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Pick of the Week

Sálo, or The 120 Days Of Sodom (Criterion) — Pier Paolo Passolini pulled no punches in his work, but the notorious Sálo stands apart; 36 years after its release, it remains a portrait of cruelty and suffering that is unrivaled in the cinema. Of course, unlike many filmmakers who depict torture in a voyeuristic way, Passolini’s choice was purely political; how better to expose the degradation of Italian life under fascism? A full review of Criterion’s new Blu-ray edition, loaded with extra features, will appear next week, but don’t wait for us. Get it now. (Tom Hall)

Recommended

Buck (MPI Home Video) — Read Susanna Locascio’s HTN review of Cindy Meehl’s guaranteed crowd-pleasing documentary about horse trainer and people learner Buck Brannaman. Available on DVD.

The Juche Idea (Lorber Films) — I’m not sure if it’s a) Jim Finn’s ingenuity as a filmmaker; b) Kim Jong Il’s outlandishly hokey propaganda tactics; or c) my own embarrassingly broad political ignorance, but trying to distinguish between fact and fiction in Finn’s latest mini-feature, The Juche Idea (62 minutes), is a confounding task. Are there really artist retreats in North Korea that house outsiders like the South Korean video maker that is profiled here, in which the North Korean ideology of “The Juche Idea”—based around the importance of political independence and economic self-reliance—is fostered? (No way.) Did Jong Il really devote so much time to writing film theory? (Yes way.) Are those the correct subtitled translations of those old movie clips or have they been reworked by Finn to best serve his purposes? (Maybe way?) While I think I understood what was what while watching The Juche Idea, I also can’t deny that my head was tilted to the side, locked in a state of pleasant bafflement throughout (note: this is a very good thing). Read my full review. Available on DVD.

I’m a Cyborg, But That’s OK (Pathfinder Home Entertainment) — Available on DVD.

Beijing Taxi (Passion River Films) — Available on DVD.

New/Old to DVD/Blu-ray Picks of the Week

Pulp Fiction (Lionsgate/Miramax) — Available on Blu-ray.

Jackie Brown (Lionsgate/Miramax) — Available on Blu-ray.

Harakiri (Criterion) — Available on Blu-ray.

Pee Wee’s Big Adventure (Warner Bros.) — Available on Blu-ray.

Dead Alive (Lionsgate) — Available on Blu-ray.

Have Not Seen Yet But Really/Kinda/Sorta/Maybe Wanna

Amer (Olive Films) — Available on DVD and Blu-ray.

Submarine (Anchor Bay) — Available on DVD and Blu-ray.

Little Sparrows (Film Movement) — Available on DVD.

Friday Night Lights: The Complete Series (Universal) — Available in a Very-Multi-Disc Set.

Ken Burns: Prohibition (PBS) — Available on DVD and Blu-ray.

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Michael Tully is an award-winning writer/director whose films have garnered widespread critical acclaim, his projects having premiered at some of the most renowned film festivals across the globe. He is also the former (and founding) editor of this site. In 2006, Michael's first feature, COCAINE ANGEL, chronicling a tragic week in the life of a young drug addict, world premiered at the International Film Festival Rotterdam. The film immediately solidified the director as one of Filmmaker Magazine’s "25 New Faces of Independent Film,” a reputation that was reinforced a year later when his follow-up feature, SILVER JEW, a documentary capturing the late David Berman's rare musical performances in Tel Aviv, world-premiered at SXSW and landed distribution with cult indie-music label Drag City. In 2011, Michael wrote, directed, and starred in his third feature, SEPTIEN, which debuted at the 27th annual Sundance Film Festival before being acquired by IFC Films' Sundance Selects banner. A few years later, in 2014, Michael returned to Sundance with the world premiere of his fourth feature, PING PONG SUMMER, an ‘80s set coming-of-age tale that was quickly picked up for theatrical distribution by Gravitas Ventures. In 2018, Michael wrote and directed the dread-inducing genre film DON'T LEAVE HOME, which has been described as "Get Out with Catholic guilt in the Irish countryside" (IndieWire). The film premiered at SXSW and was subsequently acquired by Cranked Up Films and Shudder.

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