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SXSW ‘09: A Disclaimer

This site was created with the overriding mission that our writers would also be involved in filmmaking in some way, shape, or form. At this year’s South By Southwest Film Festival, a few of our sturdiest contributors will be world premiering their own features, a concept that raises possible questions of nepotism. After discussing this dilemma with the HTN powers-that-be, as well as with various voices throughout the industry, we have settled on the following guidelines:

No contributor is allowed to write a review of a film that he or she worked on in any capacity.

However, if a writer genuinely responds to a film made by someone else on the HTN team, this is fair game.

We are here to primarily write about low-budget, under-the-radar films that might otherwise slip through the cracks, and to exclude a film from consideration for these tenuous reasons seems to betray the mission of our site. Our friendships with and connections to individuals within the indie film world shouldn’t be crosses to bear. If anything, they are proof that we are engaged and involved participants in this community. If you think this is all some incestuous circle jerk, read my review of Treeless Mountain or David Lowery’s review of Silent Light or Cullen Gallagher’s review of Billy the Kid.

We love movies, and we’re here to write about them.

Now, let the SXSW games begin!

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Michael Tully is an award-winning writer/director whose films have garnered widespread critical acclaim, his projects having premiered at some of the most renowned film festivals across the globe. He is also the former (and founding) editor of this site. In 2006, Michael's first feature, COCAINE ANGEL, chronicling a tragic week in the life of a young drug addict, world premiered at the International Film Festival Rotterdam. The film immediately solidified the director as one of Filmmaker Magazine’s "25 New Faces of Independent Film,” a reputation that was reinforced a year later when his follow-up feature, SILVER JEW, a documentary capturing the late David Berman's rare musical performances in Tel Aviv, world-premiered at SXSW and landed distribution with cult indie-music label Drag City. In 2011, Michael wrote, directed, and starred in his third feature, SEPTIEN, which debuted at the 27th annual Sundance Film Festival before being acquired by IFC Films' Sundance Selects banner. A few years later, in 2014, Michael returned to Sundance with the world premiere of his fourth feature, PING PONG SUMMER, an ‘80s set coming-of-age tale that was quickly picked up for theatrical distribution by Gravitas Ventures. In 2018, Michael wrote and directed the dread-inducing genre film DON'T LEAVE HOME, which has been described as "Get Out with Catholic guilt in the Irish countryside" (IndieWire). The film premiered at SXSW and was subsequently acquired by Cranked Up Films and Shudder.

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