Scott Rudin Archives - Hammer to Nail https://www.hammertonail.com/tag/scott-rudin/ What to Watch Tue, 09 Jan 2024 20:16:47 +0000 en-US hourly 1 https://wordpress.org/?v=6.9.4 https://www.hammertonail.com/wp-content/uploads/2020/01/cropped-logo02-1-32x32.png Scott Rudin Archives - Hammer to Nail https://www.hammertonail.com/tag/scott-rudin/ 32 32 Interview: A Conversation With Kelly Reichardt https://www.hammertonail.com/interviews/kelly-reichardt/ Fri, 13 Mar 2020 18:45:01 +0000 https://www.hammertonail.com/?p=32415

I recently spoke with director Kelly Reichardt by phone about her new film First Cow, which premiered at the 2019 Telluride Film Festival (our Matt Delman reviewed it following the subsequent New York Film Festival) and is now finally rolling […]

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]]> MID90S https://www.hammertonail.com/shorts-contest/mid90s-review/ Tue, 11 Sep 2018 20:40:56 +0000 http://www.hammertonail.com/?p=30117

(The 2018 Toronto International Film Festival runs September 6-16 in, you guessed it, Toronto, Canada. Hammer to Nail has boots on the ground in the form of lead critic Chris Reed and Matt Delman. They’re excited to bring you some amazing reviews so stay tuned!) […]

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]]> THE SHADOW OF ST. PATRICK’S by Noah Buschel https://www.hammertonail.com/editorial/essays/the-shadow-of-st-patrick%e2%80%99s-by-noah-buschel/ Wed, 17 Feb 2010 19:49:32 +0000 http://www.hammertonail.com/?p=1014 It was John Cassavetes, or so the story goes, who told Martin Scorsese to make personal films. Cassavetes had just watched Boxcar Bertha, and while he appreciated it for what it was—a solid Roger Corman B movie—he knew Scorsese had […]

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]]> Barry Sonnenfeld’s Cinematography Master Class at 2009 HIFF https://www.hammertonail.com/editorial/essays/barry-sonnenfeld%e2%80%99s-cinematography-master-class-at-2009-hiff/ Tue, 14 Apr 2009 11:40:21 +0000 http://www.hammertonail.com/?p=2934 Barry Sonnenfeld hates panning. Throughout his hour-long Kodak-sponsored Cinematography Master Class at the 2009 Hamptons International Film Festival (moderated by the Museum of Moving Image’s Chief Curator David Schwartz), Sonnenfeld pummeled that particular technique-of-the-trade into submission. “That’s why movies are […]

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