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	<title>16mm film Archives - Hammer to Nail</title>
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	<description>What to Watch</description>
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	<title>16mm film Archives - Hammer to Nail</title>
	<link>https://www.hammertonail.com/tag/16mm-film/</link>
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	<item>
		<title>A Conversation with Mas Bouzidi (CONCESSIONS)</title>
		<link>https://www.hammertonail.com/interviews/concessions/</link>
		
		<dc:creator><![CDATA[Jack Schenker]]></dc:creator>
		<pubDate>Wed, 02 Sep 2026 18:45:19 +0000</pubDate>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[16mm film]]></category>
		<category><![CDATA[American Graffiti]]></category>
		<category><![CDATA[Billy Jack]]></category>
		<category><![CDATA[Close Encounters of the Third Kind]]></category>
		<category><![CDATA[Come and See]]></category>
		<category><![CDATA[Concessions]]></category>
		<category><![CDATA[Dazed and Confused]]></category>
		<category><![CDATA[Fast Times at Ridgemont High]]></category>
		<category><![CDATA[Film Forum]]></category>
		<category><![CDATA[Hamilton]]></category>
		<category><![CDATA[hangout movie]]></category>
		<category><![CDATA[independent cinema]]></category>
		<category><![CDATA[Ivory Aquino]]></category>
		<category><![CDATA[Jean Eustache]]></category>
		<category><![CDATA[Jonathan Demme]]></category>
		<category><![CDATA[Jonathan Lorenzo Price]]></category>
		<category><![CDATA[Josh Hamilton]]></category>
		<category><![CDATA[Kill Bill]]></category>
		<category><![CDATA[Lafayette Theater]]></category>
		<category><![CDATA[Lana Rockwell]]></category>
		<category><![CDATA[Last Night At The Alamo]]></category>
		<category><![CDATA[Mad Dog Morgan]]></category>
		<category><![CDATA[Mas Bouzidi]]></category>
		<category><![CDATA[Michael Madsen]]></category>
		<category><![CDATA[movie theater nostalgia]]></category>
		<category><![CDATA[Orlando]]></category>
		<category><![CDATA[Ozploitation]]></category>
		<category><![CDATA[Preston Sturges]]></category>
		<category><![CDATA[Richard Linklater]]></category>
		<category><![CDATA[Rob Riordan]]></category>
		<category><![CDATA[Robert Altman]]></category>
		<category><![CDATA[Robert Mitchum]]></category>
		<category><![CDATA[Robert Ryan]]></category>
		<category><![CDATA[Sally Potter]]></category>
		<category><![CDATA[Sergio Leone]]></category>
		<category><![CDATA[slacker]]></category>
		<category><![CDATA[Spaghetti Westerns]]></category>
		<category><![CDATA[Steven Ogg]]></category>
		<category><![CDATA[Taft musical]]></category>
		<category><![CDATA[The Bad Bloke]]></category>
		<category><![CDATA[The Mother and The Whore]]></category>
		<category><![CDATA[The Spectrum Albany]]></category>
		<category><![CDATA[upstate New York]]></category>
		<category><![CDATA[Wake In Fright]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=56314</guid>

					<description><![CDATA[<div><img width="300" height="120" src="https://www.hammertonail.com/wp-content/uploads/2026/09/ccover-300x120.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2026/09/ccover-300x120.png 300w, https://www.hammertonail.com/wp-content/uploads/2026/09/ccover-1024x410.png 1024w, https://www.hammertonail.com/wp-content/uploads/2026/09/ccover-768x307.png 768w, https://www.hammertonail.com/wp-content/uploads/2026/09/ccover-1536x614.png 1536w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>Mas Bouzidi&#8217;s Concessions is a love letter to movie theaters wrapped in the melancholy of their disappearance. Shot entirely on 16mm at the Lafayette Theater in upstate New York, the film chronicles the final day at the closing Royal Alamo [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/concessions/">A Conversation with Mas Bouzidi (CONCESSIONS)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<item>
		<title>ONCE UPON A TIME IN HARLEM Teaser Trailer: William and David Greaves Take Us Back in Time in Their Decades-In-The-Making Opus</title>
		<link>https://www.hammertonail.com/trailer/once-upon-a-time-in-harlem-teaser/</link>
		
		<dc:creator><![CDATA[M.J. O'Toole]]></dc:creator>
		<pubDate>Tue, 09 Jun 2026 16:05:45 +0000</pubDate>
				<category><![CDATA[Coming Soon]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[TRAILERS]]></category>
		<category><![CDATA[16mm cinematography]]></category>
		<category><![CDATA[16mm film]]></category>
		<category><![CDATA[2026 Cannes]]></category>
		<category><![CDATA[2026 Cannes Directors Fortnight]]></category>
		<category><![CDATA[2026 Cannes Film Festival]]></category>
		<category><![CDATA[2026 Sundance]]></category>
		<category><![CDATA[2026 Sundance Film Festival]]></category>
		<category><![CDATA[Anne de Mare]]></category>
		<category><![CDATA[Cannes Directors Fortnight]]></category>
		<category><![CDATA[David Greaves]]></category>
		<category><![CDATA[Harlem Renaissance]]></category>
		<category><![CDATA[Harlem Renaissance documentary]]></category>
		<category><![CDATA[Liani Greaves]]></category>
		<category><![CDATA[Neon]]></category>
		<category><![CDATA[Sundance documentary]]></category>
		<category><![CDATA[William Greaves]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=55836</guid>

					<description><![CDATA[<div><img width="300" height="198" src="https://www.hammertonail.com/wp-content/uploads/2026/06/Still-2-ONCE-UPON-A-TIME-IN-HARLEM_image-from-1972-300x198.jpg" class="attachment-medium size-medium wp-post-image" alt="William and David Greaves&#039; Once Upon A Time In Harlem" style="margin-bottom: 15px;" decoding="async" fetchpriority="high" srcset="https://www.hammertonail.com/wp-content/uploads/2026/06/Still-2-ONCE-UPON-A-TIME-IN-HARLEM_image-from-1972-300x198.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2026/06/Still-2-ONCE-UPON-A-TIME-IN-HARLEM_image-from-1972-1024x677.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2026/06/Still-2-ONCE-UPON-A-TIME-IN-HARLEM_image-from-1972-768x507.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2026/06/Still-2-ONCE-UPON-A-TIME-IN-HARLEM_image-from-1972-1536x1015.jpg 1536w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>Having premiered at the Sundance Film Festival back in January, Once Upon a Time in Harlem is a documentary you should not sleep on this year. The film consists entirely of footage shot in 1972 at a party that took [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/trailer/once-upon-a-time-in-harlem-teaser/">ONCE UPON A TIME IN HARLEM Teaser Trailer: William and David Greaves Take Us Back in Time in Their Decades-In-The-Making Opus</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<item>
		<title>A Conversation with Sara Dosa &#038; Andri Snær Magnason: (TIME AND WATER)</title>
		<link>https://www.hammertonail.com/interviews/time-and-water/</link>
		
		<dc:creator><![CDATA[Jack Schenker]]></dc:creator>
		<pubDate>Fri, 06 Mar 2026 17:42:36 +0000</pubDate>
				<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[16mm film]]></category>
		<category><![CDATA[agentive uncertainty]]></category>
		<category><![CDATA[Andri Snær Magnason]]></category>
		<category><![CDATA[Bolex camera]]></category>
		<category><![CDATA[climate change]]></category>
		<category><![CDATA[climate crisis]]></category>
		<category><![CDATA[climate storytelling]]></category>
		<category><![CDATA[documentary film]]></category>
		<category><![CDATA[Dreamland documentary]]></category>
		<category><![CDATA[family archive]]></category>
		<category><![CDATA[Fire of Love]]></category>
		<category><![CDATA[glacier cinematography]]></category>
		<category><![CDATA[glacier memory]]></category>
		<category><![CDATA[glaciers]]></category>
		<category><![CDATA[human memory vs planetary memory]]></category>
		<category><![CDATA[Iceland]]></category>
		<category><![CDATA[Icelandic folklore]]></category>
		<category><![CDATA[Icelandic poetry]]></category>
		<category><![CDATA[On Time and Water book]]></category>
		<category><![CDATA[Oscar-nominated director]]></category>
		<category><![CDATA[Pablo Álvarez-Mesa]]></category>
		<category><![CDATA[Peabody Award]]></category>
		<category><![CDATA[Sara Dosa]]></category>
		<category><![CDATA[Sundance Film Festival 2026]]></category>
		<category><![CDATA[The Seer & The Unseen]]></category>
		<category><![CDATA[Time and Water]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=55182</guid>

					<description><![CDATA[<div><img width="300" height="226" src="https://www.hammertonail.com/wp-content/uploads/2026/03/time-300x226.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2026/03/time-300x226.png 300w, https://www.hammertonail.com/wp-content/uploads/2026/03/time-1024x771.png 1024w, https://www.hammertonail.com/wp-content/uploads/2026/03/time-768x578.png 768w, https://www.hammertonail.com/wp-content/uploads/2026/03/time-1536x1157.png 1536w, https://www.hammertonail.com/wp-content/uploads/2026/03/time.png 1838w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>Sara Dosa is an Oscar-nominated documentary filmmaker whose work centers on human relationships with the natural world. Her films, including Fire of Love (2022), The Seer &#38; The Unseen (2019), and The Last Season (2015), have won numerous awards, including [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/time-and-water/">A Conversation with Sara Dosa &#038; Andri Snær Magnason: (TIME AND WATER)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<item>
		<title>ROSE OF NEVADA Trailer: George Mackay and Callum Turner Sail Across Time in Mark Jenkin&#8217;s 16mm Mind-Bender</title>
		<link>https://www.hammertonail.com/trailer/rose-of-nevada-george-mackay-callum-turner-mark-jenkin/</link>
		
		<dc:creator><![CDATA[M.J. O'Toole]]></dc:creator>
		<pubDate>Wed, 11 Feb 2026 16:16:20 +0000</pubDate>
				<category><![CDATA[Coming Soon]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[TRAILERS]]></category>
		<category><![CDATA[1-2 Special]]></category>
		<category><![CDATA[16mm]]></category>
		<category><![CDATA[16mm camera]]></category>
		<category><![CDATA[16mm cinematography]]></category>
		<category><![CDATA[16mm film]]></category>
		<category><![CDATA[2025 BFI London Film Festival]]></category>
		<category><![CDATA[2025 New York Film Festival]]></category>
		<category><![CDATA[2025 NYFF]]></category>
		<category><![CDATA[2025 TIFF]]></category>
		<category><![CDATA[2025 Toronto International Film Festival]]></category>
		<category><![CDATA[2025 Venice Film Festival]]></category>
		<category><![CDATA[British Cinema]]></category>
		<category><![CDATA[Callum Turner]]></category>
		<category><![CDATA[Edward Rowe]]></category>
		<category><![CDATA[Francis Magee]]></category>
		<category><![CDATA[George MacKay]]></category>
		<category><![CDATA[Mark Jenkin]]></category>
		<category><![CDATA[Mary Woodvine]]></category>
		<category><![CDATA[NYFF63]]></category>
		<category><![CDATA[Rosalind Eleazar]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=55062</guid>

					<description><![CDATA[<div><img width="300" height="169" src="https://www.hammertonail.com/wp-content/uploads/2026/02/RoseOfNevada_1-300x169.jpg" class="attachment-medium size-medium wp-post-image" alt="Callum Turner and George Mackay in ROSE OF NEVADA" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2026/02/RoseOfNevada_1-300x169.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2026/02/RoseOfNevada_1-1024x576.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2026/02/RoseOfNevada_1-768x432.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2026/02/RoseOfNevada_1-1536x864.jpg 1536w, https://www.hammertonail.com/wp-content/uploads/2026/02/RoseOfNevada_1.jpg 1920w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>Following his eerie 16mm-shot features Bait (2019) and Enys Men (2022), Cornish writer-director Mark Jenkin is back with a haunting new seaside pic that has two fishermen caught in a time warp. Hot off a fall festival run that included [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/trailer/rose-of-nevada-george-mackay-callum-turner-mark-jenkin/">ROSE OF NEVADA Trailer: George Mackay and Callum Turner Sail Across Time in Mark Jenkin&#8217;s 16mm Mind-Bender</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<item>
		<title>A Conversation with David Greaves, Liani Greaves, Anne de Mare &#038; Lynn True (ONCE UPON A TIME IN HARLEM)</title>
		<link>https://www.hammertonail.com/interviews/once-upon-a-time-in-harlem/</link>
		
		<dc:creator><![CDATA[Jack Schenker]]></dc:creator>
		<pubDate>Sun, 01 Feb 2026 23:20:45 +0000</pubDate>
				<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[16mm film]]></category>
		<category><![CDATA[A. Philip Randolph]]></category>
		<category><![CDATA[Albert Maysles]]></category>
		<category><![CDATA[Anne de Mare]]></category>
		<category><![CDATA[archival footage]]></category>
		<category><![CDATA[Arna Bontemps]]></category>
		<category><![CDATA[Bill Brand]]></category>
		<category><![CDATA[black filmmakers]]></category>
		<category><![CDATA[Black Filmmakers Hall of Fame]]></category>
		<category><![CDATA[Black Journal]]></category>
		<category><![CDATA[Countee Cullen]]></category>
		<category><![CDATA[David Greaves]]></category>
		<category><![CDATA[documentary filmmaking]]></category>
		<category><![CDATA[Duke Ellington]]></category>
		<category><![CDATA[Experimental Film]]></category>
		<category><![CDATA[film editing]]></category>
		<category><![CDATA[film preservation]]></category>
		<category><![CDATA[George Schuyler]]></category>
		<category><![CDATA[Hammer to Nail interview]]></category>
		<category><![CDATA[Harlem Renaissance documentary]]></category>
		<category><![CDATA[Harlem townhouse]]></category>
		<category><![CDATA[Hubert Harrison]]></category>
		<category><![CDATA[Ida B. Wells: A Passion for Justice]]></category>
		<category><![CDATA[In Transit]]></category>
		<category><![CDATA[independent film]]></category>
		<category><![CDATA[Ishmael Reed]]></category>
		<category><![CDATA[Langston Hughes]]></category>
		<category><![CDATA[Leigh Whipper]]></category>
		<category><![CDATA[Liani Greaves]]></category>
		<category><![CDATA[Louise Archambault Greaves]]></category>
		<category><![CDATA[Lynn True]]></category>
		<category><![CDATA[Marcus Garvey]]></category>
		<category><![CDATA[Nathan Huggins]]></category>
		<category><![CDATA[National Film Registry]]></category>
		<category><![CDATA[Nugent]]></category>
		<category><![CDATA[Once Upon a Time in Harlem]]></category>
		<category><![CDATA[Ontological-Hysteric Theater]]></category>
		<category><![CDATA[Ralph Bunche: An American Odyssey]]></category>
		<category><![CDATA[Richard B. Moore]]></category>
		<category><![CDATA[Richard Foreman]]></category>
		<category><![CDATA[Schomburg Center]]></category>
		<category><![CDATA[Steve Buscemi]]></category>
		<category><![CDATA[Steven Soderbergh]]></category>
		<category><![CDATA[Sundance film]]></category>
		<category><![CDATA[Symbiopsychotaxiplasm: Take One]]></category>
		<category><![CDATA[W.E.B. Du Bois]]></category>
		<category><![CDATA[William Greaves]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54961</guid>

					<description><![CDATA[<div><img width="300" height="104" src="https://www.hammertonail.com/wp-content/uploads/2026/02/cover-300x104.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2026/02/cover-300x104.png 300w, https://www.hammertonail.com/wp-content/uploads/2026/02/cover-1024x356.png 1024w, https://www.hammertonail.com/wp-content/uploads/2026/02/cover-768x267.png 768w, https://www.hammertonail.com/wp-content/uploads/2026/02/cover-1536x533.png 1536w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>Once Upon a Time in Harlem is the best film I saw at Sundance this year. It is also, in a sense, a miracle. In 1972, the legendary documentary filmmaker William Greaves—director of the avant-garde masterpiece Symbiopsychotaxiplasm: Take One (1968), [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/once-upon-a-time-in-harlem/">A Conversation with David Greaves, Liani Greaves, Anne de Mare &#038; Lynn True (ONCE UPON A TIME IN HARLEM)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<title>A Conversation with Ira Sachs (PETER HUJAR&#8217;S DAY)</title>
		<link>https://www.hammertonail.com/interviews/ira-sachs-hujars-day/</link>
		
		<dc:creator><![CDATA[Jack Schenker]]></dc:creator>
		<pubDate>Thu, 13 Nov 2025 23:10:39 +0000</pubDate>
				<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[16mm film]]></category>
		<category><![CDATA[1970s New York]]></category>
		<category><![CDATA[Affonso Gonçalves editor]]></category>
		<category><![CDATA[Alex Ashe cinematography]]></category>
		<category><![CDATA[Ben Whishaw]]></category>
		<category><![CDATA[Bohemia]]></category>
		<category><![CDATA[Chamber piece]]></category>
		<category><![CDATA[Cinematic portraiture]]></category>
		<category><![CDATA[Fassbinder]]></category>
		<category><![CDATA[Ira Sachs]]></category>
		<category><![CDATA[Ira Sachs interview]]></category>
		<category><![CDATA[Janus Films]]></category>
		<category><![CDATA[Jim McDonald Hold Me Tight]]></category>
		<category><![CDATA[Linda Rosenkrantz]]></category>
		<category><![CDATA[Mozart Requiem]]></category>
		<category><![CDATA[New York Film Festival]]></category>
		<category><![CDATA[Peter Hujar's Day]]></category>
		<category><![CDATA[Portrait of Jason]]></category>
		<category><![CDATA[Rebecca Hall]]></category>
		<category><![CDATA[Rohmer]]></category>
		<category><![CDATA[Ryan Scott Fitzgerald art direction]]></category>
		<category><![CDATA[Stephen Phelps production design]]></category>
		<category><![CDATA[Sundance 2025]]></category>
		<category><![CDATA[The Bitter Tears of Petra von Kant]]></category>
		<category><![CDATA[Westbeth Artists Housing]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54425</guid>

					<description><![CDATA[<div><img width="300" height="200" src="https://www.hammertonail.com/wp-content/uploads/2025/11/Ira-Sachs_Credit-Jeong-Park-300x200.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2025/11/Ira-Sachs_Credit-Jeong-Park-300x200.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2025/11/Ira-Sachs_Credit-Jeong-Park-1024x683.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2025/11/Ira-Sachs_Credit-Jeong-Park-768x512.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2025/11/Ira-Sachs_Credit-Jeong-Park-1536x1024.jpg 1536w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>Ira Sachs returns with Peter Hujar&#8217;s Day, a mesmerizing 76-minute chamber piece that transforms a rediscovered 1974 transcript into an intimate portrait of friendship, artistry, and 1970s New York bohemia. The film reunites Sachs with Ben Whishaw, star of his [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/ira-sachs-hujars-day/">A Conversation with Ira Sachs (PETER HUJAR&#8217;S DAY)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<title>A Conversation with Owen Kline (FUNNY PAGES)</title>
		<link>https://www.hammertonail.com/interviews/owen-kline/</link>
		
		<dc:creator><![CDATA[Jack Schenker]]></dc:creator>
		<pubDate>Wed, 16 Jul 2025 19:05:46 +0000</pubDate>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[VOD Release]]></category>
		<category><![CDATA[16mm film]]></category>
		<category><![CDATA[A24]]></category>
		<category><![CDATA[Anthology Film Archives]]></category>
		<category><![CDATA[Benny Safdie]]></category>
		<category><![CDATA[Cannes Film Festival]]></category>
		<category><![CDATA[comic book culture]]></category>
		<category><![CDATA[coming-of-age story]]></category>
		<category><![CDATA[Daniel Zolghadri]]></category>
		<category><![CDATA[Director's Fortnight]]></category>
		<category><![CDATA[film editing]]></category>
		<category><![CDATA[Funny Pages]]></category>
		<category><![CDATA[Hate comic]]></category>
		<category><![CDATA[Indie Filmmaking]]></category>
		<category><![CDATA[Josh Safdie]]></category>
		<category><![CDATA[Matthew Maher]]></category>
		<category><![CDATA[no-budget shorts]]></category>
		<category><![CDATA[Noah Baumbach]]></category>
		<category><![CDATA[Owen Kline]]></category>
		<category><![CDATA[Peter Bagge]]></category>
		<category><![CDATA[Princeton New Jersey]]></category>
		<category><![CDATA[Safdie Brothers]]></category>
		<category><![CDATA[Seth Rogen]]></category>
		<category><![CDATA[The Squid and the Whale]]></category>
		<category><![CDATA[The Studio]]></category>
		<category><![CDATA[underground comics]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=53549</guid>

					<description><![CDATA[<div><img width="300" height="198" src="https://www.hammertonail.com/wp-content/uploads/2025/07/KlineCover-300x198.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2025/07/KlineCover-300x198.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2025/07/KlineCover-1024x676.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2025/07/KlineCover-768x507.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2025/07/KlineCover.jpg 1254w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>Three years ago, at the 2022 Cannes Film Festival Directors&#8217; Fortnight, I had the opportunity to speak with filmmaker Owen Kline to discuss his remarkable feature directorial debut, Funny Pages. At the time, Kline was most notable for his memorable [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/owen-kline/">A Conversation with Owen Kline (FUNNY PAGES)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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