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CINEDOCUMUSICVIDEOS

Aside from being three of my own personal most eagerly anticipated releases of 2011, Kurt Vile’s Smoke Ring for My Halo, Fleet Foxes’s Helplessness Blues, and Cass McCombs’s Wit’s End don’t have any overt stylistic connections—other than qualifying as the proverbial “good rock music,” that is. Vile’s sound reeks of the stoned, hazy dude next door who’s actually a virtuosic guitarist with an unconscious knack for melody; Fleet Foxes’s hauntingly gorgeous harmonies float along like a choir wandering through the woods; and McCombs’s cryptic confessionals chug to a sparse, Motown-esque groove. But based on the evocative videos accompanying the first tracks from their new records, an aesthetic spiritual kinship does emerge. Each video incorporates different blends of archival and/or shot-to-look-archival documentary footage that brings the nostalgic elements of the music to the forefront. The results are impressively cinematic. Witness for yourselves (and be sure to take my warning about the Cass McCombs video to heart):

Kurt Vile “Jesus Fever” (dir. Ricardo Rivera)

Kurt Vile

Fleet Foxes “Grown Ocean” (dir. Sean Pecknold)

Cass McCombs “County Line” (unofficial video ???)

WATCH IT RIGHT HERE [***WARNING: Though we’re talking about a music video here, this is a truly harrowing depiction of the hopeless pit of drug addiction that conveys a lifetime of sorrow in five minutes, so proceed with caution. For my money, it’s the very best of the bunch.***]

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Michael Tully is an award-winning writer/director whose films have garnered widespread critical acclaim, his projects having premiered at some of the most renowned film festivals across the globe. He is also the former (and founding) editor of this site. In 2006, Michael's first feature, COCAINE ANGEL, chronicling a tragic week in the life of a young drug addict, world premiered at the International Film Festival Rotterdam. The film immediately solidified the director as one of Filmmaker Magazine’s "25 New Faces of Independent Film,” a reputation that was reinforced a year later when his follow-up feature, SILVER JEW, a documentary capturing the late David Berman's rare musical performances in Tel Aviv, world-premiered at SXSW and landed distribution with cult indie-music label Drag City. In 2011, Michael wrote, directed, and starred in his third feature, SEPTIEN, which debuted at the 27th annual Sundance Film Festival before being acquired by IFC Films' Sundance Selects banner. A few years later, in 2014, Michael returned to Sundance with the world premiere of his fourth feature, PING PONG SUMMER, an ‘80s set coming-of-age tale that was quickly picked up for theatrical distribution by Gravitas Ventures. In 2018, Michael wrote and directed the dread-inducing genre film DON'T LEAVE HOME, which has been described as "Get Out with Catholic guilt in the Irish countryside" (IndieWire). The film premiered at SXSW and was subsequently acquired by Cranked Up Films and Shudder.

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