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	<title>Kaitlyn Hardy, Author at Hammer to Nail</title>
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	<title>Kaitlyn Hardy, Author at Hammer to Nail</title>
	<link>https://www.hammertonail.com/author/kaitlynhardy/</link>
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	<item>
		<title>A Conversation with Zaradasht Ahmed (THE LIONS BY THE RIVER TIGRIS)</title>
		<link>https://www.hammertonail.com/interviews/zaradasht-ahmed/</link>
		
		<dc:creator><![CDATA[Kaitlyn Hardy]]></dc:creator>
		<pubDate>Tue, 09 Dec 2025 15:44:42 +0000</pubDate>
				<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Bashar Mosul]]></category>
		<category><![CDATA[cinema verite]]></category>
		<category><![CDATA[cultural heritage preservation]]></category>
		<category><![CDATA[DOC NYC 2025]]></category>
		<category><![CDATA[documentary filmmaking]]></category>
		<category><![CDATA[Fakhri antique collector]]></category>
		<category><![CDATA[heritage looting]]></category>
		<category><![CDATA[human resilience]]></category>
		<category><![CDATA[Iraq war film]]></category>
		<category><![CDATA[ISIS aftermath]]></category>
		<category><![CDATA[Kurdish-Norwegian filmmaker]]></category>
		<category><![CDATA[memory and home]]></category>
		<category><![CDATA[Mesopotamian history]]></category>
		<category><![CDATA[Mosul documentary]]></category>
		<category><![CDATA[Nowhere to Hide]]></category>
		<category><![CDATA[objective journalism]]></category>
		<category><![CDATA[Old City Mosul]]></category>
		<category><![CDATA[post-war recovery]]></category>
		<category><![CDATA[rebuilding Mosul]]></category>
		<category><![CDATA[River Tigris]]></category>
		<category><![CDATA[The Lions by the River Tigris]]></category>
		<category><![CDATA[urban reconstruction]]></category>
		<category><![CDATA[war documentary]]></category>
		<category><![CDATA[war trauma]]></category>
		<category><![CDATA[Zaradasht Ahmed]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54607</guid>

					<description><![CDATA[<div><img width="300" height="199" src="https://www.hammertonail.com/wp-content/uploads/2025/12/indiefilm_zaradacht_WIDE_foto_stian_servoss-1-300x199.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" fetchpriority="high" srcset="https://www.hammertonail.com/wp-content/uploads/2025/12/indiefilm_zaradacht_WIDE_foto_stian_servoss-1-300x199.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2025/12/indiefilm_zaradacht_WIDE_foto_stian_servoss-1-1024x679.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2025/12/indiefilm_zaradacht_WIDE_foto_stian_servoss-1-768x509.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2025/12/indiefilm_zaradacht_WIDE_foto_stian_servoss-1-1536x1019.jpg 1536w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>In 2017, after three years under the control of the Islamic State (ISIS), the people of Mosul, Iraq fought to reclaim their city. The nine-month battle to liberate Mosul was marked by catastrophic violence, especially in the historic Old City. [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/zaradasht-ahmed/">A Conversation with Zaradasht Ahmed (THE LIONS BY THE RIVER TIGRIS)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>A Conversation with Colette Ghunim (TRACES OF HOME)</title>
		<link>https://www.hammertonail.com/interviews/colette-ghunim/</link>
		
		<dc:creator><![CDATA[Kaitlyn Hardy]]></dc:creator>
		<pubDate>Wed, 03 Dec 2025 20:55:32 +0000</pubDate>
				<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[animation in documentary]]></category>
		<category><![CDATA[archival footage]]></category>
		<category><![CDATA[Colette Ghunim]]></category>
		<category><![CDATA[community support]]></category>
		<category><![CDATA[cross-generational trauma]]></category>
		<category><![CDATA[DOC NYC premiere]]></category>
		<category><![CDATA[documentary film]]></category>
		<category><![CDATA[family healing journey]]></category>
		<category><![CDATA[finding home]]></category>
		<category><![CDATA[forced displacement]]></category>
		<category><![CDATA[healing from trauma]]></category>
		<category><![CDATA[home and identity]]></category>
		<category><![CDATA[immigrant story]]></category>
		<category><![CDATA[immigration policies]]></category>
		<category><![CDATA[intergenerational trauma]]></category>
		<category><![CDATA[mental health documentary]]></category>
		<category><![CDATA[Mexican migration]]></category>
		<category><![CDATA[Mezcla Media Collective]]></category>
		<category><![CDATA[Palestinian diaspora]]></category>
		<category><![CDATA[parent-child relationships]]></category>
		<category><![CDATA[personal documentary]]></category>
		<category><![CDATA[somatic healing]]></category>
		<category><![CDATA[therapy and filmmaking]]></category>
		<category><![CDATA[Traces of Home]]></category>
		<category><![CDATA[Trump administration impact]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54573</guid>

					<description><![CDATA[<div><img width="300" height="129" src="https://www.hammertonail.com/wp-content/uploads/2025/12/Screenshot-2025-12-03-at-12.54.03 PM-300x129.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2025/12/Screenshot-2025-12-03-at-12.54.03 PM-300x129.png 300w, https://www.hammertonail.com/wp-content/uploads/2025/12/Screenshot-2025-12-03-at-12.54.03 PM-1024x439.png 1024w, https://www.hammertonail.com/wp-content/uploads/2025/12/Screenshot-2025-12-03-at-12.54.03 PM-768x329.png 768w, https://www.hammertonail.com/wp-content/uploads/2025/12/Screenshot-2025-12-03-at-12.54.03 PM-1536x658.png 1536w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>In Traces of Home, filmmaker Colette Ghunim takes her parents back to the homes they were forced to leave as children. Her mother returns to her childhood home in Mexico City, and her father finds the home he fled in [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/colette-ghunim/">A Conversation with Colette Ghunim (TRACES OF HOME)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>A Conversation with Katie Jacobs (ARTISTS IN RESIDENCE)</title>
		<link>https://www.hammertonail.com/interviews/katie-jacobs/</link>
		
		<dc:creator><![CDATA[Kaitlyn Hardy]]></dc:creator>
		<pubDate>Mon, 01 Dec 2025 16:17:18 +0000</pubDate>
				<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[artist documentary]]></category>
		<category><![CDATA[artist residency]]></category>
		<category><![CDATA[artist resilience]]></category>
		<category><![CDATA[Artists in Residence documentary]]></category>
		<category><![CDATA[DOC NYC Grand Jury prize]]></category>
		<category><![CDATA[DOCNYC]]></category>
		<category><![CDATA[DOCNYC25]]></category>
		<category><![CDATA[documentary director]]></category>
		<category><![CDATA[documentary film]]></category>
		<category><![CDATA[East 2nd Street New York]]></category>
		<category><![CDATA[Eleanor Magid]]></category>
		<category><![CDATA[female artists documentary]]></category>
		<category><![CDATA[female independence]]></category>
		<category><![CDATA[filmmaker Katie Jacobs]]></category>
		<category><![CDATA[House M.D. producer]]></category>
		<category><![CDATA[Katie Jacobs]]></category>
		<category><![CDATA[Lois Dodd]]></category>
		<category><![CDATA[Louise Kruger]]></category>
		<category><![CDATA[Metropolis Competition]]></category>
		<category><![CDATA[New York art scene]]></category>
		<category><![CDATA[New York City artists]]></category>
		<category><![CDATA[New York filmmaker]]></category>
		<category><![CDATA[New York stories]]></category>
		<category><![CDATA[overcoming sexism in arts]]></category>
		<category><![CDATA[resilience documentary]]></category>
		<category><![CDATA[women filmmakers]]></category>
		<category><![CDATA[women in arts]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54540</guid>

					<description><![CDATA[<div><img width="300" height="148" src="https://www.hammertonail.com/wp-content/uploads/2025/12/Screenshot-2025-12-01-at-8.18.03 AM-300x148.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2025/12/Screenshot-2025-12-01-at-8.18.03 AM-300x148.png 300w, https://www.hammertonail.com/wp-content/uploads/2025/12/Screenshot-2025-12-01-at-8.18.03 AM-1024x505.png 1024w, https://www.hammertonail.com/wp-content/uploads/2025/12/Screenshot-2025-12-01-at-8.18.03 AM-768x379.png 768w, https://www.hammertonail.com/wp-content/uploads/2025/12/Screenshot-2025-12-01-at-8.18.03 AM-1536x758.png 1536w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>When producer and director Katie Jacobs moved into a second-floor unit on East 2nd Street in New York City she didn’t know what she was getting into. Finding herself sandwiched between two legendary artists living on the first and third [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/katie-jacobs/">A Conversation with Katie Jacobs (ARTISTS IN RESIDENCE)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>A Conversation with Isa Willinger (NO MERCY)</title>
		<link>https://www.hammertonail.com/interviews/isa-willinger/</link>
		
		<dc:creator><![CDATA[Kaitlyn Hardy]]></dc:creator>
		<pubDate>Sun, 23 Nov 2025 18:04:50 +0000</pubDate>
				<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Alice Diop]]></category>
		<category><![CDATA[Cannes Film Festival]]></category>
		<category><![CDATA[Céline Sciamma]]></category>
		<category><![CDATA[Chantal Akerman]]></category>
		<category><![CDATA[DOCNYC]]></category>
		<category><![CDATA[DOCNYC 2025]]></category>
		<category><![CDATA[female characters in film]]></category>
		<category><![CDATA[female filmmakers]]></category>
		<category><![CDATA[female gaze]]></category>
		<category><![CDATA[film criticism misogyny]]></category>
		<category><![CDATA[film industry sexism]]></category>
		<category><![CDATA[gender disparities in film]]></category>
		<category><![CDATA[Hammer to Nail interview]]></category>
		<category><![CDATA[harsh films]]></category>
		<category><![CDATA[Hollywood vs European film industry]]></category>
		<category><![CDATA[independent film space]]></category>
		<category><![CDATA[Isa Willinger]]></category>
		<category><![CDATA[Jeanne Dielman]]></category>
		<category><![CDATA[Joey Soloway]]></category>
		<category><![CDATA[Kathryn Bigelow]]></category>
		<category><![CDATA[Kira Muratova]]></category>
		<category><![CDATA[Mark Cousins Women Make Film]]></category>
		<category><![CDATA[Mascha Schilinski]]></category>
		<category><![CDATA[Me Too movement in film]]></category>
		<category><![CDATA[Mouly Surya]]></category>
		<category><![CDATA[No Mercy documentary]]></category>
		<category><![CDATA[nonbinary filmmakers]]></category>
		<category><![CDATA[Sight and Sound best film]]></category>
		<category><![CDATA[women behind the camera]]></category>
		<category><![CDATA[women directors]]></category>
		<category><![CDATA[women in film]]></category>
		<category><![CDATA[women in film festivals]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54498</guid>

					<description><![CDATA[<div><img width="300" height="169" src="https://www.hammertonail.com/wp-content/uploads/2025/11/Isa-Willinger-Andreas-Muller-300x169.webp" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2025/11/Isa-Willinger-Andreas-Muller-300x169.webp 300w, https://www.hammertonail.com/wp-content/uploads/2025/11/Isa-Willinger-Andreas-Muller-1024x576.webp 1024w, https://www.hammertonail.com/wp-content/uploads/2025/11/Isa-Willinger-Andreas-Muller-768x432.webp 768w, https://www.hammertonail.com/wp-content/uploads/2025/11/Isa-Willinger-Andreas-Muller-1536x864.webp 1536w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>“Do women make harsher films?” This is the question driving filmmaker Isa Willinger’s latest documentary, No Mercy. The film is an electrifying cinematic essay investigating women’s roles on and behind the camera. Willinger brings in the testimonies of some of [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/isa-willinger/">A Conversation with Isa Willinger (NO MERCY)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>A Conversation with Marialuisa Ernst (A PLACE OF ABSENCE)</title>
		<link>https://www.hammertonail.com/interviews/marialuisa-ernst/</link>
		
		<dc:creator><![CDATA[Kaitlyn Hardy]]></dc:creator>
		<pubDate>Wed, 19 Nov 2025 19:02:18 +0000</pubDate>
				<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[A Place of Absence]]></category>
		<category><![CDATA[Ambiguous loss]]></category>
		<category><![CDATA[Anita COFAMIDE]]></category>
		<category><![CDATA[archival footage]]></category>
		<category><![CDATA[Argentina Dirty War]]></category>
		<category><![CDATA[Caravan of Mothers]]></category>
		<category><![CDATA[Central American migration]]></category>
		<category><![CDATA[Cofamide]]></category>
		<category><![CDATA[CONADEP]]></category>
		<category><![CDATA[Desaparecidos]]></category>
		<category><![CDATA[Disappeared persons]]></category>
		<category><![CDATA[DOC NYC 2025]]></category>
		<category><![CDATA[documentary filmmaking]]></category>
		<category><![CDATA[El Salvador]]></category>
		<category><![CDATA[Grief and perseverance]]></category>
		<category><![CDATA[human rights activism]]></category>
		<category><![CDATA[human rights documentary]]></category>
		<category><![CDATA[Latin America documentary]]></category>
		<category><![CDATA[Leti Caravan]]></category>
		<category><![CDATA[Marialuisa Ernst]]></category>
		<category><![CDATA[Mass graves]]></category>
		<category><![CDATA[Migrant crisis]]></category>
		<category><![CDATA[Migrant disappearances]]></category>
		<category><![CDATA[Military dictatorship Argentina]]></category>
		<category><![CDATA[Missing migrants]]></category>
		<category><![CDATA[Mothers of Plaza de Mayo]]></category>
		<category><![CDATA[National Reorganization Process]]></category>
		<category><![CDATA[Performance art documentary]]></category>
		<category><![CDATA[Plaza de Mayo mothers]]></category>
		<category><![CDATA[Searching for the disappeared]]></category>
		<category><![CDATA[stop-motion animation]]></category>
		<category><![CDATA[Transgenerational trauma]]></category>
		<category><![CDATA[Unmarked graves]]></category>
		<category><![CDATA[Verité filmmaking]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54466</guid>

					<description><![CDATA[<div><img width="300" height="300" src="https://www.hammertonail.com/wp-content/uploads/2025/11/Dir.-Marialuisa-Ernst-300x300.jpeg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2025/11/Dir.-Marialuisa-Ernst-300x300.jpeg 300w, https://www.hammertonail.com/wp-content/uploads/2025/11/Dir.-Marialuisa-Ernst-1024x1024.jpeg 1024w, https://www.hammertonail.com/wp-content/uploads/2025/11/Dir.-Marialuisa-Ernst-150x150.jpeg 150w, https://www.hammertonail.com/wp-content/uploads/2025/11/Dir.-Marialuisa-Ernst-768x767.jpeg 768w, https://www.hammertonail.com/wp-content/uploads/2025/11/Dir.-Marialuisa-Ernst-1536x1534.jpeg 1536w, https://www.hammertonail.com/wp-content/uploads/2025/11/Dir.-Marialuisa-Ernst-650x650.jpeg 650w, https://www.hammertonail.com/wp-content/uploads/2025/11/Dir.-Marialuisa-Ernst-1300x1300.jpeg 1300w, https://www.hammertonail.com/wp-content/uploads/2025/11/Dir.-Marialuisa-Ernst-24x24.jpeg 24w, https://www.hammertonail.com/wp-content/uploads/2025/11/Dir.-Marialuisa-Ernst-48x48.jpeg 48w, https://www.hammertonail.com/wp-content/uploads/2025/11/Dir.-Marialuisa-Ernst-96x96.jpeg 96w, https://www.hammertonail.com/wp-content/uploads/2025/11/Dir.-Marialuisa-Ernst-250x250.jpeg 250w, https://www.hammertonail.com/wp-content/uploads/2025/11/Dir.-Marialuisa-Ernst.jpeg 1560w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>During Argentina’s Dirty War between 1976 and 1983, up to 30,000 people disappeared. Many were dissidents and activists publicly opposing the military dictatorship, Proceso de Reorganización Nacional (National Reorganization Process), though others were citizens suspected of being “terrorists” for having [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/marialuisa-ernst/">A Conversation with Marialuisa Ernst (A PLACE OF ABSENCE)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>A Conversation with Sasha Wortzel (RIVER OF GRASS)</title>
		<link>https://www.hammertonail.com/interviews/sasha-wortzel/</link>
		
		<dc:creator><![CDATA[Kaitlyn Hardy]]></dc:creator>
		<pubDate>Mon, 27 Oct 2025 20:59:47 +0000</pubDate>
				<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Experimental]]></category>
		<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[LBGTQ+]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Alligator Alcatraz]]></category>
		<category><![CDATA[analog horror documentary]]></category>
		<category><![CDATA[Betty Osceola]]></category>
		<category><![CDATA[Big Cypress]]></category>
		<category><![CDATA[climate change Florida]]></category>
		<category><![CDATA[DCTV Firehouse Cinema]]></category>
		<category><![CDATA[ecological grief]]></category>
		<category><![CDATA[environmental activism]]></category>
		<category><![CDATA[environmental film]]></category>
		<category><![CDATA[environmental racism]]></category>
		<category><![CDATA[Everglades documentary]]></category>
		<category><![CDATA[Everglades film]]></category>
		<category><![CDATA[Everglades National Park]]></category>
		<category><![CDATA[Florida ecosystem]]></category>
		<category><![CDATA[Florida environment]]></category>
		<category><![CDATA[Florida Everglades]]></category>
		<category><![CDATA[Hammer to Nail]]></category>
		<category><![CDATA[indie documentary]]></category>
		<category><![CDATA[Indigenous activism]]></category>
		<category><![CDATA[Marjory Stoneman Douglas]]></category>
		<category><![CDATA[River of Grass]]></category>
		<category><![CDATA[Sasha Wortzel]]></category>
		<category><![CDATA[Seminole Wars]]></category>
		<category><![CDATA[toxic algae blooms]]></category>
		<category><![CDATA[wetland preservation]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54307</guid>

					<description><![CDATA[<div><img width="300" height="169" src="https://www.hammertonail.com/wp-content/uploads/2025/10/Sasha-Wortzel-300x169.webp" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2025/10/Sasha-Wortzel-300x169.webp 300w, https://www.hammertonail.com/wp-content/uploads/2025/10/Sasha-Wortzel-1024x576.webp 1024w, https://www.hammertonail.com/wp-content/uploads/2025/10/Sasha-Wortzel-768x432.webp 768w, https://www.hammertonail.com/wp-content/uploads/2025/10/Sasha-Wortzel-1536x864.webp 1536w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>“Where’s my water? What did I do with the water?” a priest mutters, patting and digging into his pants pockets.  Standing on a fisherman’s dock, wearing a fedora and sunglasses hanging from his shirt pocket, he looks slightly out of [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/sasha-wortzel/">A Conversation with Sasha Wortzel (RIVER OF GRASS)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<title>A Conversation with Emily Mkrtichian (THERE WAS, THERE WAS NOT)</title>
		<link>https://www.hammertonail.com/interviews/emily-mkrtichian/</link>
		
		<dc:creator><![CDATA[Kaitlyn Hardy]]></dc:creator>
		<pubDate>Tue, 21 Oct 2025 18:10:16 +0000</pubDate>
				<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[archival footage]]></category>
		<category><![CDATA[Armenian genocide]]></category>
		<category><![CDATA[Armenian women]]></category>
		<category><![CDATA[Artsakh film]]></category>
		<category><![CDATA[conflict journalism]]></category>
		<category><![CDATA[de-miners Artsakh]]></category>
		<category><![CDATA[displacement]]></category>
		<category><![CDATA[documentary filmmaking]]></category>
		<category><![CDATA[Emily Mkrtichian]]></category>
		<category><![CDATA[ethnic cleansing]]></category>
		<category><![CDATA[feminist film]]></category>
		<category><![CDATA[Gayane feminist leader]]></category>
		<category><![CDATA[memory and storytelling]]></category>
		<category><![CDATA[Nagorno-Karabakh documentary]]></category>
		<category><![CDATA[oral history]]></category>
		<category><![CDATA[personal essay film]]></category>
		<category><![CDATA[post-conflict society]]></category>
		<category><![CDATA[Remove term: There Was There Was Not There Was There Was Not movie]]></category>
		<category><![CDATA[resilience]]></category>
		<category><![CDATA[Siranush politician]]></category>
		<category><![CDATA[Sosé Judo champion]]></category>
		<category><![CDATA[Sundance Institute]]></category>
		<category><![CDATA[Sveta deminer]]></category>
		<category><![CDATA[There Was There Was Not]]></category>
		<category><![CDATA[True/False Film Festival]]></category>
		<category><![CDATA[war documentary]]></category>
		<category><![CDATA[Women in War]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54284</guid>

					<description><![CDATA[<div><img width="200" height="300" src="https://www.hammertonail.com/wp-content/uploads/2025/10/Emily-Mkrtichian-headshot-photo-credit-Chris-Natalie-200x300.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2025/10/Emily-Mkrtichian-headshot-photo-credit-Chris-Natalie-200x300.jpg 200w, https://www.hammertonail.com/wp-content/uploads/2025/10/Emily-Mkrtichian-headshot-photo-credit-Chris-Natalie-683x1024.jpg 683w, https://www.hammertonail.com/wp-content/uploads/2025/10/Emily-Mkrtichian-headshot-photo-credit-Chris-Natalie-768x1152.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2025/10/Emily-Mkrtichian-headshot-photo-credit-Chris-Natalie-1024x1536.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2025/10/Emily-Mkrtichian-headshot-photo-credit-Chris-Natalie-1365x2048.jpg 1365w, https://www.hammertonail.com/wp-content/uploads/2025/10/Emily-Mkrtichian-headshot-photo-credit-Chris-Natalie-scaled.jpg 1707w" sizes="auto, (max-width: 200px) 100vw, 200px" /></div>
<p>It may be incongruous to characterize a film about war and destruction as “gentle,” or a film of loss and ethnic cleaning as “tender,” but Emily Mkrtichian’s debut feature There Was, There Was Not is a film that continuously breaks [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/emily-mkrtichian/">A Conversation with Emily Mkrtichian (THERE WAS, THERE WAS NOT)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<title>A Conversation with Lucía Aleñar Iglesias (FORASTERA)</title>
		<link>https://www.hammertonail.com/interviews/forastera/</link>
		
		<dc:creator><![CDATA[Kaitlyn Hardy]]></dc:creator>
		<pubDate>Mon, 15 Sep 2025 14:48:08 +0000</pubDate>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[ambiguous timeline]]></category>
		<category><![CDATA[belonging and identity]]></category>
		<category><![CDATA[Cannes short film]]></category>
		<category><![CDATA[cinematic shadows and mirrors]]></category>
		<category><![CDATA[coming-of-age grief]]></category>
		<category><![CDATA[debut feature film]]></category>
		<category><![CDATA[dressing up and grief]]></category>
		<category><![CDATA[emotional landscape]]></category>
		<category><![CDATA[family drama]]></category>
		<category><![CDATA[female director]]></category>
		<category><![CDATA[Forastera]]></category>
		<category><![CDATA[Forastera meaning]]></category>
		<category><![CDATA[Forastera movie]]></category>
		<category><![CDATA[Ghost Story]]></category>
		<category><![CDATA[grandmother ghost]]></category>
		<category><![CDATA[grief film]]></category>
		<category><![CDATA[grief projection]]></category>
		<category><![CDATA[grief transformation]]></category>
		<category><![CDATA[haunting memory]]></category>
		<category><![CDATA[Lucía Aleñar Iglesias]]></category>
		<category><![CDATA[Mallorca film]]></category>
		<category><![CDATA[Marta Angelat]]></category>
		<category><![CDATA[processing loss]]></category>
		<category><![CDATA[sensorial filmmaking]]></category>
		<category><![CDATA[sister relationships]]></category>
		<category><![CDATA[Spanish Cinema]]></category>
		<category><![CDATA[summer film]]></category>
		<category><![CDATA[supernatural drama]]></category>
		<category><![CDATA[TIFF premiere]]></category>
		<category><![CDATA[Toronto International Film Festival 2025]]></category>
		<category><![CDATA[Zoe Stein]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54049</guid>

					<description><![CDATA[<div><img width="300" height="169" src="https://www.hammertonail.com/wp-content/uploads/2025/09/Lucia-300x169.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2025/09/Lucia-300x169.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2025/09/Lucia-1024x576.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2025/09/Lucia-768x432.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2025/09/Lucia-1536x864.jpg 1536w, https://www.hammertonail.com/wp-content/uploads/2025/09/Lucia.jpg 1920w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>Despite having its world premiere on the heels of summer, Forastera – Lucía Aleñar Iglesias’ debut feature film – takes place over a long, winding summer full of beach days, sunbathing, and a sudden tragedy. As we grieve the end [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/forastera/">A Conversation with Lucía Aleñar Iglesias (FORASTERA)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<title>A Conversation with Laurynas Bareiša (DROWNING DRY)</title>
		<link>https://www.hammertonail.com/interviews/laurynas-bareisa/</link>
		
		<dc:creator><![CDATA[Kaitlyn Hardy]]></dc:creator>
		<pubDate>Thu, 31 Jul 2025 19:32:38 +0000</pubDate>
				<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Best Director award]]></category>
		<category><![CDATA[cinematic authenticity]]></category>
		<category><![CDATA[Drowning Dry]]></category>
		<category><![CDATA[family drama]]></category>
		<category><![CDATA[film direction]]></category>
		<category><![CDATA[filmmaking techniques]]></category>
		<category><![CDATA[improvisation in acting]]></category>
		<category><![CDATA[independent cinema]]></category>
		<category><![CDATA[Laurynas Bareiša]]></category>
		<category><![CDATA[Lithuanian Cinema]]></category>
		<category><![CDATA[Locarno Film Festival 2024]]></category>
		<category><![CDATA[memory in cinema]]></category>
		<category><![CDATA[nonlinear storytelling]]></category>
		<category><![CDATA[psychological film]]></category>
		<category><![CDATA[trauma and memory]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=53664</guid>

					<description><![CDATA[<div><img width="300" height="188" src="https://www.hammertonail.com/wp-content/uploads/2025/07/laurynas-bareisa-asmeninio-albumo-nuotr-67cbb51f49e29-300x188.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2025/07/laurynas-bareisa-asmeninio-albumo-nuotr-67cbb51f49e29-300x188.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2025/07/laurynas-bareisa-asmeninio-albumo-nuotr-67cbb51f49e29-768x482.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2025/07/laurynas-bareisa-asmeninio-albumo-nuotr-67cbb51f49e29.jpg 860w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>Memory flows like water – delicate and elusive.  Sometimes disrupted by a person stepping into it, or by a sudden change in its calmness,  like a rock thrown in, causing ripples that affect its established course. It has the power [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/laurynas-bareisa/">A Conversation with Laurynas Bareiša (DROWNING DRY)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<title>A Conversation with Chelsea Greene &#038; Rob Grobman (WE ARE GUARDIANS)</title>
		<link>https://www.hammertonail.com/interviews/greene-grobman-guardians/</link>
		
		<dc:creator><![CDATA[Kaitlyn Hardy]]></dc:creator>
		<pubDate>Tue, 15 Jul 2025 18:24:34 +0000</pubDate>
				<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Amazon Rainforest deforestation]]></category>
		<category><![CDATA[Amazon Rainforest fires]]></category>
		<category><![CDATA[Amazon rainforest protection]]></category>
		<category><![CDATA[biodiversity conservation]]></category>
		<category><![CDATA[Brazil deforestation crisis]]></category>
		<category><![CDATA[Chelsea Greene filmmaker]]></category>
		<category><![CDATA[climate change Amazon]]></category>
		<category><![CDATA[corporate deforestation responsibility]]></category>
		<category><![CDATA[Edivan Guajajara co-director]]></category>
		<category><![CDATA[environmental documentary]]></category>
		<category><![CDATA[Forest Guardians Brazil]]></category>
		<category><![CDATA[how to save the Amazon Rainforest]]></category>
		<category><![CDATA[illegal logging Amazon]]></category>
		<category><![CDATA[Indigenous activists Brazil]]></category>
		<category><![CDATA[Indigenous rights Amazon]]></category>
		<category><![CDATA[Lula vs Bolsonaro environment]]></category>
		<category><![CDATA[Marçal Guajajara]]></category>
		<category><![CDATA[Puyr Tembé]]></category>
		<category><![CDATA[Rob Grobman director]]></category>
		<category><![CDATA[We Are Guardians documentary]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=53540</guid>

					<description><![CDATA[<div><img width="300" height="200" src="https://www.hammertonail.com/wp-content/uploads/2025/07/We-Are-Guardians-33-300x200.jpeg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2025/07/We-Are-Guardians-33-300x200.jpeg 300w, https://www.hammertonail.com/wp-content/uploads/2025/07/We-Are-Guardians-33-1024x683.jpeg 1024w, https://www.hammertonail.com/wp-content/uploads/2025/07/We-Are-Guardians-33-768x512.jpeg 768w, https://www.hammertonail.com/wp-content/uploads/2025/07/We-Are-Guardians-33-1536x1025.jpeg 1536w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>Just one year ago, more than 44.2 million acres of the Amazon Rainforest were burned in a devastating forest fire. The destruction was overwhelming, but unfortunately, was not the first tragedy the rainforest has faced. Since the 1970s, almost 20% [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/greene-grobman-guardians/">A Conversation with Chelsea Greene &#038; Rob Grobman (WE ARE GUARDIANS)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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