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	<title>Age of Innocence Archives - Hammer to Nail</title>
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	<title>Age of Innocence Archives - Hammer to Nail</title>
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		<title>A Conversation with Toni Servillo (LA GRAZIA)</title>
		<link>https://www.hammertonail.com/interviews/toni-servillo/</link>
		
		<dc:creator><![CDATA[Jack Schenker]]></dc:creator>
		<pubDate>Sun, 07 Dec 2025 18:03:34 +0000</pubDate>
				<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[actor-director collaboration]]></category>
		<category><![CDATA[Age of Innocence]]></category>
		<category><![CDATA[character study]]></category>
		<category><![CDATA[cinematic performance]]></category>
		<category><![CDATA[Daniel Day Lewis]]></category>
		<category><![CDATA[emotional depth]]></category>
		<category><![CDATA[euthanasia drama]]></category>
		<category><![CDATA[fragility and power]]></category>
		<category><![CDATA[Goodfellas]]></category>
		<category><![CDATA[Il Divo]]></category>
		<category><![CDATA[Italian cinema]]></category>
		<category><![CDATA[Italian film 2025]]></category>
		<category><![CDATA[Italian President]]></category>
		<category><![CDATA[La Grazia]]></category>
		<category><![CDATA[Mariano De Santis]]></category>
		<category><![CDATA[Martin Scorsese]]></category>
		<category><![CDATA[micro-expressions]]></category>
		<category><![CDATA[moral principles]]></category>
		<category><![CDATA[Paolo Sorrentino]]></category>
		<category><![CDATA[Quirinale Palace]]></category>
		<category><![CDATA[restrained performance]]></category>
		<category><![CDATA[smoking in film]]></category>
		<category><![CDATA[sober filmmaking]]></category>
		<category><![CDATA[solitude of power]]></category>
		<category><![CDATA[The Great Beauty]]></category>
		<category><![CDATA[Toni Servillo]]></category>
		<category><![CDATA[Toni Servillo interview]]></category>
		<category><![CDATA[Venice Film Festival Best Actor]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54595</guid>

					<description><![CDATA[<div><img width="300" height="200" src="https://www.hammertonail.com/wp-content/uploads/2025/12/Servi-300x200.webp" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" fetchpriority="high" srcset="https://www.hammertonail.com/wp-content/uploads/2025/12/Servi-300x200.webp 300w, https://www.hammertonail.com/wp-content/uploads/2025/12/Servi.webp 600w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>Few actor-director partnerships in contemporary cinema have proven as fruitful, or as essential as the collaboration between Toni Servillo and Paolo Sorrentino. Since their first meeting on the set of One Man Up  in 2001, the Naples-born actor and filmmaker have [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/toni-servillo/">A Conversation with Toni Servillo (LA GRAZIA)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<title>A Conversation with Arnaud Desplechin (SPECTATEURS!)</title>
		<link>https://www.hammertonail.com/interviews/arnaud-desplechin/</link>
		
		<dc:creator><![CDATA[Rory O'Connor]]></dc:creator>
		<pubDate>Thu, 27 Feb 2025 19:07:04 +0000</pubDate>
				<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[A Christmas Tale]]></category>
		<category><![CDATA[Age of Innocence]]></category>
		<category><![CDATA[Armageddon Time]]></category>
		<category><![CDATA[Arnaud Desplechin]]></category>
		<category><![CDATA[Beastiari Herbari Lepadari]]></category>
		<category><![CDATA[Belfast]]></category>
		<category><![CDATA[Broken Arrow]]></category>
		<category><![CDATA[Carax]]></category>
		<category><![CDATA[Charles Gillibert]]></category>
		<category><![CDATA[Charlotte Rampling]]></category>
		<category><![CDATA[Cheyenne Autumn]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[cinema appreciation]]></category>
		<category><![CDATA[cinephile]]></category>
		<category><![CDATA[Claude Lanzmann]]></category>
		<category><![CDATA[Coppola]]></category>
		<category><![CDATA[directors]]></category>
		<category><![CDATA[Emerson]]></category>
		<category><![CDATA[Emilia Pérez]]></category>
		<category><![CDATA[Fabelmans]]></category>
		<category><![CDATA[Fahrenheit 451]]></category>
		<category><![CDATA[film analysis]]></category>
		<category><![CDATA[film editing]]></category>
		<category><![CDATA[film festivals]]></category>
		<category><![CDATA[film history]]></category>
		<category><![CDATA[film nostalgia]]></category>
		<category><![CDATA[film production]]></category>
		<category><![CDATA[filmmaking]]></category>
		<category><![CDATA[François Civil]]></category>
		<category><![CDATA[French Cinema]]></category>
		<category><![CDATA[Godard]]></category>
		<category><![CDATA[Guadagnino]]></category>
		<category><![CDATA[James Gray]]></category>
		<category><![CDATA[John Woo]]></category>
		<category><![CDATA[Joker]]></category>
		<category><![CDATA[Kamen Velkovsky]]></category>
		<category><![CDATA[Kazan]]></category>
		<category><![CDATA[Lars von Trier]]></category>
		<category><![CDATA[Mathieu Amalric]]></category>
		<category><![CDATA[Megalopolis]]></category>
		<category><![CDATA[Melancholia]]></category>
		<category><![CDATA[Minority Report]]></category>
		<category><![CDATA[movie clips]]></category>
		<category><![CDATA[movie recommendations]]></category>
		<category><![CDATA[My Golden Days]]></category>
		<category><![CDATA[My Sex Life… or How I Got Into An Argument]]></category>
		<category><![CDATA[Nancy Hsueh]]></category>
		<category><![CDATA[NOPE]]></category>
		<category><![CDATA[Paul Guilhaume]]></category>
		<category><![CDATA[Pier Paulo Pasolini]]></category>
		<category><![CDATA[Roma]]></category>
		<category><![CDATA[Sam Mendes]]></category>
		<category><![CDATA[Spectateurs!]]></category>
		<category><![CDATA[Stanley Cavell]]></category>
		<category><![CDATA[storytelling]]></category>
		<category><![CDATA[TÁR]]></category>
		<category><![CDATA[The 400 Blows]]></category>
		<category><![CDATA[Theroux]]></category>
		<category><![CDATA[Tom Cruise]]></category>
		<category><![CDATA[Wes Anderson]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=52692</guid>

					<description><![CDATA[<div><img width="300" height="181" src="https://www.hammertonail.com/wp-content/uploads/2025/02/Arnaud-Desplechin-300x181.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2025/02/Arnaud-Desplechin-300x181.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2025/02/Arnaud-Desplechin-1024x618.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2025/02/Arnaud-Desplechin-768x464.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2025/02/Arnaud-Desplechin-1536x927.jpg 1536w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>“You know, you’re Irish, so when I’m saying Dédalus you’re probably thinking Joyce.” It’s early December in Avelino and Arnaud Desplechin isn’t really talking  A Portrait of the Artist as a Young Man. The French director’s latest, Spectateurs!, reintroduces the [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/arnaud-desplechin/">A Conversation with Arnaud Desplechin (SPECTATEURS!)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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