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	<title>archival footage Archives - Hammer to Nail</title>
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	<title>archival footage Archives - Hammer to Nail</title>
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	<item>
		<title>AMAZING LIVE SEA MONKEYS</title>
		<link>https://www.hammertonail.com/reviews/amazing-live-sea-monkeys/</link>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Mon, 16 Mar 2026 22:19:50 +0000</pubDate>
				<category><![CDATA[Documentary]]></category>
		<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[2026 SXSW Film Festival]]></category>
		<category><![CDATA[Aaron Schock]]></category>
		<category><![CDATA[Amazing Live Sea Monkeys]]></category>
		<category><![CDATA[archival footage]]></category>
		<category><![CDATA[Austin Texas]]></category>
		<category><![CDATA[brine shrimp]]></category>
		<category><![CDATA[Chris Reed]]></category>
		<category><![CDATA[Film Festival]]></category>
		<category><![CDATA[Harold von Braunhut]]></category>
		<category><![CDATA[HtN]]></category>
		<category><![CDATA[legal battle]]></category>
		<category><![CDATA[Letterboxd]]></category>
		<category><![CDATA[Mark Becker]]></category>
		<category><![CDATA[Movie Review]]></category>
		<category><![CDATA[Nostalgia]]></category>
		<category><![CDATA[Sea Monkeys]]></category>
		<category><![CDATA[True crime documentary]]></category>
		<category><![CDATA[white-supremacist]]></category>
		<category><![CDATA[Yolanda Signorelli]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=55251</guid>

					<description><![CDATA[<div><img width="300" height="221" src="https://www.hammertonail.com/wp-content/uploads/2026/03/AMAZING-LIVE-SEA-MONKEYS-still-300x221.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" fetchpriority="high" srcset="https://www.hammertonail.com/wp-content/uploads/2026/03/AMAZING-LIVE-SEA-MONKEYS-still-300x221.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2026/03/AMAZING-LIVE-SEA-MONKEYS-still-1024x753.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2026/03/AMAZING-LIVE-SEA-MONKEYS-still-768x565.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2026/03/AMAZING-LIVE-SEA-MONKEYS-still.jpg 1500w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>(The 2026 SXSW Film Festival runs March 12-18 in beautiful Austin, TX. Check out Chris Reed’s Amazing Live Sea Monkeys movie review, fresh from the fest. Seen it? Join the conversation with HtN on our Letterboxd Page.) Anyone who read comic books from the [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/reviews/amazing-live-sea-monkeys/">AMAZING LIVE SEA MONKEYS</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<item>
		<title>A Conversation with David Greaves, Liani Greaves, Anne de Mare &#038; Lynn True (ONCE UPON A TIME IN HARLEM)</title>
		<link>https://www.hammertonail.com/interviews/once-upon-a-time-in-harlem/</link>
		
		<dc:creator><![CDATA[Jack Schenker]]></dc:creator>
		<pubDate>Sun, 01 Feb 2026 23:20:45 +0000</pubDate>
				<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[16mm film]]></category>
		<category><![CDATA[A. Philip Randolph]]></category>
		<category><![CDATA[Albert Maysles]]></category>
		<category><![CDATA[Anne de Mare]]></category>
		<category><![CDATA[archival footage]]></category>
		<category><![CDATA[Arna Bontemps]]></category>
		<category><![CDATA[Bill Brand]]></category>
		<category><![CDATA[black filmmakers]]></category>
		<category><![CDATA[Black Filmmakers Hall of Fame]]></category>
		<category><![CDATA[Black Journal]]></category>
		<category><![CDATA[Countee Cullen]]></category>
		<category><![CDATA[David Greaves]]></category>
		<category><![CDATA[documentary filmmaking]]></category>
		<category><![CDATA[Duke Ellington]]></category>
		<category><![CDATA[Experimental Film]]></category>
		<category><![CDATA[film editing]]></category>
		<category><![CDATA[film preservation]]></category>
		<category><![CDATA[George Schuyler]]></category>
		<category><![CDATA[Hammer to Nail interview]]></category>
		<category><![CDATA[Harlem Renaissance documentary]]></category>
		<category><![CDATA[Harlem townhouse]]></category>
		<category><![CDATA[Hubert Harrison]]></category>
		<category><![CDATA[Ida B. Wells: A Passion for Justice]]></category>
		<category><![CDATA[In Transit]]></category>
		<category><![CDATA[independent film]]></category>
		<category><![CDATA[Ishmael Reed]]></category>
		<category><![CDATA[Langston Hughes]]></category>
		<category><![CDATA[Leigh Whipper]]></category>
		<category><![CDATA[Liani Greaves]]></category>
		<category><![CDATA[Louise Archambault Greaves]]></category>
		<category><![CDATA[Lynn True]]></category>
		<category><![CDATA[Marcus Garvey]]></category>
		<category><![CDATA[Nathan Huggins]]></category>
		<category><![CDATA[National Film Registry]]></category>
		<category><![CDATA[Nugent]]></category>
		<category><![CDATA[Once Upon a Time in Harlem]]></category>
		<category><![CDATA[Ontological-Hysteric Theater]]></category>
		<category><![CDATA[Ralph Bunche: An American Odyssey]]></category>
		<category><![CDATA[Richard B. Moore]]></category>
		<category><![CDATA[Richard Foreman]]></category>
		<category><![CDATA[Schomburg Center]]></category>
		<category><![CDATA[Steve Buscemi]]></category>
		<category><![CDATA[Steven Soderbergh]]></category>
		<category><![CDATA[Sundance film]]></category>
		<category><![CDATA[Symbiopsychotaxiplasm: Take One]]></category>
		<category><![CDATA[W.E.B. Du Bois]]></category>
		<category><![CDATA[William Greaves]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54961</guid>

					<description><![CDATA[<div><img width="300" height="104" src="https://www.hammertonail.com/wp-content/uploads/2026/02/cover-300x104.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2026/02/cover-300x104.png 300w, https://www.hammertonail.com/wp-content/uploads/2026/02/cover-1024x356.png 1024w, https://www.hammertonail.com/wp-content/uploads/2026/02/cover-768x267.png 768w, https://www.hammertonail.com/wp-content/uploads/2026/02/cover-1536x533.png 1536w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>Once Upon a Time in Harlem is the best film I saw at Sundance this year. It is also, in a sense, a miracle. In 1972, the legendary documentary filmmaker William Greaves—director of the avant-garde masterpiece Symbiopsychotaxiplasm: Take One (1968), [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/once-upon-a-time-in-harlem/">A Conversation with David Greaves, Liani Greaves, Anne de Mare &#038; Lynn True (ONCE UPON A TIME IN HARLEM)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<item>
		<title>A Conversation with Colette Ghunim (TRACES OF HOME)</title>
		<link>https://www.hammertonail.com/interviews/colette-ghunim/</link>
		
		<dc:creator><![CDATA[Kaitlyn Hardy]]></dc:creator>
		<pubDate>Wed, 03 Dec 2025 20:55:32 +0000</pubDate>
				<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[animation in documentary]]></category>
		<category><![CDATA[archival footage]]></category>
		<category><![CDATA[Colette Ghunim]]></category>
		<category><![CDATA[community support]]></category>
		<category><![CDATA[cross-generational trauma]]></category>
		<category><![CDATA[DOC NYC premiere]]></category>
		<category><![CDATA[documentary film]]></category>
		<category><![CDATA[family healing journey]]></category>
		<category><![CDATA[finding home]]></category>
		<category><![CDATA[forced displacement]]></category>
		<category><![CDATA[healing from trauma]]></category>
		<category><![CDATA[home and identity]]></category>
		<category><![CDATA[immigrant story]]></category>
		<category><![CDATA[immigration policies]]></category>
		<category><![CDATA[intergenerational trauma]]></category>
		<category><![CDATA[mental health documentary]]></category>
		<category><![CDATA[Mexican migration]]></category>
		<category><![CDATA[Mezcla Media Collective]]></category>
		<category><![CDATA[Palestinian diaspora]]></category>
		<category><![CDATA[parent-child relationships]]></category>
		<category><![CDATA[personal documentary]]></category>
		<category><![CDATA[somatic healing]]></category>
		<category><![CDATA[therapy and filmmaking]]></category>
		<category><![CDATA[Traces of Home]]></category>
		<category><![CDATA[Trump administration impact]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54573</guid>

					<description><![CDATA[<div><img width="300" height="129" src="https://www.hammertonail.com/wp-content/uploads/2025/12/Screenshot-2025-12-03-at-12.54.03 PM-300x129.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2025/12/Screenshot-2025-12-03-at-12.54.03 PM-300x129.png 300w, https://www.hammertonail.com/wp-content/uploads/2025/12/Screenshot-2025-12-03-at-12.54.03 PM-1024x439.png 1024w, https://www.hammertonail.com/wp-content/uploads/2025/12/Screenshot-2025-12-03-at-12.54.03 PM-768x329.png 768w, https://www.hammertonail.com/wp-content/uploads/2025/12/Screenshot-2025-12-03-at-12.54.03 PM-1536x658.png 1536w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>In Traces of Home, filmmaker Colette Ghunim takes her parents back to the homes they were forced to leave as children. Her mother returns to her childhood home in Mexico City, and her father finds the home he fled in [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/colette-ghunim/">A Conversation with Colette Ghunim (TRACES OF HOME)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<item>
		<title>SUBURBAN FURY</title>
		<link>https://www.hammertonail.com/reviews/suburban-fury/</link>
		
		<dc:creator><![CDATA[Lauren Wissot]]></dc:creator>
		<pubDate>Tue, 02 Dec 2025 21:58:47 +0000</pubDate>
				<category><![CDATA[Documentary]]></category>
		<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[1970s San Francisco]]></category>
		<category><![CDATA[Agnes Varda]]></category>
		<category><![CDATA[American History]]></category>
		<category><![CDATA[archival footage]]></category>
		<category><![CDATA[assassination attempt]]></category>
		<category><![CDATA[Errol Morris]]></category>
		<category><![CDATA[experimental documentary]]></category>
		<category><![CDATA[FBI informant]]></category>
		<category><![CDATA[female assassin]]></category>
		<category><![CDATA[Gerald Ford]]></category>
		<category><![CDATA[nonagenarian]]></category>
		<category><![CDATA[Patty Hearst]]></category>
		<category><![CDATA[political chameleon]]></category>
		<category><![CDATA[radical leftist]]></category>
		<category><![CDATA[Robinson Devor]]></category>
		<category><![CDATA[Sara Jane Moore]]></category>
		<category><![CDATA[Suburban Fury]]></category>
		<category><![CDATA[Symbionese Liberation Army]]></category>
		<category><![CDATA[True crime documentary]]></category>
		<category><![CDATA[under the radar footage]]></category>
		<category><![CDATA[United Prisoners Union]]></category>
		<category><![CDATA[unreliable narrator]]></category>
		<category><![CDATA[women's army corps]]></category>
		<category><![CDATA[Zoo documentary]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54555</guid>

					<description><![CDATA[<div><img width="300" height="169" src="https://www.hammertonail.com/wp-content/uploads/2025/12/furrry-300x169.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2025/12/furrry-300x169.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2025/12/furrry-1024x576.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2025/12/furrry-768x432.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2025/12/furrry-1536x864.jpg 1536w, https://www.hammertonail.com/wp-content/uploads/2025/12/furrry.jpg 1600w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>(Check out Lauren Wissot&#8217;s Suburban Fury movie review. Seen it? Join the conversation with HtN on our Letterboxd Page.) Robinson Devor’s Suburban Fury has been in the works for some time. In fact, the team sent out a press release all the way back [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/reviews/suburban-fury/">SUBURBAN FURY</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<item>
		<title>A Conversation with Marialuisa Ernst (A PLACE OF ABSENCE)</title>
		<link>https://www.hammertonail.com/interviews/marialuisa-ernst/</link>
		
		<dc:creator><![CDATA[Kaitlyn Hardy]]></dc:creator>
		<pubDate>Wed, 19 Nov 2025 19:02:18 +0000</pubDate>
				<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[A Place of Absence]]></category>
		<category><![CDATA[Ambiguous loss]]></category>
		<category><![CDATA[Anita COFAMIDE]]></category>
		<category><![CDATA[archival footage]]></category>
		<category><![CDATA[Argentina Dirty War]]></category>
		<category><![CDATA[Caravan of Mothers]]></category>
		<category><![CDATA[Central American migration]]></category>
		<category><![CDATA[Cofamide]]></category>
		<category><![CDATA[CONADEP]]></category>
		<category><![CDATA[Desaparecidos]]></category>
		<category><![CDATA[Disappeared persons]]></category>
		<category><![CDATA[DOC NYC 2025]]></category>
		<category><![CDATA[documentary filmmaking]]></category>
		<category><![CDATA[El Salvador]]></category>
		<category><![CDATA[Grief and perseverance]]></category>
		<category><![CDATA[human rights activism]]></category>
		<category><![CDATA[human rights documentary]]></category>
		<category><![CDATA[Latin America documentary]]></category>
		<category><![CDATA[Leti Caravan]]></category>
		<category><![CDATA[Marialuisa Ernst]]></category>
		<category><![CDATA[Mass graves]]></category>
		<category><![CDATA[Migrant crisis]]></category>
		<category><![CDATA[Migrant disappearances]]></category>
		<category><![CDATA[Military dictatorship Argentina]]></category>
		<category><![CDATA[Missing migrants]]></category>
		<category><![CDATA[Mothers of Plaza de Mayo]]></category>
		<category><![CDATA[National Reorganization Process]]></category>
		<category><![CDATA[Performance art documentary]]></category>
		<category><![CDATA[Plaza de Mayo mothers]]></category>
		<category><![CDATA[Searching for the disappeared]]></category>
		<category><![CDATA[stop-motion animation]]></category>
		<category><![CDATA[Transgenerational trauma]]></category>
		<category><![CDATA[Unmarked graves]]></category>
		<category><![CDATA[Verité filmmaking]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54466</guid>

					<description><![CDATA[<div><img width="300" height="300" src="https://www.hammertonail.com/wp-content/uploads/2025/11/Dir.-Marialuisa-Ernst-300x300.jpeg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2025/11/Dir.-Marialuisa-Ernst-300x300.jpeg 300w, https://www.hammertonail.com/wp-content/uploads/2025/11/Dir.-Marialuisa-Ernst-1024x1024.jpeg 1024w, https://www.hammertonail.com/wp-content/uploads/2025/11/Dir.-Marialuisa-Ernst-150x150.jpeg 150w, https://www.hammertonail.com/wp-content/uploads/2025/11/Dir.-Marialuisa-Ernst-768x767.jpeg 768w, https://www.hammertonail.com/wp-content/uploads/2025/11/Dir.-Marialuisa-Ernst-1536x1534.jpeg 1536w, https://www.hammertonail.com/wp-content/uploads/2025/11/Dir.-Marialuisa-Ernst-650x650.jpeg 650w, https://www.hammertonail.com/wp-content/uploads/2025/11/Dir.-Marialuisa-Ernst-1300x1300.jpeg 1300w, https://www.hammertonail.com/wp-content/uploads/2025/11/Dir.-Marialuisa-Ernst-24x24.jpeg 24w, https://www.hammertonail.com/wp-content/uploads/2025/11/Dir.-Marialuisa-Ernst-48x48.jpeg 48w, https://www.hammertonail.com/wp-content/uploads/2025/11/Dir.-Marialuisa-Ernst-96x96.jpeg 96w, https://www.hammertonail.com/wp-content/uploads/2025/11/Dir.-Marialuisa-Ernst-250x250.jpeg 250w, https://www.hammertonail.com/wp-content/uploads/2025/11/Dir.-Marialuisa-Ernst.jpeg 1560w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>During Argentina’s Dirty War between 1976 and 1983, up to 30,000 people disappeared. Many were dissidents and activists publicly opposing the military dictatorship, Proceso de Reorganización Nacional (National Reorganization Process), though others were citizens suspected of being “terrorists” for having [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/marialuisa-ernst/">A Conversation with Marialuisa Ernst (A PLACE OF ABSENCE)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>A Conversation with Emily Mkrtichian (THERE WAS, THERE WAS NOT)</title>
		<link>https://www.hammertonail.com/interviews/emily-mkrtichian/</link>
		
		<dc:creator><![CDATA[Kaitlyn Hardy]]></dc:creator>
		<pubDate>Tue, 21 Oct 2025 18:10:16 +0000</pubDate>
				<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[archival footage]]></category>
		<category><![CDATA[Armenian genocide]]></category>
		<category><![CDATA[Armenian women]]></category>
		<category><![CDATA[Artsakh film]]></category>
		<category><![CDATA[conflict journalism]]></category>
		<category><![CDATA[de-miners Artsakh]]></category>
		<category><![CDATA[displacement]]></category>
		<category><![CDATA[documentary filmmaking]]></category>
		<category><![CDATA[Emily Mkrtichian]]></category>
		<category><![CDATA[ethnic cleansing]]></category>
		<category><![CDATA[feminist film]]></category>
		<category><![CDATA[Gayane feminist leader]]></category>
		<category><![CDATA[memory and storytelling]]></category>
		<category><![CDATA[Nagorno-Karabakh documentary]]></category>
		<category><![CDATA[oral history]]></category>
		<category><![CDATA[personal essay film]]></category>
		<category><![CDATA[post-conflict society]]></category>
		<category><![CDATA[Remove term: There Was There Was Not There Was There Was Not movie]]></category>
		<category><![CDATA[resilience]]></category>
		<category><![CDATA[Siranush politician]]></category>
		<category><![CDATA[Sosé Judo champion]]></category>
		<category><![CDATA[Sundance Institute]]></category>
		<category><![CDATA[Sveta deminer]]></category>
		<category><![CDATA[There Was There Was Not]]></category>
		<category><![CDATA[True/False Film Festival]]></category>
		<category><![CDATA[war documentary]]></category>
		<category><![CDATA[Women in War]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54284</guid>

					<description><![CDATA[<div><img width="200" height="300" src="https://www.hammertonail.com/wp-content/uploads/2025/10/Emily-Mkrtichian-headshot-photo-credit-Chris-Natalie-200x300.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2025/10/Emily-Mkrtichian-headshot-photo-credit-Chris-Natalie-200x300.jpg 200w, https://www.hammertonail.com/wp-content/uploads/2025/10/Emily-Mkrtichian-headshot-photo-credit-Chris-Natalie-683x1024.jpg 683w, https://www.hammertonail.com/wp-content/uploads/2025/10/Emily-Mkrtichian-headshot-photo-credit-Chris-Natalie-768x1152.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2025/10/Emily-Mkrtichian-headshot-photo-credit-Chris-Natalie-1024x1536.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2025/10/Emily-Mkrtichian-headshot-photo-credit-Chris-Natalie-1365x2048.jpg 1365w, https://www.hammertonail.com/wp-content/uploads/2025/10/Emily-Mkrtichian-headshot-photo-credit-Chris-Natalie-scaled.jpg 1707w" sizes="auto, (max-width: 200px) 100vw, 200px" /></div>
<p>It may be incongruous to characterize a film about war and destruction as “gentle,” or a film of loss and ethnic cleaning as “tender,” but Emily Mkrtichian’s debut feature There Was, There Was Not is a film that continuously breaks [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/emily-mkrtichian/">A Conversation with Emily Mkrtichian (THERE WAS, THERE WAS NOT)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<item>
		<title>LOUDER THAN YOU THINK: A LO-FI HISTORY OF GARY YOUNG AND PAVEMENT</title>
		<link>https://www.hammertonail.com/reviews/louder-than-you-think/</link>
		
		<dc:creator><![CDATA[Don R. Lewis]]></dc:creator>
		<pubDate>Thu, 20 Feb 2025 20:40:14 +0000</pubDate>
				<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Latest Reviews]]></category>
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		<category><![CDATA[alcohol addiction]]></category>
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		<category><![CDATA[Bob Nastanovich]]></category>
		<category><![CDATA[Chris Lombardi]]></category>
		<category><![CDATA[DIY filmmaking]]></category>
		<category><![CDATA[Gary Young]]></category>
		<category><![CDATA[indie rock band]]></category>
		<category><![CDATA[Jed I. Rosenberg]]></category>
		<category><![CDATA[Louder Than You Think]]></category>
		<category><![CDATA[low-fi filmmaking.]]></category>
		<category><![CDATA[Mark Ibold]]></category>
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		<category><![CDATA[Pavement band history]]></category>
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		<guid isPermaLink="false">https://www.hammertonail.com/?p=52639</guid>

					<description><![CDATA[<div><img width="300" height="188" src="https://www.hammertonail.com/wp-content/uploads/2025/02/pavement-300x188.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2025/02/pavement-300x188.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2025/02/pavement-768x480.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2025/02/pavement.jpg 800w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>(Check out Don Lewis&#8217;s movie review of Louder Than You Think: A Lo-Fi History of Gary and Pavement Jed I. Rosenberg’s doc on the early days of the band Pavement. It&#8217;s available now to own or stream via Factory 25. Seen it? [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/reviews/louder-than-you-think/">LOUDER THAN YOU THINK: A LO-FI HISTORY OF GARY YOUNG AND PAVEMENT</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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