		<category><![CDATA[rare film collaborations]]></category>
		<category><![CDATA[Raul Ruiz]]></category>
		<category><![CDATA[San Francisco film events]]></category>
		<category><![CDATA[SAN SOLEIL]]></category>
		<category><![CDATA[Santiago Álvarez]]></category>
		<category><![CDATA[Small Planet]]></category>
		<category><![CDATA[Solaris mon amour]]></category>
		<category><![CDATA[speculative fiction]]></category>
		<category><![CDATA[SUNLESS]]></category>
		<category><![CDATA[Sylvia Savadjian]]></category>
		<category><![CDATA[THE FIFTH SHOT OF LA JETÉE]]></category>
		<category><![CDATA[THE JETTY]]></category>
		<category><![CDATA[THE PIER]]></category>
		<category><![CDATA[time-travel movies]]></category>
		<category><![CDATA[Tom Luddy]]></category>
		<category><![CDATA[visual storytelling]]></category>
		<category><![CDATA[Walerian Borowczyk]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=52784</guid>

					<description><![CDATA[<div><img width="300" height="168" src="https://www.hammertonail.com/wp-content/uploads/2025/03/25th-300x168.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2025/03/25th-300x168.png 300w, https://www.hammertonail.com/wp-content/uploads/2025/03/25th-1024x573.png 1024w, https://www.hammertonail.com/wp-content/uploads/2025/03/25th-768x429.png 768w, https://www.hammertonail.com/wp-content/uploads/2025/03/25th-1536x859.png 1536w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>(The Museum of Moving Image’s First Look Festival runs March 12-16. Chrck out Jonathan Marlow&#8217;s movie review of The Fifth Shot of La Jetée. Seen it? Join the conversation with HtN on our Letterboxd Page.) “We’re entertaining ghosts now.” One year to [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/reviews/fifth-shot-of-la-jetee/">LA JETÉE THE FIFTH SHOT</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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