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	<title>All These Sleepless Nights Archives - Hammer to Nail</title>
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	<title>All These Sleepless Nights Archives - Hammer to Nail</title>
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		<title>Chris Reed&#8217;s AFI DOCS Wrap-Up</title>
		<link>https://www.hammertonail.com/reviews/chris-reeds-afi-docs-wrap-up/</link>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Fri, 15 Jul 2016 21:08:12 +0000</pubDate>
				<category><![CDATA[Best of]]></category>
		<category><![CDATA[Documentary]]></category>
		<category><![CDATA[EDITORIAL]]></category>
		<category><![CDATA[Film Festivals]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[2016 AFI Docs]]></category>
		<category><![CDATA[Abortion: Stories Women Tell]]></category>
		<category><![CDATA[Alex Gibney]]></category>
		<category><![CDATA[All These Sleepless Nights]]></category>
		<category><![CDATA[Almost Sunrise]]></category>
		<category><![CDATA[Audrie & Daisy]]></category>
		<category><![CDATA[Audrie Pott]]></category>
		<category><![CDATA[autism]]></category>
		<category><![CDATA[Barbara Kopple]]></category>
		<category><![CDATA[Bonni Cohen]]></category>
		<category><![CDATA[Chicken people]]></category>
		<category><![CDATA[Craig Atkinson]]></category>
		<category><![CDATA[Disney]]></category>
		<category><![CDATA[Do Not Resist]]></category>
		<category><![CDATA[Hotel Dallas]]></category>
		<category><![CDATA[Jon Shenk]]></category>
		<category><![CDATA[Keith Maitland]]></category>
		<category><![CDATA[Kim A. Snyder]]></category>
		<category><![CDATA[Life Animated]]></category>
		<category><![CDATA[Lo and Behold]]></category>
		<category><![CDATA[Maya Angelou: And Still I Rise]]></category>
		<category><![CDATA[Maya Goded]]></category>
		<category><![CDATA[Michael Collins]]></category>
		<category><![CDATA[Newtown]]></category>
		<category><![CDATA[Nicole Lucas Haimes]]></category>
		<category><![CDATA[Plaza de la Soledad]]></category>
		<category><![CDATA[Rich Hill]]></category>
		<category><![CDATA[Roger Ross Williams]]></category>
		<category><![CDATA[Sandy Hook]]></category>
		<category><![CDATA[The Other Side]]></category>
		<category><![CDATA[Tower]]></category>
		<category><![CDATA[Tracy Droz Tragos]]></category>
		<category><![CDATA[Under the Sun]]></category>
		<category><![CDATA[Vitaly Mansky]]></category>
		<category><![CDATA[Werner Herzog]]></category>
		<category><![CDATA[Zero Days]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=26776</guid>

					<description><![CDATA[<p>The American Film Institute (AFI) was founded in 1967 “as a national arts organization to train filmmakers and preserve America&#8217;s vanishing film heritage.” As such, it has been a wonderful archivist of, and proselytizer for, great American contributions to global [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/reviews/chris-reeds-afi-docs-wrap-up/">Chris Reed&#8217;s AFI DOCS Wrap-Up</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>THE OTHER SIDE</title>
		<link>https://www.hammertonail.com/reviews/the-other-side-movie-review/</link>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Fri, 20 May 2016 18:24:32 +0000</pubDate>
				<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Experimental]]></category>
		<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[VOD Release]]></category>
		<category><![CDATA[All These Sleepless Nights]]></category>
		<category><![CDATA[American Splendor]]></category>
		<category><![CDATA[Denise Ping Lee]]></category>
		<category><![CDATA[Jean-Luc Godard]]></category>
		<category><![CDATA[Joshua Oppenheimer]]></category>
		<category><![CDATA[Kate Plays Christine]]></category>
		<category><![CDATA[Low Tide]]></category>
		<category><![CDATA[Michal Marczak]]></category>
		<category><![CDATA[Robert Greene]]></category>
		<category><![CDATA[Roberto Minervini]]></category>
		<category><![CDATA[Stop the Pounding Heart]]></category>
		<category><![CDATA[The Act of Killing]]></category>
		<category><![CDATA[The Little Soldier]]></category>
		<category><![CDATA[The Otehr Side]]></category>
		<category><![CDATA[The Passage]]></category>
		<category><![CDATA[Touching the Void]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=26420</guid>

					<description><![CDATA[<div><img width="145" height="216" src="https://www.hammertonail.com/wp-content/uploads/2016/05/osidePoster.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" /></div>
<p>In “The Other Side,” Roberto Minervini Reinvents Docucinema, for Better and for Worse</p>
<p>The post <a href="https://www.hammertonail.com/reviews/the-other-side-movie-review/">THE OTHER SIDE</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>A Conversation With William Kirkley (ORANGE SUNSHINE)</title>
		<link>https://www.hammertonail.com/interviews/a-conversation-with-william-kirkley/</link>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Tue, 17 May 2016 20:06:11 +0000</pubDate>
				<category><![CDATA[EDITORIAL]]></category>
		<category><![CDATA[Film Festivals]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[2016 Maryland Film Festival]]></category>
		<category><![CDATA[All These Sleepless Nights]]></category>
		<category><![CDATA[drug culture documentary]]></category>
		<category><![CDATA[drug smuggling]]></category>
		<category><![CDATA[Excavating Taylor Mead]]></category>
		<category><![CDATA[Orange Sunshine]]></category>
		<category><![CDATA[The Brotherhood of Eternal Love]]></category>
		<category><![CDATA[William Kirkley]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=26395</guid>

					<description><![CDATA[<div><img width="300" height="200" src="https://www.hammertonail.com/wp-content/uploads/2016/05/2016-05-06_MFF2016_Kirkley-300x200.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" fetchpriority="high" srcset="https://www.hammertonail.com/wp-content/uploads/2016/05/2016-05-06_MFF2016_Kirkley-300x200.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2016/05/2016-05-06_MFF2016_Kirkley-768x512.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2016/05/2016-05-06_MFF2016_Kirkley-1024x683.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2016/05/2016-05-06_MFF2016_Kirkley-600x400.jpg 600w, https://www.hammertonail.com/wp-content/uploads/2016/05/2016-05-06_MFF2016_Kirkley.jpg 1500w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>I met with director William Kirkley at the Maryland Film Festival on Thursday, May 5, 2016, to discuss his documentary feature Orange Sunshine, about the history of The Brotherhood of Eternal Love, which has been making the rounds of the [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/a-conversation-with-william-kirkley/">A Conversation With William Kirkley (ORANGE SUNSHINE)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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