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	<title>auteur theory Archives - Hammer to Nail</title>
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	<title>auteur theory Archives - Hammer to Nail</title>
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		<title>A Conversation with Kleber Mendonça Filho (THE SECRET AGENT)</title>
		<link>https://www.hammertonail.com/interviews/mendonca-filho/</link>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Tue, 04 Nov 2025 15:37:20 +0000</pubDate>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[1977 Brazil]]></category>
		<category><![CDATA[anamorphic lenses]]></category>
		<category><![CDATA[Arri Alexa 35]]></category>
		<category><![CDATA[auteur theory]]></category>
		<category><![CDATA[Brazilian Cinema]]></category>
		<category><![CDATA[Brazilian director]]></category>
		<category><![CDATA[Brazilian history]]></category>
		<category><![CDATA[Cannes Film Festival 2025]]></category>
		<category><![CDATA[cinema and memory]]></category>
		<category><![CDATA[cinematography]]></category>
		<category><![CDATA[Evgenia Alexandrova]]></category>
		<category><![CDATA[film criticism]]></category>
		<category><![CDATA[film nostalgia]]></category>
		<category><![CDATA[filmmaking]]></category>
		<category><![CDATA[Hammer to Nail interview]]></category>
		<category><![CDATA[journalism in film]]></category>
		<category><![CDATA[Kleber Mendonça Filho]]></category>
		<category><![CDATA[Latin American cinema]]></category>
		<category><![CDATA[Middleburg Film Festival]]></category>
		<category><![CDATA[military dictatorship Brazil]]></category>
		<category><![CDATA[Pictures of Ghosts]]></category>
		<category><![CDATA[political thriller]]></category>
		<category><![CDATA[Recife]]></category>
		<category><![CDATA[The Secret Agent]]></category>
		<category><![CDATA[Wagner Moura]]></category>
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					<description><![CDATA[<div><img width="300" height="139" src="https://www.hammertonail.com/wp-content/uploads/2025/11/Kleber-Mendonca-Filho-with-Wagner-Moura-MK2-Films-300x139.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2025/11/Kleber-Mendonca-Filho-with-Wagner-Moura-MK2-Films-300x139.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2025/11/Kleber-Mendonca-Filho-with-Wagner-Moura-MK2-Films-1024x475.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2025/11/Kleber-Mendonca-Filho-with-Wagner-Moura-MK2-Films-768x356.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2025/11/Kleber-Mendonca-Filho-with-Wagner-Moura-MK2-Films.jpg 1500w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>Winner of the Best Director and Best Actor awards at the 2025 Cannes Film Festival, The Secret Agent, from Brazilian director Kleber Mendonça Filho (Bacurau), takes place in 1977 during Brazil’s military dictatorship. It was a time of violence and [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/mendonca-filho/">A Conversation with Kleber Mendonça Filho (THE SECRET AGENT)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<item>
		<title>WHAT SHE SAID: THE ART OF PAULINE KAEL</title>
		<link>https://www.hammertonail.com/shorts-contest/pauline-kael-doc/</link>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Wed, 21 Nov 2018 21:08:04 +0000</pubDate>
				<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[SHORT FILM CONTEST]]></category>
		<category><![CDATA[2018 DOC NYC]]></category>
		<category><![CDATA[Andrew Sarris]]></category>
		<category><![CDATA[Arthur Penn]]></category>
		<category><![CDATA[auteur theory]]></category>
		<category><![CDATA[Bonnie and Clyde]]></category>
		<category><![CDATA[Charlie Chaplin]]></category>
		<category><![CDATA[David Edelstein]]></category>
		<category><![CDATA[David Lean]]></category>
		<category><![CDATA[DOC NYC]]></category>
		<category><![CDATA[Fresh Air]]></category>
		<category><![CDATA[I Lost It at the Movies]]></category>
		<category><![CDATA[John Boorman]]></category>
		<category><![CDATA[Lawrence of Arabia]]></category>
		<category><![CDATA[Limelight]]></category>
		<category><![CDATA[Molly Haskell]]></category>
		<category><![CDATA[New Yorker]]></category>
		<category><![CDATA[Paul Schrader]]></category>
		<category><![CDATA[Pauline Kael]]></category>
		<category><![CDATA[Quentin Tarantino]]></category>
		<category><![CDATA[Rob Garver]]></category>
		<category><![CDATA[Sarah Jessica Parker]]></category>
		<category><![CDATA[WHAT SHE SAID: THE ART OF PAULINE KAEL]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=30468</guid>

					<description><![CDATA[<div><img width="145" height="216" src="https://www.hammertonail.com/wp-content/uploads/2018/11/1kael.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" /></div>
<p>Like or dislike her reviews – and I do both – there is no denying her importance in the history of the movies.</p>
<p>The post <a href="https://www.hammertonail.com/shorts-contest/pauline-kael-doc/">WHAT SHE SAID: THE ART OF PAULINE KAEL</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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